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Shiva in Meditation 3D MODEL ONLY Scan Hindu Heritage Org VIEW IN BROWSER updated 17. 10. 2020 | published 17. 10. 2020 Summary Shiva is one of the three principal deities of Hinduism. The iconographical attributes of Shiva are the serpent around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair, the third eye on his forehead and carrying a small drum in his right hand. Shiva is regarded as the patron god of yoga, meditation and arts. Shiva is considered the Great Yogi who is totally absorbed in himself – the transcendental reality. He is the Lord of Yogis, and the teacher of Yoga to sages. Shiva is depicted as both an ascetic yogi and as a householder (grihasta), roles which have been traditionally mutually exclusive in Hindu society. He is both the great ascetic and the master of fertility, and he is the master of both poison and medicine, through his ambivalent power over snakes. As Lord of Cattle (Pashupata), he is the benevolent herdsman —or, at times, the merciless slaughterer of the “beasts” that are the human souls in his care. This figurine is originally carved out of soft sandalwood mounted on a rosewood base. Source: Wikipedia - Shiva This scan is uploaded here by ScanHinduHeritage.org Our mission is to 3D scan & document Hindu iconography to share online with the world for FREE. Help us grow the collection. Contribute your figurines to our database. Visit our website to support our cause! Art & Design > Sculptures yogi yoga shiva hindu god divine carving Model Files (.stl, .3mf, .obj, .amf) DOWNLOAD ALL FILES 003shiva_sandalwood_sq.stl 41.6 MB updated 17. 10. 2020 Find source .stl files on Thingiverse.com The Author has not uploaded any print files. Try to search in User print files section or generate and upload your own. License This work is licensed under a Creative Commons (4.0 International License) Attribution—Noncommercial—Share Alike ✖ | Sharing without ATTRIBUTION ✔ | Remix Culture allowed ✖ | Commercial Use ✖ | Free Cultural Works ✖ | Meets Open Definition .

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Single Footed Deities: Glimpses from Art and Literature
Single Footed Deities: Glimpses from Art and Literature Prachi Virag Sontakke1 1. Arya Mahila P.G. College, Varanasi, Uttar Pradesh, India (Email: prachi.kushwaha @gmail.com) Received: 28 June 2015; Accepted: 03 August 2015; Revised: 10 September 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 608‐617 Abstract: Deities of religious pantheon are divine and hence they are attributed divine forms. The divinity of Gods is further glorified by conceiving their appearance as super natural. That is why we find Gods and Goddesses with multiple arms, heads and even limbs. These traits assert the power, superiority and divinity of deities before man. It is therefore very interesting to note that there is one such deity who is defined in literature and sculptural examples as having a single foot. Current paper is an attempt to understand the concept of emergence and development of this very single footed deity in India. In course of aforesaid trail, issues relating to antiquity of such a tradition, nomenclature of such deity, its identification with different Gods, respective iconography are also dealt with. Keywords: Ekpada, Antiquity, Art, Literature, Identification, Iconography, Chronology Introduction Iconography, though meant for art, is actually a science. Every aspect an icon is not only well defined but also well justified according to the iconographic principles laid down in the texts. When it came to sculpture making, artist’s freedom of portrayal and experimentation was rather limited. But this did not account for the lack of creativity and imagination in ancient Indian art. We have many examples where unrealistic depictions/forms were included in an icon to highlight the divine, supreme and all powerful aspect of deity and to make it different from ordinary humans.
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Elements of Hindu Iconography
6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity.
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2.Hindu Websites Sorted Category Wise
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The Iconography of Surya
C1 V¥ /%. HIT 1711 1 1 1 l..IliVl JL mli If ■ 111 THE ICONOGRAPHY OF SUN GOD AND ASSOCIATED FEATURES ICONOGRAPH OF THE SUN- GOD AND ASSOCIATED FEATURES Iconography is the offspring of the ideas and craving of man to give a form to the formless! It is the concrete realization of the process of anthropomorphisation or humanization of the divinities. The worship of Surya, the light ' incarnate is perhaps the most ancient/ most impressive and the most popular one and realizing him in the iconic form is perhaps the most interesting one in the process. In the initial stage the sun-god was worshipped in his natural atmospheric form as is clear from all available sources. Different potteries, seals, sealing etc of the time represented his symbolically. But with the passage of time and with the gradual development of mankind, we notice the transformation of the Sun from its atmospheric and symbolic form to anthropomorphic figures. The available literary sources and the actual specimen of solar representations are unanimous on the fact that the anthropomorphic representation of the sun-god was preceded by the symbolic representation on coins and seals1. The non prevalence of the iconic tradition of the sun during the Rg. Vedic and later vedic phase is attached by the description of the Rg-Veda and the later - vedic texts1 • themselves. They do not give any reference to the image of the sun, on the other hand the Brahamanas3 give direct references to the symbolical depiction of the sun-god, not to his human form. The.Mahabharata and the Ramayana give4 us information about the complete anthropomorphisation of the Sun, but they contain no evidence for his iconic tradition.
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1.Hindu Websites Sorted Alphabetically
Hindu Websites sorted Alphabetically Sl. No. Website Address Description Broad catergory Reference Country 1 http://18shaktipeetasofdevi.blogspot.com/ 18 Shakti Peethas Goddess India 2 http://18shaktipeetasofdevi.blogspot.in/ 18 Shakti Peethas Goddess India 3 http://199.59.148.11/Gurudev_English Swami Ramakrishnanada Leader- Spiritual India 4 http://330milliongods.blogspot.in/ A Bouquet of Rose Flowers to My Lord India Lord Ganesh Ji 5 http://41.212.34.21/ The Hindu Council of Kenya (HCK) Organisation Kenya 6 http://63nayanar.blogspot.in/ 63 Nayanar Lord India 7 http://75.126.84.8/ayurveda/ Jiva Institute Ayurveda India 8 http://8000drumsoftheprophecy.org/ ISKCON Payers Bhajan Brazil 9 http://aalayam.co.nz/ Ayalam NZ Hindu Temple Society Organisation New Zealand 10 http://aalayamkanden.blogspot.com/2010/11/s Sri Lakshmi Kubera Temple, Temple India ri-lakshmi-kubera-temple.html Rathinamangalam 11 http://aalayamkanden.blogspot.in/ Journey of lesser known temples in Temples Database India India 12 http://aalayamkanden.blogspot.in/2010/10/bra Brahmapureeswarar Temple, Temple India hmapureeswarar-temple-tirupattur.html Tirupattur 13 http://accidentalhindu.blogspot.in/ Hinduism Information Information Trinidad & Tobago 14 http://acharya.iitm.ac.in/sanskrit/tutor.php Acharya Learn Sanskrit through self Sanskrit Education India study 15 http://acharyakishorekunal.blogspot.in/ Acharya Kishore Kunal, Bihar Information India Mahavir Mandir Trust (BMMT) 16 http://acm.org.sg/resource_docs/214_Ramayan An international Conference on Conference Singapore
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Vaisnava Goddess As Plant: Tulasi in Text and Context John Carbone
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Vaisnava Goddess as Plant: Tulasi in Text and Context John Carbone Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES VAISNAVA GODDESS AS PLANT: TULASI IN TEXT AND CONTEXT By JOHN CARBONE A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Thesis of John Carbone defended on April 7, 2008. Kathleen M. Erndl Professor Directing Thesis Bryan Cuevas Committee Member Adam Gaiser Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii For Irina and Joseph iii ACKNOWLEDGEMENTS I wish to thank Kathy Neall for her help in editing this manuscript. iv TABLE OF CONTENTS List of Figures .................................................................................... vi Abstract .......................................................................................... vii Introduction……………………………………………………………………. 1 1. Tulasī as the Plant Form of Lakṣmī................................................... 9 Śrī and Lakṣmī in the Vedas .......................................................... 9 Purāṇic Śrī and Lakṣmī.................................................................. Yakṣa, Yakṣī, and Śrī’s Iconography ............................................
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ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography.
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Indian Hindu Iconography of Twenty-Three Narasimha Images from Some Temples of Eastern Odisha Pjaee, 17 (5) (2020)
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Indian Serpent Lore Or the Nagas in Hindu Legend And
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Journal of Indian and Buddhist Studies Vol. 40, No. 2, March 1992 The "Dhyana Collections" and Their Significance for Hindu Iconography Gudrun BUHNEMANN The purposeof this paper is to draw attentionto a rather neglected type of literaturehaving few edited specimens.1) Texts of this genre are cata- logedunder titles such as "Dhyanamala", "Dhyanaslokah" or "Dhyanasam- graha".2) As the titles indicate, these texts are collections of dhyana-s. The word dhyana connotes a description of the deity's appearance, obvi- ously intendedas an aid for his/her visualization. The translation "medita- tion" for dhyanawith its complexand modern associations is better to avoidhere as it is misleading. A typical dhyana collection systematically lists the characteristics of di- fferent deities, beginningwith the deity considered most important and his/her forms or emanations and then going on to deities of lesser importa- nce. In this way descriptions of the complete Hindu pantheon are provided. Localdeities of the "LittleTradition" are also included and connected with deitiesof the "Great Tradition." The choice and the sequence of the deities described allow speculations about the region and the religious milieu in whichthe texts originated. Usually the collections use descriptions found in Puranas, Tantric texts or earlier dhyana collectionsand are arranged by anonymous compilers who do not indicate their sources. Sometimes there are referencesto certain Tantric traditions (amnaya) to which a form of a deity belongs.The collections often contain verses written in kavya metres. The tendencyto use only one verse for one deity also favours the use of the longermetres. Several descriptions of one deity collected from different sources may be given sequentially.
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