Shobogenzo Zuimonki
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The Path to Bodhidharma
The Path to Bodhidharma The teachings of Shodo Harada Roshi 1 Table of Contents Preface................................................................................................ 3 Bodhidharma’s Outline of Practice ..................................................... 5 Zazen ................................................................................................ 52 Hakuin and His Song of Zazen ......................................................... 71 Sesshin ........................................................................................... 100 Enlightenment ................................................................................. 115 Work and Society ............................................................................ 125 Kobe, January 1995 ........................................................................ 139 Questions and Answers ................................................................... 148 Glossary .......................................................................................... 174 2 Preface Shodo Harada, the abbot of Sogenji, a three-hundred-year-old Rinzai Zen Temple in Okayama, Japan, is the Dharma heir of Yamada Mumon Roshi (1890-1988), one of the great Rinzai masters of the twentieth century. Harada Roshi offers his teachings to everyone, ordained monks and laypeople, men and women, young and old, from all parts of the world. His students have begun more than a dozen affiliated Zen groups, known as One Drop Zendos, in the United States, Europe, and Asia. The material -
The Dogen Canon D 6 G E N ,S Fre-Shobogenzo Writings and the Question of Change in His Later Works
Japanese Journal of Religious Studies 1997 24/1-2 The Dogen Canon D 6 g e n ,s Fre-Shobogenzo Writings and the Question of Change in His Later Works Steven H eine Recent scholarship has focused on the question of whether, and to what extent, Dogen underwent a significant change in thought and attitudes in nis Later years. Two main theories have emerged which agree that there was a decisive change although they disagree about its timing and meaning. One view, which I refer to as the Decline Theory, argues that Dogen entered into a prolonged period of deterioration after he moved from Kyoto to Echizen in 1243 and became increasingly strident in his attacks on rival lineages. The second view, which I refer to as the Renewal Theory, maintains that Dogen had a spiritual rebirth after returning from a trip to Kamakura in 1248 and emphasized the priority of karmic causality. Both theories, however, tend to ignore or misrepresent the early writings and their relation to the late period. I will propose an alternative Three Periods Theory suggesting that the main change, which occurred with the opening of Daibutsu-ji/Eihei-ji in 1245, was a matter of altering the style of instruc tion rather than the content of ideology. At that point, Dogen shifted from the informal lectures (jishu) of the Shdbdgenzd,which he stopped deliver ing, to the formal sermons (jodo) in the Eihei koroku, a crucial later text which the other theories overlook. I will also point out that the diversity in literary production as well as the complexity and ambiguity of historical events makes it problematic for the Decline and Renewal theories to con struct a view that Dogen had a single, decisive break with his previous writings. -
Historical Buddhist Kesa Robes As Inspiration for Contemporary Fiber Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 Historical Buddhist Kesa Robes as Inspiration for Contemporary Fiber Art Betsy Sterling Benjamin Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Benjamin, Betsy Sterling, "Historical Buddhist Kesa Robes as Inspiration for Contemporary Fiber Art" (2002). Textile Society of America Symposium Proceedings. 503. https://digitalcommons.unl.edu/tsaconf/503 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Historical Buddhist Kesa Robes as Inspiration for Contemporary Fiber Art by Betsy Sterling Benjamin The Japanese kesa or kasaya in Sanskrit, originated in India in 4th century BC as a robe for the devotees of Buddha Sakyamuni. Created in the brick-like pattern of the Asian rice-field, the original kasaya were constructed of discarded fabric that was cleansed, ( redyed and stitched together with prayers as a devotional act. When Buddhism came to ( Japan in the 6th century AD the kesa followed, a treasured manifestation of the Buddhist dharma. One of the earliest extant Japanese kesa, composed of seven layers of silk, in nine vibrant colors, bound together with tiny stitches belonged to Emperor Shomu (701 - 756 AD, and is still housed in the Nara Shoso-in Repository. ( While kesa are unfamiliar to many outside of the Buddhist community, they are in the collections of many museums outside of Japan. -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style Liu Fengjun Keywords: late Northern Dynasties Qingzhou area Buddhist statues Qingzhou style In recent years fragmentary Buddhist statues have been Northern Qi period. (3) In the winter of 1979, 40 small frequently unearthed in large numbers in Qingzhou 青州 and large fragmentary statues and some lotus socles were and the surrounding area, including Boxing 博兴, discovered at the Xingguo Temple 兴国寺 site in Gaoqing 高青, Wudi 无棣, Linqu 临朐, Zhucheng 诸 Qingzhou, mainly produced between the end of North- 城, and Qingdao 青岛. Especially notable are the large ern Wei and Northern Qi period. There were also two quantities of statues at the site of the Longxing Temple Buddha head sculptures of the Sui and Tang periods. (4) 龙兴寺 at Qingzhou. The discovery of these statues drew In the 1970s, seven stone statues were discovered at great attention from academic circles. The significance He’an 何庵 Village, Wudi County. Four of them bear of these statues is manifold. I merely intend to under take Northern Qi dates. (5) In November 1987, one single a tentative study of the causes and date of the destruction round Bodhisattva stone sculpture of the Eastern Wei of the Buddhist statues and of the artistic features of the period and one round Buddhist stone sculpture of the Qingzhou style statues. Northern Qi period were discovered on the South Road of Qingzhou. Both works were painted colorfully and I. Fragmentary Buddhist Statues of the Late partly gilt. They were preserved intact and remained Northern Dynasties Unearthed in the Qingzhou Area colorful. -
The Mirror of Seon (4)*
The Mirror of Seon (4)* Young-eui Park (Translator)1 Abstract “There is One-thing that is pure and sublime from its birthless birth, and as it has neither beginning nor end, there is no way to be named or described.” This is the opening line of ‘The Mirror of Seon’ by the Most Venerable Seosan. He then asks himself, “What is it that is the One-thing called?” and answers his own question quoting a passage from an ancient sage: “There was a circle even before the arrival of Buddha, which not even Sakyamuni could describe. How then was it possible for Mahakasyapa to transmit it?” This is the theme and the essence of the work: finding our true nature and original face, which is without form and indescribable. Key words: Great-circle, Silence, Dharma-body, Simultaneous cultivation of meditation and doctrine, Great exertion. Young-eui Park is a Professor Emeritus, Chungnam National Univ. ([email protected]) *This is the English translation of Seonga Gwigam (禪家龜鑑) by Venerable Cheongheo Hyujeong (淸虛 休靜). This is the 4th part of it (H. 7, 640b‒43a). International Journal of Buddhist Thought & Culturer February 2012, vol. 18, pp. 171‒87. ⓒ 2012 International Association for Buddhist Thought & Culture The day of submission: 2011.12.15 / Completion of review: 2012.1.4 / Final decision for acceptance: 2012.1.28 172 Young-eui Park (Translator): The Mirror of Seon (4) 1. 2. 3. 4. 5. 6. 7. 8. 51. Prayer Chanting Should Be Devotional “Prayer chanting should be humble and devotional. Devotion comes from true nature, And humility is to subjugate ignorance.” You might transcend the world If your body, tongue, and concept are bright and clean. -
To Transmit Dogen Zenji's Dharma
http://www.stanford.edu/group/scbs/Dogen/Dogen_Zen_papers/%20Otani. html [03.10.03] To Transmit Dogen Zenji's Dharma Otani Tetsuo Introduction It is my pleasure to address the distinguished guests who have gathered today at Stanford University to celebrate the 800th anniversary of the birth of Dogen Zenji. In my talk today, I will discuss the topic of "Dharma transmission," first by reflecting on Dogen Zenji's interpretation of the idea. Second, I will examine the so-called "lineage- restoration" movement (shuto fukko) of the early modern period which had the issue of Dharma transmission at its core. And finally, I will conclude with a reflection on the significance of receiving and transmitting the Dharma today. I. Dogen Zenji's Dharma Transmission and Buddha Dharma While practicing in the assembly of Musai Ryoha at Tendozan Monastery right after he went to China at the age of 24, Dogen initially had an interest in the genealogy document (shisho), a certificate authenticating the transmission of the Dharma. Dogen was clearly moved when he actually had opportunities to see "transmission documents" (shisho) and wrote about it in the "Shisho" chapter of his Shobogenzo. In this chapter, he recorded a total of five occasions when he was able to look at a "transmission document" including that of Musai Ryoha. Let us look at these five ocassions in historical sequence: 1] The fall of 1223 when he traveled to China, he was introduced to Den (a monk who was in charge of the temple library), a Dharma descendent of Butsugen Sei'on of the Rinzai Yogi lineage. -
The Prajna Paramita Heart Sutra (2Nd Edition)
TheThe PrajnaPrajna ParamitaParamita HeartHeart SutraSutra Translated by Tripitaka Master Hsuan Tsang Commentary by Grand Master T'an Hsu English Translation by Ven. Master Lok To Second Edition 2000 HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. The Prajna Paramita Heart Sutra Translated from Sanskrit into Chinese By Tripitaka Master Hsuan Tsang Commentary By Grand Master T’an Hsu Translated Into English By Venerable Dharma Master Lok To Edited by K’un Li, Shih and Dr. Frank G. French Sutra Translation Committee of the United States and Canada New York – San Francisco – Toronto 2000 First published 1995 Second Edition 2000 Sutra Translation Committee of the United States and Canada Dharma Master Lok To, Director 2611 Davidson Ave. Bronx, New York 10468 (USA) Tel. (718) 584-0621 2 Other Works by the Committee: 1. The Buddhist Liturgy 2. The Sutra of Bodhisattva Ksitigarbha’s Fundamental Vows 3. The Dharma of Mind Transmission 4. The Practice of Bodhisattva Dharma 5. An Exhortation to Be Alert to the Dharma 6. A Composition Urging the Generation of the Bodhi Mind 7. Practice and Attain Sudden Enlightenment 8. Pure Land Buddhism: Dialogues with Ancient Masters 9. Pure-Land Zen, Zen Pure-Land 10. Pure Land of the Patriarchs 11. Horizontal Escape: Pure Land Buddhism in Theory & Practice. 12. Mind Transmission Seals 13. The Prajna Paramita Heart Sutra 14. Pure Land, Pure Mind 15. Bouddhisme, Sagesse et Foi 16. Entering the Tao of Sudden Enlightenment 17. The Direct Approach to Buddhadharma 18. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
Encounter with a Tiger Traveling West
SINO-PLATONIC PAPERS Number 231 October, 2012 Encounter with a Tiger Traveling West by Heleanor Feltham Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Dogen Zenji Goroku Record of Sayings of Zen Master Dogen
Dogen Zenji Goroku Record of Sayings of Zen Master Dogen Introduction Zen is traditionally called “a separate transmission outside doctrine, pointing directly to the human mind to see its essential nature and realize enlightenment.” The distinction between experience and doctrine is emphasize in the Lankavatara sutra, a scripture associated with the founding of Zen in China, which says that Buddhism is not a set of doctrines, but doctrines are expedients of Buddhism, like specific remedies for particular ailments. The essential nature of mind, the central initiatory experience of Zen, refers to the mind untrammeled by acquired mental habits, opinions, and prejudices ingrained by personal history and cultural conditioning. A classic illustration of this likens mind and essential nature to ice and water; the ice represents mind “frozen” into habitual patterns of thought and feeling molded by circumstances, water represents the original fluid nature of the essence of awareness. The initial disentanglement and awakening of pristine awareness is followed by what is called “nurturing the sacred embryo,” maturing the ability to remain unfettered while mastering deliberate use of mind, so that one becomes “free to go or stay,” able to “let go or hold fast,” to “go against the current or go along,” adapting to conditions independently. Zen arose in China (where it is pronounced Chan) several centuries after the introduction of Buddhist scriptures from India and Central Asia, but Zen lore envisions its “special transmission outside doctrine” continuing from the time of the historical Buddha a thousand years before its introduction to China. Zen was likewise established in Japan as an independent movement hundreds of years after the introduction of the scriptural Buddhist teachings from Korea and China. -
UNIVERSITY of CALIFORNIA Los Angeles Myōan Eisai And
UNIVERSITY OF CALIFORNIA Los Angeles Myōan Eisai and Conceptions of Zen Morality: The Role of Eisai's Chinese Sources in the Formation of Japanese Zen Precept Discourse A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Asian Languages and Cultures by Dermott Joseph Walsh 2018 ABSTRACT OF THE DISSERTATION Myōan Eisai and Conceptions of Zen Morality: The Role of Eisai's Chinese Sources in the Formation of Japanese Zen Precept Discourse by Dermott Joseph Walsh Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2018 Professor William M. Bodiford, Chair The focus of this dissertation is Myōan Eisai, considered by scholarship as the founder of the Rinzai Zen lineage in Japan. This work aims to answer two interrelated questions: what is Eisai's Zen? and how does Eisai's Zen relate to other schools of Buddhism? Through an analysis of Eisai's texts composed following his return from his second trip to China in 1187, I illustrate the link between Eisai's understanding of Zen and the practice of morality im Buddhism; moreover this dissertation shows clearly that, for Eisai, Zen is compatible with both Tendai and the study of the precepts. This work analyzes the Eisai's use of doctrinal debates found in Chinese sources to argue for the introduction of Zen to Japan. Through this analysis, we see how Eisai views ii Zen, based on his experience in Chinese monasteries, not as a distinct group of practitioners rebelling against traditional forms of practice, but rather as a return to fundamental Buddhist positions concerning the importance of morality and its relationship to meditative practices.