DOCSLIB.ORG

The Agonizing Crucifix 1[1]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Agonizing Crucifix 1[1] The Eagle’s Call Wheresoever the body shall be, thither will the eagles also be gathered together. (Luke 17:37) Special Edition – The Agonizing Crucifix – Jan. 2009 www.Precious Blood International.com Association of the Precious Blood * PO Box 15851 * Tallahassee, FL 32317-5851 * USA * (850) 577-0607 What is the “Agonizing Crucifix?” It is the most powerful sacramental Our Lord has it. I will break their hearts of stone and pour in ever given to the Church with special promises of my love. I promise also to draw straying souls protection and grace accompanying it. Through it, closer to myself through this Crucifix. Children, Our Lord has told us He will perform many captives shall be freed through this cross. miracles. On January 5, 2000, Our Lord gave the Children, no enemy of My Holy Cross will world the Agonizing Crucifix through an illiterate teenage boy named Barnabas Nwoye in the village of Olo in Enugu State, Nigeria. The young man recorded the event as follows: “...I saw in a vision Our Lord holding a Crucifix...I saw Him walking about in a desert. After a while, we met. He said to me, “Barnabas, take this.” Then He offered me the Crucifix and continued, “This is your Crucified Lord who loves you. He is the one whom you daily crucify. Accept it from Me, carry it always. Show it to the world, let all men have it also. Children, this is what your sins do to me.” This Crucifix is the same as the Crucifixes we all know. The difference is that the wounds and blood of His Sacred Body are depicted very graphically, His Sacred Heart is exposed on His chest and His Blood runs down the wood of the cross. On the cross it is written “I am the Agonizing Jesus Christ who loves you.” Why Do I Need One? Our Lord continued, “You shall make this Crucifix as you see it. I am giving it to you as the instrument and armor which you must all have before the evil man comes to reign in full force. Listen, My children, all the necessary warnings have been given to you. The plans of your enemy have been made known to you. I call you all, not to give you any further warnings, but to prepare and get you ready for the hour. You and all men approach this cross. On the days of the evil one, are to have this cross as an armor of protection you will be able to go about freely without any against evil forces that fill the earth now. I harm through this cross. Children, accept this promise to perform numerous miracles through gift with love. But Aren’t AAllll Crucifixes the SSame?ame? Our Lord continued, “Listen, My children, My No, they aren’t! The Pardon Crucifix is another priest will anoint the first artist to make this good example. Pope St. Pius X granted the Crucifix so that I will fill Him with My Spirit following indulgences for the Pardon Crucifix only : and Wisdom. Other artists will follow his handiwork.” * Whoever carries on his person the Pardon Crucifix, may thereby gain an indulgence. And this is what we have done! There was a * For devoutly kissing this Crucifix, an indulgence scarcity of these Crucifixes owing to the fact that only one artist in the world was producing them in is gained. the seaport city of Fuzhou in China. (Regardless of * Whoever says one of the following invocations what you may have been told by anyone, any before this crucifix may gain each time an Crucifix, if it is authentic, WAS NOT made in indulgence: "Our Father who art in heaven, forgive Nigeria other than the very first few with a papier- us our trespasses as we forgive those who trespass mâché Jesus on them! The most common ones have against us." or "I beg the Blessed Virgin Mary to only been produced in Fuzhou, China, until now.) pray to the Lord our God for me." We have been in the process of setting up the * Whoever, habitually devout to this Crucifix, will second manufacturing site in the world right here in fulfill the necessary conditions of Confession and the USA. We are presently the only site that Holy Communion, may gain a Plenary Indulgence manufactures these Crucifixes in five different on the following feasts: On the feasts of the Five languages and we ship them into 40 countries! We Wounds of our Lord, the Invention of the Holy carefully follow all the guidelines given in the Cross, the Exaltation of the Holy Cross, the messages Our Lord gave to Barnabas and use the Immaculate Conception, and the Seven Dolors of same mold for the Body of Christ that was sculpted by the original artist which Our Lord had Barnabas’ the Blessed Virgin Mary. spiritual director anoint and pray over. * Whoever at the moment of death, fortified with the Sacraments of the Church, or contrite of heart, All the wood we use is carefully chosen from the in the supposition of being unable to receive them, highest quality sources, virgin American pine and will kiss this Crucifix and ask pardon of God for his olivewood from the Holy Land, no seconds or sins, and pardon his neighbor, he will gain a Plenary recovered scraps are ever used. And because they Indulgence. are made in America, you know they have not been sprayed with harmful chemicals or fumigants prior On the back of the Crucifix, on the transverse arms, to your receiving them; an important consideration are the words, "Father, forgive them." On the long since they are made of raw wood! part of the Cross are the words, "Behold this heart which has so loved men. An Exorcist priest told us that satan cannot stand the smell of raw wood. Benedictine Crucifixes, These promises and indulgences are not for any another powerful sacramental, also have four small other crucifix, only the Pardon Crucifix. The same pieces of raw wood inserted into their metal frame. can be said of the Benedictine Crucifix which also Our Lord’s Agonizing Crucifix is entirely made of carries its own promises of protection. Not all raw wood and should never be painted or varnished crucifixes are the same. Our Lord has given special or you will reduce its efficacy against evil. Stains promises of grace and protection particularly to this can be sanded away with superfine sandpaper. Agonizing Crucifix and, as you can see, the Church does recognize this practice in her Tradition. Priests, brothers, sisters, nuns and monks from various American convents and monasteries are (We were so impressed by the indulgences granted getting ready to begin painting the corpuses of to the Pardon Crucifix that we found them and now Christ for us once we begin manufacturing them we put them on our 8mm glass-bead Chaplets!) here. Beginning in May, you will be supporting American vocations with every Agonizing Crucifix Here’Here’ss Where We Can HelpHelp!!!! you purchase! What is This Consecration because a sprinkling of My Precious Blood can Our Lord is Asking ForFor???? dry a million tanks of the evil one’s blood banks. This is why I urge all men to call upon My Most “Children, I want you and all men to be Precious Blood to fight against their enemy. consecrated to My Precious Blood. I want you all to consecrate yourselves to Me... When you have Children, the battle is great. Look! Their been consecrated, it means that you will fulfill all number is too large, the number of My my appeals to you. You MUST live the lives of adversaries, they are many and their number is your consecration. All who cannot fulfill all My countless. My soldiers are very little in number. appeals and orders will not receive this This is why I call you and all My warriors consecration. I will give you a special blessing around the world so as to empower you with My from heaven. All who later consecrate Most Precious Blood and clothe you with all the themselves will follow this rule which I have heavenly armor. given to you.” They are not asleep. They are working day and The rule is simple: (1) Pray the rosary every day night since they know they have only little time (Glorious, Luminous, Sorrowful or Joyful) followed left. Children, you are called to know this is a by the Chaplet of the Precious Blood, the Litany of great battle! Arise and stand firm. Your enemy, the Precious Blood and the Consecration to the the evil one, is around you looking for a chance Precious Blood. These all take a little over an hour to get you. in one sitting, or you can break them up throughout your day. Add in as many more of the prayers in the This call of reparation is to prepare you to meet prayer book as your schedule allows without the evil one and defeat him. To prepare you for neglecting your duties to work or family. (2) Pray at battle, I give you My Agonizing Cross. I promise least one hour of the Gethsemane Hour prayers to protect anyone who has this cross against the every Thursday to Friday night between the hours evil forces. Through this Cross I will deliver of Midnight and 3am. Taking a nap or going to bed many from captivity. Whenever you raise this early then waking at midnight is helpful. (3) Pray Cross against evil power, I will open heaven and the Great Month of July Novenas every novena day let My Precious Blood flow to subdue the evil of the month of July.
Load more

Recommended publications
  • The Cross and the Crucifix by Steve Ray
    The Cross and the Crucifix by Steve Ray Dear Protestant Friend: You display a bare cross in your homes; we display the cross and the crucifix. What is the difference and why? The cross is an upright post with a crossbeam in the shape of a “T”. A crucifix is the same, but it has Christ’s body (corpus) attached to the cross. As an Evangelical Protestant I rejected the crucifix—Christ was no longer on the cross but had ascended to heaven. So why do I now tremble in love at the site of a crucifix? Let’s examine the history and issues surrounding the two. I will start with the Old Testament and the Jews’ use of images and prohibition of idols. I know in advance that it is not a thorough study, but it will give a general overview of the issues. I will try to provide a brief overview of the Cross and the Crucifix, the origin, the history, and the differing perspectives of Catholic and Protestant. It will try to catch the historical flow and include the pertinent points. The outline is as follows: 1. The Three Main Protestant Objections to the Crucifix 2. Images and Gods in the Old Testament 3. Images and Images of Christ in the New Testament 4. The Cross in the First Centuries 5. The Crucifix Enters the Picture 6. The “Reformation” and Iconoclasm 7. Modern Anti-Catholics and the Crucifix 8. Ecumenical Considerations The Three Main Protestant Objections to the Crucifix Let me begin by defining “Protestant” as used in this article.
    [Show full text]
  • Russian Copper Icons Crosses Kunz Collection: Castings Faith
    Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review.
    [Show full text]
  • Christian Danz, Kathy Ehrensperger, and Walter Homolka (Eds.) Christologie Zwischen Judentum Und Christentum
    SCJR 16, no. 1 (2021): 1-3 Christian Danz, Kathy Ehrensperger, and Walter Homolka (Eds.) Christologie Zwischen Judentum und Christentum (Tübingen: Mohr Siebeck 2020), xiv + 447 pp. GREGOR MARIA HOFF [email protected] University of Salzburg, Salzburg, Austria In recent years, the discussion about the significance of Christology in Jewish- Christian dialogue has taken on a new dynamic. Various factors are responsible for this. Two recent documents by Orthodox Jews, “To Do the Will of Our Father in Heaven” (2015) and “Between Jerusalem and Rome” (2016), represent important statements. The authors raise essential questions about Christology. Among them is the question of how Jewish-Christian dialogue can deal with the issue. For the Catholic Church, more than fifty years after the conclusion of the Second Vatican Council, a theological deepening of the basis for dialogue is on the agenda in its contact with Judaism. With the document “‘The Gifts and the Calling of God Are Irrevocable’” (2015), the Vatican Commission for Religious Relations with the Jews once again raised the question of the significance of the “universality of salvation in Jesus Christ” (Sect. 37) and affirmed that the “covenant of God with Israel has never been revoked” (Preface). In addition to the issues raised by these religious communities, there have been shifts in various theological discourses. They concern exegetical perspectives which, starting from the New Perspective on Paul, also concern Christological questions. They are connected with questions about the “parting of the ways” and the complex emergence of rabbinic Judaism and Christianity. They concern tradition-historical questions about the development of theological concepts in both traditions and in relations between them, revealing their inner diversity.
    [Show full text]
  • Friends, This Evening I Invite You to Gaze Upon the Crucifix
    Fr. Michael O’Brien Friends, I invite you to gaze upon the painting of our Lord on the cross beside me. Keep your eyes fixed on Jesus. To understand the cross is how we come to know Christ. It is at the foot of the cross that we confront the mystery of our faith—the promise of eternal life in the midst of death. St. Paul tells us that it is Christ crucified that we must preach as Christian people. We may be tempted to ask what is the point of remembering the Passion of Jesus—why can’t we go right to His Resurrection, but, If we were to skip over the events of Good Friday, what meaning would there be in Easter Sunday? It is the sacrificial love of Jesus for His people that is best displayed through the crucifix. Jesus is more than a moral teacher, he is more than a prophet, he is more than just a nice guy, he is the Redeemer of humanity, the Son of God. The early Church chose the Cross as its central symbol even though the Cross was associated with criminal execution. Jesus wanted the sacrifice of his life remembered, therefore it is vital that we come to know Christ through the cross. They cannot be separated. That’s why we venerate the cross, that’s why we wear the cross around our necks, to symbolize our Christianity. To show the world the price that God’s Son paid for our redemption. The solemnity of the cross is increasingly lost upon society today.
    [Show full text]
  • Liturgical Press Style Guide
    STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript.
    [Show full text]
  • Contents Cross Or Crucifix?
    THE January 2017 The monthly newsletter of Trinity Lutheran Church & School in Fergus Falls, MN Cross Or Crucifix? A Lutheran Perspective Contents What do you suppose is the greatest, most recognizable, symbol of Christianity? Some would From the Pastor’s Desk 1-2 suggest that it is the fish <><. One does, after all, see them on Christian’s cars all over the Lutheran Identity 2 place. True, but I’ve never seen a fish on the top of a steeple. Not that many people wear them Why Do the Pastors Chant? 2 Trinity Events as jewelry. In our church we have banners, paraments, and stained glass windows depicting Epiphany Service 3 Christian symbols, but none of them has a fish. But we do have crosses all over the place, so I Thank You! 3 would contend that of all the symbols of Christianity none stands out above the cross. We Can Teach You! 3 We have crosses on our banners, paraments, stained glass windows, pews and altar. We Historian Asst. Needed 3 have a processional cross. We have two crosses that we use behind the altar, one plain and one Missionary Moment 3 crucifix. We make the sign of the holy cross at Baptisms, during Divine Service, in the morning Ladies’ Bible Study 4 when we arise, before devotions, after receiving the Sacrament and other times. The pastors LWML in January 4 wear pectoral crosses in Divine Service and many of you wear one on a necklace or chain, too. Trinity Men’s NetWork 4 So Lutherans clearly use and love the cross as a symbol of their faith.
    [Show full text]
  • Saints and Their Symbols
    Saints and Their Symbols ANCHOR. Sometimes three balls, or three S. Nicholas of Myra, 326. Patron saint of Russia, children in a tub. Bishop's robes. and many seaports; also of children. ANGEL or Man. S. Matthew, Apostle, Evangelist, M. ANGEL holding a book. Benedictine habit. S. Frances of Rome, 1440. ANGEL. Crown of red and white roses. Musical S. Cecilia, V.M., 280. Patron saint of music and instruments. Palm. musicians. ANGEL holding a flame-tipped arrow. Dove. S. Teresa of Avila, 1582. Patron saint of Spain. Carmelite habit. Foundress of the reformed Carmelites. ANGEL with pyx or chalice. Franciscan habit. S. Bonaventure, 1274. Cardinal's hat on a tree or at his feet. ANGEL holding fruit or flowers. Crown. Palm. S. Dorothy of Cappadocia, V.M., 303. ANGEL ploughing in the background. Spade. S. Isidore the Ploughman, 1170. Patron saint of agriculture. ARROW. Banner with a red cross. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins. Palm. women engaged in girls’ education. ARROWS, pierced by. Bound to a tree or column. S. Sebastian, M., 288. Patron saint against the plague and pestilence. AXE. S. Matthias, Apostle., M. BAG of money. Book. Pen and inkhorn. S. Matthew, Apostle and Evangelist, M. BALLS, three. Bishop's robes. S. Nicholas of Myra, 326. Patron saint of Russia, and many seaports; also of children. BANNER with black Imperial eagle. Royal robes. S. Wenceslaus of Bohemia, M., 938. Palm. BANNER, with red cross. Arrow. Crown. S. Ursula, V.M. Patron saint of young girls, and Sometimes surrounded by many virgins.
    [Show full text]
  • The Peformative Grotesquerie of the Crucifixion of Jesus
    THE GROTESQUE CROSS: THE PERFORMATIVE GROTESQUERIE OF THE CRUCIFIXION OF JESUS Hephzibah Darshni Dutt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2015 Committee: Jonathan Chambers, Advisor Charles Kanwischer Graduate Faculty Representative Eileen Cherry Chandler Marcus Sherrell © 2015 Hephzibah Dutt All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this study I argue that the crucifixion of Jesus is a performative event and this event is an exemplar of the Grotesque. To this end, I first conduct a dramatistic analysis of the crucifixion of Jesus, working to explicate its performativity. Viewing this performative event through the lens of the Grotesque, I then discuss its various grotesqueries, to propose the concept of the Grotesque Cross. As such, the term “Grotesque Cross” functions as shorthand for the performative event of the crucifixion of Jesus, as it is characterized by various aspects of the Grotesque. I develop the concept of the Grotesque Cross thematically through focused studies of representations of the crucifixion: the film, Jesus of Montreal (Arcand, 1989), Philip Turner’s play, Christ in the Concrete City, and an autoethnographic examination of Cross-wearing as performance. I examine each representation through the lens of the Grotesque to define various facets of the Grotesque Cross. iv For Drs. Chetty and Rukhsana Dutt, beloved holy monsters & Hannah, Abhishek, and Esther, my fellow aliens v ACKNOWLEDGMENTS St. Cyril of Jerusalem, in instructing catechumens, wrote, “The dragon sits by the side of the road, watching those who pass.
    [Show full text]
  • Built of Living Stones: Art, Architecture, and Worship
    U.S. Catholic Bishops - Committee on the Liturgy Page 1 of 82 Issued by NCCB/USCC (Now USCCB), November 16, 2000. Copyright © 2000, United States Conference of Catholic Bishops, Inc. All rights reserved. Order Copies of This Statement Built of Living Stones: Art, Architecture, and Worship Guidelines of the National Conference of Catholic Bishops Table of Contents n Preface n Key to Reference Abbreviations n Chapter One: The Living Church The Living Church: God's Building The Church Building Worship in Time and Space Christ's Presence in Sign and Symbol Liturgical Principles for Building and Renovating Churches n Chapter Two: The Church Building and the Sacred Rites Celebrated There The Eucharist The Building: The Place for the Liturgical Assembly Gathered as One Body in Christ The Congregation's Area The Sanctuary Area The Altar The Ambo The Chair for the Priest Celebrant The Baptistry The Reservation of the Eucharist The Location of the Tabernacle The Chapel of Reservation The Tabernacle in the Sanctuary Holy Week and the Paschal Triduum The Altar of Reposition The Veneration of the Cross on Good Friday file://C:\U_S_%20Catholic%20Bishops%20-%20Committee%20on%20the%20Liturgy.htm 8/11/03 U.S. Catholic Bishops - Committee on the Liturgy Page 2 of 82 The Blessing of the Fire at the Vigil Service Accommodating the Liturgical Postures of the Congregation Seating The Place for the Pastoral Musicians Other Ritual Furnishings The Cross Candles The Paschal Candle The Gathering Space or Narthex The Area Surrounding the Church Building The Role
    [Show full text]
  • Corpus Or No Corpus, That Is the Question!
    Wheat Ridge Evangelical Lutheran Church Missouri Synod 8600 West 38th Avenue Wheat Ridge CO 80033 303-424-3161 www.wrlutheran.org Rev. Kent A. Peck, Pastor Herald Corpus or No Corpus, That is the Question! APRIL 2016 Page 1,2 Pastor’s Page As you read this, you might think that I have lost my marbles. “Why is pastor talking about crucifixes when we are in the Easter Season and celebrating Christ’s resurrection? Page 3 Project Faith I knew it! He is a closet Roman Catholic!” In response, I leave you with the response as Page 3 Stephen Ministers. posted on the Synod’s website in the Frequently Asked Questions section: Jelly Bean Prayer/LWML Prayer Service Q: Is the use of crucifixes a Roman Catholic practice? Doesn’t the empty cross provide Page 4 LWML a better symbol for Lutherans? How does the LCMS feel about using a crucifix in church? [Note: A crucifix is a cross with a statue of the crucified Christ on it]. Page 5 Christian Ed./ Cleaning/Thank you/Deadline A: A common misunderstanding among some Lutherans is the opinion that a crucifix, Page 6 VBS or the use of a crucifix, is a “Roman Catholic” practice. The history of Lutheranism demonstrates that the crucifix was a regular and routine feature of Lutheran worship Page 7 Hallelujah and devotional life during Luther’s lifetime and during the period of Lutheran Page 8 Missions to Prague Orthdoxy. It was also the case among the founding fathers of The Lutheran Church— Page 9 Donation Page Missouri Synod.
    [Show full text]
  • Eschatology, Liturgy, and Christology
    Eschatology, Liturgy, and Christology Eschatology, Liturgy, and Christology Toward Recovering an Eschatological Imagination Thomas P. Rausch, SJ A Michael Glazier Book LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Michael Glazier Book published by Liturgical PressCover design by Ann Blattner. The Last Judgment by Fra Angelico, ca. 1400–1455. Excerpts from the English translation of The Roman Missal © 2010, International Commission on English in the Liturgy Corporation. All rights reserved. Excerpts from documents of the Second Vatican Council are from Vatican Council II: The Basic Sixteen Documents, by Austin Flannery, OP © 1996 (Costello Publish- ing Company, Inc.). Used with permission. Scripture texts in this work are taken from the New American Bible with Revised New Testament and Revised Psalms © 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, DC, and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner. © 2012 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, mi- crofiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, PO Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 1 2 3 4 5 6 7 8 Library of Congress Cataloging-in-Publication Data Rausch, Thomas P. Eschatology, liturgy, and christology : toward recovering an eschatological imagination / Thomas P.
    [Show full text]
  • The Return Crucifix
    Founded 1866 The Shrine and Parish Church of the Holy Innocents “The Little Catholic Church Around the Corner” at the crossroads of the world 128 West 37th St. (Just West of Broadway) New York City 10018 The Return Crucifix “Miracles on 37th Street” Week of January 6, 2019 THE EPIPHANY OF THE LORD Mass Intentions SUNDAY, JANUARY 6 - The Epiphany of the Lord LATIN TRIDENTINE MASS CORNER 09:00 - Pro Populo 10:30 - Triantafillos Kassidis (d) Calendar 12:30 - In Thanksgiving to St. Jude January 6 - Epiphany of the Lord MONDAY, JANUARY 7 - St. Raymond of Peñafort, Priest 1st Class - Polyphonic Mass 07:00 - Jose Maria Morales Renteria (d) January 7 - Epiphany Feria (Mass of Epiphany) 07:30 - Kay Irudden (d) 4th Class - Low Mass 12:15 - Families in the Book of Life 01:15 - Ruza Zobko (d) January 8 - Epiphany Feria 06:00 - Family of David & Patty Haro (L) Conversion 4th Class - Low Mass TUESDAY, JANUARY 8 - Christmas Weekday January 9 - Epiphany feria 07:00 - St. Anthony 4th Class - Low Mass 07:30 - Arnulfo Endaya, Francis & Alfred Austria (d) January 10 - Epiphany Feria 12:15 - William Hugh Moffitt (d) 4th Class - Low Mass 01:15 - Sandee Denove (d) 06:00 - Concepcion De Lara (d) January 11 - St. Hyginus, Pope & Martyr 4th Class - Low Mass WEDNESDAY, JANUARY 9 - Christmas Weekday January 12 - Saturday of Our Lady 07:00 - Justin Imperatore (d) 4th Class - Low Mass 07:30 - Thomas Gargam (d) 12:15 - Kevin Timothy Back (d) Next Sunday 01:15 - Constance Jerome (d) January 13 - Feast of the Holy Family 06:00 - John Bishop (d) 2nd Class - Chant Mass THURSDAY, JANUARY 10 - Christmas Weekday 07:00 - In Honor of the Holy Innocents Eucharistic Holy Hour of Reparation 07:30 - Dorothy C.
    [Show full text]