Zen in Northern Kyushu1 Nobuyoshi Yamabe the Northern

Total Page:16

File Type:pdf, Size:1020Kb

Zen in Northern Kyushu1 Nobuyoshi Yamabe the Northern CHAPTER THREE ZEN IN NORTHERN KYUSHU1 Nobuyoshi Yamabe The northern part of Kyushu has always been an important gateway for continental culture entering Japan, and Buddhism is no exception. Many Buddhist traditions have been introduced through this route, and Zen features prominently among them. From the early Kamakura period and throughout the medieval era, Zen was (and, in a sense, still is) the most international of the Buddhist traditions in Japan. Many Japanese Zen monks went to China to practice, and Chinese Chan (Zen) masters also came to Japan to transmit their teachings. Numerous Zen monks were actively involved in international exchange, and northern Kyushu (espe- cially around Hakata) developed into a centre for such activity. With their diplomatic and trading skills these Zen monks were invaluable aides to Japanese political leaders, for not only were they familiar with contempo- rary China, but many were conversant in the Chinese language as well. Kyoto and Kamakura are usually considered to be the two main centres of Japanese Zen. As a leading specialist of medieval history in Kyushu, however, Kawazoe Shōji stresses the importance of Hakata as a third cen- tre and has proposed the concept of ‘Hakata Zen’.2 Kamakura was the centre of the Chinese (Song/Yuan)-style Zen that was supported by war- riors during the Kamakura period. In Kyoto, meanwhile, a more syncretic version of Zen open to pre-existing Tendai and Shingon elements was supported by the aristocracy (at least in its early stages). Subsequently, in the Nanbokuchō (Rival Courts) and Muromachi periods, as the seat of political power moved from Kamakura back to Kyoto, the imperial city became the main centre of a Zen distinct from other Buddhist traditions. 1 I would like to thank William M. Bodiford for his helpful advice, Idemitsu Museum of Arts for the permission to use their image (Figure 3.1), Ryan Ward for kindly checking my English, and Andrew Cobbing for his thorough editorial assistance. 2 Kawazoe Shōji, ‘Kamakura jidai no taigai kankei to bunbutsu no inyū’ [International relations and the introduction of (foreign) cultures in the Kamakura period] in Iwanami kōza Nihon rekishi [Iwanami Seminar on Japanese History] 6 Chūsei [Medieval Period] 2 (Tokyo: Iwanami Shoten, 1975), pp. 56–9. 44 nobuyoshi yamabe By comparison with Kamakura and Kyoto, the distinctive feature of Zen in Hakata lay in its international nature. In northern Kyushu, as elsewhere in Japan, the most prominent Zen traditions have been Rinzai and Sōtō, which were introduced from the late twelfth and thirteenth centuries, respectively. Noteworthy Rinzai Zen monasteries in Hakata include Shōfukuji, estab- lished by Myōan Eisai (Yōsai, 1141–1215), and Jōtenji, established by Enni Bennen (1202–1280). Sōfukuji should also be added to this list, although it was originally established in the Dazaifu area and relocated to Hakata in the early Edo period. In their formative periods, Chinese merchants (gōshu) based in Hakata were significant patrons of these monaster- ies, and the monasteries themselves were deeply involved in trade and exchange with China. The Sōtō tradition, which was first disseminated in Japan in the thir- teenth century, found support among rural warriors, in contrast to Rinzai Zen which often enjoyed the patronage of the cultural elite. At the same time Sōtō masters were equally committed to promoting international exchange. Eminent examples include Kangan Giin (1217–1300) and Daichi (1289–1366), both of whom studied in China and, following their return to Japan, became active in the area now known as Kumamoto Prefecture. In the Edo period, northern Kyushu again featured as a gateway of Zen when Yinyuan Longqi (1592–1673) arrived and established the Ōbaku tradition in Japan, although this time not through Hakata but Nagasaki instead. The Zen traditions that had already been introduced to the area also continued to be active. One notable example is the career of Sengai Gibon (1750–1837), the eminent and humorous abbot of Shōfukuji. Here I trace in turn the ways in which the Rinzai, Sōtō and Ōbaku traditions were introduced to northern Kyushu and beyond. Rinzai Tradition The Zen tradition was not totally unknown to Japan in earlier peri- ods, but its formal introduction is usually attributed to Eisai. He visited China (Southern Song) twice, and during his second visit (1187–1191), he practised Zen under Xu’an Huaichang (dates uncertain). Eventually he received ‘Dharma transmission’ from this master, sanctioning his Awak- ening and granting him the authority to transmit the essence of Bud- dhism, or Dharma, to others in his own right. On his return to Japan in 1191 Eisai landed first at Hirado, and then propagated Zen in the Hakata area. .
Recommended publications
  • The Path to Bodhidharma
    The Path to Bodhidharma The teachings of Shodo Harada Roshi 1 Table of Contents Preface................................................................................................ 3 Bodhidharma’s Outline of Practice ..................................................... 5 Zazen ................................................................................................ 52 Hakuin and His Song of Zazen ......................................................... 71 Sesshin ........................................................................................... 100 Enlightenment ................................................................................. 115 Work and Society ............................................................................ 125 Kobe, January 1995 ........................................................................ 139 Questions and Answers ................................................................... 148 Glossary .......................................................................................... 174 2 Preface Shodo Harada, the abbot of Sogenji, a three-hundred-year-old Rinzai Zen Temple in Okayama, Japan, is the Dharma heir of Yamada Mumon Roshi (1890-1988), one of the great Rinzai masters of the twentieth century. Harada Roshi offers his teachings to everyone, ordained monks and laypeople, men and women, young and old, from all parts of the world. His students have begun more than a dozen affiliated Zen groups, known as One Drop Zendos, in the United States, Europe, and Asia. The material
    [Show full text]
  • Soto Zen: an Introduction to Zazen
    SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Myōan Eisai And
    UNIVERSITY OF CALIFORNIA Los Angeles Myōan Eisai and Conceptions of Zen Morality: The Role of Eisai's Chinese Sources in the Formation of Japanese Zen Precept Discourse A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Asian Languages and Cultures by Dermott Joseph Walsh 2018 ABSTRACT OF THE DISSERTATION Myōan Eisai and Conceptions of Zen Morality: The Role of Eisai's Chinese Sources in the Formation of Japanese Zen Precept Discourse by Dermott Joseph Walsh Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2018 Professor William M. Bodiford, Chair The focus of this dissertation is Myōan Eisai, considered by scholarship as the founder of the Rinzai Zen lineage in Japan. This work aims to answer two interrelated questions: what is Eisai's Zen? and how does Eisai's Zen relate to other schools of Buddhism? Through an analysis of Eisai's texts composed following his return from his second trip to China in 1187, I illustrate the link between Eisai's understanding of Zen and the practice of morality im Buddhism; moreover this dissertation shows clearly that, for Eisai, Zen is compatible with both Tendai and the study of the precepts. This work analyzes the Eisai's use of doctrinal debates found in Chinese sources to argue for the introduction of Zen to Japan. Through this analysis, we see how Eisai views ii Zen, based on his experience in Chinese monasteries, not as a distinct group of practitioners rebelling against traditional forms of practice, but rather as a return to fundamental Buddhist positions concerning the importance of morality and its relationship to meditative practices.
    [Show full text]
  • Shobogenzo Zuimonki
    Shobogenzo Zuimonki http://global.sotozen-net.or.jp/eng/library/Zuimonki/index.html Introduction 1.Zen Master Eihei Dogen and Koun Ejo Shobogenzo Zuimonki consists of the dharma talks of Eihei Dogen Zenji (1200–1253) who transmitted Soto Zen from China to Japan. These talks were originally recorded by Koun Ejo Zenji, Dogen’s dharma successor, and probably edited by his disciples after Ejo’s death. In this introduction, I’d like to briefly introduce Ejo Zenji since he is not as well known in the West as Dogen Zenji. Ejo was born of a noble family, the Fujiwara, in Kyoto, in 1198. In 1215, at eighteen years of age, he was ordained as a Tendai monk under Master Enno at Yokawa on Mt. Hiei. He studied the fundamental philosophy of Buddhism; the Kusha (Abhidharmakosa-bhasya) Jojitsu (Satyasidhi-sastra), and Tendai teachings etc. However, he realized that studying for fame and profit or for high position in the Buddhist order was meaningless. Arousing bodhi-mind, he wanted to leave the monastery just as many other Buddhist leaders did in that age. According to the Denkoroku (The Record of Transmitting the Light) of Keizan Jokin, who received ordination from Ejo and later became the successor of Tettsu Gikai, Ejo once visited his mother. His mother said; “I allowed you to become a monk not because I wanted you to rise to a high position and associate with the upper class. Just do not study or practice for fame and profit. I hope only that you will practice in poverty, wear black robes, hang a bamboo hat on your back, and walk on your own feet [instead of riding in palanquins].” Upon hearing this, Ejo changed his robes and never went back to Mt.
    [Show full text]
  • Albert Welter CV
    Albert Welter, Curriculum Vitae Albert Welter Department of East Asian Studies University of Arizona 1512 E First Street, Learning Services Building Tucson, Arizona, 85721-0105 [email protected] PROFESSIONAL POSITIONS 2013-present Professor and Head, Department of East Asian Studies Associate Director, School of International Languages, Literatures, and Cultures, University of Arizona 2020 Numata Research Fellow, Ryūkoku University (Kyoto); April – August (5 months) 2019-present Vice-Chair, International Confucian Association 国际儒学联合会 2017-present Honorary Professor, Hangzhou Academy of Social Sciences 杭州社会科学院 2013-16 Adjunct Professor, Department of Religion & Culture University of Winnipeg 2011-13 Professor and Chair, Department of Religion & Culture; Director, Program in East Asian Languages & Cultures, University of Winnipeg. 2003-10 Professor and Acting Chair (6 months per year), Department of Religion & Culture (formerly Religious Studies), University of Winnipeg. 2006-07 Visiting Professor, Renmin University 人民大学, Beijing, China. 1999 Research Associate, Institute of Oriental Studies 東洋文化研究所, Tokyo University. 1996-2003 Associate Professor, Department of Religious Studies, University of Winnipeg. 1990-96 Assistant Professor, Joint Appointment, Department of History and Department of Religious Studies, North Central College (Naperville, Illinois). 1989-90 Post-Doctoral Fellow, Department of Religious Studies, McMaster University. 1987-89 Post-Doctoral Research Fellow, Buddhist Studies Department, Komazawa University 駒沢 大学 (Tokyo, Japan). EDUCTIONAL BACKGROUND 6/1987 Ph.D. Religious Studies, McMaster University, Hamilton ON, Canada Comp Exams: East Asian Buddhism, Indian Buddhism, and Western Religious Thought 9/84-6/85 Fudan University 复旦大学, Shanghai, PRC Field: Chinese Philosophy (dissertation research) 1/80-12/82 Komazawa University 駒沢大学, Tokyo, Japan Field: Zen Buddhism (dissertation research) 6/1978 M.A.
    [Show full text]
  • Thirteenth-Century Japanese Zen Buddhist Landscapes
    This is an extract from: Landscape Design and the Experience of Motion edited by Michel Conan Published by Dumbarton Oaks Research Library and Collection Washington, D.C. as volume 24 in the series Dumbarton Oaks Colloquium on the History of Landscape Architecture © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html Mountain, Temple, and the Design of Movement: Thirteenth-Century Japanese Zen Buddhist Landscapes Norris Brock Johnson The archaic temple landscapes of Japan remain a deeply affecting interrelationship of reli- gion and nature—religion and nature often meet, embrace, in the garden. In particular, consider the design of several Rinzai Zen Buddhist temple garden landscapes: Zuisen-ji (Temple of the Abundant Flowing Spring) in Kamakura and Saiho--ji (Temple of the West- ern Fragrance) in Kyo-to-. The design and layout of each temple garden landscape are asso- ciated with Muso- Kokushi (1275–1357), a still-venerated Rinzai Zen Buddhist priest (Fig. 1).1 Muso- considered the movements of people as a vital aspect of the design and layout of each temple complex. Conventionally, the movements of people within garden landscapes by design are relatively horizontal movements. For Muso- though, mountains were a vital aspect of a religious landscape. As such, the ascent of and descent from a mountain continue as necessary to the experience of the religious landscapes associated with Muso- Kokushi. By design, the inclined, often nearly vertical movements of people still are required to experience Zuisen-ji and Saiho--ji in their entirety. Temple of the Abundant Flowing Spring The Temple of the Abundant Flowing Spring (Zuisen-ji), with Muso- Kokushi as the initial abbot, was constructed from 1327 to 1332 as the family temple of the Kamakura 1 Muso- Soseki was honored three times as a kokushi (national teacher), receiving the title from Emperors Go-Daigo (1318–1339), Kogen (1313–1364), and Komyo (1321–1380).
    [Show full text]
  • Kitō Jiin in Contemporary Japanese Sōtō Zen Buddhism
    Brands of Zen: Kitō jiin in Contemporary Japanese Sōtō Zen Buddhism Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg, vorgelegt von: Tim Graf, M.A. Erstgutachterin: Prof. Dr. Inken Prohl Zweitgutachter: Prof. Dr. Harald Fuess Datum: 07.07.2017 Table of Contents Introduction ........................................................................................................................................... 6 Research Questions and Goals for This Study ................................................................................ 7 A Theory of Religious Practice ......................................................................................................... 9 Towards a Working Definition of kitō ....................................................................................... 13 Material Religion ......................................................................................................................... 16 Religion and Marketing .............................................................................................................. 17 Methods ............................................................................................................................................ 19 Chapter Outlines ............................................................................................................................. 23 Chapter One: Historical Perspectives on ‘Zen’ and kitō ................................................................
    [Show full text]
  • Zen and the Art of Tea Alyssa Penrod
    Art Zen and the Art of Tea Alyssa Penrod This paper was written for Dr. Joiner’s Non-Western Art History course. The essence of the tea ceremony Is simply to boil water, To make tea, And to drink it—nothing more! Be sure you know this.1 The Japanese tea ceremony, cha no yu, is an integral part of Japanese history. Dating to the 16th century, it has remained an important part of the culture. Tea came to Japan through a Zen monk, Eisai Zenji, who studied in China and brought tea seeds back to his native country in 1191.2 The tea ceremony itself took on multiple forms and was adopted by many groups in Japan. In order to understand fully the tea ceremony, it is essential to know about its history and the Buddhist traditions behind it. The history of Buddhism in Japan can be seen through the development of different strands of the religion. Zen Buddhism developed in Japan and corresponds to the Chinese strand, Chan Buddhism. Buddhism is a very pragmatic religion. It does not focus on the origin of human life, nor does it deify any being, as do many religions. It focuses on the individual’s journey to enlightenment, and it observes everyday life with great detail. When Buddhism was introduced into Japan, it had to contend with the beliefs and traditions that were already in place. But because Buddhism is centered on the individual’s path to enlightenment rather than on a deity, it was able to blend and coexist with other traditions.
    [Show full text]
  • "San Koten Honkyoku" Op the Kinko-Ryu: a Study of Traditional Solo Music for the Japanese Vertical End-Blown Flute— the Shakuhachi
    THE "SAN KOTEN HONKYOKU" OP THE KINKO-RYU: A STUDY OF TRADITIONAL SOLO MUSIC FOR THE JAPANESE VERTICAL END-BLOWN FLUTE— THE SHAKUHACHI by NORMAN ALLEN STANFIELD B.Musi, University of British Columbia, 1970 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (Department of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1977 © Norman Allen Stanfield, 1977 In presenting this thesis in partial fulfillment of the requirements for an advanced degree at The University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Depart• ment or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Music The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 October, 1977 ABSTRACT The "San Koten Honkyoku" are three ("san") traditional ("hon") compositions ("kyoku") which are distinguished and venerated for their archetypical ("koten") characteristics. Of the many "schools" ("ryu") of musicians who claim proprie• torship or proprietary control of versions of these melodies, the Kinko-ryu has the strongest claim to historicity. Their medium of performance is the "shakuhachi"—a bamboo, end- blown, vertical flute—and their aesthetics is founded on Zen Buddhism. The progenitor of the shakuhachi most likely originates from the Mesopotamian civilizations of the fourth millennium B.C.
    [Show full text]
  • What's Compassion Got to Do with It? Determinants of Zen Social Ethics
    Journal of Buddhist Ethics ISSN 1076-9005 http://jbe.gold.ac.uk/ What’s Compassion Got to Do with It? Determinants of Zen Social Ethics in Japan Christopher Ives Stonehill College Email: [email protected] Copyright Notice: Digital copies of this work may be made and dis- tributed provided no change is made and no alteration is made to the content. Reproduction in any other format, with the exception of a single copy for private study, requires the written permission of the author. All enquiries to: [email protected] What’s Compassion Got to Do with It? Christopher Ives Stonehill College Email: [email protected] Abstract Judging from pronouncements by contemporary Engaged Buddhists, one might conclude that historical expressions of Zen social ethics have rested on the foun- dation of compassion and the precepts. The de facto systems of social ethics in Japanese Zen, however, have been shaped largely by other epistemological, so- ciological, and historical factors, and compassion should best be understood as a “theological virtue” that historically has gained specificity from those other factors. Modern Zen thinkers and contemporary Zen activists tend to situate compassion 1 (Skt. karun. a¯; J. jihi) at or near the center of their representations of Zen. Through- out his writings, Abe Masao portrays Zen as directed toward an awakening — to s´unyat¯ a¯ (emptiness) — that equips the awakened with wisdom and compassion and motivates them to function compassionately through skillful means to liberate suffering beings.2 Similarly, many Engaged Buddhists build their formulations of social ethics around compassion, as reflected in the title of the first anthology of their writings, The Path of Compassion.3 This emphasis on compassion finds support from Mahay¯ ana¯ sutras¯ and Zen texts.
    [Show full text]
  • A Critique and Discussion of the View That Shi Miyuan Proposed the Five-Mountain, Ten-Monastery System
    45 A Critique and Discussion of the View That Shi Miyuan Proposed the Five-Mountain, Ten-Monastery System LAN Jih-chang* Abstract When Japan, during the Kamakura (1180–1333) and Muromachi (1336–1573) periods, imported Zen 禪 Buddhism from Song (960–1279) and Yuan (1279– 1368) China, it not only continually dispatched Zen monks on pilgrimages to China to seek materials for transmitting sectarian doctrine, but also intro- duced Zen temple architecture and monastic discipline to Japan, established the Five Mountain, Ten Monastery 五山十剎 system of government temples, and developed Five Mountain 五山 literature. This system of government temples is believed to have imitated the Song system of government temples of the same name. Moreover, it is the best example of Sino-Japanese cultural interaction in the field of Buddhism. In contrast with the ample materials we have on the operation of the Japanese system of the Five Mountain, Ten Monastery government temples, we lack sufficient materials to determine the time and impetus of the Song system of Five Mountain, Ten Monastery government temples and are at a loss to give a detailed accurate account of the Song system. Among the many views in circulation, the view most accepted by modern scholars is that Shi Miyuan 史彌遠 proposed to the court to establish this system of government temples during the reign of Emperor Ningzong (r. 1194–1224) of the Southern Song dynasty. But this theory comes down to us from Song Lian 宋濂 (1310–1381) of the early Ming dynasty, and no Song or Yuan sources mention this matter. Moreover, no Japanese Five Mountain Zen monks touch on this matter in any of their writings.
    [Show full text]
  • Did Dogen Go to China? Problematizing Dogen5s Relation to Ju-Ching and Chinese Ch’An
    Japanese Journal of Religious Studies 30/1-2: 27-59 © 2003 Nanzan Institute for Religion and Culture Steven H e i n e Did Dogen Go to China? Problematizing Dogen5s Relation to Ju-ching and Chinese Ch’an According to traditional accounts, the foundation of Dogen^s 道元 approach to Zen was formed during ms travels to Cnina from 1223 to 1227 and through the attainment of enlightenment under the tutelage of master Ju-ching 如淨. How much do we really know about this trip that is not rooted in Soto 曹ネ同 sect hagiography? Why are there contradictions in modern biographical stud­ ies of Dogen about whether he traveled between the Five Mountains temples in China by land or by a sea route? Are accounts of Dogen5s trip not similar to the “Travels” of Marco Polo, another thirteenth-century visitor of China and observer of Chinese religions, which has been questioned by recent historio­ graphical studies? This paper examines a variety of documents and materials, including the Tokugawa-era Teiho Kenzeiki zue fl i# 建撕 g己図,絵 as interpreted by Nara Yasuaki and the recent award-winning book by He Yansheng on Dogen5s relation to China, in addition to cataloguing a variety of works by Dogen dealing with his journey and impressions of Ju-ching. k e y w o r d s : Dogen - Cnina - Ju-ching - hagiography - Shobogenzo - historiography - Eihei koroku Steven Heine is Professor of Religious Studies and History at Florida International University and Director of the Institute for Asian Studies. 27 I n sending them away [Ju-ching] said, “If they are lacking in the essentials,
    [Show full text]