Reproductive Justice: a Communications Overview About This Report
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NAME AFFILIATION MUSIC Arcos, Betto KPFK, Latin Music Expert
SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION MUSIC Arcos, Betto KPFK, latin music expert Barnes, Micah Bentley, Jason KCRW music program host; SM Downs, LeRoy KJAZ Eliel, Ruth Colburn Foundation Fernandez, Paul SM Music Center Fleischmann, Martin Music producer Franzen, Dale Performing arts producer Gallegos, Geoff "Double G" Jazz arranger/player/music director Gross, Allen Robert Artistic Director/Conductor, SM Symphony Guerrero, Tony Tony Guerrero Quartet Jain, Susan Pertel Producer, Chinese cultural expert Jones, O-Lan Composer, producer Karlin, Jan Levine, Iris Dr. Vox Femina Marshall, Anindo Director, Adaawe Maynard, Denise KJAZ Mosiman, Marnie singer Pourafar, Pirayeh Musician, teacher Pourmehdi, Houman Musician, teacher Cal Arts, Lian Ensemble Roden , Steve (also Visual Art) Visual artist/sound composer (Glow 2010) Scott, Patrick Artistic Director, Jacaranda music series, SM Smith, Dr. James SM College Sullivan, Cary Producer/Afro Funke Night Club PERFORMANCE ART Davidson, Lloyd Keegan & Lloyd Fabb, Rochelle Performance artist Fleck, John Performance Artist Froot, Dan Performance artist Gaitan, Maria Elena Performance Artist, Musician, Linguist, Educator Hartman, Lauren Crazy Space Kearns, Michael Writer/performer Keegan, Tom Keegan & Lloyd Kuida, Jennifer Great Leap Kuiland-Nazario, Marcus Curator, Performance artist Malpede, John LAPD Marcotte, Kendis Former Director, Virginia Avenue Project Miller, Tim Performance Artist/ Former Director Highways Palacios, Monica Performance artist Sakamoto, Michael Performance artist Werner, Nicole Dance, performance, theater Wong, Kristina SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION Woodbury, Heather Performance artist Zaloom, Paul Performance artist THEATER Abatemarco, Tony Skylight Theater Almos, Carolyn Loyola, Burglers of Hamm Almos, Matt Playwright, producer, Disney Corp. -
Saving the Information Commons a New Public Intere S T Agenda in Digital Media
Saving the Information Commons A New Public Intere s t Agenda in Digital Media By David Bollier and Tim Watts NEW AMERICA FOUNDA T I O N PUBLIC KNOWLEDGE Saving the Information Commons A Public Intere s t Agenda in Digital Media By David Bollier and Tim Watts Washington, DC Ack n owl e d g m e n t s This report required the support and collaboration of many people. It is our pleasure to acknowledge their generous advice, encouragement, financial support and friendship. Recognizing the value of the “information commons” as a new paradigm in public policy, the Ford Foundation generously supported New America Foundation’s Public Assets Program, which was the incubator for this report. We are grateful to Gigi Sohn for helping us develop this new line of analysis and advocacy. We also wish to thank The Open Society Institute for its important support of this work at the New America Foundation, and the Center for the Public Domain for its valuable role in helping Public Knowledge in this area. Within the New America Foundation, Michael Calabrese was an attentive, helpful colleague, pointing us to useful literature and knowledgeable experts. A special thanks to him for improv- ing the rigor of this report. We are also grateful to Steve Clemons and Ted Halstead of the New America Foundation for their role in launching the Information Commons Project. Our research and writing of this report owes a great deal to a network of friends and allies in diverse realms. For their expert advice, we would like to thank Yochai Benkler, Jeff Chester, Rob Courtney, Henry Geller, Lawrence Grossman, Reed Hundt, Benn Kobb, David Lange, Jessica Litman, Eben Moglen, John Morris, Laurie Racine and Carrie Russell. -
A NATIONAL CONFERENCE Define Justice
RY SA VER ANNI C’S 30th AR FACING RACE A NATIONAL CONFERENCE Define Justice. Make Change. November 15-17, 2012 BALTIMORE HILTON BALTIMORE, MD 30/.3/2%$ "9 4(% !00,)%$ 2%3%!2#( #%.4%2 s !2#/2' THE APPLIED RESEARCH CENTER’S (ARC) MISSION IS TO BUILD AWARENESS, SOLUTIONS, AND LEADERSHIP FOR RACIAL JUSTICE BY GENERATING TRANSFORMATIVE IDEAS, INFORMATION AND EXPERIENCES. ABOUT ARC The Applied Research Center (ARC) is a thirty-year-old, national racial justice organization. ARC envisions a vibrant world in which people of all races create, share and enjoy resources and relationships equitably, unleashing individual potential, embracing collective responsibility and generating global prosperity. We strive to be a leading values-driven social justice enterprise where the culture and commitment created by our multi-racial and diverse staff supports individual and organizational excellence and sustainability. ARC’s mission is to build awareness, solutions and leadership for racial justice by generating transformative ideas, information and experiences. We define racial justice as the systematic fair treatment of people of all races, resulting in equal opportunities and outcomes for all and we work to advance racial justice through media, research, and leadership development. s MEDIA: ARC is the publisher of Colorlines.com, an award-winning, daily news site where race matters. Colorlines brings a critical racial lens and analysis to breaking news stories, as well as in-depth investigations. In 2012, Colorlines’ Shattered Families investigation was awarded the Hillman Prize in Web Journalism and Colorlines partnered with The Nation on the Voting Rights Watch series. In addition to promoting racial justice through our own media, ARC staff is sought after as experts on current race issues, with regular media appearances on MSNBC, NPR, and other national and local broadcast, print, and online outlets. -
Media Contacts List
CONSOLIDATED MEDIA CONTACT LIST (updated 10/04/12) GENERAL AUDIENCE / SANTA MONICA MEDIA FOR SANTA MONICA EMPLOYEES Argonaut Big Blue Buzz Canyon News WaveLengths Daily Breeze e-Desk (employee intranet) KCRW-FM LAist COLLEGE & H.S. NEWSPAPERS LA Weekly Corsair Los Angeles Times CALIFORNIA SAMOHI The Malibu Times Malibu Surfside News L.A. AREA TV STATIONS The Observer Newspaper KABC KCAL Santa Monica Blue Pacific (formerly Santa KCBS KCOP Monica Bay Week) KMEX KNBC Santa Monica Daily Press KTLA KTTV Santa Monica Mirror KVEA KWHY Santa Monica Patch CNN KOCE Santa Monica Star KRCA KDOC Santa Monica Sun KSCI Surfsantamonica.com L.A. AREA RADIO STATIONS TARGETED AUDIENCE AP Broadcast CNN Radio Business Santa Monica KABC-AM KCRW La Opinion KFI KFWB L.A. Weekly KNX KPCC SOCAL.COM KPFK KRLA METRO NETWORK NEWS CITY OF SANTA MONICA OUTLETS Administration & Planning Services, CCS WIRE SERVICES Downtown Santa Monica, Inc. Associated Press Big Blue Bus News City News Service City Council Office Reuters America City Website Community Events Calendar UPI CityTV/Santa Monica Update Cultural Affairs OTHER / MEDIA Department Civil Engineering, Public Works American City and County Magazine Farmers Markets Governing Magazine Fire Department Los Angeles Business Journal Homeless Services, CCS Human Services Nation’s Cities Weekly Housing & Economic Development PM (Public Management Magazine) Office of Emergency Management Senders Communication Group Office of Pier Management Western City Magazine Office of Sustainability Rent Control News Resource Recovery & Recycling, Public Works SeaScape Street Department Maintenance, Public Works Sustainable Works 1 GENERAL AUDIENCE / SANTA MONICA MEDIA Argonaut Weekly--Thursday 5355 McConnell Ave. Los Angeles, CA 90066-7025 310/822-1629, FAX 310/823-0616 (news room/press releases) General FAX 310/822-2089 David Comden, Publisher, [email protected] Vince Echavaria, Editor, [email protected] Canyon News 9437 Santa Monica Blvd. -
THE FUTURE of IDEAS This Work Is Licensed Under a Creative Commons Attribution-Noncommercial License (US/V3.0)
less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page i THE FUTURE OF IDEAS This work is licensed under a Creative Commons Attribution-Noncommercial License (US/v3.0). Noncommercial uses are thus permitted without any further permission from the copyright owner. Permissions beyond the scope of this license are administered by Random House. Information on how to request permission may be found at: http://www.randomhouse.com/about/ permissions.html The book maybe downloaded in electronic form (freely) at: http://the-future-of-ideas.com For more permission about Creative Commons licenses, go to: http://creativecommons.org less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iii the future of ideas THE FATE OF THE COMMONS IN A CONNECTED WORLD /// Lawrence Lessig f RANDOM HOUSE New York less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iv Copyright © 2001 Lawrence Lessig All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Random House and colophon are registered trademarks of Random House, Inc. library of congress cataloging-in-publication data Lessig, Lawrence. The future of ideas : the fate of the commons in a connected world / Lawrence Lessig. p. cm. Includes index. ISBN 0-375-50578-4 1. Intellectual property. 2. Copyright and electronic data processing. 3. Internet—Law and legislation. 4. Information society. I. Title. K1401 .L47 2001 346.04'8'0285—dc21 2001031968 Random House website address: www.atrandom.com Printed in the United States of America on acid-free paper 24689753 First Edition Book design by Jo Anne Metsch less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page v To Bettina, my teacher of the most important lesson. -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Laura Dickinson
CURRICULUM VITAE Laura Dickinson (202) 994-0376 (T) [email protected] EDUCATION Yale Law School, J.D., 1996 Journals: Co-Editor-in-Chief, Yale Journal of Law and the Humanities; Editor, Yale Law Journal Award: Khosla Memorial Fund for Human Dignity Prize for active engagement in advancing the values of human dignity in the international arena Activities: Teaching Assistant to Professor Harold Hongju Koh, Civil Procedure; Student Director, Lowenstein International Human Rights Clinic Harvard College, A.B., Social Studies, 1992 Honors: Magna Cum Laude; Phi Beta Kappa Awards: Hoopes Prize for senior honors thesis; Harvard College Scholarship for academic achievement; Harvard National Scholar. Activities: Editorials Editor, Harvard Crimson; Chair, Phillips Brooks House Committee for Economic Change; Editor, Harvard Political Review ACADEMIC POSITIONS 2011 – present The George Washington University Law School Oswald Symister Colclough Research Professor of Law; Co‐Director, National Security Law Program 2008 – 2011 Sandra Day O’Connor College of Law, Arizona State University Foundation Professor of Law; Director of the University’s Center for Law and Global Affairs 2001 – 2008 University of Connecticut School of Law Professor (2006-2008); Associate Professor (2001-2006) 2006 – 2007 Princeton University, Program in Law & Public Affairs Visiting Professor and Visiting Research Scholar JUDICIAL CLERKSHIPS 1997 – 1998 United States Supreme Court, Washington, DC Law Clerk to Justice Harry A. Blackmun. Also performed full law clerk duties for Justice Stephen G. Breyer. 1996 – 1997 U.S. Court of Appeals for the Ninth Circuit, Pasadena, CA Law Clerk to Judge Dorothy W. Nelson OTHER WORK EXPERIENCE 2014 – present New America Foundation, Washington, DC Future of War Fellow Prepare reports, papers and presentations on legal issues arising from new techniques and methods of warfare. -
DA-05-2541A2.Pdf
LICENSEE ID # CALL SIGN LICENSEE NAME LICENSEE CITY STATE 5282 KIYU-AM Big River Broadcasting Corp Galena AK 43937 KKGO-AM Mt. Wilson FM Broadcasters Inc. Beverly Hills CA 35047 KLBM-AM Pacific Empire Radio Group La Grande OR 71211 KLIC-AM Media Ministries, Inc. Monroe LA 35107 KMA-AM KMA Broadcasting, LP Shenandoah IA 2910 KMYT-FM Clear Channel Broadcasting Licenses, Inc. Temecula CA 35289 KNBA-FM Koahnic Broadcast Corp. Anchorage AK 48974 KNIM-FM Nodaway Broadcasting Corp. Maryville MO 26892 KNTB-AM FTP Corporation Lakewood WA 37454 KNWI-FM Northwestern College Osceola IA 27077 KOHU-AM West-End Radio, LLC Hermiston OR 51128 KOLW-FM Capstar TX Limited Partnership Basin City WA 48674 KOPN-FM New Wave Corp. Columbia MO 34424 KOST-FM AM/FM Broadcasting Licenses, LLC Los Angeles CA 866 KOXR-AM Lazer Broadcasting Corporation Oxnard CA 22975 KPAY-AM Deer Creek Broadcasting, LLC Chico CA 51252 KPFK-FM Pacifica Foundation, Inc. Los Angeles CA 37153 KPOD-FM KPOD, LLC Crescent City CA 25515 KPRG-FM Guam Educational Radio Foundation Agana GU 60854 KPXP-FM Sorensen Pacific Broadcasting, Inc. Garapan/Saipan MP 19791 KQCS-FM Cumulus Licensing, LLC Bettendorf IA 90769 KQHR-FM KBPS Public Radio Foundation Hood River OR 5268 KQYX-AM Petracom of Joplin, LLC Joplin MO 29196 KRBT-AM Iron Range Broadcasting, Inc. Eveleth MN 30121 KRFO-AM Cumulus Licensing LLC Owatonna MN 72475 KSLM-AM Entercom Portland License, LLC Salem OR 5989 KSPT-AM Blue Sky Broadcasting Sandpoint ID 49016 KSYB-AM Amistad Communications, Inc. Shreveprot LA 73627 KTRF-AM Iowa City Broadcasting Co., Inc. -
2019 Public Participation Plan
metro.net/publicparticipationplan Public Participation Plan October 2019 Executive Summary The Los Angeles County Metropolitan Transportation Authority (Metro) considers all who reside, work and travel within LA County to be stakeholders of the agency Residents, institutions, locally situated businesses, community- based organizations, religious leaders and the elected offi c ials who represent them are particularly important in relation to public participation planning and outreach Communications with the public is a continuum of involvement concerning service, fare changes, studies and initiatives, short- and long- range planning documents, environmental studies, project planning and construction, and transit safety education This Public Participation Plan (Plan) has been assembled to capture the methods, innovations and measurements of the agency’s commitment to meet and exceed the prescribed requirements of the U S Department of Transportation (USDOT), including Federal Transit Administration (FTA) Circulars C 4702 1B citing recipients’ responsibilities to Limited English Profic ient persons, FTA Circular C 4703 1, guiding recipients on integrating principles of Environmental Justice into the transportation decision-making process, and Federal Highway Administration’s (FHWA) Title VI program The Plan is also consistent with Title VI, (non-discrimination regulations) of the Civil Rights Act of 1964, Section 162(a) of the Federal-Aid Highway Act of 1973 and The Age Discrimination Act of 1975 Every three years, Metro updates the Public -
Phonograph and Audio Collection
McLean County Museum of History Phonograph and Audio Collection Processed by Aingeal Stone Winter/Spring 2014 Jim Hall Winter 2018 Collection Information VOLUME OF COLLECTION: 10 Boxes COLLECTION DATES: 1935-2007; mostly 1946-58. RESTRICTIONS: None REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives NOTES: Brief History The history of McLean County has been recorded and captured on vinyl covering a variety of subjects in a variety of ways. From the speeches of native born politicians to the music of area residents, these examples of the past are here collected and preserved for the future. Scope This collection includes audio recordings of speeches, meetings, music on cassette and 78, 45, 33 1/3 rpm discs. Box 1 contains phonographs exclusively pertaining to Adlai E. Stevenson II, a Bloomington-born politician. Box 2 contains phonographs pertaining to local news and music, and world news. Box 3 contains phonographs pertaining to local musical performances, national radio and television programs, presidents Dwight D. Eisenhower and John F. Kennedy, and Christmas music. Box 4 contains phonographs of musical numbers by various performers and barbershop quartets. Box 5 contains small format phonographs and cassettes of local performers’ music. Box 6 contains large format phonographs of Wilding Picture Productions recordings concerning economics and a Stevenson Bandwagon Album. Boxes 7 and 8 contain CD’s of local performers. Box 9 contains phonographs of musical numbers by local performers. Boxes 10 and 11 contain phonographs of performance by local schools and churches. -
The Failure of Bilingual Education. INSTITUTION Center for Equal Opportunity, Washington, DC
DOCUMENT RESUME ED 397 636 FL 023 750 AUTHOR Amselle, Jorge, Ed. TITLE The Failure of Bilingual Education. INSTITUTION Center for Equal Opportunity, Washington, DC. PUB DATE [96] NOTE 126p. AVAILABLE FROMCenter for Equal Opportunity, 815 15th St. N.W., Suite 928, Washington, DC 20005; Tel: 202-639-0803; Fax: 202-639-0827. PUB TYPE Collected Works Conference Proceedings (021) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS -'"Bilingual Education; Court Litigation; English (Second Language); *English Only Movement; Government Role; *Intercultural Communication; *Language Mainterance; Language Research; Language Skills; Limited English Speaking; Minority Groups; *Multicultural Education; Second Language Learning; *Teaching Methods IDENTIFIERS California ABSTRACT This monograph is based an a conference on bilingual education held by the Center for Equal Opportunity (CEO) in September, 1995 in Washington, D.C. CEO made repeated attempts to secure speakers representing the pro-bilingu41 education viewpoint; the paper by Portes and Schauffler represents this view. Papers presented include: "Introduction: One Nation, One Common Language" (Linda Chavez); "Bilingual Education and the Role of Government Li Preserving Our Common Language" (Toby Roth); "Is ;Jilingual Education an Effective Educational Tool? (Christine Rossell); "What Bilingual Education Rcsearr't Tells Us" (Keith Baker) ;"The Pclitics of Bilingual Education Revisited" (Rosalie Pedalino Porter); "Realizing Democratic Ideals with Bilingual Education" (Irma N. Guadarrama); "Language and the Second Generation: Bilingualism Yesterday and Today" (Alejandro Fortes and Richard Schauffler); "Educating California's Immigrant Children" (Wayne A. Cornelius); "Breaking the Bilingual Lobby's Stranglehold" (Sally Peterson); "Parental Choice in Burbank, California" (Lila Ramirez); "Bilingual Education Alternatives" (Patricia Whitelaw-Hill); "Bilingual Education in the Classroom" (Suzanne Guerrero); and "One Parent's Story" (Miguel Alvarado).