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www.hamiltonhodell.co.uk Franz Drameh Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company THE INTERGALACTIC ADVENTURES OF MAX CLOUD Cowboy Martin Owen Goldfinch Science Fiction Ltd TWIST Batesy Martin Owen Unstoppable Entertainment THE GENTLEMEN Benny Guy Ritchie Miramax A HUNDRED STREETS Kingsley Jim O'Hanlon Kreo Films LEGACY Sean Mason Marc Small/Davie Fairbanks Unstoppable Entertainment RESIDUE Willy G Alex Garcia Lopez Matador Pictures EDGE OF TOMORROW Ford Doug Liman Rocklock Films NOW IS GOOD Tommy Ol Parker Blueprint Pictures ATTACK THE BLOCK Winner of the Audience Award, LA Film Festival, 2011 Winner of the Midnight Screeners Audience Award, South By Southwest Film Festival, Dennis Joe Cornish Big Talk Pictures 2011 Nominated for the Best Film Award, South Bank Sky Arts Awards, 2012 HEREAFTER Hoodie Clint Eastwood Warner Brothers RIGHT SIDE OF GOD Justin Donaldson BE GOOD Older Boy Barney Cokeliss RSA Films THERE FOR ME Kid Sally Aprahamian Axiom Films Television Title Role Director Production Company THE EDGE OF SLEEP Matteo Leon Corey Adams Jesse Savath SEE Series 1 & 2 Boots Various Chernin Entertainment/Apple TV Firestorm/Jefferson 'Jax' Jackson VIXEN Series 2 Various CW Seed (Voice) DC Entertainment/Warner Bros. DC'S LEGENDS OF TOMORROW Jefferson 'Jax' Jackson Various Television/The CW DC Entertainment/Warner Bros. THE FLASH Series 2 Jefferson 'Jax' Jackson Various Television/The CW RIVER Bruno Marconi Richard Laxton Kudos/BBC SOME GIRLS Series 1 & 2 Brandon Ben Taylor Hat Trick Productions MY MURDER Marcus Bruce Goodison BBC CASUALTY Stevie Rick Platt BBC PARENTS OF THE BAND Granville Dominic Brigstocke BBC CASUALTY Casey Win Mensah-Larbie BBC BREAK KIDS Frank Michael Hines Disney LIVING IT Lennie Various Mentorn for BBC BYKER GROVE Lemarr Various Byker – Zenith SPACE Comet Various Discovery Channel Short Film Title Role Director Production Company PAINKILLER Dominic Mustapha Kseibati B3 Media Ltd. Theatre Title Role Director Theatre/Producer PETER PAN Slightly Andrew Harries Young Actors Theatre Presenting Title Production Company GRAIN CHAIN (Podcast) EdComs Further Awards Nominated for the Rising Star Award, 11th Screen Nation Film & Television Awards, 2016 Skills Skills ACCENTS: Neutral (Native), London, RP, Standard American CIRCUS SKILLS: Acrobatics, Juggling, Stilt Walking, Globe Walking, Trapeze MUSIC: Singing Characteristics Characteristic Info Height 5'11" Hair Black Eyes Brown Training The Young Actors Theatre [email protected] +44 (0) 20 7636 1221.

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Btb Independent Article
The Independent – Student – News http://www.independent.co.uk/student/news/bournemouth-graduates-celebrating-oscar- glory-for-their-work-on-gravity-9168893.html Bournemouth graduates celebrating Oscar glory for their work on 'Gravity' by JOE NERSSESSIAN on Tuesday 04 March 2014 Graduates from two Bournemouth Universities are celebrating this week after Gravity picked up seven Oscars at Sunday’s ceremony. 50 Animation and Film graduates from Bournemouth University (BU) and Arts University Bournemouth (AUB) worked on the visual effects part of the film for London-based company, Framestore. The work undertaken by the graduates was specifically recognised as the movie claimed a technical award for Visual Effects, and also won a BAFTA in the same category last month. Framestore, whose senior representatives collected the Oscar at the 86th Academy Awards, are world leaders in visual effects and have an outpost on the AUB campus, where some of the work was completed. The outpost is “very important” to students' development, according to the lecturer in animation at BU, Adam Redford, who also spent six months working on the film. “It can be a great opportunity for graduates to get their first job, and first taste of proper industry experience by working there,” Adam told The Bournemouth Rock. ”I felt really proud to have been involved in a film that won so many awards, especially for the visual effects. It’s a good feeling to know that you have had some input, however small, into something that has been received so positively by the visual effects community and the general public,” said Adam.
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Anthropocenema: Cinema in the Age of Mass Extinctions 2016
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Conformance of Social Media As Barometer of Public Engagement
S.© Moon: 2016 by Conformance the authors; oflicensee Social RonPubMedia as, L Barometerübeck, Germany. of Public This Engagement article is an open access article distributed under the terms and conditions of the Creative Commons Attribution license (http://creativecommons.org/licenses/by/4.0/). Open Access Open Journal of Big Data (OJBD) Volume 2, Issue 1, 2016 www.ronpub.com/ojbd ISSN 2365-029X Conformance of Social Media as Barometer of Public Engagement Songchun Moon A, B A College of Business, KAIST, 85 Hoegi, Dongdaemun, Seoul, South Korea, [email protected] B School of Computing Sciences, Newcastle University, Newcastle upon Tyne NE1 7RU, United Kingdom, [email protected] ABSTRACT There have been continuously a number of expectations: Social media may play a role of indicator that shows the degree of engagement and preference of choices of users toward music or movies. However, finding appropriate software tools in the market to verify this sort of expectation is too costly and complicated in their natures, and this causes a number of difficulties to attempt technical experimentation. A convenient and easy tool to facilitate such experimentation was developed in this study and was used successfully for performing various measurements with regard to user engagement in music and movies. TYPE OF PAPER AND KEYWORDS Research paper: Social media, user engagement, user preference, music, movie, Twitter 1 INTRODUCTION or enterprises involved in the analysis of user behaviours are just not willing to disclose any details 1.1 Background about their findings on the correlation between users’ particular activities and viewership changes. Although there are a lot of wordings and hypes around Talking with details about this phenomenon how to analysis user behaviors related to the use of prevailing in these industries, G.
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Twitter Or Facebook? Which Data Is Most Indicative for Movie Sales?
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Announcing REEL CHANGE: the Fund for Diversity in Film Scoring
FOR IMMEDIATE RELEASE Press Contact: Brigid Pierce, New Music USA [email protected] More Information: newmusicusa.org Announcing REEL CHANGE: The Fund for Diversity in Film Scoring powered by SESAC and Christophe Beck and managed by New Music USA New York, NY (October 27, 2020) – New Music USA announces the launch of Reel Change: The Fund for Diversity in Film Scoring, powered by SESAC and composer Christophe Beck, and administered by New Music USA. Responding to the fact that the vast majority of films are scored by white men, Reel Change is a five-year grants and mentorship program for composers of diverse backgrounds who have been marginalized in film composition. This fund – which is now accepting applications from US-based composers – supports film projects currently in production, where additional funding and mentoring would help composers at a pivotal moment in their careers. Four to six grants averaging $20,000 will be allocated each year of the program. Supportable expenses include composer compensation, musician fees, recording and sound mastering fees, studio expenses, orchestration, production equipment, and more. Applications will be reviewed on a rolling timeline by an advisory board made up of leading composers of film music, including Christophe Beck, Jongnic “JB” Bontemps, Kris Bowers, Miriam Cutler, Chanda Dancy, Tony Morales, and Pinar Toprak. Members of this advisory board will offer additional support and mentorship for interested applicants. Information and applications are available here. _____________________________________________________________________________________ Composer Christophe Beck says: “For too long, the community of composers who create scores for Hollywood films has been dominated by white men. Throughout my career, I’d been aware of this and told myself that someday, I’d like do something about it.
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The Art of the Game: Issues in Adapting Video Games
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SCIENCE FICTION Full Summer Session 2015 LMC 3214 LS1 (Campus) | MW 12 – 1:45Pm LMC 3214 QUP (Off-Campus/SOUP) | Asynchronous
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