DOCSLIB.ORG

My MFA Experience Thesis Presented in Partial Fulfillment of The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
My MFA Experience Thesis Presented in Partial Fulfillment of The My MFA Experience Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Axel Cuevas Santamaría Graduate Program in Art The Ohio State University 2018 Master’s Examination Committee: Ken Rinaldo, Adviser Amy Youngs Alex Oliszewski Copyright by Axel Cuevas Santamaría 2018 Abstract This MFA thesis explores the threshold of phenomenological perception, audience attention and the mystery of imaginary worlds I perceive between microscopic and macroscopic dimensions. In the BioArt projects and digital immersive environments I present in this thesis, I have found the potential to explore real and imaginary landscapes. This exploration further expands, adding new physical and virtual layers to my work that activate the audience. My work incorporates the synthesis of projection mapping, biological living systems and interactive multimedia. It is the vehicle I use to contemplate the impermanence of time and the illusion of reality. i Dedication To the inspiring artists, dancers, doctors, musicians, philosophers, scientists, and friends I crossed paths with during my MFA at The Ohio State University Ken Rinaldo, Amy Youngs, Alex Oliszewski, Norah Zuniga Shaw, Michael Mercil, Ann Hamilton, Trademark Gunderson, Dr. Sarah Iles Johnston, Dani Opossum Restack, Todd Slaughter, Jason Slot, Roger Beebe, George Rush, Kurt Hentschlager, Rafael Lozano-Hemmer, Theresa Schubert, Andrew Adamatzky, Andrew Frueh, Nate Gorgen, Federico Cuatlacuatl, Florence Gouvrit Montoyo, Tess Elliot, Jessica Ann, Cameron Sharp, Kyle Downs, Sa'dia Rehman, Ph.D. Jose Orlando Combita-Heredia, Pelham Johnston, Lynn Kim, Jacklyn Brickman, Mel Mark, Ashlee Daniels Taylor, James D. MacDonald III, Katie Coughlin, Elaine Buss, Max Fletcher, Alicia Little, Eun Young Cho, Morteza Khakshoor, Catelyn Mailloux, Niko Dimitrijevic, Jeff Hazelden, Natalia Sanchez, Terry Hanlon, Travis Casper, Caitlin Waters, Joey Pigg. ii Vita 2009 ...................................................................................B.A. with Major in Arts UAEM, Mexico 2015 - 2018 ........................................................................Graduate Teaching Associate, The Ohio State University Awards 2017 Curator’s Choice Award 2017 Digital Graffiti Arts Festival, Alys Beach Florida. ​ ​ Exhibitions and Screenings 2018 EVA18 Politics of the Machine, Copenhagen, Denmark, May 15 – 17 Digital Arts Biennale Hybrid Languages, Belo Horizonte, Brazil, March 26 - April 26 2018 Digital Arts Biennale Hybrid Languages, Rio de Janeiro, Brazil, February 05 - March 18 2018 Immersive Film Festival, Espinho Planetarium, Portugal, December 1st - 3rd 2017 DigiEYE, Wexner Center for the Arts, Columbus OH USA, March 8th 2017, March 21st 2018 ​ ​ Fields of study Major field: Art iii Table of Contents Abstract..........................................................................................................................................i Dedication.....................................................................................................................................ii Vita................................................................................................................................................iii List of figures................................................................................................................................v Chapter 1: first_contact...............................................................................................................1 ​ ​ ​ Chapter 2: Protoplasmic routes...................................................................................................5 ​ ​ ​ The complete voice-over text for Protoplasmic routes...................................................18 ​ ​ Chapter 3: Microbial skins.........................................................................................................22 ​ ​ ​ Chapter 4: Shavasana Dome.....................................................................................................25 ​ ​ ​ Chapter 5: Stillness....................................................................................................................29 ​ ​ ​ Poems for Stillness.........................................................................................................41 ​ ​ The audio synthesis process for Stillness.......................................................................47 ​ ​ Chapter 6: Artists and inspirations............................................................................................51 ​ Bibliography ...............................................................................................................................61 Appendix A: BioPresence Exhibition Review: The New York Arts Magazine.............................63 ​ ​ iv List of figures Figure 1.1: first_contact audiovisual installation during Does this Work for Everyone? Exhibition, Hopkins ​ ​ ​ ​ Hall Gallery, February 2016..........................................................................................................................1 Figure 1.2: Axel Cuevas Santamaría at first_contact audiovisual installation during BioPresence ​ ​ ​ Exhibition, Hopkins Hall Gallery, December 2015.......................................................................................2 Figure 1.3: Max/MSP & Jitter patch developed for first_contact BioArt project.........................................3 ​ ​ Figure 1.4: Axel Cuevas Santamaría and Ph.D. Jose Orlando Combita-Heredia analyzing microscopic particles of Physarum polycephalum. Department of Evolution, Ecology, and Organismal Biology, ​ ​ The Ohio State University............................................................................................................................4 Figure 2.1: A colony of Physarum polycephalum growing inside an acrylic maze placed on a Petri dish..5 ​ ​ Figure 2.2: Audience interacting with Protoplasmic routes audiovisual installation during Hybrid ​ ​ ​ Languages: Digital Art Biennale Rio de Janeiro, Brasil. February 05 – March 18, 2018.............................6 ​ Figure 2.3: Audience interacting with Protoplasmic routes audiovisual installation during Hybrid ​ ​ ​ Languages: Digital Art Biennale Belo Horizonte, Brasil. March 26 – April 26, 2018...................................7 ​ Figure 2.4: Axel Cuevas Santamaría placing acrylic mazes inside Petri dishes and making Agar-based medium with Jason Slot at The Plant Pathology Department, The Ohio State University..........................8 Figure 2.5: Protoplasmic routes "Curator's choice award" audiovisual installation during Digital Graffiti ​ ​ Arts Festival, Alys Beach, Florida. May 19 - 21, 2016................................................................................9 Figure 2.6: Slime mold Physarum polycephalum growing inside-out from the center of a multicursal maze ​ ​ inside a Petri dish previously prepared with an Agar-based medium........................................................10 Figure 2.7: Axel Cuevas Santamaría looking at a digital print on metal of slime mold Physarum ​ polycephalum jumping the borders of a multicursal maze. From the series: Protoplasmic routes digital ​ ​ prints..........................................................................................................................................................11 ​ Figure 2.8: A circular evolutionary tree shows diversification of species from their common ancestor. The evolutionary paths taken to arrive at present day slime molds and humans is traced in orange, having diverged approximately one billion years ago................................................................................13 Figure 2.9: Slime mold Physarum polycephalum jumping the borders of a multicursal maze. From the ​ ​ series: Protoplasmic routes digital prints...................................................................................................14 ​ ​ v Figure 2.10: Axel Cuevas Santamaría installing Protoplasmic routes for Relative to You Exhibition ​ ​ ​ ​ Sherman Arts Center, Columbus OH, USA. August 22nd, 2016..............................................................16 Figure 2.11: Protoplasmic routes audiovisual installation during Relative to You Exhibition ​ ​ ​ ​ ​ Sherman Arts Center, Columbus OH, USA. August 22nd, 2016..............................................................17 Figure 3.1: Maria Palazzi interacting with Microbial mirror during ACCAD's Annual Open House ​ ​ Exhibition 2016...........................................................................................................................................................22 Figure 3.2: Ashlee Daniels-Taylor, MFA in Dance performing for 360 Skin, from the series Microbial ​ skins...........................................................................................................................................................23 ​ ​ Figure 3.3: Mel Mark and Ashlee Daniels-Taylor performing for 360 Skin, from the series Microbial ​ skins...........................................................................................................................................................24 ​ ​ Figure 4.1: Audience experiencing Shavasana dome during Filter Bubble Exhibition December 7-9 2016, ​ ​ ​ ​ Hopkins Hall gallery, Columbus OH Photo: Jordan K Reynolds................................................................25 ​ Figure 4.2: Audience experiencing Liquid Flow
Load more

Recommended publications
  • HÁLÓZATELMÉLET ÉS MŰVÉSZET a Lineáris Információ Nincs Központban
    MOHOLY-NAGY MŰVÉSZETI EGYETEM DOKTORI ISKOLA KALLÓ ANGÉLA HÁLÓZATELMÉLET ÉS MŰVÉSZET A Lineáris Információ Nincs Központban. Jöjjön a LINK! DLA ÉRTEKEZÉS TÉMAVEZETŐ: Dr. TILLMANN JÓZSEF BUDAPEST-KOLOZSVÁR 2009 TARTALOMJEGYZÉK DLA ÉRTEKEZÉS – TÉZISEK A DLA értekezés tézisei magyar nyelven – Bevezető – Tézisek Thesis of DLA dissertation (A DLA értekezés tézisei angol nyelven) – Introduction – Thesis DLA ÉRTEKEZÉS Bevezető 1. Hálózatelmélet – Előzmények 1.1. Kiindulópont 1.2. Hálózatelmélet – három név, három cím, három megközelítés 1.2.1. Barabási 1.2.2. Buchanan 1.2.3. Csermely 2. A háló ki van vetve 2.1. A hálózatelmélet hajnala 2.1.1. Sajátos gráfok 2.2. Lánc, lánc… 2.2.1. Az ismeretségi hálózat és a köztéri művészet 2.2.2. Az ismeretségi hálózat és a multimédia művészet 2.2.3. Az ismeretségi hálózat és a net art, avagy ma van a tegnap holnapja 1 2.3. Kis világ 2.3.1. Hidak 2.3.2. Mitől erős egy gyenge kapcsolat? 2.3.3. Centrum és periféria 2.4. Digitális hálózatok 2.4.1. A hálózatok hálózata 2.4.2. A világháló 2.4.3. A Lineáris Információ Nincs Központban. Jöjjön a LINK! 2.4.4. Kicsi világ @ világháló 2.5. Művészet a hálón 2.5.1. A net mint art 2.5.2. Interaktív művészet a hálón és azon túl 2.5.3. A szavak hálózata mint művészet 2.6. Szemléletváltás 2.6.1. A nexus néhány lehetséges módja 2.6.2. Egy lépésnyire a fraktáloktól 2.6.3. Fraktálok – természet, tudomány, művészet 2.6.4. Térképek 3. Összegzés magyar nyelven 4. Summary of DLA dissertation (Összegzés angol nyelven) Bibliográfia Curriculum Vitae 2 HÁLÓZATELMÉLET ÉS MŰVÉSZET A Lineáris Információ Nincs Központban.
    [Show full text]
  • 1 Dalí Museum, Saint Petersburg, Florida
    Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W.
    [Show full text]
  • Current Technologies and Trends of Retractable Roofs By
    Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2003 © 2003 Julie K. Smith. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author: Julie K. Smith Department of Civil and Environmental Engineering 1) May 9, 2003 Certified by:. Jerome Connor Professor/ of C il and Environmental Engineering Thesis Supervisor Accepted by: Oral Buyukozturk Professor of Civil and Environmental Engineering Chairman, Departmental Committee on Graduate Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 0 2 2003 LIBRARIES Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering on May 9, 2003 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering Abstract In recent years, retractable roofs have become a popular feature in sport stadiums. However, they have been used throughout time because they allow a building to become more flexible in its use. This thesis reviews the current technologies of retractable roofs and discusses possible innovations for the future. Most retractable roofs use either a 2-D rigid panel system or a 2-D membrane and I-D cable system.
    [Show full text]
  • Italy Creates. Gio Ponti, America and the Shaping of the Italian Design Image
    Politecnico di Torino Porto Institutional Repository [Article] ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE Original Citation: Elena, Dellapiana (2018). ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE. In: RES MOBILIS, vol. 7 n. 8, pp. 20-48. - ISSN 2255-2057 Availability: This version is available at : http://porto.polito.it/2698442/ since: January 2018 Publisher: REUNIDO Terms of use: This article is made available under terms and conditions applicable to Open Access Policy Article ("["licenses_typename_cc_by_nc_nd_30_it" not defined]") , as described at http://porto.polito. it/terms_and_conditions.html Porto, the institutional repository of the Politecnico di Torino, is provided by the University Library and the IT-Services. The aim is to enable open access to all the world. Please share with us how this access benefits you. Your story matters. (Article begins on next page) Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos Vol. 7, nº. 8, 2018 ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE ITALIA CREA. GIO PONTI, AMÉRICA Y LA CONFIGURACIÓN DE LA IMAGEN DEL DISEÑO ITALIANO Elena Dellapiana* Politecnico di Torino Abstract The paper explores transatlantic dialogues in design during the post-war period and how America looked to Italy as alternative to a mainstream modernity defined by industrial consumer capitalism. The focus begins in 1950, when the American and the Italian curated and financed exhibition Italy at Work. Her Renaissance in Design Today embarked on its three-year tour of US museums, showing objects and environments designed in Italy’s post-war reconstruction by leading architects including Carlo Mollino and Gio Ponti.
    [Show full text]
  • Topology Optimized Hemispherical Shell Under Asymmetric Loads by Grace Melcher
    Topology Optimized Hemispherical Shell under Asymmetric Loads by Grace Melcher B.S. in Civil and Environmental Engineering Massachusetts Institute of Technology, 2019 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the degree of MASTER OF ENGINEERING IN CIVIL AND ENVIRONMENTAL ENGINEERING at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 2020 ©2020 Grace E Melcher. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Grace Melcher Department of Civil and Environmental Engineering May 8, 2020 Certified by: John Ochsendorf Class of 1942 Professor of Civil and Environmental Engineering and Architecture Thesis Co-Supervisor Certified by: Josephine Carstensen Assistant Professor of Civil and Environmental Engineering Thesis Co-Supervisor Accepted by: Colette L. Heald Professor of Civil and Environmental Engineering Chair, Graduate Program Committee 2 Topology Optimized Hemispherical Shell under Asymmetric Loads by Grace Melcher Submitted to the Department of Civil and Environmental Engineering on May 8, 2020 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environment Engineering ABSTRACT Domes are an efficient way to span long distances and resist gravity loads. The two kinds of classical domes prevalent in architecture are continuous shells and grid shells. Continuous shells are monolithic concrete or masonry; grid shells reorient material in lattice members to create depth throughout the shell thickness. This thesis considers the design of a topology optimized hemisphere, a hemispherical continuous shell, and a hemispherical grid shell, and compares the structural performance of these three shells under asymmetric loads.
    [Show full text]
  • Encoding Fullerenes and Geodesic Domes∗
    SIAM J. DISCRETE MATH. c 2004 Society for Industrial and Applied Mathematics Vol. 17, No. 4, pp. 596–614 ENCODING FULLERENES AND GEODESIC DOMES∗ JACK E. GRAVER† Abstract. Coxeter’s classification of the highly symmetric geodesic domes (and, by duality, the highly symmetric fullerenes) is extended to a classification scheme for all geodesic domes and fullerenes. Each geodesic dome is characterized by its signature: a plane graph on twelve vertices with labeled angles and edges. In the case of the Coxeter geodesic domes, the plane graph is the icosahedron, all angles are labeled one, and all edges are labeled by the same pair of integers (p, q). Edges with these “Coxeter coordinates” correspond to straight line segments joining two vertices of Λ, the regular triangular tessellation of the plane, and the faces of the icosahedron are filled in with equilateral triangles from Λ whose sides have coordinates (p, q). We describe the construction of the signature for any geodesic dome. In turn, we describe how each geodesic dome may be reconstructed from its signature: the angle and edge labels around each face of the signature identify that face with a polygonal region of Λ and, when the faces are filled by the corresponding regions, the geodesic dome is reconstituted. The signature of a fullerene is the signature of its dual. For each fullerene, the separation of its pentagons, the numbers of its vertices, faces, and edges, and its symmetry structure are easily computed directly from its signature. Also, it is easy to identify nanotubes by their signatures. Key words. fullerenes, geodesic domes, nanotubes AMS subject classifications.
    [Show full text]
  • Sept. 22, 1959 R. B. FULLER \ 2,905,113 SELF-STRUTTED GEODESIC PLYDOME Filed April 22
    Sept. 22, 1959 R. B. FULLER \ 2,905,113 SELF-STRUTTED GEODESIC PLYDOME Filed April 22. 1957 . 3 Sheets-Sheet 1 INVENTOR. RICHARD BUCKMINSTER FULLER Armen/m. v Sept. 22, 1959 R. B. FULLER 2,905,1 13 SELF-STRUTTED GEODESIC PLYDOME Filed April 22. 1957 3 Sheets-Sheet 2 INVEN . RICHARD BUCKMINST ER F ER ’ Sept. 22“, 1959 R. B. FULLER 2,905,113 ' Y SELF-STRUTTED GEODESIÖ PLYDOME Filed April 22, 1957 I 5 Sheets-Sheet 5 //KZ@ \\\\\\\ (ß í_ ""is ____ ___ . \ i \ \ AMA@ ._____ En U5 n B ' IN VEN T0 .. RICHARD BUCKMINSTER FUL ATTORNF United States Patent iitice Patented Sept. 22, 1959 1 2 what we may for simplicity term a self-strutted geodesic ply'clome. The hat sheets become inherent geodesic; they become both roof and beam, both wall and column, 2,905,1’13 and in each case the braces as Well. They become the Weatherbreak and its supporting frame or truss all in one. SELF-STRUTTED GEODESIC PLYDOME The inherent three Way grid of cylindrical struts causes Richard Buckminster Fuller, New York, N.Y. ythe structure as la whole to act almost as a membrane in absorbing and distributing loads, and results in a more Application April 22, 1957, Serial No. 654,166 uniform stressing of all of the sheets. The entire struc 15 Claims. (Cl. 10S-1) 10 ture is skin stressed, taut and alive. Dead weight is virtually non-existent. Technically, we say that the structure possesses high tensile integrity in a discontinuous compression system. Description The invention relates to geodesic and synergetic con struction of ydome-shaped enclosures.
    [Show full text]
  • Viruses and Crystals: Science Meets Design
    Bridges 2010: Mathematics, Music, Art, Architecture, Culture Viruses and Crystals: Science Meets Design B.G. Thomas School of Design, University of Leeds Leeds LS2 9JT, UK [email protected] Abstract This paper presents a review of the development of X-ray crystallography – the science of determining the arrangement of atoms in solids – a discipline that encompasses physics, chemistry, biology, mineralogy and mathematics. The importance of the cross-fertilization of ideas between the arts and sciences is discussed and examples are provided. Introduction The presence of symmetry in nature has long fascinated both scientists and artists. For centuries geometry has been used as a tool across the disciplines by artists, engineers, biochemists, physicists and mathematicians, to understand, explain and order phenomena in the world around us. Biologist and philosopher Ernst Haeckel made detailed studies of microscopic life forms exhibiting unusual symmetric characteristics, illustrating over 4,000 species of radiolaria [1] (see Figure 1). In 1940, French structural innovator Robert le Ricolaris proposed a geodesic shell structure based on triangulated networks of radiolaria [2]. Buckminster Fuller’s independent innovation of the geodesic dome, dating from 1948, also displays a similar structure to many radiolaria. Fuller’s ideas on geodesic structures stimulated significant scientific developments, with the 1985 discovery of a super-stable all-carbon C60 molecule, appropriately named Buckminsterfullerene. Variants of this form, collectively known as fullerenes, have been the subject of intense research as they offer great potential as new materials in various branches of engineering. Fuller’s ideas also had an impact in the field of virology when scientists again drew ideas from the structure of his geodesic domes in the quest to understand the structure of virion protein shells [3].
    [Show full text]
  • Children's Science Workshops ZZZZZ
    The Buckyball Workshops for Small Children Prove that Science is the World Game Harold Kroto Chemistry and Biochemistry Department The Florida State University, Tallahassee, Florida 32309-2735, USA [email protected], www.kroto.info, www.vega.org.uk INTRODUCTION The discovery of the Fullerenes and the ubiquity of the basic geometrical patterns that govern their structure in the Physical World from tiny molecules to Meccano models and geodesic domes shown in Fig 1 a-c as well as in the Natural World from viruses and flies’ eyes to turtle shells Fig 2 a-c was a key incentive behind the creation of a series of children’s science workshops. As these elegant and beautiful structures had fascinated artists such as Leonardo da Vinci, Piero della Francesca and Albrecht Durer as well as ancient Greeks such as Archimedes and furthermore had led them to base their fundamental ideas of the structure of matter on deeper understanding of symmetry principles, it seemed ideal to use our new findings to awaken the curiosity of new generations of young people. The “Buckyball” workshops for small children have become an outstanding international success. Fig 1 a) Pentaphenyl-C60 molecular derivative, b) Meccano model, c) The Epcot Centre Geodesic dome in Florida. Fig 2 a) Virus, b) Australian fly c) Turtle shell Workshops have been held all over the world from the UK, USA, Australia, Chile, China, Japan, Germany, Mexico, Italy, Spain, Sweden, Malaysia to Ireland. They have also been broadcast on TV in Japan and streamed on the Internet in the UK, Australia, Japan and the USA.
    [Show full text]
  • Panoramic Optical and Near-Infrared SETI Instrument: Optical and Structural Design Concepts
    Panoramic optical and near-infrared SETI instrument: optical and structural design concepts J´er^omeMairea, Shelley A. Wrighta,b, Maren Cosensa,b, Franklin P. Antonioc, Michael L. Aronsond, Samuel A. Chaim-Weismanne, Frank D. Drakef, Paul Horowitzg, Andrew W. Howardh, Geoffrey W. Marcye, Rick Raffantii, Andrew P. V. Siemione,f,j,k, Remington P. S. Stonel, Richard R. Treffersm, Avinash Uttamchandanin, Dan Werthimere,o aCenter for Astrophysics & Space Sciences, University of California San Diego, USA; bDepartment of Physics, University of California San Diego, USA; cQualcomm, San Diego, CA, USA; dElectronics Packaging Man, San Diego, CA, USA; eDepartment of Astronomy, University of California Berkeley, CA, USA; fSETI Institute, Mountain View, CA, USA; gDepartment of Physics, Harvard University, Cambridge, MA, USA; hAstronomy Department, California Institute of Technology, USA; iTechne Instruments, Oakland, CA, USA; jRadboud University, Nijmegen, Netherlands; kInstitute of Space Sciences and Astronomy, University of Malta; lUniversity of California Observatories, Lick Observatory, USA; mStarman Systems, Alamo, CA, USA; nNonholonomy, LLC, Cambridge, USA; oSpace Sciences Laboratory, University of California Berkeley, CA, USA ABSTRACT We propose a novel instrument design to greatly expand the current optical and near-infrared SETI search pa- rameter space by monitoring the entire observable sky during all observable time. This instrument is aimed to search for technosignatures by means of detecting nano- to micro-second light pulses that could have been emitted, for instance, for the purpose of interstellar communications or energy transfer. We present an instru- ment conceptual design based upon an assembly of 198 refracting 0.5-m telescopes tessellating two geodesic domes. This design produces a regular layout of hexagonal collecting apertures that optimizes the instrument footprint, aperture diameter, instrument sensitivity and total field-of-view coverage.
    [Show full text]
  • Domes: Structure, Construction and Materials
    Domes: Structure, construction and materials Qatar University Architecture and urban planning department College of Engineering Material and Methods of Construction I ARCH-230 Dr. Hatim Ibrahem Arch. Rivena Abrahm Lolwa AlKhaldi 201300544 Maryam AlShraim 201000833 Rouda AlMaadeed 201202372 INTRODUCTION: Outline Introduction: Definition Revolution of domes Theoretical section types 1. Beehive dome 2. Cloister vault 3. Compound dome 4. Crossed-arch dome 5. Geodesic dome 6. Hemispherical dome 7. Onion dome 8. Oval dome 9. Parabolic dome 10. Sail dome 11. Saucer dome 12. Umbrella dome Building structure principles :- Load transfer Stability of domes Dome failure Construction of a dome:- 1. Tube and hub 2.Flattened conduit 3. Beam and hub 4.Stressed skin 5.Panelized timber 6.Monothilic 7. Space framing 8.Brick and former Building envelop system :- material assemblies STEP 1 :- designing method STEP 2 :- technical drawing STEP 3 :- fabrication STEP 4 :- installation Local case study:- Alhazm Aspire dome Abdulwahab mosque Kempiniski hotel- doha INTRODUCTION: INTRODUCTION: Domes • Are Strong, Stiff, curved structures. • Have no angles and no corners. • Enclose an enormous amount of space without the help of a single column. • Heavy in weight, making it difficult to lift it off its base. REVOLUTION OF DOMES REVOLUTION OF DOMES: Mesopotamian • It developed as roofing for circular mud-brick huts in ancient Mesopotamia about 6000 years ago. REVOLUTION OF DOMES: Greek • Built tombs roofed with steep corbeled domes in the shape of pointed beehives in the 14th century DERIVATION OF DOMES FROM ARCHES • 4 cylindrical barrels sliced longitudinally • Placing the barrels such that the axes of the barrels make a 45° angle by placing them by of with each other • Take a section of the intersected barrels.
    [Show full text]
  • Dome Strength Activity Guide
    DOME STRENGTH ACTIVITY GUIDE How much force can a seemingly brittle object withstand when it is dome-shaped? © The Field Museum / Photo by Kate Webbink Museum© The Field / by Photo Kate FOR EDUCATOR FOR APPLICATIONS IN: LIFE SCIENCES – Structure and Function/Adaptations PHYSICAL SCIENCES – Force Distribution/Engineering Principles NGSS* ALIGNMENT: Elementary Middle High School School School PS2.A Force and Motion X X PS3.C Relaionship Between Energy and Forces X LS1.A Structure and Function X LS4.C Adaptation X X X ETS1.B Developing Potential Solution X X X ETS1.C Optimizing the Design Solution X X X *Next Generation Science Standards is a registered trademark of Achieve. Neither Achieve nor the lead states and partners that developed the NGSS was involved in the production of, and does not endorse, this product. PRESENTED BY THE FIELD MUSEUM EDUCATION DEPARTMENT DOME STRENGTH / THE MACHINE INSIDE: BIOMECHANICS ACTIVITY GUIDE EGGSHELLS AND DOMES - Introduction for Educators OVERVIEW LEARNING GOALS Eggshells have a “bad rap” for being brittle. In reality, Students will compare the strength of domed they are quite strong due to their domed shape. Domes structures to other structures. frequently show up in nature in the shape of our skulls, They will test the strength of eggshells and discuss turtle shells, and beetle backs to name a few. Recognizing why they are so strong, explaining it is due to the EDUCATOR FOR its strength, humans have incorporated the dome into dome shape. their architecture for centuries. A flat piece of material Students will design and test their own domes using will buckle under pressure, but a dome distributes all that brittle materials.
    [Show full text]