DOCSLIB.ORG

Capability Brown, Royal Gardener: the Business of Place-Making in Northern Europe, Pp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Capability Brown, Royal Gardener: the Business of Place-Making in Northern Europe, Pp Select Bibliography Adshead, D. (2007). Wimpole: Architectural drawings and topographical views. Bromley: National Trust. Albert, W. (1972). The Turnpike Road System in England 1663–1840. Cambridge: Cambridge University Press. André, E. (1879). L’Art des jardins. Paris: Masson. Anon. (1767). Rise and progress of the present taste in planting parks, pleasure grounds, gardens &c.: From Henry the Eighth to King George the Third. London. Atkinson, G. (Ed.). (1842). Journals and letters of the late Samuel Curwen, Judge of Admiralty, etc., an American refugee in England from 1775–1784. New York: C.S. Francis. Barrier, J., & Mosser, M. (Eds.). (2016). Journal d’un botaniste-jardinier (1775–1792): Un Écossais en France à la fin de l’Ancien Régime. Thomas Blaikie (1750–1838). Paris: Klincksieck. Barrier, J. (1997). Bélanger et l’Angleterre. In M. Constans (Ed.), Bagatelle dans ses jardins (pp. 167–177). Paris: Action Artistique de la Ville de Paris. Beard, G. (1992). The work of Robert Adam. London: Bloomsbury. Becker, W. G. (1795). Taschenbuch für Gartenfreunde. Leipzig. Bending, S. (1994). Horace Walpole and eighteenth-century garden history. Journal of the Warburg and Courtauld Institutes, 57, 209–226. Bermingham, A. (1986). Landscape and ideology: The English rustic tradition, 1740–1860. London: Thames and Hudson. Berrall, J. S. (1969). Die schönsten Gärten. Düsseldorf, Vienna: Econ Verlag. Birdwood, V. (Ed.). (1994). So dearly loved, so much admired: Letters to Hester Pitt, Lady Chatham, from her relations and friends. London: HMSO. Blanche, H. (1975). British botanical and horticultural literature before 1800 (Vol. 2). Oxford: Oxford University Press. Blotz, J. F. (1786). Kurze Theorie der empfindsamen Gartenkunst. Leipzig. Blotz, J. F. (1795–98). Gartenkunst oder ein auf vieljährige Erfahrung gegründeter Unterricht. Leipzig. Blunt, R. (Ed.). (1923). Mrs. Montagu, ‘Queen of the Blues’: Her letters and friendships from 1762 to 1800. Vol. II, 1777–1800. London. Bogart, D. (2005). Did turnpike trusts increase transportation investment in eighteenth-century England? The Journal of Economic History, 65(2), 439–468. How to cite this book chapter: Finch, J. and Woudstra, J. (Eds.), 2020. Capability Brown, Royal Gardener: The business of place-making in Northern Europe, pp. 205–213. York: White Rose University Press. DOI: https://doi.org/10.22599/CapabilityBrown.o. CC BY-NC 4.0 206 Capability Brown, Royal Gardener Bonehill, J. & Skinner, S. (2009). Paul Sandby: Picturing Britain. London: Royal Academy of Arts. Bowden-Smith, R. (1988). The Chinese Pavilion, Boughton House, Northamptonshire. Woodbridge: Avenue Books. Bowman, P. J. (2010). The fortune hunter: A German prince in Regency England. Oxford: Signal. Bradley, R. (1731). New improvements of planting and gardening. London: W. Mears. Bremmer, F. J. (1886). De geschiedenis der tuinbouwkunst. De Opmerker, 21(30), 240. Britton, J., & Brayley, E. W. (1801). The beauties of England and Wales. London: Vernor, Hood & Sharpe, etc. Brown, D. (2000). Nathaniel Richmond (1724–1784): ‘gentleman improver’. Unpublished thesis (PhD, University of East Anglia). Brown, D. (2001). Lancelot Brown and his associates. Garden History, 29(1), 2–11. Brown, D. (2016). People, places and payments. Occasional Papers from the RHS Lindley Library, 14. Brown, D., & Williamson, T. (2016). Lancelot Brown and the Capability Men: Landscape revolution in eighteenth-century England. London: Reaktion Books. Brown, J. (2011). The omnipotent magician, Lancelot ‘Capability’ Brown, 1716–1783. London: Chatto and Windus. Bruyn Edwards, C. (1954). The Torrington diaries – A selection from the tours of the Hon. John Byng 1781–1794. London: Eyre and Spottiswoode. Burke, E. (1756). A philosophical enquiry into the origin of our ideas of the sublime and the beautiful. London. Buruma, I. (1999). Voltaire’s coconuts: Or anglomania in Europe. London: Weidenfeld and Nicolson. Calder, M. (Ed.). (2006). Experiencing the garden in the eighteenth century. Berne: Peter Lang. Carrogis, L. [known as Carmontelle] (1779). Jardin de Monceau. Paris. Chambers, W. (1763). Plans, elevations and perspective views of the gardens and buildings at Kew in Surry. London. Chambers, W. (1772). A dissertation on oriental gardening. London: W. Griffin & others. Châtel, L. (2006). Le jardin ‘anglais’: Représentation, rhétorique et translation de la nation britannique, 1688– 1820, art et nation en Grande-Bretagne au XVIIIe siècle. Revue Française de Civilisation Britannique, 13(4), 171–188. Châtel, L. (2013). Modern moral gardens, nature, National Trust, and the modernity of eighteenth- century ‘English’ gardens. In B. Millet (Ed.), Modernité du XVIIIe siècle – Hommage à Alain Bony, RSEAA XVII–XVIII (Hors-Série 3), 243–259. Cheng, E. H. (2010). Britain’s Chinese eye: Literature, empire, and aesthetics in nineteenth-century Britain. Stanford: Stanford University Press. Chessum, S., Rogers, K., & Rowell, C. (2000). Claremont, Surrey. Bromley: National Trust. Clark, J. (2013). An amateur artist’s sketching tour of late eighteenth-century English gardens. Garden History, 41(2), 208–223. Clayton, T. (1991). The English print 1688–1802. London, New Haven: Yale. Clifford, D. (1981). Geschichte der Gartenkunst. Munich: Prestel. Climenson, E. J. (Ed.). (1899). Passages from the diaries of Mrs Phillip Lybbe Powys, 1756–1808. London. Colvin, H. (2008). A biographical dictionary of British architects 1600–1840 (4th ed.). London: Yale University Press. Cook, A. (2007). Botanical exchanges: Jean-Jacques Rousseau and the Duchess of Portland. History of European Ideas, 33(2), 142–156. Coombs, D. (1997). The garden at Carlton House of Frederick Prince of Wales and Augusta Princess Dowager of Wales: Bills in their household accounts 1728 to 1772. Garden History, 25(2) (Winter). Cousins, M. (2016). The not-so-capable Mr Brown? Hewell Grange, Worcestershire. Garden History, 44(1), 51–73. Cousins, M., & Eyres, P. (1995). Naumachia: The parkland phenomenon of mock naval battle. New Arcadian Journal, 39/40, 11–29. Cowell, F. (2009). Richard Woods (1715–1793): Master of the pleasure garden. Woodbridge: Boydell. Cowper, W. (1785). The Task, a poem, in six books (III). London. Cozens-Hardy, B. (1950). The diary of Sylas Neville 1767–1788. Oxford: Oxford University Press. Cunningham, P. (Ed.). (1859). The letters of H. Walpole (Vol. IX, p. 463). London: Richard Bentley. Currie, C. (1990). Fishponds as garden features, c. 1550–1750. Garden History, 18(1), 22–46. Select Bibliography 207 Daniels, S. (2000). Humphry Repton: Landscape gardening and the geography of Georgian England. New Haven: Yale. Day, I. (2000). Eat, drink and be merry. London: Philip Wilson. de C., J. (1748). Les charmes de Stow. London. de Genlis, M. (1788). Avondtijdkortingen van het Kasteel, of zedelijke verhalen. The Hague. de La Rochefoucauld, F. A. F. (1945). Mélanges sur l’Angleterre [1784]. Paris: G. le Prat. de Laborde, A. (1808). Description des nouveaux jardins de la France et de ses anciens château. Paris. de Lamoignon de Malesherbes, C.-G. (2009). Voyage en Angleterre (M. Crogiez Labarthe, Ed.). Paris: Éditions Desjonquères. Dean, W. (1824). An historical and descriptive account of Croome D’Abitot, The seat of the Right Hon. the Earl of Coventry. Worcester. Dedinken, M., & Jacques, D. (2016). The Hampton Court albums of Catherine the Great. London: Fontanka. Denhardt, C. L. (1808). Taschenbuch für Gartenfreunde und Blumenliebhaber. Leipzig. Desmond, R. (2007). The history of the Royal Botanic Gardens, Kew (2nd ed.). Royal Botanic Gardens, Kew: Kew. Dézallier d’Argenville, A. J. (1709). La theorie et la pratique du jardinage. Paris. Dibdin, C. (1796). Hannah Hewit: Or, the female Crusoe (Vol. 3). London. Dickens, L., & Stanton, M. (Eds.). (1910). An eighteenth century correspondence. London: John Murray. Downing, A. J. (1841). A treatise on the theory and practice of landscape gardening, adapted to North America: With a view to the improvement of country residences. New York and London. Duchesne, A.-N. (1775). Sur la formation des jardins par l’auteur des considérations sur le jardinage. Paris. Dufour, A. (1800). A letter to the nobility and gentry composing the committee for raising the naval pillar, or monument, under the patronage of His Royal Highness the Duke of Clarence; in answer to the Letter of Mr John Flaxman, sculptor, to the committee, on that subject. London. Elzenga, E. (1992). Het Witte Loo: Van Lodewijk Napoleon tot Wilhelmina 1806–1962. Apeldoorn: Rijksmuseum Paleis Het Loo. Eyres, P., & Lynch, K. (2018). On the spot: The Yorkshire Red Books of Humphry Repton, landscape gardener. Leeds: New Arcadian Press. Felus, K. (2006). Boats and boating in the designed landscape, 1720–1820. Garden History, 34(1), 22–46. Felus, K. (2009). The social history of the designed landscape at Wotton.New Arcadian Journal, 65/66, 106–107. Felus, K. (2016). The secret life of the Georgian garden. London: I. B. Tauris. Ferry de St-Constans, J. L. (1803). Londres et les Anglais (Vol. 1 & 2). Paris. Finberg, A. J. (1961). The life of J.M.W. Turner, R.A. Oxford: Clarendon Press. Finch, J. (2008). Three men in a boat: Biographies and narratives in the historic landscape.Landscape Research, 33(5), 511–530. Finch, J. (2019). Humphry Repton: Domesticity and design. Garden History, 47(Suppl. 1), 24–38. FitzGibbon, C. (trans.) (1957). The maxims of the Duc de la Rochfoucauld. London: Allan Wingate. Fleming, J. (1962). Robert Adam and his circle in Edinburgh and Rome. London: John Murray. Floud, R. (2016). Capable entrepreneur?
Load more

Recommended publications
  • Bargain Booze Limited Wine Rack Limited Conviviality Retail
    www.pwc.co.uk In accordance with Paragraph 49 of Schedule B1 of the Insolvency Act 1986 and Rule 3.35 of the Insolvency (England and Wales) Rules 2016 Bargain Booze Limited High Court of Justice Business and Property Courts of England and Wales Date 13 April 2018 Insolvency & Companies List (ChD) CR-2018-002928 Anticipated to be delivered on 16 April 2018 Wine Rack Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002930 Conviviality Retail Logistics Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002929 (All in administration) Joint administrators’ proposals for achieving the purpose of administration Contents Abbreviations and definitions 1 Why we’ve prepared this document 3 At a glance 4 Brief history of the Companies and why they’re in administration 5 What we’ve done so far and what’s next if our proposals are approved 10 Estimated financial position 15 Statutory and other information 16 Appendix A: Recent Group history 19 Appendix B: Pre-administration costs 20 Appendix C: Copy of the Joint Administrators’ report to creditors on the pre- packaged sale of assets 22 Appendix D: Estimated financial position including creditors’ details 23 Appendix E: Proof of debt 75 Joint Administrators’ proposals for achieving the purpose of administration Joint Administrators’ proposals for achieving the purpose of administration Abbreviations and definitions The following table shows the abbreviations
    [Show full text]
  • The Industrial Revolution: 18-19Th C
    The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture.
    [Show full text]
  • Museum of Economic Botany, Kew. Specimens Distributed 1901 - 1990
    Museum of Economic Botany, Kew. Specimens distributed 1901 - 1990 Page 1 - https://biodiversitylibrary.org/page/57407494 15 July 1901 Dr T Johnson FLS, Science and Art Museum, Dublin Two cases containing the following:- Ackd 20.7.01 1. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 2. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 3. Wood of Melia indica, Anantapur, Paris Exhibition 1900 4. Wood of Anogeissus acuminata, Ganjam, Paris Exhibition 1900 5. Wood of Xylia dolabriformis, Godaveri, Paris Exhibition 1900 6. Wood of Pterocarpus Marsupium, Kistna, Paris Exhibition 1900 7. Wood of Lagerstremia parviflora, Godaveri, Paris Exhibition 1900 8. Wood of Anogeissus latifolia , Godaveri, Paris Exhibition 1900 9. Wood of Gyrocarpus jacquini, Kistna, Paris Exhibition 1900 10. Wood of Acrocarpus fraxinifolium, Nilgiris, Paris Exhibition 1900 11. Wood of Ulmus integrifolia, Nilgiris, Paris Exhibition 1900 12. Wood of Phyllanthus emblica, Assam, Paris Exhibition 1900 13. Wood of Adina cordifolia, Godaveri, Paris Exhibition 1900 14. Wood of Melia indica, Anantapur, Paris Exhibition 1900 15. Wood of Cedrela toona, Nilgiris, Paris Exhibition 1900 16. Wood of Premna bengalensis, Assam, Paris Exhibition 1900 17. Wood of Artocarpus chaplasha, Assam, Paris Exhibition 1900 18. Wood of Artocarpus integrifolia, Nilgiris, Paris Exhibition 1900 19. Wood of Ulmus wallichiana, N. India, Paris Exhibition 1900 20. Wood of Diospyros kurzii , India, Paris Exhibition 1900 21. Wood of Hardwickia binata, Kistna, Paris Exhibition 1900 22. Flowers of Heterotheca inuloides, Mexico, Paris Exhibition 1900 23. Leaves of Datura Stramonium, Paris Exhibition 1900 24. Plant of Mentha viridis, Paris Exhibition 1900 25. Plant of Monsonia ovata, S.
    [Show full text]
  • Annual Report 2004/5 Corrected
    THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010.
    [Show full text]
  • A Summer of British Festivals Featuring 3 Performances at the the Proms, 2 Operas at Glyndebourne and Shakespeare at Stratford and the Globe
    Australian Freephone: 1800 132 385 New Zealand Freephone: 0800 132 385 Email: [email protected] A Summer of British Festivals Featuring 3 performances at the The Proms, 2 operas at Glyndebourne and Shakespeare at Stratford and The Globe As Summer comes to England, our minds turn towards glorious Summer Festivals. The wonderful series of BBC Proms at the Royal Albert Hall, a night out at the opera at Glyndebourne and, in the 450th anniversary year of Shakespeare’s birth, to the Summer performances of the bard at the RSC in Stratford and at the Globe in London. Our 14 night program combines these inspiring events into a summer symphony of culture and allows you to sit back and relax while enjoying some stunning performances of drama and music. However, our musical and dramatic pursuits do not prevent us from enjoying some of the best scenery England has to offer. Naturally, while in London, we enjoy a tour of the National Gallery with a specialist guide, we visit splendid Kew Palace and Gardens, enjoy a day out on the Thames at Windsor and Eton, visit Hampton Court Itinerary at a Glance and take advantage of the special Summer opening of Buckingham Site / Number of Nights Palace. We stay at Brighton, close to Glyndebourne, to visit the London - 4, Royal Pavilion and nearby Sissinghurst Gardens, as well as the Brighton - 3, quaint towns and villages of Kent and East Sussex, such as Stratford – 3, Tenterden and Rye. While in Stratford, not only do we visit the town of the Bard but also immerse ourselves in the history of London – 4.
    [Show full text]
  • Transcription of 3D Royal Pavilion Estate Commentary [PDF]
    Transcription of 3D and VR Pavilion Estate curatorial commentary Written and voiced by Alexandra Loske URL: http://brightonmuseums.org.uk/3DPavilion/ Royal Pavilion The Royal Pavilion was created between 1785 and 1823 by George, Prince of Wales who would later become Prince Regent and eventually King George IV. George first visited Brighton as a young man aged 21 in 1763 and soon after decided to make the seaside town his playground away from London. He rented a house on the site of the present Pavilion and in 1786 hired the architect Henry Holland to build him a ‘pavilion by the sea’. This first building on this site was a two-storey, symmetrical structure in a neo- classical style. It was elegant and sophisticated, but by no means exotic in appearance. George made alterations and changes to his pleasure palace throughout his life, gradually creating the outlandish and exuberant palace we see today -- although he never called it a palace. He mostly used it for lavish banquets and to stage great balls and concerts, and often spent several months at a time here. The greatest change to the exterior was made between 1815 and 1823, when the famous architect John Nash was hired to transform the neo-classical building into an oriental fantasy. The exterior we can see here was inspired by Indian architecture, with added Gothic elements. Nash added two large state rooms to the Pavilion on the north and south end, with tent-shaped roofs. The onion-shaped domes and ornamental features in the centre of the building were built around and on top of the existing building, using cast iron on a large scale.
    [Show full text]
  • Narrator: from Brighton, on the English South Coast, These Are the Voices of the Royal Pavilion & Museums, with Dr
    Narrator: From Brighton, on the English South Coast, these are the voices of the Royal Pavilion & Museums, with Dr. Sophie Frost. Sophie: Hello! I'm Sophie, and I've spent the past 9 months wandering the corridors of the Royal Pavilion & Museums in Brighton & Hove - otherwise known as RPM - uncovering the stories of the museum people who keep Brighton's historic buildings and collections relevant, vibrant, and accessible for the world we're living in. Sophie: In this episode I'm joined by Marcus Bagshaw, Sue Winkett, Clare Hartfield, and Zak Flannery, who all work in the Visitor Services team at Royal Pavilion & Museums, Brighton and Hove. As we discovered last time, schemes such as the Workforce Development programme provoked a family feel across the workforce at RPM. In what follows, we'll see how the enthusiasm and expertise of different frontline staff provides a collective energy that keeps RPM's objects, buildings, and collections, alive for its visitors. Marcus: My name is Marcus Bagshaw and I'm what they call a Visitor Services Officer - basically front-of-house. The role is all-encompassing - it's not just the one thing - we get involved in many different elements of customer service. And, I think one of the main reasons we are there, is to embellish the customer experience - provide just that little bit more information that they might not get, ordinarily. So, that means that we do get into some very interesting conversations, long and short. And, of course, working in a place like the Royal Pavilion - visitors are never short of questions.
    [Show full text]
  • Royal Collection Trust Exhibitions and Displays 2020
    CONTACT SHEET Royal Collection Trust Exhibitions and Displays 2020 The Queen’s Gallery, Buckingham Palace George IV: Art & Spectacle Japan: Courts and Culture 15 November 2019 – 3 May 2020 12 June – 8 November 2020 Sir Thomas Lawrence, Iwai Yozaemon, George IV, 1821 Armour (dōmaru), c.1610 Masterpieces from Buckingham Palace 4 December 2020 – September 2021 Pieter de Hooch, Card Players in a sunlit Room, 1658 The Queen’s Gallery, Palace of Holyroodhouse Leonardo da Vinci: A Life in Drawing Eastern Encounters: Four Centuries of Paintings and Manuscripts from the Indian 22 November 2019 – 15 March 2020 Subcontinent 3 April – 13 September 2020 Attributed to Francesco Painting from the Melzi, Leonardo da Vinci, Padshahnama manuscript 1515–18 (‘Book of Emperors’), 1656–7 Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk The Queen’s Gallery, Palace of Holyroodhouse George IV: Art & Spectacle 16 October 2020 – 5 April 2021 Sir David Wilkie, George IV, 1829 Windsor Castle Christmas at Windsor Castle 29 November 2019 – 5 January 2020 The Christmas tree in St George’s Hall, Windsor Castle Palace of Holyroodhouse Christmas at the Palace of Holyroodhouse George Washington Wilson: Queen Victoria’s 6 December 2019 – 6 January 2020 Photographer in Scotland 17 July – 4 October 2020 George Washington Wilson, Queen Victoria on ‘Fyvie’ with John Brown, Balmoral, 20 October 1863 Christmas display in the Throne Room, Palace of Holyroodhouse Press Office, Royal Collection Trust,
    [Show full text]
  • 702231 MODERN ARCHITECTURE a Nash and the Regency
    702231 MODERN ARCHITECTURE A Nash and the Regency the Regency 1811-1830 insanity of George III rule of the Prince Regent 1811-20 rule of George IV (former Prince Regent) 1820-1830 the Regency style lack of theoretical structure cavalier attitude to classical authority abstraction of masses and volumes shallow decoration and elegant colours exterior stucco and light ironwork decoration eclectic use of Greek Revival and Gothick elements Georgian house in Harley Street, London: interior view. MUAS10,521 PROTO-REGENCY CHARACTERISTICS abstract shapes shallow plaster decoration light colouration Osterley Park, Middlesex (1577) remodelled by 20 Portman Square, London, the Adam Brothers, 1761-80: the Etruscan Room. by Robert Adam, 1775-7: the music room MUAS 2,550 MUAS 2,238 ‘Etruscan’ decoration by the Adam brothers Syon House, Middlesex, remodelled by Robert Portland Place, London, Adam from 1762: door of the drawing room by the Adam brothers from 1773: detail MUAS 10,579 MUAS 24,511 shallow pilasters the Empire Style in France Bed for Mme M, and Armchair with Swan vases, both from Percier & Fontaine, Receuil de Décorations (1801) Regency drawing room, from Thomas Hope, Household Furniture and Decoration (1807) Regency vernacular with pilastration Sandford Park Hotel, Bath Road, Cheltenham Miles Lewis Regency vernacular with blind arches and Greek fret pilasters Oriel Place, Bath Road, Cheltenham photos Miles Lewis Regency vernacular with balconies No 24, The Front, Brighton; two views in Bayswater Road, London MUAS 8,397, 8,220, 8,222 'Verandah' [balcony], from J B Papworth, Rural Residences, Consisting of a Series of Designs for Cottages, Decorated Cottages, Small Villas, and other Ornamental Buildings ..
    [Show full text]
  • 2020 ANNUAL FALL BENEFIT LECTURE Sunday, October 25 Via Zoom
    2020 ANNUAL FALL BENEFIT LECTURE Sunday, October 25 via Zoom Welcome and Introduction by Beth Carver Wees President, American Friends of Attingham ‘Such matchless beauty as renders words inadequate’: The Restoration of the Saloon at the Royal Pavilion, Brighton and a Royal Loan of Unparalleled Magnificence David Beevers, Keeper of the Royal Pavilion, Brighton Annabel Westman, Executive Director of the Attingham Trust and textile historian Special thanks to The Royal Pavilion, Brighton; Louis Grant, videographer and to Her Majesty the Queen for permission to film the Royal Loans We gratefully acknowledge the 2020 Annual Fall Benefit Lecture Sponsors Thomas Appelquist & Charles Newman Edward Lee Cave Sheila ffolliott & Shepard Krech III Steven W. Spandle Beth Carver Wees & Dustin Wees Anonymous William T. Hobbs II Cynthia Bronson Altman E. Randolph Hooks Betsy Shack Barbanell Thomas Jayne Margaret Civetta Anne Kenny-Urban Karina Corrigan David Maxfield Nancy deWaart George McNeely Heather Ewing Mary M. Meyer Barbara File David Parsons Amy Freitag Stewart G. Rosenblum Kathryn Calley Galitz Sean Sawyer Michele Beiny Harkins E. Clothier Tepper Fenella and Morrie Heckscher Thanks to the following for contributing to this event: Felicia Fund Merrily Glosband Linda Pasley Mary Riley Smith Presenters David Beevers FSA has been Keeper of the Royal Pavilion, Brighton, since 2007. Before that he was Keeper of Fine Art and Keeper of Preston Manor, also at Brighton. Whilst curator at Tredegar House, Newport, South Wales, he was awarded a Leverhulme scholarship to attend the 1978 Attingham Summer School, a memorable year whose alumni included the late and much missed Giles Waterfield. In 1998 he attended Royal Collection Studies and in 2002, 2009, 2015 and 2017 participated in the Attingham Study Programme.
    [Show full text]
  • An Introduction to Regency Chitectu
    ’ Desi ns f THE N M N L M L W O RKER S D IR EC TO RY Cottin ham 1 824 g rom O R A E TA ETA by L . N . g , AN INTR O D U CTIO N TO R E GE N CY C H I TE C TU PA U L R EI LLY P E L L E G R I N I C U D A H Y N EW Y O R K Pr inted in Great Br itain by S H E N VA L PR E SS LTD and p ublis hed in the U S A . by I N I A Y I N C PE LL E G R C U D H , PREFACE THIS SHORT ES SAY does not pretend to be more than an elementary survey of Regency architecture . Its purpose is to draw attention , by of l way generalization rather than close examination , to the high ights of a brief but beautiful period of English building . I hope that the lay reader will learn enough from the text and the plates to value this fast-vanishin g beauty and to protest energetically when he sees an example of Regency architecture threatened with destruction . of c t I must , course , a knowledge my deb to Mr John Summerson for his Geor ian London his of John Nash g (Pleiades Books) and life , Ar chitec t to Kin Geor e I V U g g (George Allen and nwin Ltd) , both of i re- wh ch I read before starting this present essay .
    [Show full text]
  • Annual Report 2018−2019
    ROYAL COLLECTION TRUST ANNUAL REPORT REPORT COLLECTION TRUST ANNUAL ROYAL 2018−2019 www.rct.uk ANNUAL REPORT 2018−2019 ROYA L COLLECTION TRUST ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2019 www.rct.uk AIMS OF THE ROYAL COLLECTION TRUST CONTENTS In fulfilling The Trust’s objectives, the Trustees’ aims are to ensure that: ~ the Royal Collection (being the works of art ~ the Royal Collection is presented and CHAIRMAN’S FOREWORD 5 held by The Queen in right of the Crown interpreted so as to enhance public DIRECTOR’S INTRODUCTION 7 and held in trust for her successors and for the appreciation and understanding; nation) is subject to proper custodial control PRESENTATION AND PARTICIPATION 9 and that the works of art remain available ~ access to the Royal Collection is broadened Visiting the Palaces 9 to future generations; and increased (subject to capacity constraints) ~ Buckingham Palace 9 to ensure that as many people as possible are ~ The Royal Mews 11 ~ the Royal Collection is maintained and able to view the Collection; ~ Windsor Castle 12 conserved to the highest possible standards ~ Clarence House 12 and that visitors can view the Collection ~ appropriate acquisitions are made when ~ Palace of Holyroodhouse 16 in the best possible condition; resources become available, to enhance Exhibitions 21 the Collection and displays of exhibits Historic Royal Palaces & Loans 33 ~ as much of the Royal Collection as possible for the public. INTERPRETATION 37 can be seen by members of the public; Learning 37 Publishing 39 When reviewing future plans, the Trustees ensure that these aims continue to be met and are CARE OF THE COLLECTION 43 in line with the Charity Commission’s general guidance on public benefit.
    [Show full text]