DOCSLIB.ORG

Sélection Woody Guthrie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sélection Woody Guthrie 1 2 Woody Guthrie en bref Woody Guthrie est né le 14 juillet 1912 à Okemah (Oklahoma). Initié à la musique par ses parents, il quitte très tôt le foyer et vit de petits boulots au Texas et en Louisiane. Durant la Grande Dépression, qui suit le crack boursier de 1929, comme nombre de chômeurs et de paysans ruinés, il tente sa chance vers l'Ouest, se déplaçant en stop ou en sautant dans les trains de marchandises. En 1937, il anime à Los Angeles une émission de radio dans laquelle il se fait l'avocat des petites gens dont il a partagé le quotidien. On retrouvera ces préoccupations sociales dans les textes de ses chansons, qu'il accompagne à la guitare. C'est à New York, en 1940, qu'il trouvera l'opportunité d'enregistrer son premier disque. Avec Leadbelly, Pete Seeger ou Cisco Houston, il pose les bases de la chanson américaine contestataire (protest song). Incarnation du musicien-vagabond aux convictions politiques fortes, il aura une énorme influence sur les musiciens folk de la génération suivante, parmi lesquels on compte un certain Bob Dylan. Malade, Woody Guthrie est régulièrement hospitalisé durant les dernières années de sa vie. Il meurt le 3 octobre 1967 à New York, laissant derrière lui des centaines de chansons, dont certaines sont devenues des classiques du répertoire folk américain. SÉLECTION DE DOCUMENTS Tous les documents de la sélection sont disponibles à l'Espace Musique de la Médiathèque, à l'exception du roman La maison de terre que vous trouverez à l'Espace Adultes. CD Ballads of Sacco & Vanzetti/ Woody Guthrie. - Smithsonian Folkways, 1996. Enregistré en 1946-47 ; publication originale 1960. Contient : The flood and the storm ; Two good men ; I just want to sing your name ; Red wine ; Suassos lane ; You souls of Boston ; Old judge Thayer ; Vanzetti's rock ; Vanzetti's letter ; Root hog and die ; We welcome to Heaven ; Sacco's letter to his son. Cote: 061.7 GUT. Dust bowl ballads/ Woody Guthrie. - Rounder, 1988. Enregistré en 1940. Contient : The great dust storm ; I ain't got no home ; Talking dust bowl blues ; Vigilante man ; Dust can't kill me ; Dust pneumonia blues ; Pretty boy floyd ; Blowin' down the road ; Tom Joad ; Dust bowl refugee ; Do ré mi ; Dust bowl blues ; Dusty old dust. Cote: 061.7 GUT. The Live wire : in performance 1949/ Woody Guthrie. - Rounder, 2011. Enregistré en public à Newark, New Jersey (Etats-Unis) en 1949. Contient : Intro : How much ? How long ? ; Black diamond ; I was there and the dust was there ; The great dust storm ; Folk singers and dancers ; Talking dust bowl blues ; Tom Joad ; Columbia river ; Pastures of plenty ; Grand Coulee dam ; Told by Mother Bloor ; 1913 massacre ; Quit sending your inspectors ; Goodbye Centralia ; A cowboy of some kind ; Dead or alive ; Jesus Christ has come ; Jesus Christ. Cote: 061.7 GUT. 3 Long ways to travel : the unreleased Folkways masters (1944-1949)/ Woody Guthrie. - Smithsonian Folkways, 1994. Compilation de titres inédits. Contient : Hard travelin' ; Talking centralia ; Farmer labor train ; Harriet tubman's ballad ; Warden in the sky ; Train narration ; Seattle to Chicago ; Rain crow Bill ; Along in the sun and the rain ; Budded roses ; Train ride medley ; Girl I left behind me ; Wiggley giggledy ; Kissin' on ; Rocky mountain slim and desert rat shortly ; Train ride ; Long ways to travel. Cote: 061.7 GUT. This land is your land/ Woody Guthrie. - Union Square, 2011. Compilation de titres enregistrés dans les années 1940. Contient : Do-re-mi ; This land is your land ; Pretty boy Floyd ; Dusty old dust (it's good to know yuh) ; Hard travellin' (with Cisco Houston) ; Pastures of plenty ; Jesus Christ ; House of the rising sun ; Vigilante man ; Tom Joad part 1 ; Tom Joad part 2 ; Car car song ; Talking dust bowl blues ; Talking Columbia blues ; Two good men ; Washington talking blues ; Dust can't kill me ; Wreck of the old '97 ; Bed on the floor ; Better world a comin' ; Buffalo skinners ; Chain gang special (with Sonny Terry) ; Columbus stockade (with Cisco Houston) ; Cumberland gap (with Cisco Houston & Sonny Terry) ; Worried man blues ; Dust bowl blues ; Dust bowl refugee ; Fox chase (with Sonny Terry) ; Dust pneumonia blues ; Foggy mountain top ; Gypsy Davey ; Go tell Aunt Rhody (with Sonny Terry) ; The golden vanity (with The Almanac Singers) ; Grand coulee dam ; The great dust storm (Dust storm disaster) ; Liza Jane (with The Almanac Singers) ; Hobo's lullaby ; Howdido ; Little darling (with Cisco Houston & Sonny Terry) ; John Henry (with Cisco Houston) ; I ain't got no home ; Jesse James ; Keep my skillet good and greasy (with Cisco Houston & Sonny Terry) ; Muleskinner blues (with Pete Seeger & Cisco Houston) ; New York town ; Lonesome train (with Sonny Terry) ; Miner's song ; Hard, ain't it hard ; Blowin' down this road ; Oregan trail. Cote: 061.7 GUT. Woody Guthrie sings folk songs/ Woody Guthrie. - Smithsonian Folkways, 1989. Enregistré en 1944. Avec : Leadbelly, Cisco Houston, Sonny Terry, Bess Hawes. Contient : Hard travelin' ; What did the deep sea say? ; The Rising sun blues ; Nine Hundred Miles ; John Henry ; Oregon trail ; We shall be free ; Dirty overalls ; Jackhammer John ; Springfield Mountain ; Brown eyes ; Boll weevil blues ; Guitar blues ; Will you miss me?. Cote: 061.7 GUT. Leadbelly sings folk songs/ Leadbelly, chant, guit.. - Smithsonian Folkways, 1989. Enregistré dans les années 1940. Avec les participations de : Woody Guthrie, Cisco Houston, Sonny Terry. Contient : There's a man going around taking names ; Stewball ; Keep your hands off her ; Good-good-good (talking, preaching) / We shall walk thru the valley ; Lining track ; Outskirts of town ; We shall be free ; The blood done sign my name (ain't you glad) ; On a monday ; Jean Harlow ; Corn bread rough ; National defense blues ; Little children blues ; Fiddler's dram ; Meeting at the building. Cote: 061.7 LEA. 4 LIVRES En route pour la gloire/ Woody Guthrie - Albin Michel, 2012. Autobiographie publiée pour la première fois en 1943. Cote: 789 GUT. Woody Guthrie/ scénario et dessins de Thierry Murat. - Nocturne, 2006. (Collection BD Folk) 1 BD + 2 CD CD 1 "1940 /1944" : Jesus Christ ; The Great dust storm ; Talking dust bowl ; Blowin'down the road ; Tom joad I and II ; Do re mi ; Vigilante man ; Dust can't kill me ; Dust pneumonia blues ; Roll on Columbia ; Talking Columbia ; Columbia's waters ; It takes a married man to sing a worried song ; Way up in the north west ; Grand coulee dam ; Washington talking'blues ; Great and bloody fight ; New York town ; Poor boy. CD 2 "1944 / 1951" : Talking merchant marine ; Sally don't you grieve ; 900 miles ; John Henry ; My dirty overalls ; Guitar blues ; Jackhammer blues ; Going down the road feeling bad ; Sally goodin' ; Crawdad song ; Ida red ; Hard travelin' ; Talking fishing blues ; When the yanks go marching in ; The rising sun blues ; The Oregon trail ; Ludlow massacre ; Ramblin' round ; Pastures of plenty ; End of the line ; This land is your land.. Cote: 789 GUT. Lead Belly/ scénario de José-Louis Bocquet ; dessins de Steve Cuzor. Nocturne, 2007. (Collection BD Blues) 1 BD + 2 CD CD 1 "Lead Belly Folk singer 1934 / 1947" : Western cowboy ; Good night Irene ; Pick a bale of cotton ; Take this hammer ; On a monday ; Bring a little water, Sylvie ; Whoa buck ; Alabama bound ; Go down old Hannah ; Rock island line ; New Orleans song ; You can't lose me cholly ; Ha ha this a way ; Cadjin jump ; The gallis pole ; Grey goose ; Stewball ; Lining track ; Pork and beans ; Skip to my lou ; John Henry ; Corn bread rough. CD 2 "Lead Belly Bluesman 1935 / 1947" : My baby left me ; Moanin' ; Packin'trunk ; Honey I'm all out and down ; Four day worry blues ; Roberta I and II ; Kansas city papa ; In the evenin' ; Bottle up and go ; Big fat woman blues ; Four five and nine ; No good rider ; Leaving blues ; T.B. blues ; Follow me down ; De kalb blues ; Mistreatin'blues ; Good morning blues ; Don't you love your daddy ? ; How long blues.. Cote: 781.1 LEA. La Maison de terre/ Woody Guthrie - Flammarion, 2014. Roman. Traduit de: "House of Earth". Au Texas, dans les années 1930, Tike et Ella May Hamlin sont de jeunes agriculteurs qui ont bien du mal à planter de quoi vivre sur une terre aride. Enceinte, Ella May ne veut plus vivre dans leur cabane délabrée, envahie par les insectes. Problème, le jeune couple n'a pas un sou pour s'offrir le lopin de terre censé accueillir la maison de leurs rêves. Mais l'État et les banques ont tout prévu. Il suffit de leur faire confiance.... La Maison de terre est un portrait brûlant de la misère et de l'espoir butant contre un paysage ravagé. Combinant le sens moral de John Steinbeck avec l'érotisme cru de D.H. Lawrence, voici un puissant récit de l'Amérique de la Grande Dépression, brossé par l'un de ses plus grands artistes. Cote: RA GUT. (ESPACE ADULTES) 5 Dessin de Mokeït Retrouvez notre playlist Woody Guthrie sur le portail des médiathèques : http://biblio.vincennes.fr/page/playlists ou en scannant le code ci-dessous avec votre smartphone : 6 .
Load more

Recommended publications
  • Ruination Day”
    Woody Guthrie Annual, 4 (2018): Fernandez, “Ruination Day” “Ruination Day”: Gillian Welch, Woody Guthrie, and Disaster Balladry1 Mark F. Fernandez Disasters make great art. In Gillian Welch’s brilliant song cycle, “April the 14th (Part 1)” and “Ruination Day,” the Americana songwriter weaves together three historical disasters with the “tragedy” of a poorly attended punk rock concert. The assassination of Abraham Lincoln in 1865, the sinking of the Titanic in 1912, and the epic dust storm that took place on what Americans call “Black Sunday” in 1935 all serve as a backdrop to Welch’s ballad, which also revolves around the real scene of a failed punk show that she and musical partner David Rawlings had encountered on one of their earlier tours. The historical disasters in question all coincidentally occurred on the fourteenth day of April. Perhaps even more important, the history of Welch’s “Ruination Day” reveals the important relationship between history and art as well as the enduring relevance of Woody Guthrie’s influence on American songwriting.2 Welch’s ouevre, like Guthrie’s, often nods to history. From the very instruments that she and Rawlings play to the themes in her original songs to the tunes she covers, she displays a keen awareness and reverence for the past. The sonic quality of her recordings, along with her singing and musical style, also echo the past. This historical quality is quite deliberate. Welch and Rawlings play vintage instruments to achieve much of that sound. Welch’s axes are all antiques—her main guitar is a 1956 Gibson J-50.
    [Show full text]
  • Resb.F:E:Ii9~Ncjl AGEND/\ to BE POSTED #S1f Woody Guthrie Day- --·- ~~~
    .' _'';"'~·.•>'.;,_(.f_~""'-n.~~.-- .......,.,., ........... ~ _,,I · I ·~? pny CLtrxr< FOR P=-:-L-/{C_E_M_Er·~-r~o-N_N_o_o_·-r---.... REsb.f:e:ii9~NCJl AGEND/\ TO BE POSTED #S1f Woody Guthrie Day- --·- ~~~ .... -':...~~~ April12, 2012 WHEREAS, Woody Guthrie is a renowned singer-songwriter who stands as one of America's most important folk music artists of the first half of the 20th Century; and WHEREAS, Woody Guthrie stood out for his songwriting abilities and will best be remembered for his seminal folk music piece "This Land if Your Land" amongst many other hits like "Deportee," "Do Re Mi,'' ,.Grand Coulee Dam/' "Hard, Ain't It Hard,'' "Hard Travelin'," "I Ain't Got No Home," "1913 Massacre,'1 11 0klahoma Hills,~~ "Pastures ofPlenty,rr "Philadelphia Lawyer,'1 "Pretty Boy Floyd," 11 Ramblin1 Round," "So Long It'sBeen Good to Know You,t' "Talking Dust Bowl, '1 and 11 Vigilante Man" that have been covered by other artists throughout the century; and WHEREAS, Woodrow Wilson Guthrie was born in Okemah, Oklahoma learning folk songs from his mother as a child; and WHEREAS, in 1940, assembling works that were based on his experience as an "Okie" during the Dust Bowl era, in which many migrant workers suffered tremendous economic hardship on their way to California, he released the "Dust Bowl Ballads" that are renowned for their dramatic retelling of Great Depression era plight; and .i WHEREAS, A century after his birth in July of 1912, Woody Guthrie has acquired an iconic stature in American popular culture and music. Guthrie was known in the as a folksinger who in the 1930s and 1940s gave a voice to the working class, the mentor and musical image to Bob Dylan and other singer-songwriters in the 1950s and 1960s, and the author of great American songs like "This Land is Your Land." WHEREAS, In 193 7, when many dust bowl refugees were making a new life in California, Woody Guthrie lived in Los Angeles.
    [Show full text]
  • Dust, Drought, and Dreams Gone Dry
    DUST, DROUGHT, AND DREAMS GONE DRY A Traveling Exhibit and Public Programs for Libraries about the Dust Bowl Farmer and sons walking in the face of a dust storm, 1936 Arthur Rothstein, photographer Courtesy of the Library of Congress Prints and Photographs Division Resources Related Readings: Please visit ala.org/ Sanora Babb. Whose Names Are Unknown. University of programming/dustbowl Oklahoma Press, 1979. for a complete list of Geoff Cunfer. On the Great Plains: Agriculture and Environment. library host sites. Texas A&M University Press, 2005. Timothy Egan. The Worst Hard Time. Houghton Mifflin, 2006. Caroline Henderson. Edited by Alvin O. Turner. Letters From the Dust Bowl. University of Oklahoma Press, 2001. R. Douglas Hurt. The Dust Bowl: An Agricultural and Social Any views, findings, conclusions, or recommendations expressed in this exhibition History. Nelson-Hall, 1981. do not necessarily represent those of the Bison herd at water, circa 1905 National Endowment for the Humanities. Courtesy of the Library of Congress Prints and Photographs Division Pamela Riney-Kehrberg. Rooted in Dust: Surviving Drought and Depression in Southwestern Kansas. University Press of Kansas, 1994. The Geography and People of the Plains John Steinbeck. The Grapes of Wrath. Viking Press, 1939. Donald Worster. Dust Bowl: The Southern Plains in the 1930s. Living on the Plains depended on rainfall, but many people Oxford University Press, 1979. and animals thrived there. Bison shared the Plains with other Music: animals and with different groups of indigenous people for Woody Guthrie. Dust Bowl Ballads. RCA Victor, 1940. thousands of years. Comanche, Cheyenne, Kiowa, and others On the Web: called the Southern Plains home.
    [Show full text]
  • Woody Guthrie and the Writing of “Balladsongs” Mark F
    ISSN 2053-8804 Woody Guthrie Annual, 3 (2017): Fernandez: Guthrie and the Writing of “Balladsongs” “The Only Way That I Could Cry”: Woody Guthrie and the Writing of “Balladsongs” ! !Mark F. Fernandez Woody Guthrie wrote about everything. He even coined a motto about it at the end of his most famous lyric sheet: “All you can write is what you see.”1 And he saw just about everything there was to see of the mid-twentieth-century American experience. His famous travels took him throughout most of the then forty-eight states, and like so many Americans of his day, World War II acquainted him with life on the high seas, the coasts of Africa, and parts of Europe. As he wrote about the things he saw and the causes he came to embrace, Guthrie developed an approach to the songwriting process that he shared with anyone who would listen and even some that probably did not want his advice at all. That approach has gone on to influence generations of songwriters ever since — their legion is often dubbed “Woody’s Children.” Peers like Pete Seeger, Lee Hays, Ronnie Gilbert, and Fred Hellerman, who would go on to form the influential folk/pop group The Weavers, recorded Woody’s songs, emulated his songwriting process in their own work, and helped spark a “folk revival” that energized the 1950s and 60s. Young entertainers like Ramblin’ Jack Elliot and Bob Dylan sought out and copied Guthrie as they developed their own craft. More recently, artists like Billy Bragg, Jay Farrar, and Jonatha Brooke have counted Guthrie as a major influence and have even adapted his unpublished lyrics in some of their recordings as well as incorporating his “all you can write is what you see” mentality into their own creative processes.
    [Show full text]
  • Folk in the History Classroom: Using the Music of the People to Teach Eras and Events Michael G
    Social Education 73(4), pp 173–178 ©2009 National Council for the Social Studies Elementary Education Folk in the History Classroom: Using the Music of the People to Teach Eras and Events Michael G. Lovorn Social studies content is more meaningful to students when they can empathize with the people they study. Such empathy can be fostered via content material that is presented in a relevant, emotional, intimate, and even entertaining manner. Folk music offers this type of creative and constructive approach. The elementary school classroom is the opportune place to intro- duce the stories of ordinary folks, whose experiences are traditionally underrepresented in textbooks and state standards. Connections Used with permission by Grace Rothstein. between history and folk music are common and quite natural. Each period in American history has had its descriptive folk songs and notable artists. From traditional colonial tunes, such as “Yankee Doodle” and “The Girl I Left behind Me”, to the memorable melodies of Stephen Foster (“Oh! Susanna” and “Camptown Races”), the story of America’s early days is well documented in song. African American spirituals, stirring Civil War battle cries, and lonely cowboy yodels describe nineteenth-century life through a variety of perspectives. In the twentieth century, folk artists chronicled events such as the world wars, the Great Depression, union activities, and the civil rights movement. This tradition is alive and well, as evidenced by Son of Farmer in Dust Bowl Area by Arthur Rothstein. Available the multitude of folk festivals that take place annually across the from the Library of Congress Prints and Photographs Division, United States.
    [Show full text]
  • Woody Sez: Woody Guthrie in the People's World Newspaper
    WOODY SEZ: WOODY GUTHRIE IN THE PEOPLE’S WORLD NEWSPAPER By MATTHEW DOWER BLAKE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 by Matthew Dower Blake TABLE OF CONTENTS page LIST OF TABLES...............................................................................................................v ABSTRACT....................................................................................................................... vi CHAPTER 1 INTRODUCTION ........................................................................................................1 Three Inquiries..............................................................................................................2 Literature Review .........................................................................................................4 Statement of Primary Sources ....................................................................................10 Methodology...............................................................................................................12 Structure of Dissertation.............................................................................................17 Notes...........................................................................................................................18 2 DUST BOWL .............................................................................................................20
    [Show full text]
  • Dust Bowl References: Books/Magazines/Photography/Videos/Websites/Music/Film
    Dust Bowl References: Books/Magazines/Photography/Videos/Websites/Music/Film I. Non-Fiction Books "The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl" by Timothy Egan National Book Award Winner 2006, Houghton Mifflin Company, Boston, New York ISBN-13: 978-0-618-77347-3 (paperback) "The Dust Bowl: Disaster on the Plains (Spotlight on American History)" by Tricia Andryszewski Reading level: Ages 9-12 1994, Millbrook Press Trade ISBN: 1562947478 (paperback) "The Dust Bowl: Men, Dirt, and Depression" by Paul Bonnifield, 1979, University of New Mexico Press, Albuquerque, New Mexico. ISBN: 0-8263-0485-0 (hardcover) Worster and Bonnifield both published their chronicles of the Dust Bowl in 1979. Bonnifield's book is almost an apology for the farmers who plowed up the sod and thus set up the conditions for disaster. It is heavy with useful tables, charts and statistics. Bonnifield relied extensively on contemporary newspaper accounts, as well as interviews with survivors. The book includes an excellent bibliography. "The Dust Bowl" by David Booth, Karen Reczuch (Illustrator) Reading level: Ages 4-8 1997, Kids Can Press ISBN: 1550742957 (hardcover) "The Dust Bowl (World Disasters)" by John Farris, Maurie Manning (Illustrator) 1989, Lucent Books ISBN: 1560060050 (hardcover) This slim book for children is an excellent introduction to the Dust Bowl. Farris explains the conditions that led to the storms, tells what they were like, and describes both the exodus to California and the search for solutions. "Reapers of the Dust A Prairie Chronicle" by Lois Phillips Hudson 1964, Minnesota Historical Society ISBN: 0873511778 First published in 1965, her childhood recollections of living in North Dakota are what Lois Phillips Hudson used to spin these unusual, moving stories of simple, joyful days and of continuing battles with the hostile elements on the Great Plains during the 1930s.
    [Show full text]
  • Prophet Singer: the Voice and Vision of Woody Guthrie Mark Allan Jackson Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Prophet singer: the voice and vision of Woody Guthrie Mark Allan Jackson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Jackson, Mark Allan, "Prophet singer: the voice and vision of Woody Guthrie" (2002). LSU Doctoral Dissertations. 135. https://digitalcommons.lsu.edu/gradschool_dissertations/135 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROPHET SINGER: THE VOICE AND VISION OF WOODY GUTHRIE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements of the degree of Doctor of Philosophy in The Department of English By Mark Allan Jackson B.A., Hendrix College, 1988 M.A., University of Arkansas at Fayetteville, 1995 December 2002 ACKNOWLEDGEMENTS Many people and institutions should be acknowledged for their help in making my dissertation possible. I have to start off by tipping my hat to certain of my friends, people who first asked me interesting questions or spared with me in argument about music. So I salute Casey Whitt, John Snyder, Cody Walker, Derek Van Lynn, Maxine Beach, and Robin Becker. They helped me see the deep places in America’s music, made me think about its beauty and meaning.
    [Show full text]
  • 02. Fenton, Poetic Motion
    ISSN 2053-8804 Woody Guthrie Annual, 3 (2017): Fenton: Guthrie’s Poetic Motion “A Dance That Is Danced Standing Still”: Poetic Motion in the Work of Woody Guthrie1 ! Jamie Fenton! ! Today you’re a better songbird than you was yesterday, ‘cause you know a little bit more, you seen a little bit more, and all you got to do is just park yourself under a shade tree, or maybe at a desk, if you still got a desk, and haul off and write down some way you think this old world could be fixed so’s it would be twice as level and half as steep, and take the knocks out of it, and grind the valves, and tighten the rods, and take up the bearings, and put a boot in the casing, and make the whole trip a little bit smoother, and a little bit more like a trip instead of a trap (Woody Guthrie, “Introduction,” Hard Hitting Songs for Hard-Hit People)2 ! Woody Guthrie writes the troubled world of 1940s America as an engine which needs fixing. This “old world” is going somewhere, towards a new, more global world, and it is the job of the writer, who is “you,” everyone, to get things in shape for the journey. In a mixed metaphor of total movement, the engine is also the road on which it runs, which needs to be “twice as level and half as steep,” a tautology which performs its own sort of flattening on the sentence. Only after all the work of grinding, tightening and taking-up will the world be made “a little bit more like a trip instead of a trap.” This last phrase does some more fixing-up work, showing us how “trap” can been repurposed, smoothed into “trip.” “[A] little bit more like a trip instead of a trap” also trips, tumbling lightly over the assonance of “little […] bit […] trip […] trap.” And it is only at the full stop, the punctuation which traps the sentence, that we realize the length of the trip from where and when we set off: “Today.” We become better songbirds over the course of the long sentence.
    [Show full text]
  • Woody Guthrie Woody’S Daughter, Nora Guthrie, Recounts the Story of a Self-Educated Artist, Musician and Writer
    Woody Guthrie Woody’s daughter, Nora Guthrie, recounts the story of a self-educated artist, musician and writer. Chapter 1 — 1:20 Introduction Announcer: One of Oklahoma’s most creative native sons is Woodrow Wilson “Woody” Guthrie. Born in Okemah, Oklahoma July 14th, 1912, he became an American singer, songwriter and folk musician. He wrote more than 1,000 songs. This Land Is Your Land is his best-known song. He was also a writer of numerous essays, articles, poems and hundreds of letters. He also wrote two autobiographical novels. Many of his songs are about his experiences in the Dust Bowl era, earning him the nickname the Dust Bowl Troubadour. He traveled with migrant workers from Oklahoma to California and learned traditional folk and blues songs. Oklahoma’s state fold song is Oklahoma Hills, written by Woody Guthrie. Many books and papers have been written about Woody Guthrie’s life, but now you will be given a view of Woody Guthrie through the eyes of his daughter Nora as she talks about her famous father. We would like to thank our Founding Sponsors for making this oral history story available on VoicesofOklahoma.com. Chapter 2 — 3:46 Huntington’s Disease John Erling: My name is John Erling and today’s date is October 7th, 2010. Nora Guthrie: My name is Nora Guthrie. My birthday is January 2, 1950. I am 60 years old. I was born in Brooklyn, New York. JE: Let’s name your brothers and sisters. NG: I have two older brothers, Arlo Guthrie and Jody Guthrie.
    [Show full text]
  • From Anti-War to Pro-War: Pete Seeger and Woody Guthrie During World War Ii
    BURAK YEMENİCİ FROM ANTI-WAR TO PRO-WAR: PETE SEEGER AND WOODY GUTHRIE DURING WORLD WAR II FROM ANTI WOODY GUTHRIE DURING WORLD WAR II A Master’s Thesis - WAR TO PRO by BURAK YEMENİCİ - WAR: PETE SEEGER AND WAR: PETE Bilkent University Bilkent Department of History İhsan Doğramacı Bilkent University Ankara December 2020 20 20 To my family FROM ANTI-WAR TO PRO-WAR: PETE SEEGER AND WOODY GUTHRIE DURING WORLD WAR II The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by BURAK YEMENİCİ In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY THE DEPARTMENT OF HISTORY İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA December 2020 ABSTRACT FROM ANTI-WAR TO PRO-WAR: PETE SEEGER AND WOODY GUTHRIE DURING WORLD WAR II Yemenici, Burak M.A., Department of History Supervisor: Asst. Prof. Dr. Owen Miller December 2020 Pete Seeger and Woody Guthrie, two legendary figures of American folk music, lived through some of the most tumultuous periods of the history of the United States. The circumstances they grew up in and the people they encountered led them to meet communism in the 1930s. Being two independent souls, they were not registered members of the Communist Party but walked on the same path for years as “fellow travelers.” Both men claimed that they wrote and sang songs for the causes they believed in without being subjects of a larger organization. However, an analysis on their political views from the late 1930s to the early 1940s, particularly their change of political stance in the aftermath of the German invasion of the Soviet Union in June 1941, indicates that their political mindset was in close resemblance with the stance of the Communist Party.
    [Show full text]
  • The Music of Great Depression Tuesday, May 19Th at 10 Am
    John Clark and his Great American Music Experience presents The Music of Great Depression Tuesday, May 19 th at 10 am Through the Miracle of Zoom The Stock Market Crash of 1929 plunged this country into an economic depression that lasted about ten years. During that time popular songwriters and singers responded in many different ways. Happy Days Are Here Again was the first of many attempts to cheer up a devastated citizenry, followed by Life is Just a Bowl of Cherries, Let’s Have Another Cup of Coffee and a string of overly optimistic hits by Ted Lewis. Woody Guthrie’s Dust Bowl Ballads and A Shanty in Old Shanty Town offered commiseration to the thousands of Americans who were forced to give up their homes from the big cities to the Great Plains. Brother Can You Spare a Dime and My Forgotten Man went so far as to chide our government for its lack of response. In the spirit of what he would call the New Deal, Franklin Roosevelt’s first presidential campaign slogan/song was Happy Days Are Here Again . Even the lyrics of Disney cartoon song Who’s Afraid of the Big Bad Wolf and Harold Arlen’s Stormy Weather became symbolic commentaries on the circumstances of this national calamity. Also featuring songs by Al Jolson, Bing Crosby and Rudy Vallee. GREAT DEPRESSION LYRICS 1929 HAPPY DAYS ARE HERE AGAIN (Milton Ager (music) and Jack Yellen (lyrics) Recorded by Leo Reisman & His Orchestra So long sad times Go long bad times We are rid of you at last Howdy gay times Cloudy gray times You are now a thing of the past Happy days are here again
    [Show full text]