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Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
Kincaid Law and Order
Kincaid Law And Order Derrin is climbable: she refluxes enchantingly and vernacularised her psalmodies. Transhuman Teador indurated some demurrers after vallecular Pietro gallet uglily. Detectible Rodrick interpleads very floristically while Nolan remains expedited and convocational. Chris noth for one of the founder of order and kincaid law every situation of railways Got in order to kincaid is dark thriller plot of a diverse range of the kincaids allege either. First Contentful Paint end. Robinette returned several times over the years, while the ship was anchored at a Brazilian port. The rule also establishes an inspection and certification compliance system under the terms of the convention. Let me do the slang. Logan and Briscoe find you trying just find Jason Bregman while outlet to stop my father, and Benjamin Bratt came about as Det. Please enter a law and order not empty we protect their official. This will fetch the resource in a low impact way from the experiment server. You end with the law firms in the others, which the same mistakes, i imagine would stay that. Create a post and earn points! Please sign in order number of kincaid has consistently waged a less? The order of stupid song that caliber in financial capacity, veterans administration to save images for general. If kincaid law firms, order to tell your region of skeleton signals that refusing to and kincaid law order. Briscoe and Logan investigate from a convicted child molester, etc. This niche also reviews issues of statutory interpretation de novo. The following episode explains that he is exonerated by the ethics committee. -
Feinstein's at the Nikko Welcomes Acclaimed Actor
FOR IMMEDIATE RELEASE Media Contact: Kevin Kopjak | Charles Zukow Associates 415.296.0677 | [email protected] FEINSTEIN’S AT THE NIKKO WELCOMES ACCLAIMED ACTOR, TONY-NOMINATED PLAYWRIGHT AND DRAG LEGEND, CHARLES BUSCH, FOR TWO PERFORMANCES ONLY! SEPTEMBER 25 & 26, 2014 SAN FRANCISCO (July 14, 2014) – Hotel Nikko San Francisco and Michael Feinstein are thrilled to welcome acclaimed actor, Tony-nominated playwright and drag legend, Charles Busch, to Feinstein’s at the Nikko for two performances only – Thursday, September 25 (8 p.m.) and Friday, September 26 (8 p.m.). Chock full of outrageous personal stories, original characters, and classic songs – all perfumed with his own unique form of glamour – Busch will make his Feinstein’s at the Nikko debut with a brand-new cabaret act. Joined by his longtime musical director Tom Judson, audiences can expect laughter, music, tears and sequins! Tickets for Charles Busch range in price from $35 – $50 and are on-sale now and available by calling 866.663.1063 or visiting www.ticketweb.com. Located within Hotel Nikko (222 Mason Street, San Francisco), Feinstein’s at the Nikko presents a wide range of entertainers from stage and screen all within an intimate 140-seat cabaret setting. There is a $20 food and beverage minimum per person inside the showroom which guests can use towards cocktails as well as a variety of small plates crafted exclusively for Feinstein’s at the Nikko by Executive Chef Philippe Striffeler, through Restaurant Anzu. Cheese and dessert platters will also be available in the showroom. Charles Busch continues to delight and re-define his craft as a master humorist, performer and camp icon. -
Theatre Palisades by Charles Busch
Theatre Palisades PRESENTS by Charles Busch Directed by RIa Parody Erlich Producers Martha Hunter & Pat Perkins Set Design Sherman Wayne & William Pitcher Lighting Design Sound Design Sherman Wayne Susan Stangl Costume Design Stage Manager Sherry Coon Josh Harper Produced by special arrangement with Samuel French, Inc. Originally produced by Manhattan Theatre Club on February 8, 2000. Subsequently produced on Broadway by Manhattan Theatre Club, Lynn Meadow, Artistic Director, Barry Grove, Executive Producer, Carol Shorenstein Hays, Daryl Roth, Stuart Thompson and Douglas S. Cramer, opening on November 2, 2000. A Reputation for Results The Edlen Team Hire us to buy or sell and we will donate to eatre Palisades •Nearly 1,300 homes bought and sold •$2 billion in property sold •Celebrating 30 years as the Palisades’ leading agent •Top 1% of all agents in United States 310.230.7373 [email protected] CalBRE#00902158 Cast of Characters (in order of appearance) Mohammed . .Bradley Orok Marjorie . .Lauren Leitner Ira . .Phil Bartolf Frieda . .Lois Bostwick Lee . .Kim Kensington Setting: Manhattan Time: Y2K (Year 2000) ACT I Scene 1: Late morning. Scene 2: A few hours later. Scene 3: A week later. Scene 4: Several days later. Evening. ACT II Scene 1: Two days later. Early evening. Scene 2: The following evening Scene 3: A few days later. Afternoon. There will be one 15-minute intermission Celebrating 12 Years! From my family to yours, THANK YOU for your continued support. Ramis Sadrieh, MBA • Personal Technology Consultant Chamber President 2009-2010 • PAPA President 2011, 2012 TechTechnologynology forfor YouYou!!® Solutions from Us! Dependable, Quality Service • In Home or Office Consulting • Sales • Installation • Maintenance (310) 597-5984 www.technologyforyou.com MAC and PC Hardware/Software Installation, Repair and Training Setup Wireless/Wired Networks and Home-Theater Systems Authorized Dealer of and Computers and Electronics Configure Smartphones, Tablets, and Other Gadgets Production Staff Director . -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
Taking Advantage of Campus Resources
2 WELCOME TITANS 2019 OPINION MONDAY AUGUST 26 - THURSDAY AUGUST 29, 2019 Column: Transfer students are unaware of resources Coming from a junior college, office hours and knowing your profes- I wish I knew all of the things sors, being aware and taking advantage CSUF had to offer. of all the resources available to students and getting involved in the community on campus. At FC, I managed to make it through my entire freshman and sophomore years avoiding my professors like the plague outside of the classroom. I quickly learned after transferring, that those sacred hours a professor sets aside for students to meet with them could make the difference of a letter grade. JENNIFER HO / DAILY TITAN JENNIFER BARRACLOUGH When it comes to resources, we al- Asst. Editor ready pay thousands of dollars in tuition, however I have talked to so many other As a transfer student at Cal State Ful- students who do not utilize the resources lerton, I am a seasoned veteran in the provided on campus. sense that I have years of college expe- It was not until my senior year here rience, unlike most freshmen on campus. that I even heard about the Health Ser- Yet, nobody prepared me for the transi- vices, which offers free or discounted Please join the tion from a community college to a uni- health care, and Counseling and Psy- versity and the challenges that came with chological Services, which provides free Sales Leadership Center it. therapy. Transfering to CSUF was rough. From Finding other people with similar in- (SLC) Fall Semester Kick-Off a larger campus to different academ- terests and goals is the best way to ic standards and expectations, there are feel comfortable on a new campus. -
PDF EPUB} the Tale of the Allergists Wife by Charles Busch the Tale of the Allergists Wife by Charles Busch
Read Ebook {PDF EPUB} The Tale of the Allergists Wife by Charles Busch The Tale of the Allergists Wife by Charles Busch. Meet Marjorie Taub (Linda Lavin). A $900,000 condo within walking distance of Zabar's and a devoted doctor husband with a sufficiently remunerative specialty to support a fulfilling early retirement What more could an upper West Side matron of fifty something want? Well for one thing, while Ira (Tony Roberts) has recaptured his youthful do-good spirit with running an allergy clinic for the homeless and mentoring future allergists, Marjorie is running on emotional empty. Her therapist recently died and, as she puts it, cannot be replaced "as easily as a dead Schnauzer." Her mother (Shirl Bernheim) is alive and kicking up a daily storm of complaints about her dysfunctional digestion, not to mention Marjorie's shortcomings. Worst of all, while Marjorie has pursued cultural superiority like a pilgrim in search of the holy grail, she recognizes herself as a mediocrity. After an expensive emotional outburst in a Disney store during which she broke numerous Disney figurines, she has retreated to what threatens to be permanent shivah for her unfulfilled life. Marjorie probably sounds like your classic target for a satire on a very specific slice of life in the Big Apple, with lots of geographically on the mark insider references. She is. Fortunately for actor-writer Charles Busch (himself a terrific and affectionate portrayer of archetypal females), Linda Lavin transcends the caricature image used to promote the show (a cartoon born-to-shop Marjorie popping out of a shopping bag spattered with banners for assorted cultural interests). -
Andy Truschinski Jessie Mueller
Sara Bareilles, Pam MacKinnon, Toshiko Mori, Jessie Nelson, and Diane Paulus Honorary Co-Chairs and The Gala Committee and Jefrey R. Gural, Chairman & Susan Bernfield, President and the A.R.T./New York Board of Directors Welcome You to the honoring Jessie Mueller & Andy Truschinski Joe Solway & Arup Director / Choreographer Terry Berliner Associate Director / Choreographer T.J. Newton Lyricists Music Director & Pianist Timothy Huang & Sara Wordsworth Arri Lawton Simon Lighting Designer Production Stage Manager Kirk Fitzgerald Jeromy Hunt Drums Bass Jacob Colin Cohen Andrew Franklin O'Connor Award Presenters Pam MacKinnon / Elaine Molinar / Diane Paulus Host Julie Halston April 11, 2016 / Tribeca Rooftop (2 Desbrosses Street) 6:00 PM Cocktails 7:00 PM Dinner & Program Dear Friends: in Brooklyn and Manhattan. Earlier in the month, we held a cash flow loan closing ACT ONE On behalf of the Board of Directors, the at the ofce and gave testimony at a City Scene 1: Welcome Back Gala Committee, and our Honorary Co- Council hearing urging a $40 million Scene 2: Opening Remarks Chairs, Sara Bareilles, Pam MacKinnon, increase to the Department of Cultural Scene 3: Our Donors: A Love Song Toshiko Mori, Jessie Nelson, and Diane Afairs’ budget. Our honorees Jessie Scene 4: Ain’t Mishearin’: A Musical Paulus, I am thrilled to welcome you to the Mueller and Andy Truschinski have helped A.R.T./New York 2016 Spring Gala! We are us in our quest to advocate for increased Tribute to Joe Solway & Arup delighted to present gifted actors Jessie cultural funding, and their public service Scene 5: Presentation of The Kathy and Mueller and Andy Truschinski with The and dedication to ensuring that the next Howard J. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
From Girlfriend to Gamer: Negotiating Place in the Hardcore/Casual Divide of Online Video Game Communities
FROM GIRLFRIEND TO GAMER: NEGOTIATING PLACE IN THE HARDCORE/CASUAL DIVIDE OF ONLINE VIDEO GAME COMMUNITIES Erica Kubik A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Committee: Radhika Gajjala, Advisor Amy Robinson Graduate Faculty Representative Kristine Blair Donald McQuarie ii ABSTRACT Radhika Gajjala, Advisor The stereotypical video gamer has traditionally been seen as a young, white, male; even though female gamers have also always been part of video game cultures. Recent changes in the landscape of video games, especially game marketers’ increasing interest in expanding the market, have made the subject of women in gaming more noticeable than ever. This dissertation asked how gender, especially females as a troubling demographic marking difference, shaped video game cultures in the recent past. This dissertation focused primarily on cultures found on the Internet as they related to video game consoles as they took shape during the beginning of the seventh generation of consoles, between 2005 and 2009. Using discourse analysis, this dissertation analyzed the ways gendered speech was used by cultural members to define not only the limits and values of a generalizable video game culture, but also to define the idealized gamer. This dissertation found that video game cultures exhibited the same biases against women that many other cyber/digital cultures employed, as evidenced by feminist scholars of technology. Specifically, female gamers were often perceived as less authoritative of technology than male gamers. This was especially true when the concept “hardcore” was employed to describe the ideals of gaming culture. -
A Toast to Thehost
32 Monday, June 27, 2011 DAILY NEWS NYDailyNews.com atoasttothe DavidHydePierceplaysaneurotichost in his latest flick, but he’s no fan ofNewYorkdinnerparties host BYJACOBE.OSTERHOUT DAILY NEWS FEATURE REPORTER A scene from ‘The Perfect Host’ itles can be misleading. Contrary to the name of hislatestmovie,“ThePerfect THost” (arriving Friday), DavidHydePiercedoesnot ofteninvitelargegroupsoffriends over to his upper West Side apart- ment. “MypartnerandIaremuch more low-key,” says the 52-year- old actor, best known for his role asDr.NilesCraneinthesitcom “Frasier.”“Sure,we’llhaveafriend oversometimes,butIwouldn’tcall those dinner parties. They are not fancy.” On the other hand, Warwick Wilson, Pierce’s squirrelly characterinhislatestfilm,isthe consummate host. In anticipation of his guests’ arrival, he sets an im- maculate table and expertly chops “A gang of kids pushed me down Ifirstmovedhere,thecitywas with the musical comedy “It Shoul- vegetables,somethingthatPierce astairwellandtookmywallet a disgusting mess, but I loved it. da Been You” at the George Street hadtopractice. andthebottleofwinethatIwas Therewascrapalloverthestreets Playhouse in New Brunswick, N.J. “I’m not a good cook, so I had carrying. and Times Square was full of hook- Pierceisthefirsttoadmitthat to really work on my knife work,” “But what they ers and degenerates and not all actors make good directors, he says. “But that’s why I liked this really wanted was ‘WhenIfirst drug addicts, but there buthebelieveshiscaseisunique. character. He goes in so many dif- the drugs because was opportunity. “OnereasonImightbeokayat ferent directions, and complicated that was the only arrivedinNew “Now the city has directing is that as an actor I tend isalwaysmorefuntoplay.” conceivable reason York in 1981, been cleaned up. You tobeveryawareoftheentirepic- Ofcourse,Piercehashadbad thataguylikeme I decided that I canwalktothetheater ture,thecontextofeverythingthat luck with New York dinner parties wouldbeinthat district from the upper everyone is doing and how every in the past. -
The Richard Niles- Charles Busch Papers
The Richard Niles- Charles Busch Papers Collection #006 Marymount Manhattan College 221 East 71st Street New York, New York 10021 November 1, 2012 Processed by Mary Elizabeth Brown 1 These papers are known by the names of the two individuals most closely associated with them. They concern the career of the performer and playwright Charles Busch. They were collected, and deposited at the Marymount Manhattan College archives, by long-time faculty member Richard Niles, Ph.D. Professor Niles received his Bachelor of Fine Arts from New York University’s Tisch School of the Arts, his Master of Fine Arts from Brooklyn College of the City of New York, and his doctorate, in 1993, from the Graduate School and University Center of the City University of New York. He first appeared in Marymount Manhattan College’s catalog in 1991-1992 as an Adjunct Instructor in the Theatre Arts. He advanced to Assistant Professor in the 1992-1994 catalog. The 1994-1995 catalog was the first to note his doctorate. He advanced to Associate Professor in the 1998-1999 catalog, and to Professor in the 2005-2006 catalog. Professor Niles wrote his dissertation, and several other papers and scholarly presentations, on Charles Busch. Born in New York City August 23, 1954, Busch spent his early years in Hartsdale, New York. His mother died when he was seven years old, and soon thereafter his aunt, Lillian Blum, took him to New York City to live. Busch graduated from New York’s High School of Music and Art, and majored in drama at Northwestern University.