Muzik Katalog 2012 Low Res.Pdf
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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
From the Friends of the Budapest Festival Orchestra
issue 01 december 2010 News from the Friends of the Budapest Festival Orchestra We hope that this reaches deeply to connect with the music lover in all of you, our Friends, and the Friends of the Budapest Festival Orchestra. We encourage you to submit your own thoughts and feedback on the BFO or Ivan Fischer’s concerts around the world. We hope that your travel plans will coincide with some of them. On behalf of the Friends of the BFO, we look forward to seeing you at one of the BFO concerts or Galas. Please help us to support the Budapest Festival Orchestra – a very special and talented group of musicians. Details on how you can contribute are on the back of this newsletter! We look forward to seeing more of you! The Friends of the program Budapest Festival Orchestra Gala January 26, 2011 Dinner 6:00 pm Concert 8:00 pm Lincoln Center, Avery Fisher Hall Stravinsky: Scherzo a la Russe This is the third gala sponsored by the Friends of Stravinsky: Tango the Budapest Festival Orchestra, and this year the Haydn : Cello Concerto in C Major program is fantastic with Maestro Ivan Fischer Miklos Perenyi, cello conducting Stravinsky and Haydn. Haydn: Symphony No. 92 The Dinner before the concert is being chaired Stravinsky: Suite from “The Firebird” this year by Daisy M. Soros and Cynthia M. Whitehead. Nicola Bulgari is the Honorary Single Sponsor ticket Patron Table of ten $1,000 each $10,000 Chairman. Buy your tickets now! Send in the Single Patron ticket Benefactor Table of ten enclosed envelope today! $1,500 each $15,000 A Greeting From Ivan Fischer music director of the bfo It is hard to believe that 27 years have passed since I brought into reality a personal dream, the founding of a top-level symphony orchestra in Budapest. -
Ivan Fischer Interview: Budapest Festival Orchestra and His Revolutionary Way with Opera the Conductor Is Turning Opera on Its Head with His Bold and Joyous Attitude
MENU CLASSICAL Ivan Fischer interview: Budapest Festival Orchestra and his revolutionary way with opera The conductor is turning opera on its head with his bold and joyous attitude. And the crowds are loving it Bryan Appleyard ‘There is something about being close to each other’: from left, Yvonne Naef, Sylvia Schwartz, Eva Mei, Laura Polverelli, Ivan Fischer and the BFO in Falstaff JUDIT HORVATH The Sunday Times, November 4 2018, 12:01am Share Save t’s Verdi, an aria from The Sicilian Vespers. The orchestra is playing, the soprano is singing. Then, without warning, all I the players stand up and sing the chorus. The audience gasps. The next night, it’s Verdi’s opera Falsta, and this time the audience just keeps gasping. The characters intertwine and react with the orchestra. They argue with the conductor, who grins and tut-tuts and, when Falsta hits rock bottom, gives him a cloth and a cup of wine. All of which would be amazing enough. But there is also the MENU thrilling fact that Falsta was Verdi’s last opera, and I am watching it in the last building of Andrea Palladio, arguably the greatest and certainly the most influential architect who ever lived. This first Vicenza Opera Festival at the Teatro Olimpico consists of two performances of Falsta and a gala concert. The conductor Ivan Fischer created the shows and brought his Budapest Festival Orchestra, which he set up in 1983 as an annual-festival institution. It became a permanent orchestra in 1992, but he kept the word “festival” in the title. -
UNLIMITED Presents OPPORTUNITY
fOR PfRfORMIhO f)RT5 Governors State University UNLIMITED presents OPPORTUNITY Complete your degree SYLVIA WATERS-ARTISTILEYC DIRECTOER Lowest tuition in Chicagoland Troy Powell -Associate Artistic Director Improve your skills and qualifications Company Members Sarah Daley, Solomon Dumas, Brittany Engel-Adams, Renaldo Gardner, Prepare for success Jacqueline Green, Collin Heyward, Yusaku Komori, Slim Mello, Major Nesby, Kelly Robotham, Fana Tesfagiorgis, Elizabeth Washington JUDITH JAMISON -ARTISTIC ADVISOR Ailey II is produced by Alvin Ailey Dance Foundation, Inc. Governors Sharon Gersten Luckman, Executive Director (TV) State Alley II gratefully acknowledges the generous support provided by the New York State Council on the Arts, a state agency, the New York City Department of Cultural Affairs, Dizzy Feet Foundation, LCU Foundation, yXC^s University New York Community Trust, and the Oceanic Heritage Foundation. University Park, IL Official U.S. Tour Sponsor 708.534.6802 Met Life Foundation www.govst.edu/4gsu Saturday. November 6.2010 This presentation is supported by the AM Performing Arts Fund, a program of Arts Governors MIDWEST Midwest funded by the National Endowment State for the Arts, with additional contributions from University The Illinois Arts Council, General Mills i I NATIONAL www.govst.edu ENDOWMENT Foundation, and Land O'Lakes Foundation. FOR THE ARTS The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Programming and casting subject to change. REVELATIONS -
Schumann (1810- 1856) a Monté Un À Un Les Degrés De La Haute Composition Musicale
1 Trois Romances pour hautbois et piano Op. 94 1 I - Nicht schnell 3’39 2 II - Einfach, innig 3’58 3 III - Nicht schnell 4’22 FRANÇOIS LELEUX, hautbois ERIC LE SAGE, piano Trois Phantasiestücke pour clarinette et piano Op. 73 4 I - Zart und mit Ausdruck 3’14 5 II - Lebhaft, leicht 2’55 6 III - Rasch, mit Feuer 3’24 PAUL MEYER, clarinette ERIC LE SAGE, piano Cinq Pièces dans le ton populaire pour violoncelle et piano Op. 102 7 I - Mit Humor 3’09 8 II - Langsam 3’13 9 III - Nicht schnell, mit viel Ton zu spielen 3’57 2 10 IV - Nicht zu rasch 1’40 11 V - Stark und markiert 3’11 JEAN-GUIHEN QUEYRAS, violoncelle ERIC LE SAGE, piano Märchenbilder pour alto et piano Op. 113 12 I - Nicht schnell 3’08 13 II - Lebhaft 3’42 14 III - Rasch 2’27 15 IV - Langsam, mit melancholischem Ausdruck 5’15 ANTOINE TAMESTIT, alto ERIC LE SAGE, piano Märchenerzählungen pour clarinette, alto et piano Op. 132 16 I - Lebhaft, nicht zu schnell 2’56 17 II - Lebhaft und sehr markirt 2’57 18 III - Ruhiges Tempo, mit zartem Ausdruck 4’07 19 IV - Lebhaft, sehr markirt 3’59 PAUL MEYER, clarinette ANTOINE TAMESTIT, alto ERIC LE SAGE, piano 3 Adagio et Allegro pour cor et piano Op. 70 20 Langsam mit innigen Ausdruck 3’42 21 Rash und Feurig 4’27 BRUNO SCHNEIDER, cor ERIC LE SAGE, piano Le programme du CD (sauf plages 7 à 11) a été enregistré en septembre 2006 au Studio Radio Zürich (DRS 2 Schweizer Radio) ingénieur du son : Charles Suter 4 2 Sonate pour violon et piano en ré mineur Op. -
Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim
Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim Website: DIscography http://www.pricerubin.com Testimonials Indiana University Review Video LInks Complete artist information including video, audio and interviews are available at www.pricerubin.com Grzegorz Nowak – Biography Grzegorz Nowak is the Principal Associate Conductor of the Royal Philharmonic Orchestra in London. He has led the Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK. His RPO recordings include Mendelssohn’s ‘Scottish’ and ‘Italian’ Symphonies, Shostakovich’s Symphony No.5, Dvořák’s Symphonies Nos. 6–9, all the symphonies of Schumann and complete symphonies and major orchestral works of Brahms and Tchaikovsky. He is also the Music Director & Conductor of the Orquesta Clásica Santa Cecilia and Orquesta Sinfonica de España in Madrid. Recordings of Grzegorz Nowak have been highly acclaimed by the press and public alike, winning many awards. Diapason in Paris praised his KOS live recording with Martha Argerich and Sinfonia Varsovia as ”indispensable…un must”, and its second edition won the Fryderyk Award. His recording of The Polish Symphonic Music of the XIX Century with Sinfonia Varsovia won the CD of the Year Award, the Bronze Bell Award in Singapore and Fryderyk Award nomination; the American Record Guide praised it as “uncommonly rewarding… 67 minutes of pure gold” and hailed his Gallo disc of Frank Martin with Biel Symphony as “by far the best”. -
International Journal on New Trends in Education and Their Implications (IJONTE)
International Journal on New Trends in Education and Their Implications (IJONTE) January 2016 Volume: 7 Issue: 1 ISSN 1309-6249 http://ijonte.org International Journal on New Trends in Education and Their Implications January 2016 Volume: 7 Issue: 1 ISSN 1309-6249 Contact Addresses Prof. Dr. Zeki Kaya, Gazi Üniversitesi, Gazi Eğitim Fakültesi, Eğitim Bilimleri Bölümü Teknik Okullar Ankara/Türkiye E. Mail: [email protected] Prof. Dr. Uğur Demiray, Anadolu Üniversitesi, İletişim Bilimleri Fakültesi, Yunusemre Kampüsü, 26470 Eskişehir/Türkiye E. Mail: [email protected] Phone: +905422322167 Abstracting & Indexing International Journal on New Trends in Education and Their Implications (IJONTE) is currently indexed, abstracted and listed starting with the first issue in: i Copyright © International Journal on New Trends in Education and Their Implications / www.ijonte.org International Journal on New Trends in Education and Their Implications January 2016 Volume: 7 Issue: 1 ISSN 1309-6249 Sponsors ii Copyright © International Journal on New Trends in Education and Their Implications / www.ijonte.org International Journal on New Trends in Education and Their Implications January 2016 Volume: 7 Issue: 1 ISSN 1309-6249 Editors Prof. Dr. Zeki Kaya, Gazi University- Turkey Prof. Dr. Ugur Demiray, Anadolu University- Turkey Associate Editors Assoc. Prof. Dr. Beyhan Zabun, Gazi University- Turkey Assist. Prof. Dr. Ilknur Istifci, Anadolu University- Turkey Dr. Nazan Dogruer, Eastern Mediterranean University- TRNC Dr. Ramadan Eyyam, Eastern Mediterranean University- TRNC Dr. Ufuk Tanyeri, Ankara University- Turkey Assistant Editor Ipek Menevis, Eastern Mediterranean University- TRNC Editorial Board Prof. Dr. Ali H. Raddaoui, University of Sfax- Tunisia Prof. Dr. Abdul Hakim Juri, University of Kuala Lumpur- Malaysia Prof. -
"Turkish Five": Their Contributions to Contemporary Piano Music
US-China Education Review, ISSN 1548-6613 March 2011, Vol. 8, No. 3, 354-369 “Turkish Five”: Their Contributions to Contemporary Piano Music and Piano Education in Turkey Şirin Akbulut Uludağ University, Bursa, Turkey First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period (after 1923), “Turkish Five” emerged. “Turkish Five” consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Reşit Rey (1904-1985), Hasan Ferit Alnar (1906-1978), Ulvi Cemal Erkin (1906-1972), Ahmet Adnan Saygun (1907-1991) and Necil Kazım Akses (1908-1999). “Turkish Five” achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use “impressionism”, “neo-classicism” and finally “atonalism” in their music. In the current study, the contributions of “Turkish Five” to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey (including two schools of fine arts, two conservatories and two music teacher training schools). -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
I ~~;Never Less
By comparison, the within Saint-Saens's Societe But in gathering together all his Canada-based Cecilia Quartet, Nationale de Musique, whose music for that duo. German DVORAK String Quartets winner ofthe 2010 Banff remit was to encourage a contemporary-music in D minor op.34 Imernational String Quartet decisively French music). specialists Andreas Seidel and & G major op.l 06 Competition, produces an The performances are Steffen Schleiermacher reveal Zemlinsky Quartet opulent sonodty, with the convincingly ideal, winning in. its surprising variety, and PRAGA DIGITAlS PRD/DSD 250 292 cello centre-right of the their nimbleness and panache. deliver some precise, (HYBRID SACO) ensemble and the viola on If the scherzo of the committed performances that, the right wing. It takes a more C minor Quartet is sprightly while sometimes rather cool. DVORAK String Quartet in impressionable, rhythmically and spirited, the players are never less than beguiling. G major op.106, Cypresses, flexible, overtly Romantic highlight its contrast with the The earliest pieces here Waltzes op.54 nos.l & 4 approach. Whereas the G minor's more edgy, harder the Webernesque Piece for Cecilia Quartet Zemlinsky plays op.106's driven equivalent movement. ANALEKrA AN 2 9892 initial flourishes as a breezy The Adagio of the C minor r,:;: performances Contrasting approaches curtain-opener, the Cecilia brings plenty of drama in I ~~;never less to Dvotak from Czech hurls us straight into the its octave doubling, and the than beguiling and Canadian quartets action with an espressivo movement unfolds as a slow urgency so powerful that recitative with a directness _j one could almost be listening ofcommunication to match, to a different piece. -
Sylvia Waters
April 4, 2011 Interview by Astri von Arbin Ahlander Sylvia Waters Sylvia Waters is the Artistic Director for Ailey II, the junior company of the renown Alvin Ailey American Dance Theater, which she has led since its inception in 1974. Waters was hand- picked by Alvin Ailey to lead the new venture and under her direction Ailey II has grown into a powerful company in its own right. Prior to joining the Alvin Ailey American Dance Theater as a principal dancer in 1968, Waters lived in Paris and worked with Michel Descombey, then director of the Paris Opera Ballet, as well as Milko Sparembleck. She performed at the Summer Olympics in Mexico City in 1968. Waters received her Bachelor of Science degree in Dance from Juilliard. In 1997, she was awarded an honorary doctorate from the State University of New York at Oswego and in the spring of 2010, she was a guest lecturer in dance at Harvard University. Waters has served as a panelist for the National Endowment for the Arts as well as for the New York State Council on the Arts. In 2008, she was awarded the Legacy Award as part of the 20th Annual IABD Festival, Syracuse University’s Women of Distinction Award, and the prestigious Dance Magazine Award. Were you a child who danced all the time? I was a child who moved. I was a child with a lot of energy. My mother started me off in piano lessons. So, my physical outlet in addition to piano was sports. Running track was my favorite. -
Naxos Catalog (May
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.