Built of Living Stones: Art, Architecture, and Worship
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3/4 What Can We Learn from Sacred Places of Worship? Sacred Places in the Community
Telford &Wrekin SACRE Agreed Syllabus RE Model Unit plan - guidance for teachers Term/ Time allocation Year Group Unit of Work/Key question This unit can be planned around the opportunities for visits to 3/4 What can we learn from sacred places of worship? sacred places in the community. Half term -6-8 hours Unit context/intent/background information Prior learning This unit provides teachers and learners with an enquiry-focused approach to learning from visits to sacred places. Children may have visited a religious The emphasis on learning outside the classroom, and exploring questions through a visit provides for learning building in EYFS/KS1 about sacred places as spaces to worship God. Children are given an opportunity to discover, experience and reflect on the communities, features and artefacts found in sacred places and the importance of special or sacred Agreed Syllabus Units Unit 8 (KS1) ‘Finding out about Christian places in their own lives and those of others. The unit will work best if pupils can visit the sacred buildings of two churches and Jewish synagogues’ religions, and explore others through a virtual visit or in some other way. Unit 9(KS1) ‘Respect for everyone’ Unit 10 (KS1) ‘Symbols of belonging’ Key learning objectives Key Questions from Telford and Wrekin Syllabus Key Values British Values • children can describe what is meant by ‘sacred’ Why can buildings be special to people? Respect Mutual respect • children can describe and compare a sacred place What do religious buildings look like in Telford and Wrekin? tolerance -
B. Consecrated for Worship
CONSECRATED FOR WORSHIP A DIRECTORY ON CHURCH BUILDING Consecrated for Worship A DIRECTORY ON CHURCH BUILDING SEPTEMBER 2006 Catholic Bishops’ Conference of England & Wales CATHOLIC TRUTH SOCIETY PUBLISHERS TO THE HOLY SEE Published 2006, by the Catholic Truth Society and Colloquium (CaTEW) Ltd. The Catholic Truth Society, 40-46 Harleyford Road, Vauxhall, London SE11 5AY; www.cts-online.org.uk Colloquium (CaTEW) Ltd, 39 Eccleston Square, London SW1V 1BX. www.catholicchurch.org.uk Copyright © 2006 Catholic Bishops’ Conference of England and Wales. All rights reserved. No part of this publication may be reproduced or stored or transmitted by any means or in any form, electronic, mechanical, including photocopying, recording, or any information storage and retrieval system, without prior written permission from the publishers. ISBN 1 86082 384 X The Liturgy Office of the Bishops’ Conference The Liturgy Office works with the Bishops’ Conference Department of Christian Life and Worship to provide resources to support worthy celebration of the Liturgy. It seeks to promote the full, conscious and active participation of all the baptised in the Liturgy so that they might find there the nourishment and inspiration necessary to sustain them in their Christian lives and witness. Website: www.liturgyoffice.org.uk Contents 7 CONTENTS 3 Coming into the Church: entrance and narthex. 54 4 Proclaiming the Word: the Ambo . 57 5 A holy and living sacrifice: the Altar . 60 FOREWORD . 8 6 A focus for loving service: the Sanctuary . 65 7 Womb and Tomb: the place for Baptism. 69 OVERVIEW . 10 Storage of the Holy Oils. 72 What is this book? . -
3Ook & Music Issue
3ook & Music Issue $3.50 livingchurch.org ur ec o LI THE d [ IVING Sister Joan Chittister and the Archbishop of Canterbury on gratitude, Kenda Creasy Dean on teenagers and Moralistic Therapeutic Deism, CHURCH George Guiver on the components of worship music: these are some THIS "'SUE I May 8, 2011 of the authors and themes in this issue. NEWS Each new season brings another 4 Secretaries of State: crop of books that help us make sense of life and of Christian faith. Values Enhance Diplomacy As the Church steps into another FEATURES Easter season, may your reading and reflection draw you closer 10 OUR UNITY IN CHRIST series to the risen Lord. Committing Unity to Print By David Richardson REVIEW ESSAYS 12 Vision Upon Vision by George Guiver Review by Daniel H. Martins 15 Absence of Mind by Marilynne Robinson Review by Jean Mccurdy Meade 18 Hannah's Child by Stanley Hauerwas Review by Elyse Gustafson 20 Almost Christian by Kenda Creasy Dean Review by F.Washington Jarvis OTHER BOOKS 13 Divine Art, Infernal Machine 16 Undone by Easter 18 Uncommon Gratitude CATHOLIC VOICES 23 Post-Cosmo Cosmology By Andrew John Archie OTHER DEPARTMENTS 22 Cultures 26 Letters 27 People & Places 28 Sunday's Readings The Living Church is published by the Living Church Foundation.Our historic mission in the Episcopal Church and the Anglican Commun ion is to support and promote the Catholic and evangelicalfaith of the one Church, to the end of visible Christian unity throughout the world. May 8, 2011 • THE LIVING CHURCH 3 NEWS May 8, 2011 Former secretaries of state Colin L. -
Renewing a Catholic Theology of Marriage Through a Common Way of Life: Consonance with Vowed Religious Life-In-Community
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Renewing a Catholic Theology of Marriage through a Common Way of Life: Consonance with Vowed Religious Life-in-Community Kent Lasnoski Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Religion Commons Recommended Citation Lasnoski, Kent, "Renewing a Catholic Theology of Marriage through a Common Way of Life: Consonance with Vowed Religious Life-in-Community" (2011). Dissertations (1934 -). 98. https://epublications.marquette.edu/dissertations_mu/98 RENEWING A CATHOLIC THEOLOGY OF MARRIAGE THROUGH A COMMON WAY OF LIFE: CONSONANCE WITH VOWED RELIGIOUS LIFE-IN- COMMUNITY by Kent Lasnoski, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2011 ABSTRACT RENEWING A CATHOLIC THEOLOGY OF MARRIAGE THROUGH A COMMON WAY OF LIFE: CONSONANCE WITH VOWED RELIGIOUS LIFE-IN-COMMUNITY Kent Lasnoski Marquette University, 2011 Beginning with Vatican II‘s call for constant renewal, in light of the council‘s universal call to holiness, I analyze and critique modern theologies of Christian marriage, especially those identifying marriage as a relationship or as practice. Herein, need emerges for a new, ecclesial, trinitarian, and christological paradigm to identify purposes, ends, and goods of Christian marriage. The dissertation‘s body develops the foundation and framework of this new paradigm: a Common Way in Christ. I find this paradigm by putting marriage in dialogue with an ecclesial practice already the subject of rich trinitarian, christological, ecclesial theological development: consecrated religious life. -
9. Features of a Catholic Church
1. What is a parish? 2. What is the difference between Church/ A place of worship Inside a Catholic Church church? 3. What is a confessional? A Catholic church is the place of worship where Catholics gather as a community to The interior of Roman Catholic churches can vary from 4. What takes place at the altar? celebrate their faith. Most Catholics will attend a local parish church. A parish is the very plain and simple to fancy and ornate, but whatever 5. What command Jesus gave does baptism local Christian community around a church building. They are usually looked after by a the design, the whole church will be focused on the follow? priest, who leads the community and celebrates the sacraments. Christians call their sanctuary. Sanctuary means ‘holy place’. This is where the 6. What is a lectern? church ‘the house of God’. Many Christians believe that the community of believers altar, lectern and tabernacle are. The sanctuary is the 7. What is a tabernacle? (the Church) is more important than the church building, which is simply a meeting centre of public worship. These are features you would 8. What other features are there inside a place for the Church. expect to find in a Catholic church: church and how are they used? The Confessional The crucifix This is a small room or box-like structure in which the Sacrament of Reconciliation In Catholic churches there is always a crucifix – a cross with 1. Create a detailed takes place. This is when Catholics confess their sins to a priest. -
The Ieonography of Sanctuary Doors from Patmos and Its Place in The
The Ieonography of Sanctuary Doors from Patmos and its Place in the Iconographie program of the Byzantine Ieonostasis By Georgios Kellaris A thesls sutmitted to the Facu1ty of Graduate Studies { and Research in partial fulfi1lment of the requirernents for the degree of Master of Arts Department of Art history McGill University March, 1991 © Georgios Kellaris 1991 Montréal, Québec, canada ---------~~- - ---- il The lconostasis is the most characteristic feature of the Orthodox Church. The metaphyslcal conception of the space of the church prQnpted its emergence, and the ~tical Interpretation of the Liturgy deter~ned its evolution. These aspects were reflected in the iconographie program of the iconostasis. The sanctuary dOOIS are the only part of tt.e Patmlan iconostases bearing figurative decoIatlon. The study of the themes on the doors reveals an iconographie program with strong lituIglcal character. Furthermore, this program encompasses the entire range of the ~tical syrrbol1sm pertaining to the iconostasis. The anal}JSis indicates that the doors are instrumental in the function of the iconostasis as a liturgical device aim1ng at a greater unitY between the earthly and the divine realms. ill 1 L t iconostase est un élément Indispe... .Able de l'Église OrthodoAe. La raison de sa naissance se trouve dans la conception métaphysique de l'éspace ecclésiastique et sa évolution a été determlné par l'interprétë.\tion mystique de la 11 turgie. Ces aspects sont reflétés par le progranme iconographique de l'iconostase. Dctns les iconostases de PatIOOs la porte est la seule section où se trouve des décorations figuratives. L'étude de thémes trouvé sur ces portes révéle un programne iconographique de caractère liturgique. -
The Cross and the Crucifix by Steve Ray
The Cross and the Crucifix by Steve Ray Dear Protestant Friend: You display a bare cross in your homes; we display the cross and the crucifix. What is the difference and why? The cross is an upright post with a crossbeam in the shape of a “T”. A crucifix is the same, but it has Christ’s body (corpus) attached to the cross. As an Evangelical Protestant I rejected the crucifix—Christ was no longer on the cross but had ascended to heaven. So why do I now tremble in love at the site of a crucifix? Let’s examine the history and issues surrounding the two. I will start with the Old Testament and the Jews’ use of images and prohibition of idols. I know in advance that it is not a thorough study, but it will give a general overview of the issues. I will try to provide a brief overview of the Cross and the Crucifix, the origin, the history, and the differing perspectives of Catholic and Protestant. It will try to catch the historical flow and include the pertinent points. The outline is as follows: 1. The Three Main Protestant Objections to the Crucifix 2. Images and Gods in the Old Testament 3. Images and Images of Christ in the New Testament 4. The Cross in the First Centuries 5. The Crucifix Enters the Picture 6. The “Reformation” and Iconoclasm 7. Modern Anti-Catholics and the Crucifix 8. Ecumenical Considerations The Three Main Protestant Objections to the Crucifix Let me begin by defining “Protestant” as used in this article. -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there. -
Did You Know? Facts About Our Faith & Our Church a Series By: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2
Did you know? Facts about our Faith & our Church a series by: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2 Sacred Vessels & Altar Appointments What are all those things called? - The Catholic Church has a long tradition of beautiful well appointed items used in the Sacred Liturgy, each having a special name and function. In this issue I will just scratch the surface to identify and explain most of the common items we see each week, and a few of the “special occasion” items that only appear a few times, or even only once a year. Please bear with me as I try not to get to “in depth” with the following descriptions. We can begin with one of the most recognized liturgical items, the Chalice. From the Roman word calix, a chalice is a tall, footed goblet for holding drink. In the Catholic Church, the chalice holds the blessed, then consecrated wine, the Precious Blood of Jesus Christ. Usually made of precious metals and sometimes richly ornamented, they show just how special what they contain is. The Catholic Church sets forth guidelines on construction and materials for chalices, one of those being, the cup that will contain the Precious Blood must be lined with precious metal (usually gold) if it is not constructed of it. While we all get to see the beautiful silver of Father Lizewski’s chalice, not many see the gold interior. Blessed by a Bishop (usually at a priests ordination) the chalice is truly the most important of the sacred vessels used at MASS every day. -
“Introibo Ad Altare Dei” the Consecration of the Seminary’S Main Altar + a Photo Essay +
ISSUE No. 52 WINTER, 1994 Saint Thomas Aquinas Seminary Winona, Minnesota Stockton Hill 55987 U.S.A. “Introibo Ad Altare Dei” The Consecration of the Seminary’s Main Altar + A Photo Essay + Although it had been six years since the Society of St. Pius X acquired the former Dominican Novitiate in Winona as the site of our North American seminary, it was only in November of this past year that the altar in the Main Chapel was at last consecrated. Or, more precisely, re-consecrated. This consecration was necessary because, when the building was sold by the Dominicans in 1970 due to a lack of vocations, they properly removed the relics from the main altar, and thus the altar lost its consecration. The ceremony for the consecration of an altar is unlike anything most people have ever seen, lasting five hours when combined with the Pontifical High Mass which follows it. For most Traditional Catholics today, it is a once-in-a- lifetime experience. Many, indeed, will probably never witness such a magnificent event. And it is to those that we present this “photo essay” of our altar consecration. On this page are shown the two patrons of our Seminary, memorialized in the original stained glass windows that, appropriately enough, stand side-by-side in the Main Chapel. On the left, St. Peter Martyr, a Dominican from the 1200’s killed by the Albigensians and from whom this former Dominican Novitiate was originally named; and St. Thomas Aquinas, the great Dominican “Angelic Doctor” whose teachings are closely adhered to by the Society of St. -
An Argument for the Wider Adoption and Use of Traditional Academic Attire Within Roman Catholic Church Services
Transactions of the Burgon Society Volume 17 Article 7 10-21-2018 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services Seamus Addison Hargrave [email protected] Follow this and additional works at: https://newprairiepress.org/burgonsociety Part of the Catholic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Higher Education Commons, History of Christianity Commons, and the Religious Education Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Hargrave, Seamus Addison (2018) "An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services," Transactions of the Burgon Society: Vol. 17. https://doi.org/10.4148/2475-7799.1150 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 17 (2017), pages 101–122 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services By Seamus Addison Hargrave Introduction It has often been remarked that whilst attending Church of England or Church of Scotland services there is frequently a rich and widely used pageantry of academic regalia to be seen amongst the ministers, whilst among the Catholic counterparts there seems an almost near wilful ignorance of these meaningful articles. The response often returned when raising this issue with various members of the Catholic clergy is: ‘well, that would be a Protestant prac- tice.’ This apparent association of academic dress with the Protestant denominations seems to have led to the total abandonment of academic dress amongst the clergy and laity of the Catholic Church. -
The Neonian Baptistery in Ravenna 359
Ritual and ReconstructedMeaning: The Neonian Baptisteryin Ravenna Annabel Jane Wharton The pre-modern work of art, which gained authority through its extension in ritual action, could function as a social integrator. This essay investigates the figural decoration of the Orthodox Baptistery in Ravenna, in an effort to explain certain features of the mosaic program. If the initiation ritual is reenacted and the civic centrality of the rite and its executant, the bishop, is restored, the apparent "icon- ographic mistakes" in the mosaics reveal themselves as signs of the mimetic re- sponsiveness of the icon. By acknowledging their unmediated character, it may be possible to re-empower both pre-modern images and our own interpretative strategy. The Neonian (or "Orthodox") Baptistery in Ravenna is the preciated, despite the sizable secondary literature generated most impressive baptistery to survive from the Early Chris- by the monument. Because the artistic achievement of the tian period (Figs. 1-5).1 It is a construction of the late fourth Neonian Baptistery lies in its eloquent embodiment of a or early fifth century, set to the north of the basilican ca- new participatory functioning of art, a deeper comprehen- thedral of Bishop Ursus (3897-96?) (Fig. 1).2 The whole of sion of the monument is possible only through a more thor- the ecclesiastical complex, including both the five-aisled ba- ough understanding of its liturgical and social context. The silica and the niched, octagonal baptistery, appears to have first section of this essay therefore attempts to reconstruct been modeled after a similar complex built in the late fourth the baptismal liturgy as it may have taken place in the century in Milan.3 Within two or three generations of its Neonian Baptistery.