Dust Bowl Migrants: Identifying an Archetype∗
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Ruination Day”
Woody Guthrie Annual, 4 (2018): Fernandez, “Ruination Day” “Ruination Day”: Gillian Welch, Woody Guthrie, and Disaster Balladry1 Mark F. Fernandez Disasters make great art. In Gillian Welch’s brilliant song cycle, “April the 14th (Part 1)” and “Ruination Day,” the Americana songwriter weaves together three historical disasters with the “tragedy” of a poorly attended punk rock concert. The assassination of Abraham Lincoln in 1865, the sinking of the Titanic in 1912, and the epic dust storm that took place on what Americans call “Black Sunday” in 1935 all serve as a backdrop to Welch’s ballad, which also revolves around the real scene of a failed punk show that she and musical partner David Rawlings had encountered on one of their earlier tours. The historical disasters in question all coincidentally occurred on the fourteenth day of April. Perhaps even more important, the history of Welch’s “Ruination Day” reveals the important relationship between history and art as well as the enduring relevance of Woody Guthrie’s influence on American songwriting.2 Welch’s ouevre, like Guthrie’s, often nods to history. From the very instruments that she and Rawlings play to the themes in her original songs to the tunes she covers, she displays a keen awareness and reverence for the past. The sonic quality of her recordings, along with her singing and musical style, also echo the past. This historical quality is quite deliberate. Welch and Rawlings play vintage instruments to achieve much of that sound. Welch’s axes are all antiques—her main guitar is a 1956 Gibson J-50. -
Resb.F:E:Ii9~Ncjl AGEND/\ to BE POSTED #S1f Woody Guthrie Day- --·- ~~~
.' _'';"'~·.•>'.;,_(.f_~""'-n.~~.-- .......,.,., ........... ~ _,,I · I ·~? pny CLtrxr< FOR P=-:-L-/{C_E_M_Er·~-r~o-N_N_o_o_·-r---.... REsb.f:e:ii9~NCJl AGEND/\ TO BE POSTED #S1f Woody Guthrie Day- --·- ~~~ .... -':...~~~ April12, 2012 WHEREAS, Woody Guthrie is a renowned singer-songwriter who stands as one of America's most important folk music artists of the first half of the 20th Century; and WHEREAS, Woody Guthrie stood out for his songwriting abilities and will best be remembered for his seminal folk music piece "This Land if Your Land" amongst many other hits like "Deportee," "Do Re Mi,'' ,.Grand Coulee Dam/' "Hard, Ain't It Hard,'' "Hard Travelin'," "I Ain't Got No Home," "1913 Massacre,'1 11 0klahoma Hills,~~ "Pastures ofPlenty,rr "Philadelphia Lawyer,'1 "Pretty Boy Floyd," 11 Ramblin1 Round," "So Long It'sBeen Good to Know You,t' "Talking Dust Bowl, '1 and 11 Vigilante Man" that have been covered by other artists throughout the century; and WHEREAS, Woodrow Wilson Guthrie was born in Okemah, Oklahoma learning folk songs from his mother as a child; and WHEREAS, in 1940, assembling works that were based on his experience as an "Okie" during the Dust Bowl era, in which many migrant workers suffered tremendous economic hardship on their way to California, he released the "Dust Bowl Ballads" that are renowned for their dramatic retelling of Great Depression era plight; and .i WHEREAS, A century after his birth in July of 1912, Woody Guthrie has acquired an iconic stature in American popular culture and music. Guthrie was known in the as a folksinger who in the 1930s and 1940s gave a voice to the working class, the mentor and musical image to Bob Dylan and other singer-songwriters in the 1950s and 1960s, and the author of great American songs like "This Land is Your Land." WHEREAS, In 193 7, when many dust bowl refugees were making a new life in California, Woody Guthrie lived in Los Angeles. -
Dust, Drought, and Dreams Gone Dry
DUST, DROUGHT, AND DREAMS GONE DRY A Traveling Exhibit and Public Programs for Libraries about the Dust Bowl Farmer and sons walking in the face of a dust storm, 1936 Arthur Rothstein, photographer Courtesy of the Library of Congress Prints and Photographs Division Resources Related Readings: Please visit ala.org/ Sanora Babb. Whose Names Are Unknown. University of programming/dustbowl Oklahoma Press, 1979. for a complete list of Geoff Cunfer. On the Great Plains: Agriculture and Environment. library host sites. Texas A&M University Press, 2005. Timothy Egan. The Worst Hard Time. Houghton Mifflin, 2006. Caroline Henderson. Edited by Alvin O. Turner. Letters From the Dust Bowl. University of Oklahoma Press, 2001. R. Douglas Hurt. The Dust Bowl: An Agricultural and Social Any views, findings, conclusions, or recommendations expressed in this exhibition History. Nelson-Hall, 1981. do not necessarily represent those of the Bison herd at water, circa 1905 National Endowment for the Humanities. Courtesy of the Library of Congress Prints and Photographs Division Pamela Riney-Kehrberg. Rooted in Dust: Surviving Drought and Depression in Southwestern Kansas. University Press of Kansas, 1994. The Geography and People of the Plains John Steinbeck. The Grapes of Wrath. Viking Press, 1939. Donald Worster. Dust Bowl: The Southern Plains in the 1930s. Living on the Plains depended on rainfall, but many people Oxford University Press, 1979. and animals thrived there. Bison shared the Plains with other Music: animals and with different groups of indigenous people for Woody Guthrie. Dust Bowl Ballads. RCA Victor, 1940. thousands of years. Comanche, Cheyenne, Kiowa, and others On the Web: called the Southern Plains home. -