STAR TREK: Arbeitsbibliographie 2003

Total Page:16

File Type:pdf, Size:1020Kb

STAR TREK: Arbeitsbibliographie 2003 Repositorium für die Medienwissenschaft Nina Rogotzki; Hans Jürgen Wulff STAR TREK: Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12835 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Rogotzki, Nina; Wulff, Hans Jürgen: STAR TREK: Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 32). DOI: https://doi.org/10.25969/mediarep/12835. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0032_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2000: STAR TREK Bibliographie. ISSN 1615-7060. Copyright dieser Ausgabe: Nina Rogotzki, Hans J. Wulff. Letzte redaktionelle Änderung: 24. Februar 2012. Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! Star Trek und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0032_03.pdf. STAR TREK: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Cinefantastique, Okt. 1992, pp. 32-105. in cultural practices. The author uses Star ¬ Ausführliche Vorschau auf die sechste Staffel. Mit vie- Trek and its audience as a case study, analy- len Interviews. zes fan narratives, and explores how fans in- terpret the show, its meaning, and group Moviestar, Sonderband 5 (1996): STAR TREK: DEEP viewing conduct. The author asserts that SPACE NINE. scholars are in a unique position to identify Science Fiction Studies 72 [=24,2], July 1997. where ideological myths are developed and STAR TREK: The Official Monthly Magazine 1ff (Lon- presented. don), 1997ff. Amesley, Cassandra (1989) How to Watch Star ¬ German ed.: STAR TREK: Das offizielle Magazin 1ff Trek. In: Cultural Studies 3,3, pp. 323-339. (Stuttgart), 1998ff. Anders, Lou (1997) The Making Of STAR TREK: DER Trek World (Augsburg). ERSTE KONTAKT. Heel. ¬ At first: The Making Of Star Trek: First Contact. Alexander, David (1991) Gene Roddenberry: Wri- Andreadis, Athena (1998) To Seek Out New Life: ter, Producer, Philosopher, Humanist. In: The Huma- The Biology of STAR TREK. London: Crown, 274 pp. nist 51,2, March/April 1991, pp. 5-30, 38. ¬ Rev.: Carney, Beth / Dezell, Maureen (1998) Going Alexander, David (1994) STAR TREK Creator: The Where No Other Harvard Prof Has Gone. In: The Bo- Authorized Biography of Gene Roddenberry. New ston Globe, May 18, 1998, Section: Names & Faces, York: Penguin (A ROC Book). p. D7. ¬ ¬ German: Gene Roddenberry. Der Schöpfer von STAR Athena Andreadis, a Harvard University associate pro- TREK. Die autorisierte Biographie. München: Heyne fessor of neurology, has written a book about the bio- 1997. logical issues raised by the television show. The book explores issues such as whether or not it is biological- Altman, Mark A. / Gross, Edward (1995) THE ly possible for Vulcans to suppress all emotions; or NEXT GENERATION: Der Blick hinter die Kulissen. Kö- whether engineered humanoids could exist. The pro- nigswinter. fessor asserts that androids such as Lt. Commander Data could exist, while transporters would not work. Amesley, Cassandra Elinor (1989) STAR TREK as Neither would hybrid humanoids (e.g., half human Cultural Text: Proprietary Audiences, Interpretive and half Vulcan) like Spock exist. Andreadis adds, Grammars, and the Myth of the Resisting Reader. “This is one of the few [television] series that actually Ph.D. Thesis, University of Iowa. likes science. How many mainstream shows can you ¬ Dissertation Abstracts International 51/02-A, 1989, p. name that actually have scientists as heroes?” 329. Anijar-Zapolsky, Karen (1994) Teaching Towards ¬ The author explores the gap between cultural the Twenty-Fourth Century: the Social Curriculum of in the Schools. Ph.D. Thesis, University of North studies as a theory of cultural practices and Carolina at Greensboro. cultural studies as a commitment to intervene STAR TREK Bibliographie // Medienwissenschaft/Hamburg, 32, 2000 /// 2 ¬ Dissertation Abstracts International 55/09-A, 1994, p. Atkin, Denny (1995) The Science of STAR TREK. In: 2788. Omni 17,8, Fall 1995, p. 46. ¬ ¬ Repr. Farmer Press 2000. The author argues that STAR TREK has either inspired or predicted several present-day technologies or pro- ¬ The author presents her findings and analysis of inter- ducts, such as cellular flip-phones and stun guns. The views with “Trekker teachers” and how those teachers article also discusses the methods used by the produ- interpret and teach concepts of STAR TREK in relation- cers to include technology into TNG series. ship to technology, religion and the military. Other to- pics include how those teachers view themselves, so- Bailey, Margaret (1976) Live Long and Prosper: cial “dialect,” “collective subjective,” “general cultu- the STAR TREK Phenomenon. New Brunswick, N.J.: ral repertoire,” and “interpretive community.” The Graduate School of Library Service, Rutgers Univer- Trekker teachers interviewed were from the southern sity. United States region known as the “Bible Belt.” Bains, Sunny (1991) STAR TREK: the Nerd‘s Charac- Anijar, Karen (1996) Star Trek – The Ideological ter. In: New Scientist 132,1800-1801, Dec. 21 1991, Frontier: A Social Curriculum in Three Acts. In: Ta- p. 45. boo: The Journal of Cultural Studies and Education ¬ 1, pp. 165-204. The author discusses TREK’s influence on future and upcoming scientists. Anon. (1996) Illogical Captain. In: New Scientist, 150,2026, April 20, 1996, p. 24. Banks, Jane / Tankel, Jonathan David (1990) Sci- ¬ ence as Fiction: Technology in Prime Time Televisi- An interview with Case Western Reserve University on. In: Critical Studies in Mass Communication 7,1, physics professor Lawrence Krauss, author of the March 1990, pp. 24-36. book: The Physics of STAR TREK. Krauss’ book discus- ses the relationships between “science” in the STAR Barad, Judith / Robertson, Ed (2000) The Ethics TREK universe and the real Universe. Krauss believes of STAR TREK. London/New York: HarperCollins. that space travels won’t happen for a long time due to the massive amounts of energy required. The book co- Barnes, Myra Edwards (1975) Linguistics and lan- vers related topics such as warp speed, inertial dam- guages in science-fiction-fantasy. New York: Arno pers, space-time distortion, and deflector shields from Press. the series. Barr, Marlyn S. (1996) „All good things...“ The end Anon. (1997) James Horner. In: Current Biography of STAR TREK: THE NEXT GENERATION, THE END OF 58, 3, p. 23. CAMELOT: The end of the tale about woman as hand- ¬ maid to patriarchy as Superman. In: Enterprise zo- Besides composing the music for several STAR TREK films, he also composed film music for the movies nes. Critical positions on Star Trek. Ed. by Taylor RANSOM, BRAVE HEART and ALIENS. Horner won a 1997 Harrison, Sarah Projansky, Kent A. Ono & Elyce Grammy Award for best song of the year with his Rae Helford. Oxford: Westview Press, pp.231-244. composition, ‘Somewhere Out There.’ Barret, Michèle J. (1995) Wit & Wisdom of Gene Anton, Uwe / Hahn, Ronald M. (1995) STAR TREK Roddenberry. New York: HarperCollins. Enzyklopädie – Film, TV und Video. München: Hey- Barrett, Michèle / Barrett, Duncan (2000) STAR ne. TREK. The Human Frontier. London: Polity Press, Anzovin, Steven (1993) Live Long and Prosper. In: 264 pp. Compute 15,5, May 1993p. 82. ¬ In a world that has been shrunk by modern communi- ¬ The author compares TREK‘s popularity to the current- cations and transport, STAR TREK has maintained the ly available computer and video products. values of western maritime exploration, and the disco- very of ‘strange New Worlds’ in space. In this major Asherman, Allan (1988) The STAR TREK Interview new interpretation of the hugely successful television Book. New York: Pocket Books (Simon & Schuster), series, this mother and son team show that the themes 278 pp. explored in STAR TREK resonate with the broader social and cultural preoccupations of our time. This book ad- ¬ A set of interviews with the show’s creator, Gene Rod- dresses key issues such as science, rationalism, religi- denberry and eight cast members of the original televi- on and death in philosophical, literary, historical and sion series. cultural contexts, bringing together an unusual combi- Asherman, Alan (1989) The STAR TREK Compendi- nation of authorial expertise. Written to appeal to tho- um. London: Titan Books. se who don’t know STAR TREK from STAR WARS, as well as those with the ferociously detailed knowledge of STAR TREK Bibliographie // Medienwissenschaft/Hamburg, 32, 2000 /// 3 the true Trekker, it explains the ideas and ideals be- Bernardi, Daniel Leonard (1998) STAR TREK and hind this significant cultural phenomenon. History: Racing toward a White Future. New Barth, Daniel / vom Lehn, Dirk (1996) Trekkies Jersey/London: Rutgers University Press, 247 pp. ¬ im Cyberspace. Über Kommunikation in einem The author explores the relationship between the STAR Mailboxnetzwerk. In: Kommunikative Lebenswel- TREK
Recommended publications
  • FEDERATION COMMANDER SCENARIO INDEX REVISED 6/3/16 Official # Alternate # Title Product Published SFB Number Type # of Players H
    FEDERATION COMMANDER SCENARIO INDEX REVISED 6/3/16 SFB # of Historical Official # Alternate # Title Product published Number Type Players Participants Notes, Special Communique #2, Captain's Log #32, Ship must repair 8B101 8J, 8C0 Sabotage! Briefing #1 SH001 Combat 2 Fed, Klingon damage during combat Briefing #1, Communique #7, 4 Fed, Gorn, Rom, Alliance battle of heavy 8B102 8CM1 Refiner's fire Rom ePack #2 SL025 Combat (2 vs 2) Klingon cruisers Communique #8, 8B103 8CM02 Coming of the Meteor, The Briefing #1 SH003 Planet Raid 2 Fed, Klingon Moving Asteroid Competing to steal a 8B104 8B104 Question of Franchise, A Briefing #1 SG035 Convoy 2 Pirate vs. Pirate freighter Klingon, police 8B105 8B105 Who is the Mutineer? Briefing #1 New for FC Puzzle 3 pirate Unknown alliances 8B106 8B106 Raid on a Mining Planet Briefing #1 SG052 Planet Raid 1 or 2 Pirates vs. Planet Defense Satellites 8B107 8B107 Threads of War Briefing #1 SL230 Combat 2 Klingon vs. Pirate Orion tries to get away 8B108 8B108 Landing Party Briefing #1 SH050 Rescue 2 Fed, Klingon Landing party 8B109 8B109 Taking of the Solitude, The Briefing #1 SL109 Combat 2 Klingon vs Tholian Capture ship 8B110 8B110 Escape from the Holdfast Briefing #1 SL110 Combat 2 Klingon vs Tholian Escape trap 8B111 8B111 Pandora's Box Briefing #1 New for FC Combat 2 or 3 Fed, Klingon Capture ship Each has a different 8B112 8B112 Out of the Frying Pan Briefing #1 New for FC Combat 3 Fed, Kzinti, Pirate target 8B113 8B113 Critical Hit, The Briefing #1 SH036 Combat 2 Fed, Klingon Damaged ship to repair
    [Show full text]
  • Trekkies Beware! Paramount Pictures V. Axanar Productions by Joel M
    Thursday, March 23, 2017 LAW BUSINESS TECHNOLOGY BUSINESS TECHNOLOGY LAW TECHNOLOGY LAW BUSINESS RECORDERdaily at www.therecorder.com Trekkies Beware! Paramount Pictures v. Axanar Productions By Joel M. Grossman ovie and far and actually produce a very TV stu- professional movie funded by dios often crowdsourcing? That is the allow their question raised by the case of fans to Paramount Pictures Corp. v. Mengage in behavior which tech- Axanar Productions, Inc. The nically might violate copyright case has not been fully liti- or trademark law. For exam- gated, but the district court’s ple, the studio which owns the ruling on cross-motions for copyright to Star Wars might summary judgment is both let fans produce a short video amusing and instructive. in which fans dress up as Darth To begin with the basic facts, Vader or Princess Leia, and act plaintiff Paramount Pictures Trek films before with no law- out a scene from the film. If and CBS own the copyright to suit from Paramount, Axanar the fans post their homemade the Star Trek television shows sought to go “where no man 10 minute video on You Tube, and Paramount owns the copy- has gone before” and produce the studio probably wouldn’t right to the thirteen full-length a professional Star Trek film, mind. They might even encour- movies that followed. While with a fully professional crew, age such amateur tributes, as the copyright owners allowed many of whom worked on one they might keep interest in the fans to make their own ama- or more Star Trek productions.
    [Show full text]
  • Gene Roddenberry: the Star Trek Philosophy
    LIVING TREKISM – Database Gene Roddenberry: The Star Trek Philosophy "I think probably the most often asked question about the show is: ‘Why the Star Trek Phenomenon?’ And it could be an important question because you can ask: ‘How can a simple space opera with blinking lights and zap-guns and a goblin with pointy ears reach out and touch the hearts and minds of literally millions of people and become a cult in some cases?’ Obviously, what this means is, that television has incredible power. They’re saying that if Star Trek can do this, then perhaps another carefully calculated show could move people in other directions – as to keep selfish interest to creating other cults for selfish purposes – industrial cartels, political parties, governments. Ultimate power in this world, as you know, has always been one simple thing: the control and manipulation of minds. Fortunately, in the attempt however to manipulate people through any – so called Star Trek Formula – is doomed to failure, and I’ll tell you why in just a moment. First of all, our show did not reach and affect all these people because it was deep and great literature. Star Trek was not Ibsen or Shakespeare. To get a prime time show – network show – on the air and to keep it there, you must attract and hold a minimum of 18 million people every week. You have to do that in order to move people away from Gomer Pyle, Bonanza, Beverly Hill Billies and so on. And we tried to do this with entertainment, action, adventure, conflict and so on.
    [Show full text]
  • Triskelions, Some of Whom Still Refer to Their Dialect
    STAR TREK ROLEPLAYING GAME sharing the culture of Triskelion. And the Triskelion SPECIES PROFILE “Thralls” are one of the most widely diverse species in the known galaxy as a result of their auspicious origins. Nowhere else can one encounter a being who is part SPECIES NAME: TRISKELION Human, part Orion, and part Kazon. VISUAL REPRESENTATION CULTURE Prior to the involvement of Captain Kirk and the USS Enterprise in the 23rd century, Triskelion was a culture of slavery, gambling, gladiatorial combat, and oppression as the Providers abducted people from their homeworlds, forced them into arena-combat, and wagered on, bought, and sold the winners and losers using a type of currency called quatloos. The Federation starship USS Enterprise under command of Captain James T. Kirk was obligated to visit the planet to secure the release of several crew kidnapped by the Providers. Upon arrival, the Enterprise discovered numerous species enslaved on the surface as thralls, including their missing crew. Eventually, to free the thralls, Kirk entered into open combat against three drill thralls, betting not quatloos on his victory, but the condition of freedom for all if he was victorious, or enslavement of the Enterprise crew if he lost. He won, and the Enterprise left the system shortly afterward. Shahna – an Orion-Human Triskelion Thrall Another condition of the wager was that the Providers would educate the remaining thralls and allow the SPECIES ADJUSTMENTS development of a free society on the planet. +2 Vitality, -1 Intellect, -1 Presence As a result, the Thralls did develop a very independent society. And yet the roots of how their culture began were PHYSICAL DESCRIPTION always held in a type of esteem.
    [Show full text]
  • Star Trek: Exploring New Worlds Is a Fully Immersive Exhibition That Showcases Star Trek’S Significant Impact on Culture, Society, Arts, Sports, Tech and Fashion
    STAR TREK: EXPLORING NEW WORLDS IS A FULLY IMMERSIVE EXHIBITION THAT SHOWCASES STAR TREK’S SIGNIFICANT IMPACT ON CULTURE, SOCIETY, ARTS, SPORTS, TECH AND FASHION. VENUE: SECURITY: AVAILABILITY: ORGANIZATION 5,000–7,000K SF Medium October April rental period of 2019 2020 & CONTACT 12–14 weeks SPECIAL Shawana Lee REQUIREMENTS Group Sales Manager FEE: ADDITIONAL 206 262 3420 Min. ceiling height of $250,000 plus 14 feet, climate control, shipping & RESOURCES [email protected] gallery supervision, installer’s travel Marketing & promo standard electrical sup- Museum of POP Culture costs templates provided ply, traveling installer (formerly EMP Museum) expenses: (est. $8K) EXHIBIT HIGHLIGHTS Set pieces Transporter simulator EXHIBITION ELEMENTS from Star Trek: The Original Series, where visitors can create a film that including a self destruct panel and shows them being beamed to anoth- Artifacts the navigation console. er location and performing in a Star -Costumes Trek-inspired scene. 100+ props and artifacts -Props from the five Star Trek television series KHAAAAN! video booth and many of the films including: where visitors can recreate the -Scripts, Production -original series tricorder memorable scene from Star Trek II: Documents/Storyboards -communicator phaser The Wrath of Khan -a Borg cube -Sketches -Klingon disruptor pistol Spaceship filming models -Models -Tribbles, and more of the Enterprise, USS Excelsior, a Klingon battle cruiser, and Rare costumes Deep Space Nine space station Films including: Spock’s tunic worn by -Five interpretive
    [Show full text]
  • Brian Murray
    Brian Murray FILM Nightmare on Elm St (2011) The Would-Be-Warrior Dir. Samuel Bayer, Dir. David Twahy, Nickelodeon Platinum Dunes Movies Tim Burton's Alice in Redline Wonderland Dir. Andy Cheng, Chicago Dir. Tim Burton, Walt Disney Releasing Studios Motion Pictures Torque Green Lantern Dir. Joseph, Warner Brothers Dir. Greg Berlanti, Warner Pictures Brothers Below 300 Dir. David Twahy, Miramax Films Dir. Zack Snyder, Warner Brothers What Is Love Pitch Black Dir. Mars Callahan, Big Sky Dir. David Twahy, USA Films Motion Pictures Rollerball Mortal Kombat: Annihilation Dir. John McTiernan, MGM Home Dir. John R. Leonetti, New Line Entertainment Cinema Perfect Getaway Air Force One Dir. David Twahy, Rogue Pictures Dir. Peter Schnall, Warner Home Vide TELEVISION Entourage Producer: Mark Wahlberg, Ugly Betty Home Box Office (HBO) Producer: Salma Hayek, ABC Los Angeles 310.642.2721 New York 212.980.7979 [email protected] Brian Murray CSI Monk Producer: Jerry Bruckheimer Producer: Andy Breckman, ABC Television, CBS Studios CSI: Miami Eli Stone (pilot) Producer: Jerry Bruckheimer Producer: Greg Berlanti, ABC Television, CBS Studios CSI: New York Sliders Producer: Ann Donahue, CBS Producer: Tracy Tormé, Fox Network Grey’s Anatomy Producer: Betsy Beers, ABC Babylon 5 Star Trek: Enterprise Producer: John Copeland, Prime Producer: Rick Berman, UPN Time Entertainment Network THEME PARK Terminator 2: 3D Location: Universal Studios Hollywood MUSIC VIDEO Madonna Madonna “You Must Love Me” “Ray Of Light” Dir. Alan Parker, Culver Dir. Jonas Åkerlund, Raleigh Studios Studios Los Angeles 310.642.2721 New York 212.980.7979 [email protected] .
    [Show full text]
  • Download the Borg Assimilation
    RESISTANCE IS FUTILE… BORG CUBES Monolithic, geometric monstrosities capable of YOU WILL BE ASSIMILATED. defeating fleets of ships, they are a force to be Adding the Borg to your games of Star Trek: Ascendancy feared. introduces a new threat to the Galaxy. Where other civilizations may be open to negotiation, the Borg are single-mindedly BORG SPIRES dedicated to assimilating every civilization they encounter into Borg Spires mark Systems under Borg control. the Collective. The Borg are not colonists or explorers. They are Over the course of the game, Borg Spires will build solely focused on absorbing other civilizations’ technologies. new Borg Cubes. The Borg are not controlled by a player, but are a threat to all the forces in the Galaxy. Adding the Borg also allows you to play BORG ASSIMILATION NODES games with one or two players. The rules for playing with fewer Borg Assimilation Nodes are built around Spires. Built than three players are on page 11. Nodes indicate how close the Spire is to completing a new Borg Cube and track that Borg System’s current BORG COMPONENTS Shield Modifier. • Borg Command Console Card & Cube Card BORG TECH CARDS • 5 Borg Cubes & 5 Borg Spires Players claim Borg Tech Cards when they defeat • 15 Borg Assimilation Nodes & 6 Resource Nodes the Borg in combat. The more Borg technology you • 20 Borg Exploration Cards acquire, the better you will fare against the Borg. • 7 Borg System Discs • 20 Borg Technology Cards BORG COMMAND CARDS • 30 Borg Command Cards Borg Command Cards direct the Cubes’ movement • 9 Borg Dice during the Borg’s turn and designate the type of System each Cube targets.
    [Show full text]
  • JOY ZAPATA Hair Dept
    JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
    [Show full text]
  • STAR TREK: TACTICS III CHARACTER CARDS Original Text
    STAR TREK: TACTICS III CHARACTER CARDS Original Text © 2013 WIZKIDS/NECA, LLC. TM & © 2013 CBS Studios Inc. © 2013 Paramount Pictures Corp. All Rights Reserved. PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple>Pages per sheet select Custom and enter 1 by 2. 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. © 2013 WIZKIDS/NECA, LLC. TM & © 2013 CBS Studios Inc. © 2013 Paramount Pictures Corp. All Rights Reserved. TABLE OF CONTENTS Akorem, 11 Scout 608, 5 Assimilated Vessel 77139, 22 Soong, 26 Assimilated Vessel 80279, 17 Sphere 3095, 29 Assimilation Target Prime, 27 Sphere 4270, 23 Bioship Alpha, 21 Tactical Cube 138, 31 Bioship Beta, 28 Tactical Cube 5651, 32 Columbia, 20 U.S.S. Hathaway, 13 Einstein, 4 U.S.S. Raven, 8 Enterprise, 15 U.S.S. Stargazer, 19 Halik Raider, 16 I.K.S. Toral, 9 Interceptor Eight, 14 Interceptor Five, 6 I.R.W. Avatar of Tomed, 24 Nistrim Raider, 12 P.W.B. Aj’rmr, 7 Queen Vessel Prime, 30 Ratosha, 18 Relora-Sankur, 25 Sakharov, 10 © 2013 WIZKIDS/NECA, LLC. TM & © 2013 CBS Studios Inc. © 2013 Paramount Pictures Corp.
    [Show full text]
  • Portal Instruments
    Portal Instruments DARE TO BE DIFFERENT: INNOVATION VERSUS THE STATUS QUO In this article, Barb Taylor, Senior Director of Marketing, Portal Instruments, discusses the need to differentiate drug products in an ever more competitive market by providing a delivery device that fits comfortably into a patient’s everyday lifestyle, and how Portal Instruments’ Prime needle-free injector does exactly that. If you ask a physician how they decide have support at home to help them what medication to prescribe, the first remember to take their medication and answer is almost always: to manage any anxiety they may feel? Conversely, are there kids or pets at • Efficacy and safety – will this drug work home? Would that make self-injecting for my patient and help their symptoms? at home more stressful and less desirable than other means? The second is: • Insurance – is it covered and what are the costs? Can the patient afford this drug? “With the emergence of biosimilars and increasing And lastly, physicians consider a widely competition, there is a overlooked dimension: threat that safety and • Ease of use – how does this treatment efficacy alone may fit into the patient’s day-to-day life? not meaningfully For injected products, can a patient administer a self-injection, or would they differentiate products.” be better at an infusion centre? Do they 1937 – “Penetration of Tissue by Fuel Oil Under High Pressure from Diesel Engine” C.E. Rees 1947 – First clinical evaluation of “Hypospray” device Ms Barbara Taylor 1954-1997 – Widespread use of jet injection Senior Director of Marketing T: +1 617 500 4348 Polio, cholera, small-pox “Hypospray.” TIME Magazine, 29 Aug, 1960 E: [email protected] 1997 – US Military sees Hepatitis B outbreak from shared jet injector Portal Instruments, Inc 2013 – Single-use flu vaccine approved for 0.5 mL 190 5th Street injections Cambridge MA 02141 United States FigureFigure 1: 1: A A brief history history of Needle of needle-free-Free devices devices.
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • STAR TREK the TOUR Take a Tour Around the Exhibition
    R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision.
    [Show full text]