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ART216, Study Guide, Test 2 ART216, Study Guide, Test 2 Artstor Image Group 3: competition panels for the east doors of the Florence Baptistry, 1401-2 • Lorenzo Ghiberti: competition panel (Sacrifice of Isaac) (1401) • Filippo Brunelleschi: competition panel (Sacrifice of Isaac) (1401) relief panel • Donatello: Feast of Herod, 1423-7 (made for the baptismal font in the Siena Cathedral) Ghiberti: Gates of Paradise, 1425-52 (overall view and panel details) paintings from the 15th century: • Masaccio: fresco cycle of the life of St. Peter for the Brancacci Chapel, 1420s: The Tribute Money, c. 1427; Expulsion from Paradise, c. 1427 • Masaccio: Holy Trinity (fresco in Santa Maria Novella), c. 1427-8 • Andrea Mantegna: Dead Christ, c. 1500 (tempera on canvas) • Mantegna: frescoes (the Gonzaga family and the ceiling oculus) for the Camera degli Sposi (the room of the Newlyweds) in the Ducal Palace in Mantua, c. 1474 Architecture in the 15th century, Artstor Image Group 4: • Brunelleschi: dome of the Cathedral of Florence, 1420-36 (also known as the Cathedral of Santa Maria del Fiore) • Brunelleschi: Foundling Hospital (Ospedale degli Innocenti), 1419-24 • Brunelleschi: Santo Spirito, beg. 1436, nave view • Brunelleschi: San Lorenzo, beg. 1421, nave view • Brunelleschi: Pazzi Chapel (Santa Croce, Florence), beg. 1433; interior view and exterior view • Michelozzo di Bartolomeo: Palazzo Medici-Riccardi, Florence, beg. 1446 • Alberti: Palazzo Rucello, c. 1455 • Alberti: Santa Maria Novella, c. 1456 • Alberti: San Andrea of Mantua, c. 1470 (exterior and interior views) • Bramante: Tempietto, Rome, 1501 Late 15th century painting and sculpture, Artstor Image Group 5: • Fra Angelico, Convent of San Marco: Annunciation, c. 1427 • Fra Filippo Lipp, Madonna and Child with Angels, c. 1455 • Donatello: St. Mark, 1411-13 • Donatello: David, ca. 1428-1440 • Donatello: Mary Magdalene,d 1454-5 • Donatello: Gattemelata, ca. 1443-53 • Botticelli: Birth of Venus, ca. 1482 • Botticelli: Primavera, 1478 • Ghirlandaio: Giovanna Tornabuoni, 1488 • Ghirlandaio: Old Man with a Child, c. 1480 • Ghirlandaio: Birth of the Virgin, 1485-90 • Piero della Francesca: Portrait of the Duke and Duchess of Urbino, ca. 1472 • Luca Signorelli: Punishment of the Damned, 1499-1504 Leonardo da Vinci, Artstor Image Group 6: • Self-portrait, ca 1512-15 • Virgin (or Madonna) of the Rocks, c. 1485 • St. Anne, Virgin and Child, ca. 1508 • Mona Lisa, 1505 • Ginevra de Benci, 1474 • Last Supper, 1495-8 Michelangelo, Artstor Unit 7 (excluding architecture and urban design) The Bound Slave, 1513-16 statue of Moses, from the tomb of Julius II, 1513-15 The Sistine Chapel ceiling fresco, 1508-12 the Last Judgment, fresco on the west wall in the Sistine Chapel, 1538-41 David, 1501-4 the Vatican Pieta, ca. 1500 Raphael, Artstor Unit 8: ONLY the following image: Madonna of the Meadows, 1505 Concepts and terminology: • patronage • perspective and illusion in painting and reliefs • the renaissance as a time of rivalry and emulation • humanism and its impact on art • the meanings of “disegno” • Leonardo and Michelangelo’s “debate” over the merits of painting and sculpture • sources of beauty in the work of art: science, divine inspiration or the artist’s mind? • The contributions of Leonardo and Michelangelo to Renaissance art • sfumato • changes in the representation of religious events • developments in the Italian portrait • changing roles of the artist in the Renaissance REMINDERS: if you are interested in a review session: Monday at 3:45 until 5, 310 Young. You can bring ONE 3X5 index card with you to the test. All notes on the card must be handwritten. Use it wisely!.
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