Certamen Mini-League Preliminary Round 1 March 31, 2020
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Historical Background Italy, Due to the Threat There from Throw the Entire Balance Over in the Following the Defeat of Hasdrubal Barca Hannibal
• The numerical superiority they enjoyed with their new mercenaries; • The superior quality of their legions, probably the finest in the Roman army; and, • Overconfidence bred from seven years of campaigning without a serious defeat. Had the Scipios actually faced only 35,000 Carthaginians with over 50,000 legionnaires and mercenaries as they believed, their chances for success would have been good. But Hasdrubal Barca had two additional detachments: 3,000 Numidian cavalry under Masinissa and 7,500 warriors under Indibilis. And Hasdrubal Barca also were unable to obtain more troops from had a trick up his sleeve that was to Historical Background Italy, due to the threat there from throw the entire balance over in the Following the defeat of Hasdrubal Barca Hannibal. Instead, the Scipios hired on a favor of Carthage. at Dertosa (see issue Nr. 4 of C3i for large body of 20,000 Celt-Iberian Dertosa Battle Module) by the Scipio mercenaries. The Celt-Iberians were a While Hasdrubal Barca observed the brothers in 215 BC, Carthage responded mix of those two peoples, found mainly Romans from his position at Amtorgis, by sending reinforcements. Two armies in the wilds of central Spain. They had a he ordered the forces of Hasdrubal were dispatched, one under Hasdrubal's reputation for ferocity and fighting skill. Gisgo, Masinissa and Indibilis to younger brother Mago, and another Both sides confidently planned to take concentrate at Mago Barca's camp under a political rival of the Barca clan, the offensive in 211 BC. near Castulo. Once these forces were Hasdrubal Gisgo. For the next three united, it appears he intended to move years (214-212 BC), the three Publius and Gnaeus Scipio knew that north against the Romans with his Carthaginian armies battled the two Hasdrubal Barca was encamped north combined forces. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Female Familial Relationships in Valerius' Argonautica and Statius
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2021 Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid Sophia Warnement Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Classical Literature and Philology Commons Recommended Citation Warnement, Sophia, "Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid" (2021). Undergraduate Honors Theses. Paper 1619. https://scholarworks.wm.edu/honorstheses/1619 This Honors Thesis -- Open Access is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Female Familial Relationships in Valerius’ Argonautica and Statius’ Thebaid A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Classical Studies from The College of William and Mary by Sophia Irene Warnement Accepted for ______Honors___________________________ (Honors, Highest Honors) __Vassiliki Panoussi___________________ Vassiliki Panoussi, Director __Molly Swetnam-Burland____________ Molly Swetnam-Burland __Jennifer Gülly___ ____________________ Jennifer Gülly Williamsburg, VA May 07, 2021 Table of Contents ACKNOWLEDGMENTS .......................................................................................................................................... -
Introduction: Medea in Greece and Rome
INTRODUCTION: MEDEA IN GREECE AND ROME A J. Boyle maiusque mari Medea malum. Seneca Medea 362 And Medea, evil greater than the sea. Few mythic narratives of the ancient world are more famous than the story of the Colchian princess/sorceress who betrayed her father and family for love of a foreign adventurer and who, when abandoned for another woman, killed in revenge both her rival and her children. Many critics have observed the com plexities and contradictions of the Medea figure—naive princess, knowing witch, faithless and devoted daughter, frightened exile, marginalised alien, dis placed traitor to family and state, helper-màiden, abandoned wife, vengeful lover, caring and filicidal mother, loving and fratricidal sister, oriental 'other', barbarian saviour of Greece, rejuvenator of the bodies of animals and men, killer of kings and princesses, destroyer and restorer of kingdoms, poisonous stepmother, paradigm of beauty and horror, demi-goddess, subhuman monster, priestess of Hecate and granddaughter of the sun, bride of dead Achilles and ancestor of the Medes, rider of a serpent-drawn chariot in the sky—complex ities reflected in her story's fragmented and fragmenting history. That history has been much examined, but, though there are distinguished recent exceptions, comparatively little attention has been devoted to the specifically 'Roman' Medea—the Medea of the Republican tragedians, of Cicero, Varro Atacinus, Ovid, the younger Seneca, Valerius Flaccus, Hosidius Geta and Dracontius, and, beyond the literary field, the Medea of Roman painting and Roman sculp ture. Hence the present volume of Ramus, which aims to draw attention to the complex and fascinating use and abuse of this transcultural heroine in the Ro man intellectual and visual world. -
Emma Buckley, School of Classics, St Andrews University
7384 words excluding bibliography ‘Ending the Argonautica: Giovanni Battista Pio’s Argonautica-Supplement (1519)’ Emma Buckley, School of Classics, St Andrews University Introduction: ancient Argonauticas The Argonautica – the tale of Jason, his quest for the Golden Fleece alongside a band of Argonaut brothers, and his capture of the Fleece with the help of the Colchian witch- maiden Medea – is a very old story indeed: Argo is already marked out in Homer’s Odyssey as “well known to all” (πᾶσι μέλουσα, Od.12.70). Time and again authors of classical antiquity, both Greek and Roman, addressed the quest for the Fleece and its aftermath, in lyric (Pindar’s fourth Pythian), elegy (Ovid’s 12th Heroides), and of course tragedy, where Euripides’ and Seneca’s Medeas to this day dominate in modern receptions of the myth. The tale not just of the attainment of the Fleece, but also the adventures of the Argonauts along the way, was, however, tackled most fully in the Hellenistic Argonautica of Apollonius Rhodius (written in the first half of the third century BC). Apollonius’ four-book epic – not only a narrative of marvellous adventures but also a treasure trove of aetiological, genealogical, ethnographical and scientific writing – sparked intense emulative response from Latin imitators, above all in the Argonautica of Varro Atacinus (now existing only in fragments), a late first-century BC translation of Apollonius that acculturated the Greek mythological epic to the contemporary nautical exploits of Julius Caesar.1 But it would take the arrival of a new imperial dynasty, the Flavians, and another emperor famed for sea-faring exploits – Vespasian – for a Roman author to treat the myth of Argo once again in epic. -
Carthaginian Mercenaries: Soldiers of Fortune, Allied Conscripts, and Multi-Ethnic Armies in Antiquity Kevin Patrick Emery Wofford College
Wofford College Digital Commons @ Wofford Student Scholarship 5-2016 Carthaginian Mercenaries: Soldiers of Fortune, Allied Conscripts, and Multi-Ethnic Armies in Antiquity Kevin Patrick Emery Wofford College Follow this and additional works at: http://digitalcommons.wofford.edu/studentpubs Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Military History Commons Recommended Citation Emery, Kevin Patrick, "Carthaginian Mercenaries: Soldiers of Fortune, Allied Conscripts, and Multi-Ethnic Armies in Antiquity" (2016). Student Scholarship. Paper 11. http://digitalcommons.wofford.edu/studentpubs/11 This Honors Thesis is brought to you for free and open access by Digital Commons @ Wofford. It has been accepted for inclusion in Student Scholarship by an authorized administrator of Digital Commons @ Wofford. For more information, please contact [email protected]. Wofford College Carthaginian Mercenaries: Soldiers of Fortune, Allied Conscripts, and Multi-Ethnic Armies in Antiquity An Honors Thesis Submitted to The Faculty of the Department of History In Candidacy For An Honors Degree in History By Kevin Patrick Emery Spartanburg, South Carolina May 2016 1 Introduction The story of the mercenary armies of Carthage is one of incompetence and disaster, followed by clever innovation. It is a story not just of battles and betrayal, but also of the interactions between dissimilar peoples in a multiethnic army trying to coordinate, fight, and win, while commanded by a Punic officer corps which may or may not have been competent. Carthaginian mercenaries are one piece of a larger narrative about the struggle between Carthage and Rome for dominance in the Western Mediterranean, and their history illustrates the evolution of the mercenary system employed by the Carthaginian Empire to extend her power and ensure her survival. -
The Story of Carthage, Because One Has to Tell It Without Sympathy, and from the Standpoint of Her Enemies
li^!*^'*,?*^','. K lA, ZT—iD v^^ )A Cfce ®tor? of tfte iSations. CARTHAGE THE STORY OF THE NATIONS. Large Crown 8vo, Cloth, Illustrated, ^s. 1. ROME. Arthur Oilman, M.A. 2. THE JEWS. Prof. J. K. Hosmer. 3. GERMANY. Rev. S. Baring-Gould, M.A. 4. CARTHAGE. Prof. A. J. Church. 5. ALEXANDER'S EMPIRE. Prof. J. P. Mahaffy. 6. THE MOORS IN SPAIN. Stanley Lane-Poole. 7. ANCIENT EGYPT. Canon Raw- LINSON. 8. HUNGARY. Prof. A. Vambery. 9. THE SARACENS. A. Oilman, M.A. 10. IRELAND. Hon. Emily Lawless. 11. THE GOTHS. Henry Bradley. 12. CHALD^A. Z. A. Ragozin. 13. THE TURKS. Stanley Lane-Poole. 14. ASSYRIA. Z. A. Ragozin. 15. HOLLAND. Prof. J. E. Thorold Rogers. 16. PERSIA. S.W.Benjamin. London ; T. PISHEE UNWIN, 2 6, Paternoster Square, E.G. CARTHAGE OR THE EMPIRE OF AFRICA ALFRED J. CHURCH, M.A. '* PROFESSOR OF LATIN IN UNIVERSITY COLLEGE, LONDON, AUTHOR OP STORIES FROM HOMER," ETC., ETC. WITH THE COLLABORA TION OF ARTHUR OILMAN, M.A. THIRD EDITION, gtrnhon T. FISHER UNWIN 26 PATERNOSTER SQUARE NEW YORK : O. P. PUTNAM'S SONS MDCCCLXXXVII SEEN BY PRESERVATION SERVICES M } 7 4Q«^ Entered at Stationers' Hall By T. fisher UNWIN. Copyright by G. P. Putnam's Sons, 1886 (For the United States of America), PREFACE. It is difficult to tell the story of Carthage, because one has to tell it without sympathy, and from the standpoint of her enemies. It is a great advantage, on the other hand, that the materials are of a manage- able amount, and that a fairly complete narrative may be given within a moderate compass. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
Cellini's Perseus and Medusa: Configurations of the Body
CELLINI’S PERSEUS AND MEDUSA: CONFIGURATIONS OF THE BODY OF STATE by CHRISTINE CORRETTI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Professor Edward J. Olszewski Department of Art History CASE WESTERN RESERVE UNIVERSITY January, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Corretti candidate for the Doctor of Philosophy degree.* (signed) Professor Edward J. Olszewski (chair of the committee) Professor Anne Helmreich Professor Holly Witchey Dr. Jon S. Seydl (date) November, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Copyright © 2011 by Christine Corretti All rights reserved 2 Table of Contents List of Illustrations 4 Abstract 9 Introduction 11 Chapter 1 The Story of Perseus and Medusa, an Interpretation 28 of its Meaning, and the Topos of Decapitation Chapter 2 Cellini’s Perseus and Medusa: the Paradigm of Control 56 Chapter 3 Renaissance Political Theory and Paradoxes of 100 Power Chapter 4 The Goddess as Other and Same 149 Chapter 5 The Sexual Symbolism of the Perseus and Medusa 164 Chapter 6 The Public Face of Justice 173 Chapter 7 Classical and Grotesque Polities 201 Chapter 8 Eleonora di Toledo and the Image of the Mother 217 Goddess Conclusion 239 Illustrations 243 Bibliography 304 3 List of Illustrations Fig. 1 Benvenuto Cellini, Perseus and Medusa, 1545-1555, 243 Loggia dei Lanzi, Florence, Italy. Fig. 2 Donatello, Judith and Holofernes, c. 1446-1460s, Palazzo 244 Vecchio, Florence, Italy. Fig. 3 Heracles killing an Amazon, red figure vase. -
THE FIRST CAMPAIGNS in SPAIN. by Mary Elizabeth Kerr B.A., U N I V E R S I T Y of B R I T I S N Columbia, 1966. a Thesis Submitt
THE FIRST CAMPAIGNS IN SPAIN. by Mary Elizabeth Kerr B.A., University of Britisn Columbia, 1966. A Thesis Submitted.in Partial Fulfilment of The Requirements for the degree of, Master of, Arts in the Department of Classics We accept this thesis as conforming to the I j required" standard. The University of British Columbia May, 1969. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thes,is for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada ABSTRACT This thesis considers one theatre of the Second Punic War for a limited number of years. The period of the Spanish theatre extends from the beginning of Hannibal's career in 221 B.C. until the deaths of Gnaeus and Publius Scipio in 211 B.C. The following chronology is adopted: 237 - Hamilcar begins the reconquest of Spain. 231 - A Roman embassy visits Hamilcar; an agreement is reached between Saguntum and Rome. 229 - Hamilcar dies; Hasdrubal acclaimed commander. 226 - The Ebro treaty. 222/221- Hasdrubal murdered; Hannibal new leader in Spain. 220 - Roman political intervention at Saguntum. 219 - Hannibal attacks and captures Saguntum. 218 - War declared between Rome and Carthage. -
Oath Making and Breaking in Euripides' Medea
Ephemeris Volume 7 Article 6 2012 Oath Making and Breaking in Euripides' Medea Karyn Greene Denison University Follow this and additional works at: https://digitalcommons.denison.edu/ephemeris Part of the Ancient Philosophy Commons, History of Art, Architecture, and Archaeology Commons, and the History of Religions of Western Origin Commons Recommended Citation Greene, Karyn (2012) "Oath Making and Breaking in Euripides' Medea," Ephemeris: Vol. 7 , Article 6. Available at: https://digitalcommons.denison.edu/ephemeris/vol7/iss1/6 This Article is brought to you for free and open access by the Classical Studies at Denison Digital Commons. It has been accepted for inclusion in Ephemeris by an authorized editor of Denison Digital Commons. Oath Making and Breaking in Euripides’ Medea KARYN GREENE The swearing of oaths was an important feature of the Ancient Athenian political system. It was “a political process that could be expressed in ritual language and by means of ritual acts” (Cole, 227). In the Medea, Medea uses this political process as a means to both punish Jason for his betrayal and to avenge her dishonor. Euripides’s use of this practice emphasizes the importance of politics to the maintenance and successful continuation of both private and public life within the polis. Oath making defined Athenian culture. It played such an integral role in society and was employed to determine the citizenship of Athenian males. First, an oath was made by the men who decided which youths were eligible to be honored with citizenship. Then, another oath was made by the men charged with equipping these youths with all the knowledge necessary for them to be successful and productive members of society. -
One of So Very Few Herodotus Names Very Few Hellenic Women in His
2020-3890-AJHA 1 Gorgo: Sparta’s Woman of Autonomy, Authority, and Agency 2 [Hdt. 3.148–3.149, 5.42, 5.46, 5.48–5.51, 5.70, 6.65–6.67, 6.137–6.140, and Hdt. 7.238– 3 7.239] 4 5 Claims that Herodotus reveals himself as a proto-biographer, let alone as a proto- 6 feminist, are not yet widely accepted. To advance these claims, I have selected one 7 remarkable woman from one side of the Greco-Persian Wars whose activities are 8 recounted in his Histories. Critically it is to a near contemporary, Heraclitus, to 9 whom we attribute the maxim êthos anthropôi daimôn (ἦθος ἀνθρώπῳ δαίμων) — 10 character is human destiny. It is the truth of this maxim—which implies effective 11 human agency—that makes Herodotus’ creation of historical narrative even 12 possible. Herodotus is often read for his vignettes, which, without advancing the 13 narrative, color-in the character of the individuals he depicts in his Histories. No 14 matter, if these fall short of the cradle to grave accounts given by Plutarch, by hop- 15 scotching through the nine books, we can assemble a partially continuous narrative, 16 and thus through their exploits, gauge their character, permitting us to attribute both 17 credit and moral responsibility. Arguably this implied causation demonstrates that 18 Herodotus’ writings include much that amounts to proto-biography and in several 19 instances—one of which is given here—proto-feminism. 20 21 22 One of So Very Few 23 24 Herodotus names very few Hellenic women in his Histories, let alone 25 assigning many of them significant roles during the Greco-Persian Wars, but his 26 readers must readily note that in terms of political judgment he has nothing but 27 praise for one royal Spartan woman—Gorgo—who is born somewhat later than 28 Atossa of Persia but about the same time as Artemisia of Halicarnassus and is 29 therefore her contemporary 1 Women are mentioned 375 times by Herodotus 30 (Dewald 94, and 125).