ANNUAL REPORT 2019-2020 Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

ANNUAL REPORT 2019-2020 Table of Contents Weatherhead East Asian Institute Columbia University International Affairs Building 9th Floor, MC 3333 420 West 118th Street New York, NY 10027 Tel: 212-854-2592 Fax: 212-749-1497 WEATHERHEAD EAST ASIAN INSTITUTE ANNUAL REPORT 2019–2020 COLUMBIA UNIVERSITY COLUMBIA 2019–2020 REPORT INSTITUTE ANNUAL ASIAN EAST WEATHERHEAD weai.columbia.edu ANNUAL REPORT 2019-2020 Table of Contents 1 Letter from the Director 2 2 Weatherhead East Asian Institute 4 3 Research Community 6 4 Publications 21 5 Research Programs of the Weatherhead East Asian Institute and Affiliated Columbia Centers 28 6 Public Programming 32 7 Graduate and Postdoctoral Studies 40 8 Students 42 9 Asia for Educators Program 45 10 Staff of the Weatherhead East Asian Institute 47 11 Funding Sources 48 12 Columbia University Map: Morningside Campus and Environs 49 1 LETTER FROM THE DIRECTOR At the time of writing this letter, the Chinese ephemera items from the C.V. have been conceivable. We therefore Guo to the Institute as a writer-in- world appears to be at a delicate Starr East Asian Library collection. A plan to continue offering webinars even residence. We were also pleased to work turning point. The global series of special events was also held in after in-person events have resumed. alongside postdoctoral research scholars COVID-19 pandemic; collaboration with the Modern Tibetan Recordings from these events are James Gerien-Chen, a historian of modern the proliferation of Studies Program, whose 20th anniversary available on the COVID-19 page on Japan and Japanese imperialism, and misinformation; coincided with WEAI’s 70th. our website. The page features remote Ronan Tse-min Fu, a scholar of East Asian increasingly strained teaching and research resources—with security and China’s politics and foreign relations between the The first months of the spring 2020 term updated and improved remote learning policy. US and East Asia; were exceptionally lively for the Institute. materials, courtesy of Asia for Educators. the protests against Daniel Weiss, CEO and president of the It also features commentary from our It has been a pleasure serving as acting anti-Black racism, Metropolitan Museum of Art, visited experts on the outbreak, which began in director during Professor Eugenia Lean’s police brutality, Columbia to discuss his new book, In Asia and continues to affect the region, leave. When I stepped into this position and racial injustice That Time: Michael O’Donnell and the and which has resulted in discrimination at the end of the fall term, I could not more broadly; and Tragic Era of Vietnam, at a lecture and against Asian communities abroad. I am have imagined the course of events that the development reception hosted as part of the Institute’s also pleased to share that after a yearlong would soon unfold. I thank our faculty of controversial new burgeoning Vietnamese Studies initiative. hiatus, we have relaunched the Institute’s members, for their hard work and technologies have Novelist and filmmaker Xiaolu Guo, alumni newsletter, The Reed. In its new flexibility during these difficult times, forced all of us at the writer-in-residence at WEAI, discussed format, each issue of the newsletter and especially the staff of the Institute, Weatherhead East Asian her work and the “hybrid” voice she uses will center around an important topic who worked tirelessly to adapt and Institute to think critically as an author who writes in both Chinese affecting East, Inner, and Southeast respond to the needs of a changing world. about how we arrived here and and English. Other events included a Asia. I encourage you to read the Spring Finally, I extend my thanks to the WEAI where we are headed next. While we two-part panel discussion on the rise of 2020 issue, which features insight from community for continuing to support us are still processing and working through nationalism and populism, with a focus students, faculty, and alumni on the as we pave new directions in the study of the challenges before us, this moment on the case of Japan; a book talk with COVID-19 pandemic and is available on East Asia. has been an opportunity to reflect on Tibetan-American memoirist Ann Tashi our website. traditions and seek out new approaches Slater; and a discussion with entrepreneur in our study of East, Inner, and Southeast Yan Lan, whose family were diplomats in We also continued to strengthen Sincerely, Asia. I am pleased to share some of the China before the Cultural Revolution. our community in 2019–2020 as we work we have accomplished thus far and welcomed four outstanding scholars to hope you will join us as we continue to The normal spring calendar of events the Institute. Nicola Di Cosmo, a historian test new tools and endeavor to highlight was abruptly cut short with the arrival of China–Inner Asia relations from diverse perspectives and topics. of COVID-19 in New York. In March, prehistory through the modern period, Lien-Hang Nguyen our faculty, researchers, and staff rose joined the Institute as an affiliate faculty Acting Director (Spring 2020) Even before the dramatic turn of events admirably to the challenge of rapidly member, bringing invaluable expertise in early 2020, the 2019–2020 academic adopting new approaches, technology, on the region through the lens of year began at a historic juncture for and tools. We transitioned to online climatology and palaeosciences at a time WEAI. At the start of the fall semester, teaching and learning and continued when such knowledge is so important. we continued an excellent program other academic endeavors through Ramona Bajema joined the Institute as an of events and initiatives marking the remote work and virtual collaboration. associate research scholar. Her research Institute’s 70th anniversary. Notable on a variety of themes related to modern events organized as part of the Recognizing both the need to adapt to Japan, and art and political movements, anniversary series included a panel new realities and our special position as combined with her experience in discussion with Joshua Wong and Brian an institute with a global network, we volunteer and nonprofit work, brings a Leung, two student organizers of the launched a webinar series, “WEAI in a fresh perspective to the Institute. Joining Hong Kong anti-extradition protests; COVID-19 World.” Since launching the the Institute this year as a senior research a colloquium on the legacy of Hồ Chí series, WEAI has hosted four events scholar, Michael C. Davis has quickly Minh held on the 50th anniversary of the focusing on China, Taiwan, and Japan, become an active member of WEAI. With publication of his last will and testament; including a widely watched discussion his established background studying the sixth Urban China Forum; a lecture with Japanese Defense Minister Kono the politics of China and Hong Kong, he by Kanji Yamanouchi, ambassador and Taro, organized jointly with Asia Society. contributed timely and critical insight into consul general of Japan in New York; These webinars have been extremely the escalating pro-democracy protests and a workshop delving into the history successful and open new possibilities for in Hong Kong. Finally, we welcomed of science and technology through collaboration that might not otherwise acclaimed novelist and filmmaker Xiaolu 2 3 2 WEATHERHEAD EAST ASIAN INSTITUTE Since its establishment in 1949 as the East The importance of East Asian studies at Asian Institute, the Institute has been the Columbia is recognized by a wide variety center for modern and contemporary East of funding sources, including the US Asia research, studies, and publication Department of Education, which, since at Columbia, covering China, Japan, 1960, has designated Columbia as an Taiwan, Hong Kong, Korea, Mongolia, East Asia National Resource Center and Tibet, and, increasingly, the countries of provides 3 percent of the Center’s annual Southeast Asia. In 2003, the Institute was funding needs. renamed the Weatherhead East Asian Through its research projects, Institute to honor the generosity of the conferences, and seminars, the Institute Weatherhead Foundation. creates an international forum on The faculty members of the Institute economic, political, and security issues are members of Columbia’s Schools facing East Asia. of Business, Law, International and Public Affairs, Social Work, and Arts and Sciences; and of Barnard College. Annually, the Institute hosts a diverse group of visiting scholars, professionals, Directors of the Weatherhead and students from the United States East Asian Institute and abroad. The mission of the Institute is: Sir George Sansom 1949–1953 Hugh Borton 1953–1958 • To bring together faculty, research C. Martin Wilbur 1958–1964 scholars, and students in an integrated James W. Morley 1964–1967 program of teaching and research on John M. H. Lindbeck 1967–1970 East, Southeast, and Inner Asia; to train James W. Morley 1970–1973 students to understand the countries, Gerald L. Curtis 1973–1975 peoples, and cultures of East and Myron L. Cohen 1975–1976 Southeast Asia in order to enable them Gerald L. Curtis 1976–1984 to function with knowledge of East and James W. Morley 1984–1987 Southeast Asia in academic teaching Gerald L. Curtis 1987–1991 and research, in government service, in Andrew J. Nathan 1991–1992 business, in journalism, and in nonprofit Madeleine Zelin 1992–1993 and nongovernmental organizations. Andrew J. Nathan 1993–1995 • To advance the general understanding Madeleine Zelin 1995–2001 and knowledge of East and Southeast Xiaobo Lü 2001–2003 Asia, both inside and outside the Charles K. Armstrong 2003–2004 University, through meetings, conferences, Xiaobo Lü 2004–2006 publications, and otherwise. Myron L. Cohen 2006–2014 Faculty and scholars at the Institute are Eugenia Lean 2014–2017 distinguished by their interdisciplinary and Madeleine Zelin Fall 2017 multinational focus.
Recommended publications
  • UFO in Her Eyes Free Ebook
    FREEUFO IN HER EYES EBOOK Xiaolu Guo | 208 pages | 07 Jan 2010 | VINTAGE | 9780099526674 | English | London, United Kingdom UFO in Her Eyes - Chinese Independent Film ArchiveChinese Independent Film Archive The database is still under construction and will constantly be updated. A link to the archive catalogue will be added at a later stage. Search the film archive for the film title, director or the year it was made. One very hot afternoon, the life of an anonymous Chinese village woman abruptly changes when she believes that she has just witnessed a UFO flying through the sky. The village chief takes advantage of this unexpected event to boost the UFO in Her Eyes local economy—to stimulate tourism, get government support, and even make contact with the USA. Under a scrutinizing police eye, a collective portrait unfolds Guo Xiaolu is a novelist, UFO in Her Eyes, screenwriter and filmmaker. Falling to the earth, returning to the sky—the inspiration for UFO In Her Eyes comes from two worlds: my personal experience and an intellectual bricolage. The landscapes that surrounded the rural village where I grew up in South China lacked any civilized character. So did the cruel, unimaginable daily life that every peasant faced as they struggled to survive. I remember from my childhood the old people in the village, full of bitterness and dark habits. For me, the old peasants UFO in Her Eyes always the most fascinating people because they had lived through it all. Most of them had grown up with memories of imperial-era slavery, yet now they found the kids around them drinking Coca Cola and playing with iPods.
    [Show full text]
  • “The Limits of My Language Mean the Limits of My World”: Translated
    L’altro sono io | El otro soy yo Scritture plurali e letture migranti | Escrituras plurales y lecturas migrantes a cura di | editado por Susanna Regazzoni, M. Carmen Domínguez Gutiérrez “The Limits of My Language Mean the Limits of My World”: Translated Migrations in Xiaolu Guo’s Novels Martina Codeluppi Università degli Studi di Napoli «L’Orientale», Italia Abstract In the case of migrant writers, the representation of the female body can be considered the most intimate expression of individuality, as well as an expression of the dislocation that often transpires from their stories. In the context of contemporary Chinese literature, which has now become transnational, Xiaolu Guo is a representative example of féminité migrante. Raised in China, she emigrated to the UK as an adult, and relies mainly on the English language to codify her literary creativity. This study focuses on the analysis of the relationship between space and language, and between body and translation. It will explore two novels by Xiaolu Guo through a linguistic/comparative approach and a spatial analysis of the literary text. Keywords Xiaolu Guo. Chinese migrant literature. Translingualism. Translation. Lit- erary space. Summary 1 Fragments of Migrant Literature. – 2 Translations, Bodies, and Subjects. – 3 The Language of Displacement. – 4 The Spaces of Migration. – 5 Conclusions. 1 Fragments of Migrant Literature Nowadays, the panorama of contemporary Chinese migrant literature is un- deniably characterised by a geographical variety and a linguistic mélange that
    [Show full text]
  • Xiaolu Guo: 'Growing up in a Communist Society with Limited
    Xiaolu Guo: 'Growing up in a communist society with limited... http://www.theguardian.com/books/2014/may/30/xiaolu-guo... Search Xiaolu Guo: 'Growing up in a communist society with limited freedom, you're a spiky, angry rat' The Chinese film-maker and fiction writer on Tiananmen Square, political martyrdom and learning to live in Hackney Interview by Maya Jaggi The Guardian, Friday 30 May 2014 17.00 BST 'I can’t believe anything’s freer in one state or another – it’s just degrees' … Xiaolu Guo. Photograph: Christian Sinibaldi for the Guardian The film-maker and fiction writer Xiaolu Guo was a schoolgirl in a fishing village in south China when the Tiananmen Square student protests erupted 25 years ago. She was 15, and desperate to join her elder brother, a Beijing student on hunger strike. "He was in the square, calling back home, 'We've quit eating. We're putting up tents.' I was enthusiastic," she recalls. "I believed China would change, or at least we'll have democratic elections." Her parents held her back; her artist father spent 15 years in a prison camp in the 50s and during the cultural revolution for wanting to paint. "But we thought, it's the 80s now." I am China Her brother survived the tanks and bullets unleashed on 4 June by Xiaolu Guo 1 of 6 05/10/2014 19:26 Xiaolu Guo: 'Growing up in a communist society with limited... http://www.theguardian.com/books/2014/may/30/xiaolu-guo... 1989. But when Guo arrived at the Beijing Film Academy four years later, the long purge was under way.
    [Show full text]
  • History of the City of New York Syllabus
    History of the City of New York Columbia University- Fall 2001 Professor Kenneth T. Jackson History 4712 603 Fayerweather Hall Tues. & Thurs. 1:10pm-2:25pm- [email protected] 417 International Affairs Building “The city, the city my Dear Brutus – stick to that and live in its full light. Residence elsewhere, as I made up my mind in early life, is mere eclipse and obscurity to those whose energy is capable of shining in Rome.” Marcus Tullius Cicero “New York City, the incomparable, the brilliant star city of cities, the forty-ninth state, a law unto itself, the Cyclopean Paradox, the inferno with no out-of-bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to the definit ion of a metropolis – it stays up all night. But also it becomes a small town when it rains.” John Gunther “If you live in New York, even if you’re Catholic, you’re Jewish.” Lenny Bruce “There is no question there is an unseen world; the question is, how far is it from midtown, and how late is it open?” Woody Allen “I am not afraid to admit that New York is the greatest city on the face of God’s earth. You only have to look at it from the air, from the river, from Father Duffy’s statue. New York is easily recognizable as the greatest city in the world, view it any way and every way – back, belly, and sides.” Brendan Behan “Is New York the most beautiful city in the world? It is not far from it.
    [Show full text]
  • The Case of Xiaolu Guo Book Section
    Open Research Online The Open University’s repository of research publications and other research outputs The problematics and performance of self-translation: The case of Xiaolu Guo Book Section How to cite: Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36. For guidance on citations see FAQs. c 2019 Taylor Francis https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: https://www.routledge.com/Hybrid-Englishes-and-the-Challenges-of-and-for-Translation-Identity-Mobility/Bennett-Barros/p/book/9781138307407 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Chapter 2 The problematics and performance of self-translation: The case of Xiaolu Guo Fiona Doloughan, The Open University (UK) Introduction As Friedrich Dürrenmatt Visiting Professor of World Literature at the University of Bern, Chinese-British novelist and film-maker Xiaolu Guo gave a series of seminars (spring 2018) on hybridism and migrant literature. In her online introduction to the series, she indicated that the focus is “on authors who express themselves in a non-native language, writers such as Joseph Conrad, Vladimir Nabokov, Eva Hoffman, Ha Jin, Aleksandar Hemon” (Guo, 2018).
    [Show full text]
  • View and Download Fall 2018
    GROVE PRESS Hardcovers SEPTEMBER A frank, smart, and captivating memoir by the daughter of Apple founder Steve Jobs Small Fry A Memoir Lisa Brennan-Jobs MARKETING “Here is a literary coming-of-age memoir of the highest order, the story of a Brennan-Jobs has written for Vogue, child trying to fi nd her place between two radically different parents, identities, O Magazine, Southwest Review, and worlds. Compassionate, wise, and fi lled with fi nely-wrought detail, Small Massachusetts Review, and The Fry is a wonder of a book, and Lisa Brennan-Jobs is a wonder of a writer.” Harvard Advocate, among others —Jamie Quatro, author of Fire Sermon prepublication reading copies e-galleys available on NetGalley orn on a farm and named in a fi eld by her parents—artist Chrisann Brennan and Edelweiss and Steve Jobs—Lisa Brennan-Jobs’s childhood unfolded in a rapidly 4-city tour Bchanging Silicon Valley. When she was young, Lisa’s father was a mythi- (Boston • New York City • Los Angeles • cal figure who was rarely present in her life. As she grew older, her father took San Francisco) an interest in her, ushering her into a new world of mansions, vacations, and national TV and radio interviews private schools. His attention was thrilling, but he could also be cold, critical, major review coverage and unpredictable. When her relationship with her mother grew strained in online reviews and features high school, Lisa decided to move in with her father, hoping he’d become the national print and feature attention parent she’d always wanted him to be.
    [Show full text]
  • Xiaolu Guo's Internal Lineage of Exile
    Gabriela S. Lemos University of Texas at San Antonio THE TRANSLINGUAL ARTIST’S PRE-EXISTING CONDITION: XIAOLU GUO’S INTERNAL LINEAGE OF EXILE Abstract: Translingual writers, with their unique ability to master affecting prose or poetry in more than one language, offer particularly fascinating queries of research. Xiaolu Guo is one such translingual writer who, as both a novelist and filmmaker, also creates art in more than one medium. Few artists have accomplished the level of complexity inherent in creating profound work in both varied mediums of art and different languages. Exploring the unique drives that allow these multidimensional artists to access disparate planes of creative ability is a worthy direction of analysis. Yet, as an artist who innately inhabits varying identities and statuses, the translingual writer denies easy categorization and simplified attempts at labeling identity. The artist’s unique translingual ability, unsurprisingly, often accompanies immigrant or exile status but, as Guo’s 2017 memoir, Nine Continents: A Memoir in and Out of China insightfully demonstrates, displacement and exile are not conditions solely relegated to the realm of geopolitical borders. Instead, what becomes clear through Guo’s painful and captivating memoir is a pattern of internal exile reaching far back into her lineage, which precedes the artist’s experience of external alienation through immigration. This poignant state of pre-existing internal exile is a determinative concept that frequently lies at the root of many translingual artists’ formative experiences. This essay explores the phenomenon of a pre-existing internal exile among translingual artists, especially as it appears throughout Xiaolu Guo’s 2017 memoir, Nine Continents.
    [Show full text]
  • UNIONS and the MAKING of the MODERATE REPUBLICAN PARTY in NASSAU COUNTY, NEW YORK by LILLIAN DUDKIEWICZ-CLAYM
    LIFE OF THE PARTY: UNIONS AND THE MAKING OF THE MODERATE REPUBLICAN PARTY IN NASSAU COUNTY, NEW YORK By LILLIAN DUDKIEWICZ-CLAYMAN A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Dorothy Sue Cobble And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey JANUARY, 2019 ABSTRACT OF THE DISSERTATION Life of the Party: Unions and the Making of the Moderate Republican Party in Nassau County, New York By LILLIAN DUDKIEWICZ-CLAYMAN Dissertation Director: Dorothy Sue Cobble Since county incorporation in 1899, the Nassau County Republican Party has identified with the moderate wing of the party. A key component of its moderate views lies in its support of workers and organized labor. This dissertation describes the evolution of the partnership between organized labor and the Nassau Republican Party and shows how organized labor contributed to the emergence of a strong political Republican machine. Support for organized labor became necessary to the survival and success of the Nassau County Republicans. At the same time, I argue, organized labor thrived in Nassau County in part because of its partnership with moderate Republicans. This mutually beneficial interaction continued into the twenty-first century, maintaining the Nassau County Republican Party as moderates even as the national GOP has moved to the extreme right. Historians and scholars have studied the history of the Nassau County Republican Party and its rise as a powerful political machine.
    [Show full text]
  • Download Spring 2017
    Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Spring 2017 GROVE ATLANTIC 154 West 14th Street, 12 FL, New York, New York 10011 ATLANTIC MONTHLY PRESS Hardcovers AVAILABLE IN MARCH A collection of essays from “the Henry Miller of food writing” (Wall Street Journal)—beloved New York Times bestselling writer Jim Harrison A Really Big Lunch Meditations on Food and Life from the Roving Gourmand Jim Harrison With an introduction by Mario Batali MARKETING “[A] culinary combo plate of Hunter S. Thompson, Ernest Hemingway, Julian A Really Big Lunch will be published on the Schnabel, and Sam Peckinpah . Harrison writes with enough force to make one-year anniversary of Harrison’s death your knees buckle.” —Jane and Michael Stern, New York Times Book Review on The Raw and the Cooked There was an enormous outpouring of grief and recognition of Harrison’s work at the ew York Times bestselling author Jim Harrison was one of this coun- time of his passing in March 2016 try’s most beloved writers, a muscular, brilliantly economic stylist Harrison’s last book, The Ancient Minstrel, Nwith a salty wisdom. He also wrote some of the best essays on food was a New York Times and national around, earning praise as “the poet laureate of appetite” (Dallas Morning bestseller, as well as an Amazon Editors’ News). A Really Big Lunch, to be published on the one-year anniversary of Best Book of the Month. It garnered strong Harrison’s death, collects many of his food pieces for the first time—and taps reviews from the New York Times Book into his larger-than-life appetite with wit and verve.
    [Show full text]
  • Open Research Online Oro.Open.Ac.Uk
    Open Research Online The Open University’s repository of research publications and other research outputs Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo Book Section How to cite: Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167. For guidance on citations see FAQs. c 2018 Routledge https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: https://www.routledge.com/Multilingual-Currents-in-Literature-Translation-and-Culture/Gilmour-Steinitz/p/book/9781138120532 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 7. Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo Fiona Doloughan This chapter will position translation as a particular mode of reading and of writing that draws not only on critical engagement with ‘source’ texts but also on the creative potentials of interaction between languages and cultures in the production of a ‘target’ text. Writers for whom English is not the sole means of communication or of expression, and whose circumstances or history are such that they have crossed cultures, tend to have increased awareness of cultural relativity and linguistic difference.
    [Show full text]
  • Narrative Theory and the Poetics of Story and Plot 169
    THEORY AND INTERPRETATION OF NARRATIVE THE FOR OF PLOT POETICS A James Phelan, Peter J. Rabinowitz, and Katra Byram, Series Editors TWENTY-FIRST CENTURY TWENTY-FIRST “Brian Richardson’s ever-expanding knowledge of world historical li terature—ancient and contemporary, arcane and canonical—allows him, seemingly without effort, to put things in a fresh light—a rare pleasure in academic prose.” —H. PORTER ABBOTT A POETICS OF Story, in the largest sense of the term, is arguably the single most important aspect of narrative. But with the proliferation of antimimetic writing, traditional narrative theory has been inadequate for conceptualizing and theorizing a vast body of innovative narratives. In A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives, Brian Richardson proposes a new, expansive model PLOT for understanding story and plot, including beginnings, endings, temporality, and FOR THE unusual narrative progressions. While he focuses on late modernist, postmodern, and contemporary narratives, the study also includes many earlier works, unruly narratives theorizing spanning from Aristophanes and Shakespeare through James Joyce and Virginia TWENTY-FIRST Woolf to Salman Rushdie and Angela Carter. By exploring fundamental questions about narrative, Richardson provides a CENTURY detailed, nuanced, and comprehensive theory that includes neglected categories of storytelling and significantly enhances our treatment of traditional areas of analysis. Ultimately, this book promises to transform and expand the study of story and plot. theorizing unruly narratives RICHARDSON BRIAN RICHARDSON is Professor of English and Comparative Literature at the University of Maryland, College Park, and author of Unnatural Narrative: Theory, History, and Practice (OSU Press, 2015). COVER DESIGN: Laurence J.
    [Show full text]
  • A Film by Xiaolu Guo
    MUSIC BY MOCKY SHI KE UDO KIER A FILM BY XIAOLU GUO WWW.UFOINHEREYES.COM WRITTEN AND DIRECTED BY SABOTAGE SISTER A.K.A. XIAOLU GUO DIRECTOR OF PHOTOGRAPHY MICHAL TYWONIUK ART DIRECTOR JUN YAO DIRECTOR OF SOUND PHILIPPE CIOMPI EDITOR NIKOLAI HARTMANN ORIGINAL MUSIC BY MOCKY COPRODUCER NDR/ARTE COMMISSIONING EDITORS JEANETTE WÜRL ANDREAS SCHREITMÜLLER ASSOCIATE PRODUCERS ALBERTO FANNI FLAMINIO ZADRA EXECUTIVE PRODUCER FATIH AKIN PRODUCED BY KLAUS MAECK STARRING SHI KE UDO KIER BASED ON THE NOVEL “UFO IN HER EYES” BY XIAOLU GUO PRODUCED BY CORAZÓN INTERNATIONAL IN CO-PRODUCTION WITH NDR/ARTE IN association WITH DORJE FILM SYNOPSIS Simple woman Kwok Yun leads a peasant’s life in is blind to the dangers such radical change can the peaceful mountains around remote Three-Headed bring, especially to the environment. Bird Village. She lives with her grandfather and works as a laborer. She has no dreams of a differ- Kwok Yun is also transformed into the shining ex- ent life, no great plans for the future. ample of a “model peasant.” She is promoted and groomed for a bright new future by pushy Chief One day, after a countryside tryst with a married Chang. But Kwok Yun’s heart is whispering that man, Kwok Yun sees a UFO – a giant glowing thing she’s destined for something more than the govern- in the shape of a dumpling! Later that same day, ment’s power-hungry plans ... she also helps a snake-bitten American business- man, who disappears as mysteriously as the UFO. The ambitious village leader Chief Chang uses Kwok Yun’s unexpected events for political gain.
    [Show full text]