Annual Review 2015-16

Royal Pavilion & Museums Foundation Annual Review 2015-16

Royal Pavilion & Museums and Royal Pavilion & Museums Foundation, Brighton & Hove 1 Director’s review Chair’s review

The 2015/16 Annual Review which this year Arts Council England for their continued world-class cultural destination for heritage, The Royal Pavilion & Museums Foundation materials for the Learning team and continue combines the Royal Pavilion & Museums funding and support, which makes possible culture and the performing arts in the heart has had a very good year. We believe, with the restoration of the Saloon. The Royal and the Royal Pavilion & Museums our vibrant programme of activities. of the city. like you I’m sure, that museums are for Pavilion & I hope you will continue to support us so Foundation, highlights some of the many everyone and if if we can create positive Museums continue At the start of this year, we were delighted to I hope that you will enjoy reading about some that together we can continue to delight and achievements that have been made first experiences for our younger visitors, to play a major learn that Brighton Dome & Brighton Festival of the highlights of the past year, and thank inspire all our visitors and provide a very possible over the past year by members we can nurture a life-long long love of part in attracting had been awarded nearly £5million from you all for your support. memorable experience. and patrons of the Royal Pavilion & museums. Our 2015 annual appeal, which the 10 million plus the Heritage Lottery Fund towards Brighton Museums Foundation, our many partners, so many of you generously supported, Thank you all. visitors that come & Hove City Council, the Royal Pavilion & collaborators and funders. raised funds to inspire our children. to the city each year, Museums, and Brighton Dome & Brighton contributing millions of pounds to We would like to thank you all for working Festival’s joint vision to revitalise the Royal The Learning team here at the Royal Pavilion our economy, as well as providing Brighton with us to realise such a wealth of diverse Pavilion Estate. & Museums, gives children the opportunity & Hove residents, schools and colleges and exciting projects, ranging from the to take part in a wide range of learning This award makes possible the with a unique source of education in their opening of a brand-new, hands-on space, experiences and to participate in hands-on refurbishment of the Corn Exchange and home city.” Museum Lab, in Brighton Museum & Art sessions. Whether handling artefacts or Studio Theatre – the Prince Regent’s former Gallery, to exhibitions as varied as Exotic taking inspiration from the collections and Councillor Alan Robins stables and riding schools. It is the first Creatures in the Royal Pavilion and Wildlife Janita Bagshawe painting their own masterpiece, the work Chair of the Economic Development phase of the ambitious redevelopment Photographer of the Year at Brighton Museum Director of the Royal Pavilion the team delivers is a vital part of our future, Professor Julian Crampton CBE DL and Culture Committee, project, which will reconnect and revitalise & Art Gallery. These events and activities and Head of Museums, Brighton & Hove engaging our supporters of tomorrow. Chair of the Board of Trustees of the Brighton & Hove City Council the historic buildings and gardens as one. across the museum sites have continued to Royal Pavilion & Museums Foundation Breath-taking and previously hidden heritage I would like to take this opportunity to bring alive the city’s wonderful collections spaces will be restored for public viewing, welcome David Burgess to the team as the and the heritage buildings in which they are and new interpretation and an activity new Head of Development. I’m sure many of housed. plan for the Estate will reveal inspirational you will welcome him personally at one of the On behalf of everyone at the Royal Pavilion & stories, unfolding layers of history. We look events we hold over the year. Museums, I would particularly like to thank forward over the coming years to creating a As ever, your support is essential. It is with your help that we have been able to provide

2 3 I have been A hands-on experience fascinated by the variety of people Museum Lab opened in the Spring as a new Open days, drop-in sessions and special Museum Lab is also used by staff and who come to see interactive space at Brighton Museum & Art events give the public and partners volunteers for the on-going digital the skeletons and Gallery, in the site of the Victorian reference opportunities to work alongside museum documentation of over a million artefacts learn how we find library. The aim of this innovative space is staff to investigate, conserve and document in the museums’ collections. This is an things out from them. to provide new opportunities for visitors, objects from the Royal Pavilion & Museums’ essential part of the Royal Pavilion & School children love the schools and community groups to engage rich and wide-ranging collections. Museums’ work to care for and manage its experience, often seeing a real skeleton more closely with collections from across collections as part of its Accredited status, for the first time. We too are benefitting We have welcomed over 1000 people to the Royal Pavilion & Museums’ five sites. awarded by Arts Council England, and an from seeing how much new data we are monthly Discovery Days since since Museum The current emphasis is on archaeology important part of providing public access to able to discover using proven research Lab opened in February 2016. They provide and the nationally-designated Natural the collection. methods. Brighton & Hove Archaeological the chance for the public to meet museum Sciences collections, amongst a wide range Society bring in other objects that visitors staff as well as getting really close to of collections material. can handle, as well as carrying out post- museum collections. excavation work in the space, documenting tools, pottery and bones in front of visitors. Museum Lab It is fantastic to give people the opportunity to see this kind of work going on, providing a complete experience for anyone interested in archaeology and in museums. Museum Lab is a truly innovative space, something that I have not seen anywhere else during my research.” Dawn Cansfield, a PhD archaeology researcher who is working with the museums’ collection, the Royal Pavilion & Museums and University College London.

4 Dawn Cansfield in Museum Lab 5 I am extremely proud of the An enterprising scheme Lead partner support to regional museums that We’ve found an innovative way to share The Royal Pavilion & Museums’ The South East Museums Development SEMDP has been the many and diverse skills of staff at team was vital and instrumental Programme partnership (SEMDP) is a able to provide in the the Royal Pavilion & Museums with in securing our Heritage Lottery Fund bid, consortium of Hampshire Cultural Trust, last year. We welcomed organisations needing specialist support. without which the project simply couldn’t Oxfordshire County Museums Service, 236 delegates to our training Be it providing advice to Kew Gardens about happen. Their experience was critical – Chatham Historic Dockyard Trust and the sessions and supported 87 museums to the dragon restoration of the Great Pagoda they had experience we just didn’t have Royal Pavilion & Museums, with us as the improve the care and management of or formulating a fundraising strategy for and which fast-tracked our skill base. leading partner. With a strong training their collections; 160 museums received other museums, this scheme is a very We aspire to be like the Royal Pavilion & programme and commitment to sharing advice and guidance in business planning rewarding way of sharing the immense Museums, more than an operational railway skills and advice, it helps museums to and strategy, and a further 126 museums expertise of the people who work here. but providing for a wide audience including achieve the highest standards and to reach were supported to improve their visitor In return for sharing our knowledge we and inspire more people than ever. experience. It is only with the ongoing learning for schools and they are helping Volk’s Electric Railway generate much needed income which helps us make this possible. It feels right too, that support of the Royal Pavilion & Museums secure our future. the fees we pay are reinvested back into as lead partner that we are able to achieve In 2015/16 the fundraising team shared heritage and back into Brighton for us all to such impact. benefit from.” their experience with the Russell-Cotes Art We are fortunate to be able to draw on the Gallery & Museum in Bournemouth and Toni Manuel, Project Manager Royal Pavilion & Museums’ team members also with Poole Museum, helping both to for Volk’s Electric Railway who are always willing and able to share develop their fundraising plans and provide their knowledge and expertise. This mentoring to their fundraising teams. leadership role is particularly pertinent In addition, the team worked with Volk’s in terms of digital support, learning Electric Railway and continues to support and education advice and diversity and them on their major redevelopment project. workforce development.” Sarah Corn, Programme Leader, South East Museum Development Programme Russell-Cotes Art Gallery & Museum 6 7 Recreating the Saloon Saloon carpet is one of Axminster developments Carpet’s most Over the complicated and in- years George The circular Saloon is one of the oldest depth projects. IV reinterpreted the parts of the Royal Pavilion, yet it was the The original carpet was Saloon using different last room to be decorated for George IV. made in the early 1800s schemes of decoration, and the 1823 Most of its original décor was stripped out by Thomas Whitty, here in Axminster and decorative scheme which is being restored in Victorian times but, with guidance from we are immensely proud to be recreating was the last, most expensive and most Historic England, the Royal Pavilion & this superb carpet here. We are fortunate extravagant of these. Museum conservators and internationally that we still have a piece of the original recognised textile historian Annabel An 1828 inventory from the Royal Pavilion design and have worked with Conservator Westman, we are now restoring the room referred to ‘His Majesty’s Geranium and Anne Sowden at the Royal Pavilion on the to its 1823 prime. When the restoration is Gold Colour Silk’, but no original fabric new carpet. She has been the driving force complete in 2018, visitors will once again remained. Last year, during research at in recreating the design for the carpet and step into a room of breathtaking beauty, and the Victoria and Albert Museum, a small has done a tremendous job. Although the experience a rich sense of its history. piece of the same design was unexpectedly weaving of the carpet will be driven by found inserted into a merchant’s sample Humphries Weaving in Suffolk, one of the computers, we have taken immense care book. Thanks to this incredible discovery, most prestigious and renowned silk weavers to replicate the hand-knotted quality of the Humphries Weaving was able to reproduce in the country, has reproduced the red silk original, through the design details and the the richly coloured silk, which will be hung which once hung on the Saloon’s wall panels special yarns we will use. This is one of the in the Saloon in 2018.” and was used as drapes. Having woven most prestigious carpets we have woven in silk for many of Britain’s Royal palaces, the last 20 years, of great significance for Annabel Westman, textile historian and Humphries Weaving was perfectly placed to the heritage sector, and has been a very advisor to the Saloon restoration project. create the silk for our palace. enjoyable, collaborative project.” The silk is now with expert upholsterer Ian Gary Bridge, Design Director, Block of AT Cronin who is creating the wall Axminster Carpets Ltd His Majesty’s geranium and gold coloured panels and drapes. Colour matching the carpet to Anne Sowden’s 8 silk on the loom at Humphries Weaving beautiful painted design 9 Recuperating soldiers on Brighton Sea front, c 1917 Reproduced by kind permission of A proud history Emma Falconer. In March 2016 a new temporary display, A workshop, named after Queen Mary, was the display launched the Royal Pavilion & Pavilion Blues: Disability and Identity, opened set up in the grounds of the Pavilion. It was Museums’ programme of exploring disability at Brighton Museum & Art Gallery, marking used to train the patients in new skills, such as history, while connecting with contemporary the centenary of the opening of the Pavilion carpentry, mechanics and book-keeping. These debates, issues and experiences. Military Hospital for Limbless Soldiers at the were introductory skills with a view to further Stories have been collected from the families Royal Pavilion. training after discharge; many men would not of people who either worked or were treated at be able to return to their former jobs and it Through images, memories and personal the hospital. Projects engaging with disability was hoped this would help them find future accounts, the display explored the history of groups have looked at many of the issues employment. this previously untold story. During the First encountered by the original patients of the World War, over 6,000 amputee soldiers As well as introducing visitors to this little- limbless hospital, such as identity, social care, received treatment, rehabilitation and training known part of the Royal Pavilion’s history, accessibility and inclusivity. at the Royal Pavilion. The exhibition closed in November 2016, but the stories we have collected will help inform our future displays. Like many other men of his hospital. Having never previously heard of right amount of information - a friend’s three generation, my grandfather rarely the hospital, we liaised with staff from the teenage sons read everything on the panels. spoke about his experience as a soldier in Royal Pavilion & Museums over the following My work takes me around the UK, and I the First World War. He died when I was 11, year, sharing information and learning promote the display everywhere, hearing and my father and I have only recently been more about my grandfather’s time in the such positive feedback from those who have Left: Albert Clay (right) and friend outside the able to piece together his story during the hospital. I feel very proud of his story being seen it. My father and I now hope to make Dome, 1917 (detail) war. In 2015 I came on the Royal Pavilion part of this display, one of three stories that contact with the relatives of other soldiers in By kind permission of John Clay Estate First World War tour, and was narrate different roles within the hospital. the hospital, to continue to learn more about Right: Royal Pavilion, the East Lawn, c 1916 astonished when the tour leaders were able The display is absolutely wonderful and this period in my grandfather’s life.” © Royal Pavilion & Museums, Brighton & Hove to tell from a photograph of my grandfather brings to life what the soldiers and nurses Yvonne Clay, granddaughter of Albert Clay, in Brighton in 1917 that he was patient in the experienced during the war, with just the whose story was told in the Pavilion Blues display.

10 11 We are proud to be from Brighton Learning & Hove and we felt we ought to Our children, our future city be involved in local life – particularly in appeal relation to the Pavilion. That’s why we Our Future City is co-ordinated by a group years by developing the creative talent of all On the way became members. We go along to many of cultural and education organisations: children and young people, using art and there, one Thanks to the generous response of our of the very interesting events and it’s a Brighton & Hove Music & Arts, Brighton cultural learning and the development of of the boys said ‘I members, patrons and supporters, the good place to meet other local people. The Dome & Festival, Brighton & Hove Music creative skills. can’t believe this is 2015 annual appeal to raise funds for the Royal Pavilion is an important part of our Trust, Royal Pavilion & Museums and really happening!’ Each The Royal Pavilion & Museums is a lead Learning Team had generated £6,357.23 history and a unique part of Brighton and University of Brighton. The programme is child was given training partner of Our Future City and has a long at the end of the financial year with more we want to help so that skilled and patient supported with investment from Artswork, to use the film equipment and they soon track record of excellence in its learning donations having been made since. people can preserve it – it is so special to the South East Bridge, and the investment saw themselves as directors, managing all activities. As part of the museums’ Our Digital the town. We were particularly keen to of time from a wide range of people and aspects of the multiple-camera production. This means that we have been able to Learning strand, pupils from Moulsecoomb support the learning appeal this year. It is organisations in Brighton & Hove. It was certainly impressive to see 10- purchase new equipment for the museums’ Primary School were invited to Brighton so important to bring the next generation and 11-year olds working with almost classrooms and put in place new activities The programme’s vision is to enhance the Museum & Art Gallery to explore the in contact with the Pavilion and inspire professional aplomb among mixing desks, to encourage and inspire children of all ages city’s long-term future over the next 10 collections, buildings and stories before them about their city.” cameras, lights and the flashing console. when they visit. From buying paints, brushes making a film about the history of their Adults who came with us were genuinely and pens to helping put together special Graham and Anne Somerville, both members home city. They met film experts from the stunned by the lack of awe or awkwardness handling collections for visiting children, our of the Royal Pavilion & Museums Foundation University of Brighton and learnt how to among the students and how, when given aim is to help inspire the imaginations of our develop their own script. They selected the opportunity, they were able to work so younger visitors. background images using objects from the independently. I am immensely proud of Royal Pavilion & Museums’ collections, For more information about becoming a their achievements. member and supporting the Royal Pavilion and made their own props and historically & Museums, please contact Sarah Wilson at accurate costumes. They were taught how The project certainly enthused the children the Foundation office on 01273 295898 to use the equipment at the University of to participate in these types of experiences Brighton’s television studio and took over the again. The whole project really enhanced studio to produce their film. Discover a History their learning experience and gave them of Brighton & Hove is now hosted on the Royal something they, or I, will never forget.” Pavilion & Museums’ website and is shown in Andrew Bradstreet, Making Discover a History of Brighton & Hove, local school assemblies. Moulsecoomb Primary School Film Studios at Falmer, University of Brighton 12 13 New works A patron’s perspective

Last year, funding from the Contemporary We are delighted to have worked One of our patrons tells us about her reasons wanted to be a patron. Something had to most amazing setting. But just as important Arts Society enabled us to acquire two with the Contemporary Art Society for deciding to support the Royal Pavilion & change for it to happen, so I cancelled my gym are contributing to the arts and helping significant films by Ben Rivers, Ah, Liberty and Bristol Museum & Art Gallery on this Museums. membership and became a Regency patron ensure the Royal Pavilion and Museums stay (2008) and Origin of the Species (2008). important acquisition. Ben Rivers’ films instead, a much better option! accessible for local people. We must also “I decided to become a patron quite simply Moving between documentary and fiction, will be the first artist’s moving image work continue to attract children and students to because I am from Brighton and I want to The Pavilion is so unusual, so beautiful – and shot on 16mm film, a medium which is to enter Brighton’s fine art collection and visit and be inspired.” support my city. A number of years ago I it’s unlike any other stately home and it’s fast becoming obsolete, Ben Rivers’ films will resonate beautifully with our city’s attended an evening event where the patron’s essential that it remains. There are so many If you would like to discuss becoming a patron Ben Rivers: Origins of the Species (2008) © the artist offer a glimpse into the lives of people experimental film-making history. scheme was discussed and thought, “What benefits to being a patron, meeting fascinating or would like more details, please contact existing at the margins of society. The films will also bring a contemporary I great idea, but I can’t afford that”. The idea people of all ages and backgrounds, making Sarah Wilson at the Foundation office on The acquisition builds on the Barnes perspective to bear on our traditional lodged in my mind and I decided I really new friends, being able to hear talks in the 01273 292789 Brothers’ historical film and photography portraits and landscape paintings, collection at Hove Museum & Art Gallery, raising fundamental questions about our making links between historical and relationship to our natural environment.” contemporary film. This is further explored Trusts and foundations Janita Bagshawe in Experimental Motion, a new display on Ben Rivers: Ah, Liberty! (2008) © the artist Director of the Royal Pavilion film which opened in the Spotlight Gallery The grants we have received from trusts, in well with our new film & media display, of the importance of the items we have and Head of Museums, Brighton & Hove at Brighton Museum & Art Gallery in foundations and lottery funders have once Experimental Motion, which is open until and open doors to more exciting projects October 2016. again made a big difference to the income June 2017. It also ties in with our acquisition in the future. Our Learning team has also we can invest in the Royal Pavilion & of the Ben Rivers films purchased through benefitted from grant income this year, in Museums and so, we hope, to the pleasure the generosity of the Contemporary addition to the funds that were raised by our I admire the way the collection is people get from visiting us. Art Society. annual appeal. This allowed staff to develop expanding with pieces in lots of new resources that they would not otherwise Our biggest award of £80,000 from the Art All the grants we have received make a different media, and that the focus is not be able to deliver. purely traditional – rather like Brighton Fund New Collecting Awards programme, huge difference to the work we are able Ben Rivers: Ah, Liberty! (2008) © the artist itself!” will make it possible for us to carry out to do, funding projects that we would not We are extremely grateful for this generous some really focused work on our significant otherwise be able to deliver. Research into support. To discuss this further, please call Royal Pavilion & Museums’ patron and unique film & media collections. The our collection of prehistoric remains will Debbie Shipton on 01273 296967 14 focus on contemporary moving image links enable us to have a clearer understanding 15 Our eclectic collections and exhibitions Tunnel tour

A wealth of exhibitions and events across the largest drawing festival. The museum’s activities, as well as being able to investigate The Workforce Development scheme at Royal Pavilion & Museums venues provided incredible collection of Victorian taxidermy our handling collections. Most participants the Royal Pavilion & Museums provides an something for everyone over the year. formed the back drop and the subject for the were new to the museum and from feedback it invaluable opportunity for frontline staff to curious life drawing session, in which artists is clear that everyone enjoyed the experience, gain new experience in an area of museum This is the At Brighton Museum & Art Gallery, awe- and performers took over the museum, with with many eager to visit again. work of their choice. It has been embraced first time inspiring images in the Wildlife Photographer live music from the Drawchestra. by new and long-standing members of staff we have had the of the Year exhibition drew crowds throughout alike, and the diversity of work undertaken opportunity to talk to the summer of 2015. Items from the Royal At Preston Manor, audiences experienced has initiated and fed into new experiences our visitors about the role of the servants Pavilion & Museums’ outstanding natural the thrill of walking onto the set of an Agatha for museum visitors. in the Royal Pavilion, as none of the servant history collection were displayed alongside Christie style murder mystery when the house quarters were previously visible to the the photographs, with Gallery Explainers was transformed into a theatre for the night by One of the star attractions developed by public. As a workforce development project, answering questions and talking to visitors. Preston Village based 368 Theatre Company. museum staff last year was the new tour of this was a great opportunity to work in Visitors were encouraged to come dressed in the Royal Pavilion’s basement and famous In the Royal Pavilion, Exotic Creatures explored many different roles: researching, writing, vintage splendour to watch the show or to join underground tunnel, starting in February animals in the Royal Collection, menageries marketing, talking to the press, looking at in to solve the mystery. 2016. For the first time visitors on the tour and early zoos, and political beasts in the costs and preparing budgets. It meant we get a rare glimpse of how King George IV period 1750 to 1850. Paintings, satirical prints Last summer Hove Museum teamed up with gained real experience and understanding made the short trek across his estate to the and original menagerie bills, archival material, Chomp and FareShare, two organisations of new areas of work. Royal stables, now Brighton Dome, and an statuettes and ceramic pieces told the story that work with vulnerable people in Brighton insight into life below stairs for servants, This and other workforce development of the first living giraffe in the UK, given to & Hove. Chomp offer free healthy lunches for from the rat catcher to the king’s principal projects here have completely changed the George IV as a diplomatic gift, and other exotic children and their families who struggle to eat private secretary. way I view accessibility in the buildings, creatures brought from overseas. well during the school holidays. FareShare and have made me think about things in a collect and redistribute surplus food to Visitor Services Officers Meg Hogg and Geoff In May this year the Booth Museum of Natural different way.” organisations which feed people in need. Greenwood developed the tunnel tours as a History won the Museums & Galleries Award Hove Museum provided the venue and workforce development project, and now run Meg Hogg, Visitor Services Officer, in the worldwide Big Draw Festival Awards, for The Grand Drawing Circus at the Booth activities, and on two days families came to them for the public. Royal Pavilion & Museums the Grand Drawing Circus, heldin the museum Museum of Natural History, October 2015. the museum and took part in art and craft © Nicholas Shakespeare as part of The Big Draw 2015, the world’s

16 17 Foundation financial review 2015 -2016 Thank you

The financial review of the Royal Pavilion & Museums Foundation covers the period from 1 April 2015 – 31 March 2016. The Fundraising and We would like to thank all our supporters over the past year Development team is funded and supported by the Royal Pavilion & Museums Foundation, Arts Council England and Brighton & Hove City Council. Regency Patrons Patrons Trustees Legacy gifts Mrs Pamela Barber Mr Roger Amerena Professor Julian Crampton Josephine Foreman INCOME EXPENDITURE Lady Bryson Miss Sarah Arnett CBE DL (Chairman) Mrs Elaine Evans BEM Ms Janita Bagshawe Mr Philip Taylor (Vice Chairman) Public and lottery funding Membership and activities Raising Funds Charitable Activities Dr Michael Edwards Mr Peter Barker-Jones Mr Tim Aspinall Brighton & Hove City Council Mr Barry Fearn TB FRCS Professor Julian Crampton Lord Bassam of Brighton Arts Council England Patrons and Memberships £91,538 Fundraising Costs £30,106 £- Ms Fay Hughes (Hon) Mrs Sarah Dunsmure Ms Francesca Collin Heritage Lottery Fund Grants and Awards £131,000 Employment £86,597 £3,864 Ms Carey McIlvenny Mr John Hird Mr Peter Field, Mr Mike Osborne Mr Daren Kay Lord Lieutenant of East Sussex Trusts and Foundations Donations and Gift Aid £80,860 Establishment Costs £- £346,443 Mr Keith Shaw Mr Hamish Parker (Hon) Ms Jenni Lloyd Art Fund: New Collecting Awards Social Enterprise £20,935 Support Costs £6,174 £14,232 Mr Nigel Wellard Mr Ronald Pedley (Hon) Professor Lou Taylor Art Fund: Jonathan Ruffer Curatorial Grants Mr Jo Windsor Mr Patrick Pollicott Reid Elected Member for Culture, Arts Council England: Catalyst Events £24,834 Total expenditure £122,877 £364,539 Mrs Sheelagh Pollicott Reid Brighton & Hove City Council Barleycorn Trust Legacy Income £70 Mr John Rank (ex officio) Heritage Lottery Fund Mr Richard Sachs Ms Janita Bagshawe, James Henry Green Charitable Trust Gift Aid £21,800 OVERVIEW Mr Robert Yates Director of The Royal Pavilion John Ellerman Foundation Investments £9,964 Total income £381,001 & Museums Museums Association’s Transformers Programme (Hon Secretary, ex officio) The Coral Samuel Charitable Trust And others who wish to remain anonymous Total income £381,001 Total expenditure £487,416 The Georgian Group (FE Cleary Fund) Total funds carried forward £1,465,748 Trustee resignations 2015/16 The J Paul Getty Jr Charitable Trust Dr Lady Susan Conway The Mercers Company With special thanks to all our members and volunteers Dr Michael Edwards The Monument Trust who have supported us and continue to support us. Ms Marianne Fallon The Osborne-Wellard Trust Sir Hugh Roberts GVCO The Pebble Fund Gillian Wolfe, CBE (ex officio)

18 19 Royal Pavilion & Museums, 4-5 Pavilion Buildings, Registered office: Brighton BN1 1EE The Royal Pavilion & Museums Foundation, 4-5 Pavilion Buildings, Brighton BN1 1EE E: [email protected] T: 01273 295898 T: 03000 290900 pavilionfoundation.org brightonmuseums.org.uk Registered Charity No 275242

20Royal Pavilion & Museums, Brighton & Hove are owned and operated by Brighton & Hove City Council Museum Jim Holden, Time and Story at Hove Picture Years Early Cover: Photography: page 16 Nicholas Shakespeare, Wyatt Design: Helen pages 4 and 5 Jim Pike.