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Chassis Design for SAE Racer
University of Southern Queensland Faculty of Engineering and Surveying Chassis Design for SAE Racer A dissertation submitted by: Anthony M O’Neill In fulfilment of the requirements of ENG 4111/2 Research Project Towards the degree of Bachelor of Engineering (Mechanical) Submitted: October 2005 1 Abstract This dissertation concerns the design and construction of a chassis for the Formula SAE-Aust race vehicle – to be entered by the Motorsport Team of the University of Southern Queensland. The chassis chosen was the space frame – this was selected over the platform and unitary styles due to ease of manufacture, strength, reliability and cost. A platform chassis can be very strong, but at the penalty of excessive weight. The unitary chassis / body is very expensive to set up, and is generally used for large production runs or Formula 1 style vehicles. The space frame is simple to design and easy to fabricate – requiring only the skills and equipment found in a normal small engineering / welding workshop. The choice of material from which to make the space frame was from plain low carbon steel, AISI-SAE 4130 (‘chrome-moly’) or aluminium. The aluminium, though light, suffered from potential fatigue problems, and required precise heat / aging treatment after welding. The SAE 4130, though strong, is very expensive and also required proper heat treatment after welding, lest the joints be brittle. The plain low carbon steel met the structural requirements, did not need any heat treatments, and had the very real benefits of a low price and ready availability. It was also very economical to purchase in ERW (electric resistance welded) form, though CDS (cold drawn seamless) or DOM (drawn over mandrel) would have been preferable – though, unfortunately, much more expensive. -
HÁLÓZATELMÉLET ÉS MŰVÉSZET a Lineáris Információ Nincs Központban
MOHOLY-NAGY MŰVÉSZETI EGYETEM DOKTORI ISKOLA KALLÓ ANGÉLA HÁLÓZATELMÉLET ÉS MŰVÉSZET A Lineáris Információ Nincs Központban. Jöjjön a LINK! DLA ÉRTEKEZÉS TÉMAVEZETŐ: Dr. TILLMANN JÓZSEF BUDAPEST-KOLOZSVÁR 2009 TARTALOMJEGYZÉK DLA ÉRTEKEZÉS – TÉZISEK A DLA értekezés tézisei magyar nyelven – Bevezető – Tézisek Thesis of DLA dissertation (A DLA értekezés tézisei angol nyelven) – Introduction – Thesis DLA ÉRTEKEZÉS Bevezető 1. Hálózatelmélet – Előzmények 1.1. Kiindulópont 1.2. Hálózatelmélet – három név, három cím, három megközelítés 1.2.1. Barabási 1.2.2. Buchanan 1.2.3. Csermely 2. A háló ki van vetve 2.1. A hálózatelmélet hajnala 2.1.1. Sajátos gráfok 2.2. Lánc, lánc… 2.2.1. Az ismeretségi hálózat és a köztéri művészet 2.2.2. Az ismeretségi hálózat és a multimédia művészet 2.2.3. Az ismeretségi hálózat és a net art, avagy ma van a tegnap holnapja 1 2.3. Kis világ 2.3.1. Hidak 2.3.2. Mitől erős egy gyenge kapcsolat? 2.3.3. Centrum és periféria 2.4. Digitális hálózatok 2.4.1. A hálózatok hálózata 2.4.2. A világháló 2.4.3. A Lineáris Információ Nincs Központban. Jöjjön a LINK! 2.4.4. Kicsi világ @ világháló 2.5. Művészet a hálón 2.5.1. A net mint art 2.5.2. Interaktív művészet a hálón és azon túl 2.5.3. A szavak hálózata mint művészet 2.6. Szemléletváltás 2.6.1. A nexus néhány lehetséges módja 2.6.2. Egy lépésnyire a fraktáloktól 2.6.3. Fraktálok – természet, tudomány, művészet 2.6.4. Térképek 3. Összegzés magyar nyelven 4. Summary of DLA dissertation (Összegzés angol nyelven) Bibliográfia Curriculum Vitae 2 HÁLÓZATELMÉLET ÉS MŰVÉSZET A Lineáris Információ Nincs Központban. -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
Current Technologies and Trends of Retractable Roofs By
Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2003 © 2003 Julie K. Smith. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author: Julie K. Smith Department of Civil and Environmental Engineering 1) May 9, 2003 Certified by:. Jerome Connor Professor/ of C il and Environmental Engineering Thesis Supervisor Accepted by: Oral Buyukozturk Professor of Civil and Environmental Engineering Chairman, Departmental Committee on Graduate Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 0 2 2003 LIBRARIES Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering on May 9, 2003 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering Abstract In recent years, retractable roofs have become a popular feature in sport stadiums. However, they have been used throughout time because they allow a building to become more flexible in its use. This thesis reviews the current technologies of retractable roofs and discusses possible innovations for the future. Most retractable roofs use either a 2-D rigid panel system or a 2-D membrane and I-D cable system. -
Lesson #1: Architecture Features Through the Ages
Unit Two: History of Architecture and Building Codes Lesson #1: Architecture Features Through the Ages Objectives Students will be able to… . Summarize the architecture features through Stone Ages to Neo-Classical Time. Common Core Standards LS 11-12.6 RSIT 11-12.2 RLST 11-12.2 Problem Solving/Critical Thinking 5.4 Health and Safety 6.2, 6.3, 6.4, 6.5, 6.6, 6.12 Technical Knowledge and Skills 10.1, 10.2, 10.3 Residential and Commercial Construction Pathway D2.1, D2.8, D2.9, D3.1, D3.2, D3.3, D3.4, D3.7 Responsibility and Leadership 7.4, 9.3 Materials Architecture Features Through the Ages Power Point https://documentcloud.adobe.com/link/track?uri=urn%3Aaaid%3Ascds%3AUS%3Ab4f485df -0d78-4fa9-9509-0b9ea3e1952c Architecture Features Through the Ages Worksheet Lesson Sequence . Introduce to students that a specific architectural style is characterized by a collection of design details. These details include size and shape of windows, the size and placement of a porch, and the presence or absence of columns. Review the Architecture Features Through the Ages PowerPoint with students. Have students fill in the Architecture Features Through the Ages Worksheet while reviewing the power point. Discuss and answer any questions students may have along the way. © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Assessment Check for understanding while presenting PowerPoint. Grade student worksheets. Reteach and clarify any misunderstandings as needed. Accommodations/Modifications Check for Understanding One on One Support Peer Support Extra Time If Needed © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Architecture Features Through the Ages Worksheet As you watch the PowerPoint on Architectural Features Through the Ages fill in summary with the correct answers. -
Structural Design of a Geodesic-Inspired Structure for Oculus: Solar Decathlon Africa 2019
Structural Design of a Geodesic-inspired Structure for Oculus: Solar Decathlon Africa 2019 A Major Qualifying Project submitted to the faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science Submitted By: Sara Cardona Mary Sheehan Alana Sher December 14, 2018 Submitted To: Tahar El-Korchi Nima Rahbar Steven Van Dessel Abstract The goal of this project was to create the structural design for a lightweight dome frame structure for the 2019 Solar Decathlon Africa competition in Morocco. The design consisted of developing member sizes and joint connections using both wood and steel. In order to create an innovative and competitive design we incorporated local construction materials and Moroccan architectural features. The result was a structure that would be a model for geodesic inspired homes that are adaptable and incorporate sustainable features. ii Acknowledgements Sincere thanks to our advisors Professors Tahar El-Korchi, Nima Rahbar, and Steven Van Dessel for providing us with feedback throughout our project process. Thank you to Professor Leonard Albano for assisting us with steel design and joint design calculations. Additionally, thank you to Kenza El-Korchi, a visiting student from Morocco, for helping with project coordination. iii Authorship This written report, as well as the design development process, was a collaborative effort. All team members, Sara Cardona, Mary Sheehan, and Alana Sher contributed equal efforts to this project. iv Capstone Design Statement This Major Qualifying Project (MQP) investigated the structural design of a lightweight geodesic-dome inspired structure for the Solar Decathlon Africa 2019 competition. The main design components of this project included: member sizing and verification using a steel and wood buckling analysis, and joint sizing using shear and bearing analysis. -
My MFA Experience Thesis Presented in Partial Fulfillment of The
My MFA Experience Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Axel Cuevas Santamaría Graduate Program in Art The Ohio State University 2018 Master’s Examination Committee: Ken Rinaldo, Adviser Amy Youngs Alex Oliszewski Copyright by Axel Cuevas Santamaría 2018 Abstract This MFA thesis explores the threshold of phenomenological perception, audience attention and the mystery of imaginary worlds I perceive between microscopic and macroscopic dimensions. In the BioArt projects and digital immersive environments I present in this thesis, I have found the potential to explore real and imaginary landscapes. This exploration further expands, adding new physical and virtual layers to my work that activate the audience. My work incorporates the synthesis of projection mapping, biological living systems and interactive multimedia. It is the vehicle I use to contemplate the impermanence of time and the illusion of reality. i Dedication To the inspiring artists, dancers, doctors, musicians, philosophers, scientists, and friends I crossed paths with during my MFA at The Ohio State University Ken Rinaldo, Amy Youngs, Alex Oliszewski, Norah Zuniga Shaw, Michael Mercil, Ann Hamilton, Trademark Gunderson, Dr. Sarah Iles Johnston, Dani Opossum Restack, Todd Slaughter, Jason Slot, Roger Beebe, George Rush, Kurt Hentschlager, Rafael Lozano-Hemmer, Theresa Schubert, Andrew Adamatzky, Andrew Frueh, Nate Gorgen, Federico Cuatlacuatl, Florence Gouvrit Montoyo, Tess Elliot, Jessica Ann, Cameron Sharp, Kyle Downs, Sa'dia Rehman, Ph.D. Jose Orlando Combita-Heredia, Pelham Johnston, Lynn Kim, Jacklyn Brickman, Mel Mark, Ashlee Daniels Taylor, James D. MacDonald III, Katie Coughlin, Elaine Buss, Max Fletcher, Alicia Little, Eun Young Cho, Morteza Khakshoor, Catelyn Mailloux, Niko Dimitrijevic, Jeff Hazelden, Natalia Sanchez, Terry Hanlon, Travis Casper, Caitlin Waters, Joey Pigg. -
Design Method for Adaptive Daylight Systems for Buildings Covered by Large (Span) Roofs
Design method for adaptive daylight systems for buildings covered by large (span) roofs Citation for published version (APA): Heinzelmann, F. (2018). Design method for adaptive daylight systems for buildings covered by large (span) roofs. Technische Universiteit Eindhoven. Document status and date: Published: 12/06/2018 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
Italy Creates. Gio Ponti, America and the Shaping of the Italian Design Image
Politecnico di Torino Porto Institutional Repository [Article] ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE Original Citation: Elena, Dellapiana (2018). ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE. In: RES MOBILIS, vol. 7 n. 8, pp. 20-48. - ISSN 2255-2057 Availability: This version is available at : http://porto.polito.it/2698442/ since: January 2018 Publisher: REUNIDO Terms of use: This article is made available under terms and conditions applicable to Open Access Policy Article ("["licenses_typename_cc_by_nc_nd_30_it" not defined]") , as described at http://porto.polito. it/terms_and_conditions.html Porto, the institutional repository of the Politecnico di Torino, is provided by the University Library and the IT-Services. The aim is to enable open access to all the world. Please share with us how this access benefits you. Your story matters. (Article begins on next page) Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos Vol. 7, nº. 8, 2018 ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE ITALIA CREA. GIO PONTI, AMÉRICA Y LA CONFIGURACIÓN DE LA IMAGEN DEL DISEÑO ITALIANO Elena Dellapiana* Politecnico di Torino Abstract The paper explores transatlantic dialogues in design during the post-war period and how America looked to Italy as alternative to a mainstream modernity defined by industrial consumer capitalism. The focus begins in 1950, when the American and the Italian curated and financed exhibition Italy at Work. Her Renaissance in Design Today embarked on its three-year tour of US museums, showing objects and environments designed in Italy’s post-war reconstruction by leading architects including Carlo Mollino and Gio Ponti. -
Now on View in the Entrance of Art Los Angeles Contemporary, Ramada Santa Monica Is the Fourth Iteration in Mark Hagen's Serie
Now on view in the entrance of Art Los Angeles Contemporary, Ramada Santa Monica is the fourth iteration in Mark Hagen’s series of space frame installations—this time housing the catalog of materials from independent publisher Artbook | D.A.P. Aluminum triangles join into modular architectural units, towering floor to ceiling and enclosing a corner of the lobby, where polished fossils (in fact fossilized feces) act as bookends. We've seen the future and we're not going titles Hagen’s 2012 space frame work, that one affixed with rough slabs of obsidian. The pleasure of this uneasy pairing springs from its clever twinning of aesthetics and eras of technology: the irregular cuts of obsidian with the uniformity of the space frame, the material of prehistoric weaponry with the template for 1950s modular design. We’ve seen the future and we’re not going both rejects technological accelerationism and admits a melancholic truth: our utopian techno-future simply has not come. This ambivalence about technology, the failure of positivism to deliver on its promises, animates Hagen’s space frame sculptures, as they call out to (and become implicated in) the sinister evolution of the form. In the middle of the twentieth century, space frames were perfected by utopian architect Buckminster Fuller in his geodesic domes. Now, luxury car manufactures including Audi and Lamborghini advertise their use of the space frame, testifying to the recherché design. This evolution is unsurprising. Buckminster Fuller’s ideals of totalizing efficiency as well as neologisms like “synergy” find exquisite expression in corporate management; the hippie communes founded on his principles collapsed within the decade. -
Architecture Terms
Architecture Terms ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● What is Architecture What is Architecture Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Form as defined by the book- an object that can be defined in 3 dimensions. Informal- not according to the prescribed, official, or customary way or manner; irregular; unofficial: FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. -
Review on Study of Space Frame Structure System
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056 Volume: 07 Issue: 04 | Apr 2020 www.irjet.net p-ISSN: 2395-0072 Review on Study of Space Frame Structure System S. A. Ashtul1, S. N. Patil2 1PG Student, Department of Civil Engineering 2Assistant Professor, Department of Civil Engineering, Rajarambapu Institute of Technology, Maharashtra, India ---------------------------------------------------------------------***---------------------------------------------------------------------- Abstract - In the last few decades there was continuous these techniques concrete slab over the top chord which development in the construction industry. Mankind is always enhances the compression capacity and shows better attempted to utilize the maximum space for the structure. The performance of space frame structure [10]. need for modern structures is to achieve a large clear span The present paper focuses on the basic concept of a space with the economy. Now-days it is observed that there is a frame system. And also on the studies carried out by several growing interest in space frame systems. A space frame is a 3D researchers for understanding the structural behavior of the structural system in which well-organized linear axial space frame system by considering various parameters. elements are put together for the uniform distribution of forces. The main purpose to use these systems is to cover a large span area and giving a pleasant appearance to the 2. SPACE FRAME SYSTEM structure. Also, the space frames are light in weight and can easily be transported to the site. The objective of this paper is 2.1 Introduction to present the detailed concept of space frame systems and applications of these systems.