10 Catholic Symbols and Shape Our Prayer

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Since the earliest times, symbols have been important in every human culture and religious system. Symbols convey meanings in what they represent, and they point beyond their own existence. Catholic symbols help us to deepen our faith 10 Catholic symbols and shape our prayer. They bridge the material and spiritual worlds, and reveal truths about God. 1 3 INRI 4 2 5 8 9 6 7 10 10 Catholic symbols 1. Crucifix 2. Alpha and Omega 3. The Sacred Heart 4. IHS and Chi-Rho 5. The Fish The most common symbol of our faith Alpha and omega are the first and last In Catholic art, the Sacred Heart The letters IHS often appear on One of the oldest Christian symbols is the crucifix – a cross with the figure of letters of the Greek alphabet. They are is depicted as a flaming heart. It is liturgical items in our churches, is the fish. It was used by Christians the body of Jesus Christ attached to it. used at various times in the Church’s usually shining with divine light, building plaques, gravestones and to identify themselves and each other, The crucifix is a symbol of sacrifice liturgical year. The alpha and omega pierced from a lance, encircled by a sacred vessels. IHS is a shortened often in times of persecution. It was and atonement, since, according to have been used by Catholics since the crown of thorns, surmounted by a form of the Greek word for Jesus, found in the Roman catacombs, a the Bible, Jesus died for the sins of the fourth century as symbols expressing cross, and bleeding. Sometimes it is which is IHΣΟΥΣ. secret meeting place during the time world. The crucifix is found wherever the confidence of Christians that God shown in the chest of Jesus Christ. The The letters X and P are often used when the Christians were persecuted there is a Catholic presence. is infinite and eternal. In the book of wound, thorns, and blood represent as another symbol for Christ. The first for their faith by the Romans. A crucifix usually has the letters Revelation 1.8, 21.6 and 22.13, Christ Jesus’ crucifixion, and the flames two letters of Christ’s name in Greek The fish is based on the first letters ‘INRI’ carved into the wood of the refers to himself as the alpha and the represent the transformative power are X and P. In the Greek alphabet, of the Greek words for Jesus Christ. cross. These letters are short for the omega – that is, the first and the last. of divine love. X equals ‘CH’ (pronounced ‘Kye’ and The Greek word for fish is ‘Ichthus’, Latin phrase, “’Iesus Nazarenus, Rex These two letters symbolise the fact The Sacred Heart is an object of P equals ‘R’ (pronounced ‘Roe’. Also which is also an acronym for Jesus. Iudaeorum’, which translates as ‘Jesus that Christ is the beginning and the devotion for Catholics everywhere and known as the Chi-Rho cross, the The Greek, ‘Iesous CHristos THeou of Nazareth, King of the Jews’. These end of all creation. shares the message of Jesus’ sacrificial letters are usually inscribed one Uios Soter’ translates in English to, are the words which Pontius Pilate, love for humanity. On its own the over the other and are sometimes ‘Jesus Christ, Son of God, Saviour’. the Roman governor of Judea who heart is a symbol of love, but the enclosed within a circle. Christ also referred to his apostles sentenced Jesus to death, ordered to Sacred Heart, pierced and wrapped in as ‘fishers of men’ while the early be written on the cross on which Jesus thorns, shows the depth of Jesus’ love Christian writers called the faithful Christ was crucified. and that his love is eternal. ‘little fish’. 6. The Dove 7. The Lamb 8. The Pelican 9. Crossed Keys 10. The Peacock and The dove is a white bird often depicted One of the most important symbols Medieval Europeans noticed that In Christian art, crossed keys, also the Tree of Life as flying gracefully before a shining aura of Christ is the Lamb. Jesus Christ as pelicans were particularly attentive to known as the ‘Keys of Heaven’, are a The Ancient Greeks believed that the of light. Sometimes the dove is carrying the Lamb of God is mentioned in John their young, and even thought they pair of keys that overlap creating an flesh of peacocks didn’t decompose an olive branch in its beak. 1.35–36 and Revelation 5.6–14. The would wound themselves and let their ‘X’. The keys are used in ecclesiastical after death, and so peacocks became The dove is the symbol of the Holy Old Testament has several references young drink their blood when no food heraldry, papal coats of arms, and a symbol of immortality. The ‘eyes’ in Spirit. When Christ was baptised by to sacrificial lambs making this symbol was available. Therefore, the pelican symbolic images in holy places. the peacock’s tail feathers symbolise John the Baptist, a dove descended more meaningful when it represents became a symbol of Christ’s passion. The crossed keys represent the the all-seeing God. The early Church on him, according Matthew 3.16 and Jesus in the New Testament. The He poured out his blood for the for- keys that Jesus promised to St Peter, adopted this symbol to represent the Mark 1.10. The dove is sometimes phrase ‘the Lamb of God’ is always giveness of our sins, as if shedding his empowering him to take binding Christian belief in eternal life in heaven depicted with an olive branch in used in the liturgy of the Mass. blood for our spiritual food, which is actions in leading the institution of with God, and the peacock was often its mouth as a symbol of peace. In The whiteness of the Lamb what we encounter in the Eucharist. the Church. They are a symbol of the depicted next to the Tree of Life. Noah’s story in Genesis 8.1–12, he symbolises innocence and purity. Pope’s authority. In Matthew 16.19, The Tree of Life is mentioned three sent out a dove to search for dry land. Christ, as the sacrificial lamb, who died Jesus says to Peter: ‘I will give you the times in Genesis 2 in Eden – as a It returned carrying an olive branch for the sins of humanity was innocent keys to the kingdom of heaven, and source of food for Adam and Eve – in only when the rain had stopped, and and pure in his life and death. The whatever you bind on Earth shall be Proverbs (3.18, 11.30, 13.12 and 15.4) this was the sign and symbol of God’s lamb is sometimes portrayed with a bound in heaven, and whatever you and four times in Revelation (2.7 and forgiveness. The dove also symbolises flag. This is symbolic of Christ’s victory loose on Earth shall be loosed 22.2,19). It is both an actual tree in God’s grace. over death in his resurrection. in heaven.’ Eden and a newly restored tree in St Peter was the first pope, and heaven. those who succeed him share in the authority Jesus gave him..
Recommended publications
  • The Cross and the Crucifix by Steve Ray

    The Cross and the Crucifix by Steve Ray

    The Cross and the Crucifix by Steve Ray Dear Protestant Friend: You display a bare cross in your homes; we display the cross and the crucifix. What is the difference and why? The cross is an upright post with a crossbeam in the shape of a “T”. A crucifix is the same, but it has Christ’s body (corpus) attached to the cross. As an Evangelical Protestant I rejected the crucifix—Christ was no longer on the cross but had ascended to heaven. So why do I now tremble in love at the site of a crucifix? Let’s examine the history and issues surrounding the two. I will start with the Old Testament and the Jews’ use of images and prohibition of idols. I know in advance that it is not a thorough study, but it will give a general overview of the issues. I will try to provide a brief overview of the Cross and the Crucifix, the origin, the history, and the differing perspectives of Catholic and Protestant. It will try to catch the historical flow and include the pertinent points. The outline is as follows: 1. The Three Main Protestant Objections to the Crucifix 2. Images and Gods in the Old Testament 3. Images and Images of Christ in the New Testament 4. The Cross in the First Centuries 5. The Crucifix Enters the Picture 6. The “Reformation” and Iconoclasm 7. Modern Anti-Catholics and the Crucifix 8. Ecumenical Considerations The Three Main Protestant Objections to the Crucifix Let me begin by defining “Protestant” as used in this article.
  • Russian Copper Icons Crosses Kunz Collection: Castings Faith

    Russian Copper Icons Crosses Kunz Collection: Castings Faith

    Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review.
  • Christian Danz, Kathy Ehrensperger, and Walter Homolka (Eds.) Christologie Zwischen Judentum Und Christentum

    Christian Danz, Kathy Ehrensperger, and Walter Homolka (Eds.) Christologie Zwischen Judentum Und Christentum

    SCJR 16, no. 1 (2021): 1-3 Christian Danz, Kathy Ehrensperger, and Walter Homolka (Eds.) Christologie Zwischen Judentum und Christentum (Tübingen: Mohr Siebeck 2020), xiv + 447 pp. GREGOR MARIA HOFF [email protected] University of Salzburg, Salzburg, Austria In recent years, the discussion about the significance of Christology in Jewish- Christian dialogue has taken on a new dynamic. Various factors are responsible for this. Two recent documents by Orthodox Jews, “To Do the Will of Our Father in Heaven” (2015) and “Between Jerusalem and Rome” (2016), represent important statements. The authors raise essential questions about Christology. Among them is the question of how Jewish-Christian dialogue can deal with the issue. For the Catholic Church, more than fifty years after the conclusion of the Second Vatican Council, a theological deepening of the basis for dialogue is on the agenda in its contact with Judaism. With the document “‘The Gifts and the Calling of God Are Irrevocable’” (2015), the Vatican Commission for Religious Relations with the Jews once again raised the question of the significance of the “universality of salvation in Jesus Christ” (Sect. 37) and affirmed that the “covenant of God with Israel has never been revoked” (Preface). In addition to the issues raised by these religious communities, there have been shifts in various theological discourses. They concern exegetical perspectives which, starting from the New Perspective on Paul, also concern Christological questions. They are connected with questions about the “parting of the ways” and the complex emergence of rabbinic Judaism and Christianity. They concern tradition-historical questions about the development of theological concepts in both traditions and in relations between them, revealing their inner diversity.
  • Friends, This Evening I Invite You to Gaze Upon the Crucifix

    Friends, This Evening I Invite You to Gaze Upon the Crucifix

    Fr. Michael O’Brien Friends, I invite you to gaze upon the painting of our Lord on the cross beside me. Keep your eyes fixed on Jesus. To understand the cross is how we come to know Christ. It is at the foot of the cross that we confront the mystery of our faith—the promise of eternal life in the midst of death. St. Paul tells us that it is Christ crucified that we must preach as Christian people. We may be tempted to ask what is the point of remembering the Passion of Jesus—why can’t we go right to His Resurrection, but, If we were to skip over the events of Good Friday, what meaning would there be in Easter Sunday? It is the sacrificial love of Jesus for His people that is best displayed through the crucifix. Jesus is more than a moral teacher, he is more than a prophet, he is more than just a nice guy, he is the Redeemer of humanity, the Son of God. The early Church chose the Cross as its central symbol even though the Cross was associated with criminal execution. Jesus wanted the sacrifice of his life remembered, therefore it is vital that we come to know Christ through the cross. They cannot be separated. That’s why we venerate the cross, that’s why we wear the cross around our necks, to symbolize our Christianity. To show the world the price that God’s Son paid for our redemption. The solemnity of the cross is increasingly lost upon society today.
  • Liturgical Press Style Guide

    Liturgical Press Style Guide

    STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript.
  • Contents Cross Or Crucifix?

    Contents Cross Or Crucifix?

    THE January 2017 The monthly newsletter of Trinity Lutheran Church & School in Fergus Falls, MN Cross Or Crucifix? A Lutheran Perspective Contents What do you suppose is the greatest, most recognizable, symbol of Christianity? Some would From the Pastor’s Desk 1-2 suggest that it is the fish <><. One does, after all, see them on Christian’s cars all over the Lutheran Identity 2 place. True, but I’ve never seen a fish on the top of a steeple. Not that many people wear them Why Do the Pastors Chant? 2 Trinity Events as jewelry. In our church we have banners, paraments, and stained glass windows depicting Epiphany Service 3 Christian symbols, but none of them has a fish. But we do have crosses all over the place, so I Thank You! 3 would contend that of all the symbols of Christianity none stands out above the cross. We Can Teach You! 3 We have crosses on our banners, paraments, stained glass windows, pews and altar. We Historian Asst. Needed 3 have a processional cross. We have two crosses that we use behind the altar, one plain and one Missionary Moment 3 crucifix. We make the sign of the holy cross at Baptisms, during Divine Service, in the morning Ladies’ Bible Study 4 when we arise, before devotions, after receiving the Sacrament and other times. The pastors LWML in January 4 wear pectoral crosses in Divine Service and many of you wear one on a necklace or chain, too. Trinity Men’s NetWork 4 So Lutherans clearly use and love the cross as a symbol of their faith.
  • Saints and Their Symbols

    Saints and Their Symbols

    Saints and Their Symbols ANCHOR. Sometimes three balls, or three S. Nicholas of Myra, 326. Patron saint of Russia, children in a tub. Bishop's robes. and many seaports; also of children. ANGEL or Man. S. Matthew, Apostle, Evangelist, M. ANGEL holding a book. Benedictine habit. S. Frances of Rome, 1440. ANGEL. Crown of red and white roses. Musical S. Cecilia, V.M., 280. Patron saint of music and instruments. Palm. musicians. ANGEL holding a flame-tipped arrow. Dove. S. Teresa of Avila, 1582. Patron saint of Spain. Carmelite habit. Foundress of the reformed Carmelites. ANGEL with pyx or chalice. Franciscan habit. S. Bonaventure, 1274. Cardinal's hat on a tree or at his feet. ANGEL holding fruit or flowers. Crown. Palm. S. Dorothy of Cappadocia, V.M., 303. ANGEL ploughing in the background. Spade. S. Isidore the Ploughman, 1170. Patron saint of agriculture. ARROW. Banner with a red cross. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins. Palm. women engaged in girls’ education. ARROWS, pierced by. Bound to a tree or column. S. Sebastian, M., 288. Patron saint against the plague and pestilence. AXE. S. Matthias, Apostle., M. BAG of money. Book. Pen and inkhorn. S. Matthew, Apostle and Evangelist, M. BALLS, three. Bishop's robes. S. Nicholas of Myra, 326. Patron saint of Russia, and many seaports; also of children. BANNER with black Imperial eagle. Royal robes. S. Wenceslaus of Bohemia, M., 938. Palm. BANNER, with red cross. Arrow. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins.
  • The Peformative Grotesquerie of the Crucifixion of Jesus

    The Peformative Grotesquerie of the Crucifixion of Jesus

    THE GROTESQUE CROSS: THE PERFORMATIVE GROTESQUERIE OF THE CRUCIFIXION OF JESUS Hephzibah Darshni Dutt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2015 Committee: Jonathan Chambers, Advisor Charles Kanwischer Graduate Faculty Representative Eileen Cherry Chandler Marcus Sherrell © 2015 Hephzibah Dutt All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this study I argue that the crucifixion of Jesus is a performative event and this event is an exemplar of the Grotesque. To this end, I first conduct a dramatistic analysis of the crucifixion of Jesus, working to explicate its performativity. Viewing this performative event through the lens of the Grotesque, I then discuss its various grotesqueries, to propose the concept of the Grotesque Cross. As such, the term “Grotesque Cross” functions as shorthand for the performative event of the crucifixion of Jesus, as it is characterized by various aspects of the Grotesque. I develop the concept of the Grotesque Cross thematically through focused studies of representations of the crucifixion: the film, Jesus of Montreal (Arcand, 1989), Philip Turner’s play, Christ in the Concrete City, and an autoethnographic examination of Cross-wearing as performance. I examine each representation through the lens of the Grotesque to define various facets of the Grotesque Cross. iv For Drs. Chetty and Rukhsana Dutt, beloved holy monsters & Hannah, Abhishek, and Esther, my fellow aliens v ACKNOWLEDGMENTS St. Cyril of Jerusalem, in instructing catechumens, wrote, “The dragon sits by the side of the road, watching those who pass.
  • Built of Living Stones: Art, Architecture, and Worship

    Built of Living Stones: Art, Architecture, and Worship

    U.S. Catholic Bishops - Committee on the Liturgy Page 1 of 82 Issued by NCCB/USCC (Now USCCB), November 16, 2000. Copyright © 2000, United States Conference of Catholic Bishops, Inc. All rights reserved. Order Copies of This Statement Built of Living Stones: Art, Architecture, and Worship Guidelines of the National Conference of Catholic Bishops Table of Contents n Preface n Key to Reference Abbreviations n Chapter One: The Living Church The Living Church: God's Building The Church Building Worship in Time and Space Christ's Presence in Sign and Symbol Liturgical Principles for Building and Renovating Churches n Chapter Two: The Church Building and the Sacred Rites Celebrated There The Eucharist The Building: The Place for the Liturgical Assembly Gathered as One Body in Christ The Congregation's Area The Sanctuary Area The Altar The Ambo The Chair for the Priest Celebrant The Baptistry The Reservation of the Eucharist The Location of the Tabernacle The Chapel of Reservation The Tabernacle in the Sanctuary Holy Week and the Paschal Triduum The Altar of Reposition The Veneration of the Cross on Good Friday file://C:\U_S_%20Catholic%20Bishops%20-%20Committee%20on%20the%20Liturgy.htm 8/11/03 U.S. Catholic Bishops - Committee on the Liturgy Page 2 of 82 The Blessing of the Fire at the Vigil Service Accommodating the Liturgical Postures of the Congregation Seating The Place for the Pastoral Musicians Other Ritual Furnishings The Cross Candles The Paschal Candle The Gathering Space or Narthex The Area Surrounding the Church Building The Role
  • Corpus Or No Corpus, That Is the Question!

    Corpus Or No Corpus, That Is the Question!

    Wheat Ridge Evangelical Lutheran Church Missouri Synod 8600 West 38th Avenue Wheat Ridge CO 80033 303-424-3161 www.wrlutheran.org Rev. Kent A. Peck, Pastor Herald Corpus or No Corpus, That is the Question! APRIL 2016 Page 1,2 Pastor’s Page As you read this, you might think that I have lost my marbles. “Why is pastor talking about crucifixes when we are in the Easter Season and celebrating Christ’s resurrection? Page 3 Project Faith I knew it! He is a closet Roman Catholic!” In response, I leave you with the response as Page 3 Stephen Ministers. posted on the Synod’s website in the Frequently Asked Questions section: Jelly Bean Prayer/LWML Prayer Service Q: Is the use of crucifixes a Roman Catholic practice? Doesn’t the empty cross provide Page 4 LWML a better symbol for Lutherans? How does the LCMS feel about using a crucifix in church? [Note: A crucifix is a cross with a statue of the crucified Christ on it]. Page 5 Christian Ed./ Cleaning/Thank you/Deadline A: A common misunderstanding among some Lutherans is the opinion that a crucifix, Page 6 VBS or the use of a crucifix, is a “Roman Catholic” practice. The history of Lutheranism demonstrates that the crucifix was a regular and routine feature of Lutheran worship Page 7 Hallelujah and devotional life during Luther’s lifetime and during the period of Lutheran Page 8 Missions to Prague Orthdoxy. It was also the case among the founding fathers of The Lutheran Church— Page 9 Donation Page Missouri Synod.
  • Eschatology, Liturgy, and Christology

    Eschatology, Liturgy, and Christology

    Eschatology, Liturgy, and Christology Eschatology, Liturgy, and Christology Toward Recovering an Eschatological Imagination Thomas P. Rausch, SJ A Michael Glazier Book LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Michael Glazier Book published by Liturgical PressCover design by Ann Blattner. The Last Judgment by Fra Angelico, ca. 1400–1455. Excerpts from the English translation of The Roman Missal © 2010, International Commission on English in the Liturgy Corporation. All rights reserved. Excerpts from documents of the Second Vatican Council are from Vatican Council II: The Basic Sixteen Documents, by Austin Flannery, OP © 1996 (Costello Publish- ing Company, Inc.). Used with permission. Scripture texts in this work are taken from the New American Bible with Revised New Testament and Revised Psalms © 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, DC, and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner. © 2012 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, mi- crofiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, PO Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 1 2 3 4 5 6 7 8 Library of Congress Cataloging-in-Publication Data Rausch, Thomas P. Eschatology, liturgy, and christology : toward recovering an eschatological imagination / Thomas P.
  • The Return Crucifix

    The Return Crucifix

    Founded 1866 The Shrine and Parish Church of the Holy Innocents “The Little Catholic Church Around the Corner” at the crossroads of the world 128 West 37th St. (Just West of Broadway) New York City 10018 The Return Crucifix “Miracles on 37th Street” Week of January 6, 2019 THE EPIPHANY OF THE LORD Mass Intentions SUNDAY, JANUARY 6 - The Epiphany of the Lord LATIN TRIDENTINE MASS CORNER 09:00 - Pro Populo 10:30 - Triantafillos Kassidis (d) Calendar 12:30 - In Thanksgiving to St. Jude January 6 - Epiphany of the Lord MONDAY, JANUARY 7 - St. Raymond of Peñafort, Priest 1st Class - Polyphonic Mass 07:00 - Jose Maria Morales Renteria (d) January 7 - Epiphany Feria (Mass of Epiphany) 07:30 - Kay Irudden (d) 4th Class - Low Mass 12:15 - Families in the Book of Life 01:15 - Ruza Zobko (d) January 8 - Epiphany Feria 06:00 - Family of David & Patty Haro (L) Conversion 4th Class - Low Mass TUESDAY, JANUARY 8 - Christmas Weekday January 9 - Epiphany feria 07:00 - St. Anthony 4th Class - Low Mass 07:30 - Arnulfo Endaya, Francis & Alfred Austria (d) January 10 - Epiphany Feria 12:15 - William Hugh Moffitt (d) 4th Class - Low Mass 01:15 - Sandee Denove (d) 06:00 - Concepcion De Lara (d) January 11 - St. Hyginus, Pope & Martyr 4th Class - Low Mass WEDNESDAY, JANUARY 9 - Christmas Weekday January 12 - Saturday of Our Lady 07:00 - Justin Imperatore (d) 4th Class - Low Mass 07:30 - Thomas Gargam (d) 12:15 - Kevin Timothy Back (d) Next Sunday 01:15 - Constance Jerome (d) January 13 - Feast of the Holy Family 06:00 - John Bishop (d) 2nd Class - Chant Mass THURSDAY, JANUARY 10 - Christmas Weekday 07:00 - In Honor of the Holy Innocents Eucharistic Holy Hour of Reparation 07:30 - Dorothy C.