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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Btb Independent Article
The Independent – Student – News http://www.independent.co.uk/student/news/bournemouth-graduates-celebrating-oscar- glory-for-their-work-on-gravity-9168893.html Bournemouth graduates celebrating Oscar glory for their work on 'Gravity' by JOE NERSSESSIAN on Tuesday 04 March 2014 Graduates from two Bournemouth Universities are celebrating this week after Gravity picked up seven Oscars at Sunday’s ceremony. 50 Animation and Film graduates from Bournemouth University (BU) and Arts University Bournemouth (AUB) worked on the visual effects part of the film for London-based company, Framestore. The work undertaken by the graduates was specifically recognised as the movie claimed a technical award for Visual Effects, and also won a BAFTA in the same category last month. Framestore, whose senior representatives collected the Oscar at the 86th Academy Awards, are world leaders in visual effects and have an outpost on the AUB campus, where some of the work was completed. The outpost is “very important” to students' development, according to the lecturer in animation at BU, Adam Redford, who also spent six months working on the film. “It can be a great opportunity for graduates to get their first job, and first taste of proper industry experience by working there,” Adam told The Bournemouth Rock. ”I felt really proud to have been involved in a film that won so many awards, especially for the visual effects. It’s a good feeling to know that you have had some input, however small, into something that has been received so positively by the visual effects community and the general public,” said Adam. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Download Song List As
Top40/Current Bruno Mars 24K Magic Stronger (What Doesn't Kill Kelly Clarkson Treasure Bruno Mars You) Uptown Funk Bruno Mars Firework Katy Perry Can't Stop The Feeling Justin Timberlake Hot N Cold Katy Perry Good as Hell Lizzo I Choose You Sara Bareilles Cake By The Ocean DNCE Till The World Ends Britney Spears Shut Up And Dance Walk The Moon Life is Better with You Michael Franti & Spearhead Don’t stop the music Rihanna Say Hey (I Love You) Michael Franti & Spearhead We Found Love Rihanna / Calvin Harris You Are The Best Thing Ray LaMontagne One Dance Drake Lovesong Adele Don't Start Now Dua Lipa Make you feel my love Adele Ride wit Me Nelly One and Only Adele Timber Pitbull/Ke$ha Crazy in Love Beyonce Perfect Ed Sheeran I Gotta Feeling Black Eyed Peas Thinking Out Loud Ed Sheeran Let’s Get It Started Black Eyed Peas Cheap Thrills Sia Everything Michael Buble I Love It Icona Pop Dynomite Taio Cruz Die Young Kesha Crush Dave Matthews Band All of Me John Legend Where You Are Gavin DeGraw Blurred Lines Robin Thicke Forget You Cee Lo Green Party in the U.S.A. Miley Cyrus Feel So Close Calvin Harris Talk Dirty Jason Derulo Song for You Donny Hathaway Call Me Maybe Carly Rae Jepsen This Is How We Do It Montell Jordan Brokenhearted Karmin No One Alicia Keys Party Rock Anthem LMFAO Waiting For Tonight Jennifer Lopez Starships Nicki Minaj Moves Like Jagger Maroon 5 Don't Stop The Party Pitbull This Love Maroon 5 Happy Pharrell Williams I'm Yours Jason Mraz Domino Jessie J Lucky Jason Mraz Club Can’t Handle Me Flo Rida Hey Ya! OutKast Good Feeling -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Anthropocenema: Cinema in the Age of Mass Extinctions 2016
Repositorium für die Medienwissenschaft Selmin Kara Anthropocenema: Cinema in the Age of Mass Extinctions 2016 https://doi.org/10.25969/mediarep/13476 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Kara, Selmin: Anthropocenema: Cinema in the Age of Mass Extinctions. In: Shane Denson, Julia Leyda (Hg.): Post-Cinema. Theorizing 21st-Century Film. Falmer: REFRAME Books 2016, S. 750– 784. DOI: https://doi.org/10.25969/mediarep/13476. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ 6.2 Anthropocenema: Cinema in the Age of Mass Extinctions BY SELMIN KARA Alfonso Cuarón’s sci-fi thriller Gravity (2013) introduced to the big screen a quintessentially 21st-century villain: space debris. The spectacle of high- velocity 3D detritus raging past terror-struck, puny-looking astronauts stranded in space turned the Earth’s orbit into not only a site of horror but also a wasteland of hyperobjects,[1] with discarded electronics and satellite parts threatening everything that lies in the path of their ballistic whirl (see Figure 1). While the film made no environmental commentary on the long-term effect of space debris on communication systems or the broader ecological problem of long-lasting waste materials, it nevertheless projected a harrowing vision of technological breakdown, which found a thrilling articulation in the projectile aesthetics of stereoscopic cinema. -
RIDING the WAVE Page 22 LGBT Issues by Kate Sosin
PAGE 29 LIZ PHAIR TALKS WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 JAN. 19, 2011 TIMES VOL 26, NO. 16 www.WindyCityMediaGroup.com BEHIV folds; AFC responds BY JOSEPH ERBENTRAUT “Over the last two decades, BEHIV has provid- Foundation of Chicago (AFC) as another factor MIGUEL DEL ed case management, prevention, housing, men- in their decision to shutter. Specifically, BEHIV VALLE INTERVIEW In a statement released Jan. 14, the Chicago- tal health, educational outreach, art and mas- pointed to a “pending decision” by AFC to sus- based HIV/AIDS service organization Better Ex- sage therapy to those affected with HIV/AIDS. pend its allocation of Ryan White Part A case PAGE 12 istence with HIV (BEHIV) announced it would The agency has literally reached thousands of management funding of agencies who, like BE- be closing its doors after 21 years of service to people throughout its tenure. And it has been HIV, do not have an on-site medical clinic. the community. an amazing run,” the statement read. “With the environment for funding becoming The news follows on the heels of Executive Di- “With that being said, how did we get here?” more and more competitive, AFC is encourag- rector Eric Nelson’s departure late last year and the statement continued.“ Alas, community- ing smaller organizations to merge or forcing confirms rumors of financial trouble within the based organizations are finding it more and the choice of consolidation,” the statement organization. According to the statement, is- more difficult to maintain their current level read. -
Arbiter, August 23 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-23-2004 Arbiter, August 23 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ·::··;!:!!e'~6TiJDEHT VOICE OF BRISE STAn ~)NCE 1933 chao I ofro1ock ) massaqa boards, braaklnq LIlJJams the BIg Easy news, archive search, photo slide shows & weather Online stores saving Bronco bucks on Bronco books BY MRRY GRRCE LUCRS NBws RBportBr The tightening of Bronco purse strings each August is as predictable as having long lines at a printer in any computer lab. Between tuition, textbooks and various classroom supplies, the start of a new academic calendar can mean added fmancial concerns for many BSUstudents. Students are flocking to Web sites selling new and used textbooks, linking students in their quest to save a few bucks. There are many outlets on-line to buy, sell and trade new and used college textbooks. Those who shop carefully can flnd them- selves with a few extra Lincolns in their wallet. Boise State [unior Erin Quinn says a few minutes shopping on-linothis semester saved her about $75. "I look every year. Sometimes they're the same [price], sometimes they're a deal," says Quinn. -
View Song List
Song Artist What's Up 4 Non Blondes You Shook Me All Night Long AC-DC Song of the South Alabama Mountain Music Alabama Piano Man Billy Joel Austin Blake Shelton Like a Rolling Stone Bob Dylan Boots of Spanish Leather Bob Dylan Summer of '69 Bryan Adams Tennessee Whiskey Chris Stapleton Mr. Jones Counting Crows Ants Marching Dave Matthews Dust on the Bottle David Lee Murphy The General Dispatch Drift Away Dobie Gray American Pie Don McClain Castle on the Hill Ed Sheeran Thinking Out Loud Ed Sheeran Rocket Man Elton John Tiny Dancer Elton John Your Song Elton John Drink In My Hand Eric Church Give Me Back My Hometown Eric Church Springsteen Eric Church Like a Wrecking Ball Eric Church Record Year Eric Church Wonderful Tonight Eric Clapton Rock & Roll Eric Hutchinson OK It's Alright With Me Eric Hutchinson Cruise Florida Georgia Line Friends in Low Places Garth Brooks Thunder Rolls Garth Brooks The Dance Garth Brooks Every Storm Runs Out Gary Allan Hey Jealousy Gin Blossoms Slide Goo Goo Dolls Friend of the Devil Grateful Dead Let Her Cry Hootie and the Blowfish Bubble Toes Jack Johnson Flake Jack Johnson Barefoot Bluejean Night Jake Owen Carolina On My Mind James Taylor Fire and Rain James Taylor I Won't Give Up Jason Mraz Margaritaville Jimmy Buffett Leaving on a Jet Plane John Denver All of Me John Legend Jack & Diane John Mellancamp Folsom Prison Blues Johnny Cash Don't Stop Believing Journey Faithfully Journey Walking in Memphis Marc Cohn Sex and Candy Marcy's Playground 3am Matchbox 20 Unwell Matchbox 20 Bright Lights Matchbox 20 You Took The Words Right Out Of Meatloaf All About That Bass Megan Trainor Man In the Mirror Michael Jackson To Be With You Mr. -
ANGEL DEANGELIS Hair Stylist IATSE 798
ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Key Hair (New York) Director: Marc Webb Cast: Embeth Davidtz NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones, THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsimile: 323.460.4442 Hair [email protected] www.miltonagency.com Page 1 of 5 THE SITTER Department Head Director: David Gordon Green Cast: Jonah Hill, Ari Graynor PREMIUM RUSH Department Head -
17 Cut and Run EP- by ECMO (Ozone Records)
19 Nicolette “Ohsay,NaNa” 18 Depth Charge “Depth Charge vs Silver Fox” 17 Cut and Run EP- by ECMO (Ozone records) 16 Badman MDX “Come with me” 15 Orbital “Midnight or choice” 14 Rebel MC “Black meaning good” 13 Nightmares on Wax “A case of Funk” 11 Eon “Fear mind killer” 10 Blapps Posse “Don't hold back” 9 State of Mind “Is that it?” 7 Cookie Watkins “I'm attracted to you” 6 Oceanic “Insanity” 5 Outlander “Vamp” 4 Bugcann “Plastic Jam” 3 Utah Saints “What can you do?” 2 DSK “What would we do?” 1 Prodigy “Charlie says” THE HOUSE THAT JACK BUILT:-____________________________ -Witch Doctor “Sunday afternoon” (Remix) -DCBA “Acid bitch” (Colin Dale dtd 26.08) -Mellow House “The Flower” TONYMONSON;- THE “SWEET RHYTHYMS CHART”:-31.08.1991 25 Reach “Sooner or later” 23 Sable Jeffries “Open your heart” 21 Boyzn'Hood (Force one network) “Spirit” 20 (CD) Le Genre 19 Cheryl Pepsi Riley “Ain't no way” 12 Pride and Politic “Hold on” 11 Phyllis Hyman “Prime of my life” 10 De Bora “Dream about you” 9 Frankie Knuckles “Rain falls” 8 Your's Truly “Come and get it” 7 Mica Parris “Young Soul Rebels” 6 Jean Rice Your'e a victim” (remix) 5 Pinkie “Looking for love” 4 Young Disciples “Talking what I feel” COLIN DALE;- THE “ABSTRACT DANCE SHOW”:-02.09.1991 1 Bizarre,Inc (Brand new) “Raise me” 2 12” on white label from deejay Trance “Let there be house” 3 IE Records - Reel-to-Real “We are EE” 4 Underground Music movement “ Voice of the rave” (from Italy) Electronic- from PTL 5 Exclusive on Acetate 12” from Virtual Reality “Here” 6 12” called Aah - Really hardcore