Virus Testing in the U.S. Is Dropping As Deaths Climb
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Btb Independent Article
The Independent – Student – News http://www.independent.co.uk/student/news/bournemouth-graduates-celebrating-oscar- glory-for-their-work-on-gravity-9168893.html Bournemouth graduates celebrating Oscar glory for their work on 'Gravity' by JOE NERSSESSIAN on Tuesday 04 March 2014 Graduates from two Bournemouth Universities are celebrating this week after Gravity picked up seven Oscars at Sunday’s ceremony. 50 Animation and Film graduates from Bournemouth University (BU) and Arts University Bournemouth (AUB) worked on the visual effects part of the film for London-based company, Framestore. The work undertaken by the graduates was specifically recognised as the movie claimed a technical award for Visual Effects, and also won a BAFTA in the same category last month. Framestore, whose senior representatives collected the Oscar at the 86th Academy Awards, are world leaders in visual effects and have an outpost on the AUB campus, where some of the work was completed. The outpost is “very important” to students' development, according to the lecturer in animation at BU, Adam Redford, who also spent six months working on the film. “It can be a great opportunity for graduates to get their first job, and first taste of proper industry experience by working there,” Adam told The Bournemouth Rock. ”I felt really proud to have been involved in a film that won so many awards, especially for the visual effects. It’s a good feeling to know that you have had some input, however small, into something that has been received so positively by the visual effects community and the general public,” said Adam. -
Anthropocenema: Cinema in the Age of Mass Extinctions 2016
Repositorium für die Medienwissenschaft Selmin Kara Anthropocenema: Cinema in the Age of Mass Extinctions 2016 https://doi.org/10.25969/mediarep/13476 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Kara, Selmin: Anthropocenema: Cinema in the Age of Mass Extinctions. In: Shane Denson, Julia Leyda (Hg.): Post-Cinema. Theorizing 21st-Century Film. Falmer: REFRAME Books 2016, S. 750– 784. DOI: https://doi.org/10.25969/mediarep/13476. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ 6.2 Anthropocenema: Cinema in the Age of Mass Extinctions BY SELMIN KARA Alfonso Cuarón’s sci-fi thriller Gravity (2013) introduced to the big screen a quintessentially 21st-century villain: space debris. The spectacle of high- velocity 3D detritus raging past terror-struck, puny-looking astronauts stranded in space turned the Earth’s orbit into not only a site of horror but also a wasteland of hyperobjects,[1] with discarded electronics and satellite parts threatening everything that lies in the path of their ballistic whirl (see Figure 1). While the film made no environmental commentary on the long-term effect of space debris on communication systems or the broader ecological problem of long-lasting waste materials, it nevertheless projected a harrowing vision of technological breakdown, which found a thrilling articulation in the projectile aesthetics of stereoscopic cinema. -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
Conformance of Social Media As Barometer of Public Engagement
S.© Moon: 2016 by Conformance the authors; oflicensee Social RonPubMedia as, L Barometerübeck, Germany. of Public This Engagement article is an open access article distributed under the terms and conditions of the Creative Commons Attribution license (http://creativecommons.org/licenses/by/4.0/). Open Access Open Journal of Big Data (OJBD) Volume 2, Issue 1, 2016 www.ronpub.com/ojbd ISSN 2365-029X Conformance of Social Media as Barometer of Public Engagement Songchun Moon A, B A College of Business, KAIST, 85 Hoegi, Dongdaemun, Seoul, South Korea, [email protected] B School of Computing Sciences, Newcastle University, Newcastle upon Tyne NE1 7RU, United Kingdom, [email protected] ABSTRACT There have been continuously a number of expectations: Social media may play a role of indicator that shows the degree of engagement and preference of choices of users toward music or movies. However, finding appropriate software tools in the market to verify this sort of expectation is too costly and complicated in their natures, and this causes a number of difficulties to attempt technical experimentation. A convenient and easy tool to facilitate such experimentation was developed in this study and was used successfully for performing various measurements with regard to user engagement in music and movies. TYPE OF PAPER AND KEYWORDS Research paper: Social media, user engagement, user preference, music, movie, Twitter 1 INTRODUCTION or enterprises involved in the analysis of user behaviours are just not willing to disclose any details 1.1 Background about their findings on the correlation between users’ particular activities and viewership changes. Although there are a lot of wordings and hypes around Talking with details about this phenomenon how to analysis user behaviors related to the use of prevailing in these industries, G. -
Franz Drameh
www.hamiltonhodell.co.uk Franz Drameh Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company THE INTERGALACTIC ADVENTURES OF MAX CLOUD Cowboy Martin Owen Goldfinch Science Fiction Ltd TWIST Batesy Martin Owen Unstoppable Entertainment THE GENTLEMEN Benny Guy Ritchie Miramax A HUNDRED STREETS Kingsley Jim O'Hanlon Kreo Films LEGACY Sean Mason Marc Small/Davie Fairbanks Unstoppable Entertainment RESIDUE Willy G Alex Garcia Lopez Matador Pictures EDGE OF TOMORROW Ford Doug Liman Rocklock Films NOW IS GOOD Tommy Ol Parker Blueprint Pictures ATTACK THE BLOCK Winner of the Audience Award, LA Film Festival, 2011 Winner of the Midnight Screeners Audience Award, South By Southwest Film Festival, Dennis Joe Cornish Big Talk Pictures 2011 Nominated for the Best Film Award, South Bank Sky Arts Awards, 2012 HEREAFTER Hoodie Clint Eastwood Warner Brothers RIGHT SIDE OF GOD Justin Donaldson BE GOOD Older Boy Barney Cokeliss RSA Films THERE FOR ME Kid Sally Aprahamian Axiom Films Television Title Role Director Production Company THE EDGE OF SLEEP Matteo Leon Corey Adams Jesse Savath SEE Series 1 & 2 Boots Various Chernin Entertainment/Apple TV Firestorm/Jefferson 'Jax' Jackson VIXEN Series 2 Various CW Seed (Voice) DC Entertainment/Warner Bros. DC'S LEGENDS OF TOMORROW Jefferson 'Jax' Jackson Various Television/The CW DC Entertainment/Warner Bros. THE FLASH Series 2 Jefferson 'Jax' Jackson Various -
Taking Advantage of Campus Resources
2 WELCOME TITANS 2019 OPINION MONDAY AUGUST 26 - THURSDAY AUGUST 29, 2019 Column: Transfer students are unaware of resources Coming from a junior college, office hours and knowing your profes- I wish I knew all of the things sors, being aware and taking advantage CSUF had to offer. of all the resources available to students and getting involved in the community on campus. At FC, I managed to make it through my entire freshman and sophomore years avoiding my professors like the plague outside of the classroom. I quickly learned after transferring, that those sacred hours a professor sets aside for students to meet with them could make the difference of a letter grade. JENNIFER HO / DAILY TITAN JENNIFER BARRACLOUGH When it comes to resources, we al- Asst. Editor ready pay thousands of dollars in tuition, however I have talked to so many other As a transfer student at Cal State Ful- students who do not utilize the resources lerton, I am a seasoned veteran in the provided on campus. sense that I have years of college expe- It was not until my senior year here rience, unlike most freshmen on campus. that I even heard about the Health Ser- Yet, nobody prepared me for the transi- vices, which offers free or discounted Please join the tion from a community college to a uni- health care, and Counseling and Psy- versity and the challenges that came with chological Services, which provides free Sales Leadership Center it. therapy. Transfering to CSUF was rough. From Finding other people with similar in- (SLC) Fall Semester Kick-Off a larger campus to different academ- terests and goals is the best way to ic standards and expectations, there are feel comfortable on a new campus. -
Twitter Or Facebook? Which Data Is Most Indicative for Movie Sales?
TWITTER OR FACEBOOK? WHICH DATA IS MOST INDICATIVE FOR MOVIE SALES? Word count: 11,677 Lore Aelter Student number: 01201548 Michiel Vanluchene Student number: 01206078 Supervisor: Prof. dr. Dirk Van den Poel Master’s Dissertation submitted to obtain the degree of: Master of Science in Business Engineering Academic year: 2016 - 2017 TWITTER OR FACEBBOK? WHICH DATA IS MOST INDICATIVE FOR MOVIE SALES? Word count: 11,677 Lore Aelter Student number: 01201548 Michiel Vanluchene Student number: 01206078 Supervisor: Prof. dr. Dirk Van den Poel Master’s Dissertation submitted to obtain the degree of: Master of Science in Business Engineering Academic year: 2016 - 2017 Deze pagina is niet beschikbaar omdat ze persoonsgegevens bevat. Universiteitsbibliotheek Gent, 2021. This page is not available because it contains personal information. Ghent Universit , Librar , 2021. ii Preface This thesis is not only the written version of our research but also the culmination of our training as business engineers. It concludes an intense, educational and wonderful five years at Ghent university. As we both mastered in Operations Management, opting for a master’s thesis in the field of Data Analytics was not straightforward. However, we both wanted to broaden our scope by deepening ourselves in an area we were unfamiliar with. At the start of this thesis, we want to express our gratitude to the people without whom this project could not have been successful. First and foremost, we want to thank Matthias Bogaert, who guided us every step of the way, and who was always willing to answer our questions and give thorough feedback. We also appreciate the opportunity Prof. -
From Girlfriend to Gamer: Negotiating Place in the Hardcore/Casual Divide of Online Video Game Communities
FROM GIRLFRIEND TO GAMER: NEGOTIATING PLACE IN THE HARDCORE/CASUAL DIVIDE OF ONLINE VIDEO GAME COMMUNITIES Erica Kubik A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Committee: Radhika Gajjala, Advisor Amy Robinson Graduate Faculty Representative Kristine Blair Donald McQuarie ii ABSTRACT Radhika Gajjala, Advisor The stereotypical video gamer has traditionally been seen as a young, white, male; even though female gamers have also always been part of video game cultures. Recent changes in the landscape of video games, especially game marketers’ increasing interest in expanding the market, have made the subject of women in gaming more noticeable than ever. This dissertation asked how gender, especially females as a troubling demographic marking difference, shaped video game cultures in the recent past. This dissertation focused primarily on cultures found on the Internet as they related to video game consoles as they took shape during the beginning of the seventh generation of consoles, between 2005 and 2009. Using discourse analysis, this dissertation analyzed the ways gendered speech was used by cultural members to define not only the limits and values of a generalizable video game culture, but also to define the idealized gamer. This dissertation found that video game cultures exhibited the same biases against women that many other cyber/digital cultures employed, as evidenced by feminist scholars of technology. Specifically, female gamers were often perceived as less authoritative of technology than male gamers. This was especially true when the concept “hardcore” was employed to describe the ideals of gaming culture. -
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PITCH DOC the Working Title of the Show Is “Chicks and Dicks.” But
PITCH DOC The working title of the show is “Chicks and Dicks.” But obviously this isn’t France, so we’ll have to change it. This is a modern Battle of the Sexes, an Anti- Sex and the City, a reverse Three’s Company. It’s the story of a clueless single girl moving into an apartment with three single guys. But what’s does the “Battle of the Sexes” look like right now? We live in a time when guys act like girls and girls act like guys- tight jeans, crying in public, dieting aka. becoming a vegan, these all used to be our thing. Now a lot of girls I know are dirty, hairy beasts who never want to have kids. A lot has changed. But also nothing has changed. Women are still emotional wrecks who can’t park and men are still horny bastards who are really good at opening jars. I want to take the idea behind “When Harry Met Sally…” without the ending. Can men and women just be friends?” Yeah. Sure. Slate magazine reported last week that 1 out of 10 people ages 25 to 34 said that they have a best friend- not just a friend, a best friend- of the opposite sex. Cool. But what does that look like? I’m writing this show for my guy friends Matteo, Jeff, and Jay who read all the text messages, Facebook messages, and phone messages from the men in my life. What does it mean if a guy does blank? The answer lies somewhere between “He’s Trying to Have Sex with You” and “Stop Calling Him. -
Announcing REEL CHANGE: the Fund for Diversity in Film Scoring
FOR IMMEDIATE RELEASE Press Contact: Brigid Pierce, New Music USA [email protected] More Information: newmusicusa.org Announcing REEL CHANGE: The Fund for Diversity in Film Scoring powered by SESAC and Christophe Beck and managed by New Music USA New York, NY (October 27, 2020) – New Music USA announces the launch of Reel Change: The Fund for Diversity in Film Scoring, powered by SESAC and composer Christophe Beck, and administered by New Music USA. Responding to the fact that the vast majority of films are scored by white men, Reel Change is a five-year grants and mentorship program for composers of diverse backgrounds who have been marginalized in film composition. This fund – which is now accepting applications from US-based composers – supports film projects currently in production, where additional funding and mentoring would help composers at a pivotal moment in their careers. Four to six grants averaging $20,000 will be allocated each year of the program. Supportable expenses include composer compensation, musician fees, recording and sound mastering fees, studio expenses, orchestration, production equipment, and more. Applications will be reviewed on a rolling timeline by an advisory board made up of leading composers of film music, including Christophe Beck, Jongnic “JB” Bontemps, Kris Bowers, Miriam Cutler, Chanda Dancy, Tony Morales, and Pinar Toprak. Members of this advisory board will offer additional support and mentorship for interested applicants. Information and applications are available here. _____________________________________________________________________________________ Composer Christophe Beck says: “For too long, the community of composers who create scores for Hollywood films has been dominated by white men. Throughout my career, I’d been aware of this and told myself that someday, I’d like do something about it. -
Tom Cruise Suffered from Dyslexia He Was an Athlete Even Though He Had Dyslexia
By: Max Kaplan & Tess Baron Thomas Cruise was born on July 3,1962. His dad Thomas Cruise was an electric engineer, and his mom Mary Cruise was an amateur actress and school teacher. Cruises parents divorced when he was 11. He moved in with his mother in louisvelle Kentucky and then the mother remarried and moved to Glen Ridge New Jersey. Tom cruise suffered from dyslexia he was an athlete even though he had dyslexia. He had a better career at home on the stage. He set a 10 year deadline for his acting carrier. His first appearance in a film was a movie called Endless Love(1981). Tom Cruise’s next film Risky Business (1983) grossed $65 million. It also made cruise a very well recognizable actor. Cruise’s movie Top Gun co-stared Kelly Mcgillis, Anthony Edwards, and Meg Ryan. Tom Cruise's also co-stared with Paul Newman in Color of Money(1986). One of cruise’s biggest hits was mission impossible he’s played in 5 mission impossible. The names of all the Mission impossible’ are Mission impossible (1996), Mission impossible II (2000), Mission impossible III (2006), Mission impossible Ghost Protocol (2011) Mission impossible Rogue Nation (2015). His disability was dyslexia , dyslexia means that you can’t read or learn as easily as other kids. Tom Cruise did not want his fellow classmates to find out about his dyslexia. Cruise used an program called study technology so he can learn how to learn. His accomplishment was learning how to study all by himself. Tom Cruise refused for his dyslexia to get in the way of his career.