The New Master Plan of Rome: a Plan Without Strategy1
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The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
Regione Lazio
REGIONE LAZIO Direzione: POLITICHE ABITATIVE E LA PIANIFICAZIONE TERRITORIALE, PAESISTICA E URBANISTICA Area: SUPPORTO AI COMUNI PER LA PIANIFICAZIONE URBANISTICA, IL RECUPERO DEI CENTRI STORICI E LA RIQUALIFICAZIONE URBANA DETERMINAZIONE (con firma digitale) N. G13489 del 13/11/2020 Proposta n. 17157 del 06/11/2020 Oggetto: L.R.38/1999-DGR n.855 del 20/12/2018- Bando di concessione contributi ai Comuni, ad esclusione di Roma Capitale, per la realizzazione di opere e lavori pubblici finalizzati alla tutela e al recupero degli insediamenti urbani storici, ex L.R. n. 38/1999. Presa d'atto dei lavori della Commissione. Proponente: Estensore LO GATTO GIULIA _________firma elettronica______ Responsabile del procedimento LO GATTO GIULIA _________firma elettronica______ Responsabile dell' Area F. BISOGNI __________firma digitale________ Direttore Regionale M. MANETTI __________firma digitale________ Firma di Concerto Pagina 1 / 12 Richiesta di pubblicazione sul BUR: SI OGGETTO: L.R.38/1999-DGR n.855 del 20/12/2018- Bando di concessione contributi ai Comuni, ad esclusione di Roma Capitale, per la realizzazione di opere e lavori pubblici finalizzati alla tutela e al recupero degli insediamenti urbani storici, ex L.R. n. 38/1999. Presa d’atto dei lavori della Commissione. IL DIRETTORE DELLA DIREZIONE PER LE POLITICHE ABITATIVE E LA PIANIFICAZIONE TERRITORIALE, PAESISTICA E URBANISTICA Su proposta del Dirigente dell’Area Supporto ai Comuni per la Pianificazione Urbanistica il Recupero dei Centri storici e la Riqualificazione Urbana VISTA la Legge statutaria 11 novembre 2004, n. 1 “Nuovo Statuto della Regione Lazio”; VISTA la Legge regionale 18 febbraio 2002, n. 6 e successive modificazioni “Disciplina del sistema organizzativo della Giunta e del Consiglio e disposizioni relative alla dirigenza ed al personale regionale”; VISTO il regolamento regionale 6 settembre 2002, n. -
Carta Municipale IV Municipio Quadro Di Insieme Roma Capitale
Carta Municipale IV Municipio Quadro di Insieme Roma Capitale 2 Anagrafica del Municipio IV Il Territorio 3 Anagrafica del Municipio IV Distribuzione della popolazione nelle AET (Numero di residenti) ESTENSIONE LINEARE RETE POPOLAZIONE RESIDENTE AET CODICE MUNICIPIO SUPERFICIE AET (m2) POPOLAZIONE RESIDENTE (2) STRADALE AET (1) (m) PER Km2 CASAL BERTONE A05AA 4 11.766 523.906 18.739 35.919 PORTONACCIO A05AB 4 14.821 803.541 2.744 3.430 MONTI DI PIETRALATA A05AC 4 18.459 1.296.838 9.146 7.082 DURANTINI A05AD 4 17.460 798.384 5.205 6.547 PIETRALATA A05AE 4 26.273 2.155.764 4.179 1.946 CASAL BRUCIATO A05AF 4 8.002 344.325 2.316 6.755 FIORENTINI A05AG 4 12.792 1.204.636 1.796 1.497 TIBURTINA INTERNA A05AH 4 5.241 92.000 741 8.054 CASALE SAN BASILIO A05BA 4 37.677 1.862.109 20.270 10.932 SAN BASILIO A05BB 4 24.370 1.401.017 14.655 10.504 TIBURTINA ESTERNA A05BC 4 15.612 771.745 544 709 CASAL DE PAZZI A05BD 4 32.203 2.594.357 23.560 9.119 TORRACCIA - CASAL MONASTERO A05BE 4 77.882 9.021.766 15.852 1.765 SETTECAMINI A05BF 4 34.256 6.379.281 8.891 1.400 CASE ROSSE - TECNOPOLO A05BG 4 85.088 6.373.258 15.654 2.467 MESSI D'ORO A05CA 4 22.436 1.394.225 6.754 4.865 FORTE TIBURTINO A05CB 4 13.442 1.145.576 5.074 4.448 TIBURTINO III A05CC 4 22.769 1.048.982 5.164 4.944 KANT A05CD 4 28.970 2.020.454 4.649 2.311 TOR CERVARA A05CE 4 28.421 5.631.774 6.229 1.111 COLLI ANIENE A05CF 4 20.367 1.412.067 4.577 3.255 TOTALE 21 558.307 48.276.005 176.738 (1) Per «estensione lineare rete stradale AET» si intende la somma delle lunghezze delle singole carreggiate stradali (lato destro e lato sinistro) (2) Distribuzione della popolazione - Numero abitanti iscritti in anagrafe (Fonte “U.O. -
In Lazio, Umbria E Toscana Ci Sono Antichi Borghi Dove Rivivere Culture E Tradizioni Di Un Tempo. Tour Operator
Tour Operator In Lazio, Umbria e Toscana ci sono antichi borghi dove rivivere culture e tradizioni di un tempo. Tour Operator Pensiamo e realizziamo viaggi per vivere le tradizioni ancora custodite in luoghi lontani dal turismo di massa. “Ogni volta che costruisco un tour per un cliente la mia mente vola in quei luoghi. È come se fossi lì a respirare quell’aria... Che bello! È affascinante e straordinariamente coinvolgente. Amo il mio lavoro” Stefano Capoccioni Try Nature www.trynature.it 1 La città scelta dai Papi, nel cuore della Tuscia. viterbo Dal contrasto tra le vecchie e le nuove tendenze artistiche gli umili costruttori viterbesi del dodicesimo secolo seppero trarre, con innato e tradizionale senso dell’arte, gli elementi per abbellire ed in- gentilire le loro case creando un proprio stile che desta sorpresa e ammirazione. Non per la grandiosità degli edifici, sibbene per la originalità dei particolari per la eleganza degli ornati, per l’ardi- tezza delle scale esterne o per lo slancio dei balconi, ogni abitazione, anche la più modesta, si distingue e si nobilita nell’ar- monia dell’insieme. Forse è per questo che tutto il quartiere di San Pellegrino ha conservato pressoché immutato, per tanti secoli, il suo origi- nario aspetto attraverso il quale pare di sentire lo spirito. A.D. 1961 Associazione Amici dei Monumenti 2 3 Questo borgo è stato nei secoli chiamato dai poeti “La città che muore” per via dei lenti franamenti della montagna sulla quale è adagiato; oggi, come uno scrigno, conserva le culture e le tradizioni di un tempo. -
Statistiche Regionali Lazio 2019
Statistiche regionali Il mercato immobiliare residenziale LAZIO data di pubblicazione: 4 giugno 2019 periodo di riferimento: anno 2018 a cura della Direzione Regionale Lazio (Moreno Balestro) in collaborazione con Ufficio Provinciale Territorio di Roma (Emanuela Fantaccione) Direzione provinciale di Frosinone – Ufficio Provinciale Territorio (Giovanni De Vincentis) Direzione provinciale di Latina – Ufficio Provinciale Territorio (Angela Sileo) Direzione provinciale di Rieti – Ufficio Provinciale Territorio (Alessandro Micheli) Direzione provinciale di Viterbo – Ufficio Provinciale Territorio (Laura Mencarini) Direzione Centrale Servizi Estimativi e Osservatorio Mercato Immobiliare [email protected] data di pubblicazione: 4 giugno 2019 periodo di riferimento: anno 2018 Le informazioni rese nella presente nota sono di proprietà esclusiva dell’Agenzia delle Entrate. Non è consentito vendere, affittare, trasferire, cedere i dati contenuti in questa pubblicazione, o assumere alcune altre obbligazioni verso terzi. Le informazioni possono essere utilizzate, anche ai fini della loro elaborazione, purché, nel caso di pubblicazione, venga citata la relativa fonte. Indice Il mercato immobiliare residenziale della regione ....................................................................................................................................3 Le compravendite ................................................................................................................................................................................4 -
Rome: a New Planning Strategy
a selected chapter from Rome: A New Planning Strategy by Franco Archibugi draft of a forthcoming book to be published by Gordon and Breach, New York an overview of this book CHAPTER 5: THE NEW STRATEGY FOR ROME 1. The "Catchment Areas" of the New "Urban Centres" 2. The Spatial Distribution of the Catchment Areas Table 2 - Catchment Areas of the Roman Metropolitan System (by thousands of inhabitants) 3. What decentralization of services for the new "urban centres"? 4. What "City Architecture"? 5. What Strategy for "Urban Greenery"? 6. Programmed Mobility 7. A "Metropolitan" Residentiality Notes References Further Reading THE NEW STRATEGY FOR ROME Authentic "polycentrism", therefore, is founded first of all on an evaluation of the "catchment areas" of the services that define it. The location of the centers and infrastructures of such services is a subsequent question (we would say "secondary" if with this adjective is meant not inferiority in importance, but rather a temporal and conceptual subordination). The polycentrism supported here in Rome means, first of all, a theoretical assignation of the potentiality of the catchment area of the Roman system to respective "units" of service that locationally assume the 1 role of realizing the objectives, reasserted by everybody numerous times of: integrating functions, improving accessibility, distances, traveling times, not exceeding the thresholds that have been indicated as "overloading". The locational problem of the new strategy therefore, is posed as a problem of not letting all the users participate in any function in any part of the system (the 2,8 million Roman citizens plus the by now recognized other 700 thousand citizens of the Roman "system"); but to functionally distribute the services in such a way as to not render "indifferent" (but on the contrary very.. -
Frank Lloyd Wright in Venice and the Masieri Memorial
MODERNISM CONTESTED: FRANK LLOYD WRIGHT IN VENICE AND THE MASIERI MEMORIAL DEBATE by TROY MICHAEL AINSWORTH, B.A., M.A. A DISSERTATION IN LAND-USE PLANNING, MANAGEMENT, AND DESIGN Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Michael Anthony Jones Co-Chairperson of the Committee Bryce Conrad Co-Chairperson of the Committee Hendrika Buelinckx Paul Carlson Accepted John Borrelli Dean of the Graduate School May, 2005 © 2005, Troy Michael Ainsworth ACKNOWLEDGMENTS The task of writing a dissertation is realized through the work of an individual supported by many others. My journey reflects this notion. My thanks and appreciation are extended to those who participated in the realization of this project. I am grateful to Dr. Michael Anthony Jones, now retired from the College of Architecture, who directed and guided my research, offered support and suggestions, and urged me forward from the beginning. Despite his retirement, Dr. Jones’ unfaltering guidance throughout the project serves as a testament to his dedication to the advancement of knowledge. The efforts and guidance of Dr. Hendrika Buelinckx, College of Architecture, Dr. Paul Carlson, Department of History, and Dr. Bryce Conrad, Department of English, ensured the successful completion of this project, and I thank them profusely for their untiring assistance, constructive criticism, and support. I am especially grateful to James Roth of the John F. Kennedy Library in Boston, Massachusetts, for his assistance, and I thank the John F. Kennedy Library Foundation for awarding me a research grant. Likewise, I extend my thanks to the Ernest Hemingway Foundation and Society for awarding me its Paul Smith-Michael Reynolds Founders Fellowship to enable my research. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2018 SPRING 2018 Welcome to the Spring 2018 issue UP FRONT IN CLOSING of AAR Magazine. 2 33 LETTER FROM THE PRESIDENT DONORS This issue highlights recent work and collabora- tions by our Rome Prize winners and Italian Fellows. 4 36 Because this year was the tenth anniversary of the FAR AFIELD WHEN IN ROME Scharoun Ensemble Berlin in Rome, we reflect on Checking in with past Fellows and Residents Three Fellows share their favorite places in Rome how the concert series began. The spring issue also anticipates a solo show of new work by Yto Barrada, 6 the Roy Lichtenstein Artist in Residence from last INTRODUCING fall, which—along with the Patricia H. Labalme The 2018–2019 Rome Prize winners Friends of the Library Lecture by Mary Roberts in and Italian Fellows March and a conference on Islamic art and architec- ture in May—are the culminating events of East and 10 West, the Academy’s thematic series of events for FROM THE ARCHIVES 2017–18. Ten years of Scharoun Ensemble Berlin Finally, we are excited to announce the 2018–19 Rome Prize winners and Italian Fellows! 11 IN RESIDENCE Vi diamo il benvenuto all’edizione Spotlighting recent Residents primaverile 2018 dell’AAR Magazine. 15 CONVERSATIONS/ CONVERSAZIONI Questo numero dà spazio alle opere e alle collabora- This season’s discussions in Rome and the US zioni recenti dei vincitori del Rome Prize e dei nostri Italian Fellows. Poiché quest’anno ricorre il decimo anniversario dello Scharoun Ensemble Berlin a Roma, ripercorriamo la storia della serie di concerti. -
Italia'61 a Century of Italian Architecture, 1861-19611
PERIODICA POLYTECHNICA SER. ARCHITECTURE VOL. 30', NOS. 1-4, PP. 77-96 (1992) ITALIA'61 A CENTURY OF ITALIAN ARCHITECTURE, 1861-19611 Ferenc MERENYI Institute of History and Theorie of Architecture, Technical University of Budapest H-1.521 Budapest, Hungary This idea of mine and then the intention to get to know more throroughly, with its interconnecctions and contradictions, the architecture of a country which has an extremely complex historical past, and yet is barely one hun dred years old, was finally conceived, although not without antecedents, in the April of 1961. That spring Turin, the 'capital' of FIAT, was preparing for centenary festivities. One hundred years before, on the 17th March of 1861, after the adhering of Tuscany, and then Sicily, Naples, the Marches (Marche) and Umbric., the Parliament of Turin proclamed Victor Emman ual II King of Italy and thus, with the exception of Venice and Rome for the time being, unified Italy was born. To celebrate this historical event the city of Turin and the executives of the FIAT works organized a large national exhibition 'Italia'61', displaying the economic, social, political and cultural development and results of the one hundred years. \Vell, that specific April morning I shared with Italian and foreign colleagues the unforgettable ex perience of having the chance to stand in the middle of the Palazzo del Lavoro, the Labour Hall, (Fig. 1) just before completion, and to listen to the wise and patient answers of Professor PIER LmGI NERVI to questions not always benevolent. A wanton 'forest of columns?' He answered with a sligthly wry smile of the scholar forced to give explanations: ' No, signori .. -
Roma, C. 1955: Arquitectura Y Representación En Los Márgenes De La Ciudad Rome, C
Roma, c. 1955: Arquitectura y representación en los márgenes de la ciudad Rome, c. 1955: Architecture and representation at the margins of the city DAVID ESCUDERO David Escudero, “Roma, c. 1955: Arquitectura y representación en los márgenes de la ciudad”, ZARCH 14 (junio 2020): 160-175. ISSN versión impresa: 2341-0531 / ISSN versión digital: 2387-0346. https://doi.org/10.26754/ojs_zarch/zarch.2020144300 Recibido: 26-11-2019 / Aceptado: 04-04-2020 Resumen Durante la reconstrucción de Italia tras la Segunda Guerra Mundial, la periferia de Roma fue objeto de debate arquitectónico y urbano. Ciertas voces de la crítica, impregnadas del ambiente cultural del neorrealismo, pusieron el foco en la vida cotidiana y el problema del habitar y captaron las relaciones humanas que tenían lugar en los márgenes de la ciudad. La zona noreste, a orillas del río Aniene, atrajo especialmente la atención como umbral entre campo y ciudad, entre barracas y urbanización. Allí se construyeron el Quartiere Tiburtino y las Torres en Viale Etiopia, dos proyectos de vivienda ampliamente estudiados por la historia y la teoría de la arquitectura y ligados entre sí como punta de lanza del neorrealismo en arquitectura. El artículo indaga en el ambiente de la periferia de aquella Roma con el objetivo de revelar el modo en que la representación fotográfica intervino en la recepción de ambos proyectos y les atribuyó significados. Por un lado, examina cómo la fotografía contribuyó a la asociación crítica entre ambos barrios a pesar de sus notables divergencias y, a su vez, a la vinculación de estos con el neorrealismo. -
P-AIR Magyarország Kft
P-AIR Magyarország Kft Barcelona Belgrad Bruksela Budapeszt Bukareszt Cluj-Napoca Eindhoven Gdańsk Katowice Kraków Liverpool Londyn Madryt Mediolan Paryż Praga Rzym Sofia Targu Mures Warszawie Wenecja Wilno Informacje z transferu Usługa zamówiona przez Ciebie jest typu "shared shuttle"; tym samym autobusem przewozimy innych pasażerów, z innych adresów. Przewóz zostanie potwierdzony dopiero po podaniu przez pasażera adresu wsiadania/wysiadania. Usługa ta umożliwia wyłącznie przewóz pomiędzy lotniskiem Rzym Ciampino (CIA) a dowolnym miejscem w obrębie miasta Rzym. Na lotnisku Ciampino nasz kierowca oczekuje w głównego budynku Terminala. Zaraz po załatwieniu odprawy przylotowej przejdź niezwłocznie na punkt spotkania. W Rzymie kierowca będzie oczekiwać przed recepcją hotelu, w przypadku adresu prywatnego przed domem. Bądź gotowy do drogi na 15 minut przed wyznaczonym czasem odjazdu, w mieście kierowca może przyjechać po Ciebie 15 minut wcześniej lub później w stosunku do podanej poniżej godziny. Jeżeli zmieniasz termin podróży z Wizzair, prześlij nam nowe dane dotyczące podróży najpóźniej na dwa dni robocze przez dotychczasowym i nowym terminem, ponieważ zmiany nie dokonujemy automatycznie. Jeżeli zrezygnujesz z transferu, możesz to uczynić zgodnie z warunkami umowy przewozu, to znaczy musisz nawiązać z nami kontakt, na, co najmniej dwa dni robocze przed podróżą. Nie mamy możliwości zwrotu pieniędzy za transfer, jednakże w ciągu jednego roku możesz wykorzystać bilet na transfer lub przekazać go komuś innemu. Jeżeli lot został odwołany, zgłoś -
Best of Rome 2019
©Lonely Planet Publications Pty Ltd Welcome to Rome Even in a country of exquisite cities like Italy, Rome is special. Epic, hot-blooded and achingly beautiful, it’s a heady mix of haunting ruins, awe-inspiring art, iconic monuments and vibrant street life. Rome’s historic cityscape, the result of 3000 years ROME of ad hoc urban development, is an exhilarating spectacle. Ancient icons such as the Colosseum, TOP SIGHTS, AUTHENTIC EXPERIENCES Roman Forum and Pantheon recall its golden age as caput mundi (capital of the world), while barn- storming basilicas testify to its historical role as seat of the Catholic Church. The city’s artistic heritage is also astonishing. Throughout history, Rome has starred in the great upheavals of Western art, drawing the top artists of the day and inspiring them to push the boundaries of creative achievement. The result is a city awash with priceless treasures. Ancient statues adorn world-class museums, Byzantine mosaics and Renaissance frescoes dazzle in art-rich churches, baroque fountains embellish medieval piazzas. Walk around the centre and without even trying you’ll come across masterpieces by the likes of Michelangelo, Caravaggio, Raphael and Bernini. But a trip to Rome is as much about lapping up the dolce vita lifestyle as gorging on art and culture. Whiling away hours at streetside cafes, idling on pretty piazzas, dining in boisterous neighbourhood trattorias – these are all an integral and enjoyable part of the Roman experience. Rome is special...epic, Duncan Garwood, Nicola Williams hot-blooded and achingly beautiful St Peter’s Basilica at dusk MAPICS/SHUTTERSTOCK © £# 0 500 m e# 0 0.25 miles 2 PLAN YOUR TRIP ROME Villa Borghese & Northern Rome # Villa BoEncompassesrghese & the glorious park of Villa Museo e Basilica di NortherBorghesen Rom ande the â# Galleria Santa Maria city’s cultural hub.