STAR TREK: Arbeitsbibliographie 2003

STAR TREK: Arbeitsbibliographie 2003

Repositorium für die Medienwissenschaft Nina Rogotzki; Hans Jürgen Wulff STAR TREK: Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12835 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Rogotzki, Nina; Wulff, Hans Jürgen: STAR TREK: Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 32). DOI: https://doi.org/10.25969/mediarep/12835. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0032_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2000: STAR TREK Bibliographie. ISSN 1615-7060. Copyright dieser Ausgabe: Nina Rogotzki, Hans J. Wulff. Letzte redaktionelle Änderung: 24. Februar 2012. Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! Star Trek und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0032_03.pdf. STAR TREK: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Cinefantastique, Okt. 1992, pp. 32-105. in cultural practices. The author uses Star ¬ Ausführliche Vorschau auf die sechste Staffel. Mit vie- Trek and its audience as a case study, analy- len Interviews. zes fan narratives, and explores how fans in- terpret the show, its meaning, and group Moviestar, Sonderband 5 (1996): STAR TREK: DEEP viewing conduct. The author asserts that SPACE NINE. scholars are in a unique position to identify Science Fiction Studies 72 [=24,2], July 1997. where ideological myths are developed and STAR TREK: The Official Monthly Magazine 1ff (Lon- presented. don), 1997ff. Amesley, Cassandra (1989) How to Watch Star ¬ German ed.: STAR TREK: Das offizielle Magazin 1ff Trek. In: Cultural Studies 3,3, pp. 323-339. (Stuttgart), 1998ff. Anders, Lou (1997) The Making Of STAR TREK: DER Trek World (Augsburg). ERSTE KONTAKT. Heel. ¬ At first: The Making Of Star Trek: First Contact. Alexander, David (1991) Gene Roddenberry: Wri- Andreadis, Athena (1998) To Seek Out New Life: ter, Producer, Philosopher, Humanist. In: The Huma- The Biology of STAR TREK. London: Crown, 274 pp. nist 51,2, March/April 1991, pp. 5-30, 38. ¬ Rev.: Carney, Beth / Dezell, Maureen (1998) Going Alexander, David (1994) STAR TREK Creator: The Where No Other Harvard Prof Has Gone. In: The Bo- Authorized Biography of Gene Roddenberry. New ston Globe, May 18, 1998, Section: Names & Faces, York: Penguin (A ROC Book). p. D7. ¬ ¬ German: Gene Roddenberry. Der Schöpfer von STAR Athena Andreadis, a Harvard University associate pro- TREK. Die autorisierte Biographie. München: Heyne fessor of neurology, has written a book about the bio- 1997. logical issues raised by the television show. The book explores issues such as whether or not it is biological- Altman, Mark A. / Gross, Edward (1995) THE ly possible for Vulcans to suppress all emotions; or NEXT GENERATION: Der Blick hinter die Kulissen. Kö- whether engineered humanoids could exist. The pro- nigswinter. fessor asserts that androids such as Lt. Commander Data could exist, while transporters would not work. Amesley, Cassandra Elinor (1989) STAR TREK as Neither would hybrid humanoids (e.g., half human Cultural Text: Proprietary Audiences, Interpretive and half Vulcan) like Spock exist. Andreadis adds, Grammars, and the Myth of the Resisting Reader. “This is one of the few [television] series that actually Ph.D. Thesis, University of Iowa. likes science. How many mainstream shows can you ¬ Dissertation Abstracts International 51/02-A, 1989, p. name that actually have scientists as heroes?” 329. Anijar-Zapolsky, Karen (1994) Teaching Towards ¬ The author explores the gap between cultural the Twenty-Fourth Century: the Social Curriculum of in the Schools. Ph.D. Thesis, University of North studies as a theory of cultural practices and Carolina at Greensboro. cultural studies as a commitment to intervene STAR TREK Bibliographie // Medienwissenschaft/Hamburg, 32, 2000 /// 2 ¬ Dissertation Abstracts International 55/09-A, 1994, p. Atkin, Denny (1995) The Science of STAR TREK. In: 2788. Omni 17,8, Fall 1995, p. 46. ¬ ¬ Repr. Farmer Press 2000. The author argues that STAR TREK has either inspired or predicted several present-day technologies or pro- ¬ The author presents her findings and analysis of inter- ducts, such as cellular flip-phones and stun guns. The views with “Trekker teachers” and how those teachers article also discusses the methods used by the produ- interpret and teach concepts of STAR TREK in relation- cers to include technology into TNG series. ship to technology, religion and the military. Other to- pics include how those teachers view themselves, so- Bailey, Margaret (1976) Live Long and Prosper: cial “dialect,” “collective subjective,” “general cultu- the STAR TREK Phenomenon. New Brunswick, N.J.: ral repertoire,” and “interpretive community.” The Graduate School of Library Service, Rutgers Univer- Trekker teachers interviewed were from the southern sity. United States region known as the “Bible Belt.” Bains, Sunny (1991) STAR TREK: the Nerd‘s Charac- Anijar, Karen (1996) Star Trek – The Ideological ter. In: New Scientist 132,1800-1801, Dec. 21 1991, Frontier: A Social Curriculum in Three Acts. In: Ta- p. 45. boo: The Journal of Cultural Studies and Education ¬ 1, pp. 165-204. The author discusses TREK’s influence on future and upcoming scientists. Anon. (1996) Illogical Captain. In: New Scientist, 150,2026, April 20, 1996, p. 24. Banks, Jane / Tankel, Jonathan David (1990) Sci- ¬ ence as Fiction: Technology in Prime Time Televisi- An interview with Case Western Reserve University on. In: Critical Studies in Mass Communication 7,1, physics professor Lawrence Krauss, author of the March 1990, pp. 24-36. book: The Physics of STAR TREK. Krauss’ book discus- ses the relationships between “science” in the STAR Barad, Judith / Robertson, Ed (2000) The Ethics TREK universe and the real Universe. Krauss believes of STAR TREK. London/New York: HarperCollins. that space travels won’t happen for a long time due to the massive amounts of energy required. The book co- Barnes, Myra Edwards (1975) Linguistics and lan- vers related topics such as warp speed, inertial dam- guages in science-fiction-fantasy. New York: Arno pers, space-time distortion, and deflector shields from Press. the series. Barr, Marlyn S. (1996) „All good things...“ The end Anon. (1997) James Horner. In: Current Biography of STAR TREK: THE NEXT GENERATION, THE END OF 58, 3, p. 23. CAMELOT: The end of the tale about woman as hand- ¬ maid to patriarchy as Superman. In: Enterprise zo- Besides composing the music for several STAR TREK films, he also composed film music for the movies nes. Critical positions on Star Trek. Ed. by Taylor RANSOM, BRAVE HEART and ALIENS. Horner won a 1997 Harrison, Sarah Projansky, Kent A. Ono & Elyce Grammy Award for best song of the year with his Rae Helford. Oxford: Westview Press, pp.231-244. composition, ‘Somewhere Out There.’ Barret, Michèle J. (1995) Wit & Wisdom of Gene Anton, Uwe / Hahn, Ronald M. (1995) STAR TREK Roddenberry. New York: HarperCollins. Enzyklopädie – Film, TV und Video. München: Hey- Barrett, Michèle / Barrett, Duncan (2000) STAR ne. TREK. The Human Frontier. London: Polity Press, Anzovin, Steven (1993) Live Long and Prosper. In: 264 pp. Compute 15,5, May 1993p. 82. ¬ In a world that has been shrunk by modern communi- ¬ The author compares TREK‘s popularity to the current- cations and transport, STAR TREK has maintained the ly available computer and video products. values of western maritime exploration, and the disco- very of ‘strange New Worlds’ in space. In this major Asherman, Allan (1988) The STAR TREK Interview new interpretation of the hugely successful television Book. New York: Pocket Books (Simon & Schuster), series, this mother and son team show that the themes 278 pp. explored in STAR TREK resonate with the broader social and cultural preoccupations of our time. This book ad- ¬ A set of interviews with the show’s creator, Gene Rod- dresses key issues such as science, rationalism, religi- denberry and eight cast members of the original televi- on and death in philosophical, literary, historical and sion series. cultural contexts, bringing together an unusual combi- Asherman, Alan (1989) The STAR TREK Compendi- nation of authorial expertise. Written to appeal to tho- um. London: Titan Books. se who don’t know STAR TREK from STAR WARS, as well as those with the ferociously detailed knowledge of STAR TREK Bibliographie // Medienwissenschaft/Hamburg, 32, 2000 /// 3 the true Trekker, it explains the ideas and ideals be- Bernardi, Daniel Leonard (1998) STAR TREK and hind this significant cultural phenomenon. History: Racing toward a White Future. New Barth, Daniel / vom Lehn, Dirk (1996) Trekkies Jersey/London: Rutgers University Press, 247 pp. ¬ im Cyberspace. Über Kommunikation in einem The author explores the relationship between the STAR Mailboxnetzwerk. In: Kommunikative Lebenswel- TREK

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