Counter Terrorist Trends and Analyses (CTTA) March 2020 Issue
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Bab I Pendahuluan
BAB I PENDAHULUAN 1.1. Latar Belakang Penelitian Indonesia merupakan bangsa yang kaya akan budaya, dari Sabang sampai Merauke terhampar ragam suku, bahasa dan budaya yang berbeda dari yang lainnya. Inilah yang membedakan Indonesia dari bangsa lain sehingga menjadikan Indonesia sangat kaya akan keragaman, dan secara tidak langsung ini menjadi daya tarik bagi pengunjung dari mancanegara untuk berlibur disini. Budaya menjadi salah satu kebanggaan Indonesia dalam memperlihatkan jati dirinya sebagai negara yang sangat kaya. Akan tetapi dengan banyaknya budaya yang ada dan masuknya budaya luar menjadi dampak buruk kepada generasi penerus, dikarenakan mereka tidak mengenali budayanya dan pengertian terhadap budaya itu sendiri. Budaya merupakan suatu hal yang bisa dijadikan identitas unik dan khas bagi suatu daerah. Budaya adalah suatu cara hidup yang terdapat pada sekelompok manusia, yang berkembang dan diwariskan secara turun-temurun dari generasi ke generasi. Ada pula yang mengartikan bahwa budaya adalah suatu pola hidup yang tumbuh dan berkembang pada sekelompok manusia yang mengatur agar setiap individu mengerti apa yang harus dilakukan, dan untuk mengatur tingkah laku manusia dalam berinteraksi dengan manusia lainnya. 1 2 Secara bahasa, “budaya” berasal dari bahasa Sansekerta, yaitu Buddhayah yang merupakan bentuk jamak dari kata Buddhi dimana artinya adalah segala bentuk hal yang berhubungan dengan budi dan akal manusia. Bentuk lain dari kata “budaya” adalah kultur yang berasal dari bahasa Inggris yaitu culture dan bahasa Latin Cultura. Budaya dapat terbentuk dari banyak aspek yang kompleks dan sangat luas, yang termasuk di dalamnya antara lain agama, kepercayaan, hukum, moral, bahasa, adat istiadat, pakaian, bangunan, karya seni, kebiasaan, dan lain-lain. Kehadiran budaya diyakini akan mampu mempengaruhi pengetahuan dari seseorang, gagasan, ide dan lainnya. -
Religious Specificities in the Early Sultanate of Banten
Religious Specificities in the Early Sultanate of Banten (Western Java, Indonesia) Gabriel Facal Abstract: This article examines the religious specificities of Banten during the early Islamizing of the region. The main characteristics of this process reside in a link between commerce and Muslim networks, a strong cosmopolitism, a variety of the Islam practices, the large number of brotherhoods’ followers and the popularity of esoteric practices. These specificities implicate that the Islamizing of the region was very progressive within period of time and the processes of conversion also generated inter-influence with local religious practices and cosmologies. As a consequence, the widespread assertion that Banten is a bastion of religious orthodoxy and the image the region suffers today as hosting bases of rigorist movements may be nuanced by the variety of the forms that Islam took through history. The dominant media- centered perspective also eludes the fact that cohabitation between religion and ritual initiation still composes the authority structure. This article aims to contribute to the knowledge of this phenomenon. Keywords: Islam, Banten, sultanate, initiation, commerce, cosmopolitism, brotherhoods. 1 Banten is well-known by historians to have been, during the Dutch colonial period at the XIXth century, a region where the observance of religious duties, like charity (zakat) and the pilgrimage to Mecca (hajj), was stronger than elsewhere in Java1. In the Indonesian popular vision, it is also considered to have been a stronghold against the Dutch occupation, and the Bantenese have the reputation to be rougher than their neighbors, that is the Sundanese. This image is mainly linked to the extended practice of local martial arts (penca) and invulnerability (debus) which are widespread and still transmitted in a number of Islamic boarding schools (pesantren). -
Illicit Arms in Indonesia
Policy Briefing Asia Briefing N°109 Jakarta/Brussels, 6 September 2010 Illicit Arms in Indonesia activities. Recruitment by jihadis of ordinary criminals in I. OVERVIEW prisons may also strengthen the linkage between terror- ism and crime in the future. A bloody bank robbery in Medan in August 2010 and the discovery in Aceh in February 2010 of a terrorist training There are four main sources of illegal guns in Indonesia. camp using old police weapons have focused public at- They can be stolen or illegally purchased from security tention on the circulation of illegal arms in Indonesia. forces, taken from leftover stockpiles in former conflict These incidents raise questions about how firearms fall areas, manufactured by local gunsmiths or smuggled into criminal hands and what measures are in place to stop from abroad. Thousands of guns acquired legally but later them. The issue has become more urgent as the small groups rendered illicit through lapsed permits have become a of Indonesian jihadis, concerned about Muslim casualties growing concern because no one has kept track of them. in bomb attacks, are starting to discuss targeted killings as Throughout the country, corruption facilitates the circula- a preferred method of operation. tion of illegal arms in different ways and undermines what on paper is a tight system of regulation. The Indonesian government could begin to address the problem by reviewing and strengthening compliance with procedures for storage, inventory and disposal of fire- II. GUN CONTROL IN INDONESIA arms; improved vetting and monitoring of those guarding armouries; auditing of gun importers and gun shops, in- At the national level, Indonesia takes gun control seriously. -
Trends in Southeast Asia
ISSN 0219-3213 2016 no. 9 Trends in Southeast Asia THE EXTENSIVE SALAFIZATION OF MALAYSIAN ISLAM AHMAD FAUZI ABDUL HAMID TRS9/16s ISBN 978-981-4762-51-9 30 Heng Mui Keng Terrace Singapore 119614 http://bookshop.iseas.edu.sg 9 789814 762519 Trends in Southeast Asia 16-1461 01 Trends_2016-09.indd 1 29/6/16 4:52 PM The ISEAS – Yusof Ishak Institute (formerly Institute of Southeast Asian Studies) was established in 1968. It is an autonomous regional research centre for scholars and specialists concerned with modern Southeast Asia. The Institute’s research is structured under Regional Economic Studies (RES), Regional Social and Cultural Studies (RSCS) and Regional Strategic and Political Studies (RSPS), and through country- based programmes. It also houses the ASEAN Studies Centre (ASC), Singapore’s APEC Study Centre, as well as the Nalanda-Sriwijaya Centre (NSC) and its Archaeology Unit. 16-1461 01 Trends_2016-09.indd 2 29/6/16 4:52 PM 2016 no. 9 Trends in Southeast Asia THE EXTENSIVE SALAFIZATION OF MALAYSIAN ISLAM AHMAD FAUZI ABDUL HAMID 16-1461 01 Trends_2016-09.indd 3 29/6/16 4:52 PM Published by: ISEAS Publishing 30 Heng Mui Keng Terrace Singapore 119614 [email protected] http://bookshop.iseas.edu.sg © 2016 ISEAS – Yusof Ishak Institute, Singapore All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission. The author is wholly responsible for the views expressed in this book which do not necessarily reflect those of the publisher. -
Pemaknaan Inskripsi Pada Kompleks Makam Islam Kuno Katangka Di Kabupaten Gowa
PEMAKNAAN INSKRIPSI PADA KOMPLEKS MAKAM ISLAM KUNO KATANGKA DI KABUPATEN GOWA The Meaning Inskription of Mausoleum Ancient in Katangka Complex Regency of Gowa ROSMAWATI P1900206007 PROGRAM PASCASARJANA UNIVERSITAS HASANUDDIN MAKASSAR 2008 T E S I S PEMAKNAAN INSKRIPSI PADA KOMPLEKS MAKAM ISLAM KUNO KATANGKA DI KABUPATEN GOWA ROSMAWATI P1900206007 KONSENTRASI ILMU SEJARAH PROGRAM STUDI ANTROPOLOGI PASCASARJANA UNIVERSITAS HASANUDDIN ii 2008 PENGESAHAN TESIS PEMAKNAAN INSKRIPSI PADA KOMPLEKS MAKAM ISLAM KUNO KATANGKA DI KABUPATEN GOWA Disusun dan Diajukan oleh ROSMAWATI P1900206007 Program Studi Antropologi Konsentrasi Ilmu Sejarah Menyetujui Komisi Pembimbing Dr. A. Rasyid Asba, MA. Dr. Anwar Thosibo, M.Hum Ketua Anggota Mengetahui Ketua Program Studi Antroplogi Dr. H. Machmud Tang, MA. iii ABSTRACT ROSMAWATI. The Meaning Inscription of Moesleum Ancient of Katangka Complext in Regency of Gowa (guided by A. Rasyid Asba and Anwar Thosibo) This research aim to explain history growt of Islam in Makassar, specially meaning of inscription at ancient mausoleum in Katangka Complex. In that bearing, was explained about socialization of Islam in social and politic pranata. Explained also form and obstetrical style of inscription and also its meaning. All that aim to know on adaptation of pattern between local culture and Islam. Clarification for this research problem use the method of history research with approach of history-archaeology. Its procedure cover the step of source gathering (heuristic), source verification, interpretation and historiography. Result of this research show that Islam growth in Makassar show the existence of acculturation between Islam influence and local cultural. Found inscription of mausoleum that used letter of Arab with Arab Ianguage and Makassar Ianguage (Ukir Serang). -
A Decade Lost I ABOUT the AUTHORS
A DECADE LOST i ABOUT THE AUTHORS The Center for Human Rights and Global Justice (CHRGJ) brings together and expands the rich array of teaching, research, clinical, internship, and publishing activities undertaken within New York University (NYU) School of Law on international human rights issues. Philip Alston and Ryan Goodman are the Center’s Faculty co-Chairs; Smita Narula and Margaret Satterthwaite are Faculty Directors; Jayne Huckerby is Research Director; and Veerle Opgenhaffen is Senior Program Director. The Global Justice Clinic (GJC) at NYU School of Law provides high quality, professional human rights lawyering services to individual clients and non-governmental and inter-governmental human rights organizations, partnering with groups based in the United States and abroad. Working as legal advisers, counsel, co-counsel, or advocacy partners, Clinic students work side-by-side with human rights activists from around the world. The Clinic is directed by Professor Margaret Satterthwaite and in Fall 2010 to Spring 2011 was co-taught with Adjunct Assistant Professor Jayne Huckerby; Diana Limongi is Clinic Administrator. All publications and statements of the CHRGJ can be found at its website: www.chrgj.org. This Report should be cited as: Center for Human Rights and Global Justice, A Decade Lost: Locating Gender in U.S. Counter-Terrorism (New York: NYU School of Law, 2011). © NYU School of Law Center for Human Rights and Global Justice A DECADE LOST 1 ACKNOWLEDGEMENTS The Global Justice Clinic (GJC)/Center for Human Rights and Global Justice (CHRGJ) at New York University (NYU) School of Law acknowledges the following individuals for their contributions in the preparation of this report. -
Peran Seni Tari Zikir Saman Di Pandeglang, Banten the Role of Dhikir Saman Dance Art in Pandeglang, Banten
Peran Seni Tari Zikir Saman di Pandeglang, Banten The Role Of Dhikir Saman Dance Art In Pandeglang, Banten Ela Hikmah Hayati dan Rasikin Sekolah Tinggi Agama Islam (STAI) Syekh Manshur, Pandeglang-Banten [email protected]; [email protected] DOI: http://dx.doi.org/10.31291/jlk.v17i1.596 Received: Februari 2019; Accepted: Juni 2019; Published: Juni 2019 Abstract This study discusses one of the dance arts in Pandeglang Banten, namely the Dhikr Saman dance. This dance is one culture that is able to carry Islamic values. The emergence of the Dhikr Saman dance culture is from a tarekat called Samaniyah brought by Sheikh Muhammad bin Abd Karim al-Samman from Aceh in the 18th century, by modifying the teachings of the Khalwiyat, Qadiriyah, Naqsabandiyah and Syadziliyah orders. This study aims to reveal how the role of the Dhikr Saman dance uses the structural functional theory analysis tool proposed by Talcot Parsons. The results of this study reveal that the Dhikr Saman Dance art is able to give a role in spreading Islamic values in the Pandeglang community in the aspects of religion and culture, but after 2009 the Dhikr Saman Dance no longer has an important role in the Society due to more modern thought changes brought by Muhammadiyah, which suggests that Islamic values contained in the Dhikr Saman dance are impure teachings. Key Words: Influence, Islamic Culture, Dhikr Saman, Pandeglang Abstrak Studi ini membahas tentang salah satu seni budaya Tari di Pandeg- lang Banten yaitu tari Zikir Saman. Seni tari ini merupakan salah satu budaya yang mampu membawa nilai-nilai Islam. -
WHEN CIVILIANS ARE TARGETS What Will It Take to Stop the Carnage?
Winners of the Overseas Press Club Awards 2017 Annual Edition DATELINE WHEN CIVILIANS ARE TARGETS What will it take to stop the carnage? DATELINE 2017 1 President’s Letter / dEIdRE dEPkE here is a theme to our gathering tonight at the 78th entries, narrowing them to our 22 winners. Our judging process was annual Overseas Press Club Gala, and it’s not an easy one. ably led by Scott Kraft of the Los Our work as journalists across the globe is under Angeles Times. Sarah Lubman headed our din- unprecedented and frightening attack. Since the conflict in ner committee, setting new records TSyria began in 2011, 107 journalists there have been killed, according the for participation. She was support- Committee to Protect Journalists. That’s more members of the press corps ed by Bill Holstein, past president of the OPC and current head of to die than were lost during 20 years of war in Vietnam. In the past year, the OPC Foundation’s board, and our colleagues also have been fatally targeted in Iraq, Yemen and Ukraine. assisted by her Brunswick colleague Beatriz Garcia. Since 2013, the Islamic State has captured or killed 11 journalists. Almost This outstanding issue of Date- 300 reporters, editors and photographers are being illegally detained by line was edited by Michael Serrill, a past president of the OPC. Vera governments around the world, with at least 81 journalists imprisoned Naughton is the designer (she also in Turkey alone. And at home, we have been labeled the “enemy of the recently updated the OPC logo). -
The Role of the Military, the Bruneian Political Power and the Malay Realm (14Th – 19Th Century): from a Historical Perspective
PSYCHOLOGY AND EDUCATION (2021) 58(4), ISSN 1553 - 6939 Article Received: 22th November, 2020; Article Revised: 26th March, 2021; Article Accepted: 26th April, 2021 The Role of The Military, The Bruneian Political Power and The Malay Realm (14th – 19th Century): From a Historical Perspective Asbol Mail Ampuan Haji Brahim Ampuan Haji Tengah Haji Tassim Haji Abu Bakar Academy of Bruneian Studies Universiti Brunei Darussalam ABSTRACT This paper attempts to discuss the role of the military, the Bruneian political power and the traditional Malay Realm. The period investigated is between the 14th and 19th Century1. Apart from Brunei, the other countries that is considered to have been a part of the Malay Realm includes Malaysia, Indonesia, Patani in Thailand, and the Philippines. It was in these nations where the Malay Realm sultanates once existed, each with its own military, not only Brunei, but also Malacca, Aceh, Demak and Patani. The military2, in general, is defined as a group of people who are authorised to defend a country from any enemy attacks, whether it is from within the country or from external forces. They are also often ordered by a government or leader to attack other countries or certain factions, who they see as the enemy. Ketenteraan (The Military) – Malay Language Wikipedia, The Free Encyclopedia (2020) means that it was successful in protecting the INTRODUCTION This paper attempts to discuss the role of the country’s current political powers. Thus, the military, the Bruneian political power and the defended country is regarded as sovereign and traditional Malay Realm. The period investigated is independent, free from foreign dominion. -
A Literary Figure Or a Behavioral Reaction!
Bagh-e Nazar, 17(82), 59-68 /Apr. 2020 DOI: 10.22034/bagh.2019.176139.4049 Persian translation of this paper entitled: اصطﻻح ادبی یا واکنش رفتاری!، »انگشت َگزیدن« در ادبیات و نقاشی ایرانی is also published in this issue of journal. A Literary Figure or a Behavioral Reaction! A Review of “angosht gazidan” * in Iranian Literature and Painting Ahmad Zare Abarghouei1, Seyyed Abbas Zahabi**2, Malek Hosseini3, Hadi Samadi4 1. PhD in Philosophy of Art, Science and Research Branch, Islamic Azad University, Tehran, Iran. 2. Assistant Professor, Science and Research Branch, Islamic Azad University, Tehran, Iran. 3. Assistant Professor, Science and Research Branch, Islamic Azad University, Tehran, Iran. 4. Assistant Professor, Science and Research Branch, Islamic Azad University, Tehran, Iran. Received: 25/03/2019 ; revised: 13/07/2019 ; accepted: 25/07/2019 ; available online: 20/03/2020 Abstract Problem statement: Surprise, shame and guilt are considered to be human emotions. Reactions to these emotions are subject to biological and cultural issues. Looking at the Iranian art and literature in the context of history, it seems that one of the reactions of amazed and regretful people in the Iranian culture has been angosht gazidan, as it can be found numerously in ancient Iranian texts, ancient poetry, and painting. Since this reaction can only be seen in the cultural history of Iran, it should be attributed to the specific culture of Iranians. Research objective: The objective of this research is to find the historical course of angosht gazidan in Iranian literature and painting and examine whether this reaction has been derived from the behavioral reaction of Iranians. -
Persian Optional Subject
Optional Subject: Persian PAPER – I Unit-1 - 1. Short essay in Persian (Compulsory.) Unit-II - 2. (a) Origin and development of the language. (Old Persian, Pahlavi, Modern Persian). (b) Applied Grammar. (c) Rhetorics. (d) Prosody (Bahr-i-Hazaj Kamil, Bahr-i- Motaqarib Mahzuf/ Maqsur, Bahr-i-Rajaz Kamil).Asbab,Autad, Fawasil, Haruf-i-Qafia. Unit-III - 3. Literary History, Criticism, Movements; Socio-cultural influences, Modern Trends. (a) Samanid Period: (Important Poets and Writers) (b) (Firdausi) Rumi, Masud Sad-i-Salman, Tarikh-i-Baihaqi) (c) Saljuquid Period : (Anwari Attar, Khayyam, Kimya-i-Saadat, Chahar Maqala, Siyasat Nama). (d) llkhanid Period : (Sa'di, Rumi, 'Jame'-ut-Tawarikh, Tarikh-i-Jahan Kusha). (e) Timurid Period : (Hafiz, Salman Saoji, Khaju-i-Kirmani, Zafar Nama-i-Sharfuddin Yazdi, Tazkira- Daulat Shah Samarqandi, Jami) (f) Indo-Persian Literature : (Aufi, Khusrau, Faizi, Urfi, Naziri, Abu Fazl, Tarikh-i-Firuz Shahi of Barani, Chahar Chaman of Brahman, Ghalib, lqbal) (g) Safavid to Modern Period : : (Mohtashim Kashi, Qaani, Malik-ushshu'ara Bahar, Nimayushij, Parwin E'tesami, Simin Behbahani' Sadiq Hedayat, Jamalzada, Hejazi, Sabki-Khurasani, Sabk-i-Eraqi, Sabk-i- Hindi, lslamic Revolution of lran) Unit-IV - 4. Translation of ten out of fifteen simple sentences of Urdu into Persian (Compulsory). Downloaded from: www.studymarathon.com PAPER - II The paper will require first hand reading of the texts prescribed and will be designed to test the candidates critical ability. Unit-I - Prose - 1. Translation from the following texts : (a) Nizami Aruzi Samarqandi, Chahar Maqala (Dabiri and Sha'iri). Saadi Shirazi Gulistan (Der Sirat-i- Padshahan and (b) Dar Akhlaq-i- Derwishan) Ziauddin Barani, Tarikh-i-Firuz Shahi (Wasaya-i-Sultan (c) Balban be Ferzand-o-Wali Ahd-i-Khud). -
Sanctity and Malevolence of Cat in World Mythology and Persian Prose and Verse
Arabian Journal of Business and Management Review (Nigerian Chapter) Vol. 1, No. 7, 2013 Sanctity and Malevolence of Cat in World Mythology and Persian Prose and Verse Kamran Pashaei Fakhri1, Rogayeh Mahmudivand Bakhtiari2, Parvaneh Adelzadeh3 1, 3- Assistance professor, department of Persian Language and Literature, Islamic Azad University, Tabriz branch, Iran. 2- M A in Persian Language and Literature, Azerbaijan Sanaeh Kochak scientific and applied University, Tabriz branch, Iran Abstract The pioneers of the Persian literature have described utopia in the form of story in the prose and verse and have chosen animals instead of human characters and assigned humanly characteristics to the animals. In this regard, horse is noble and descent and owl is symbol of destruction .Indeed, these literary men have two goals, they wanted to transfer humanly exalted thoughts in the form of story in addition to entertaining the readers. Cat symbolizes greed, playfulness, arrogance, hostility, imprudence, cruelty, ostentation and cunning in Persian literature .Cat has heterogeneous status between propitious and malevolent in myths. But all indecent traits of cat symbolize human carnal soul that it sometimes becomes evil and sometimes achieves divine and humanly status. This article investigates the mythology and legends of cat and its attendance in Persian literature tales and verse. Key words: cat, Persian literature, nations’ mythology, Persian tales, Islamic traditions, folk beliefs. Introduction There are different viewpoints about cat in Persian literature and west and east mythology, so that its status fluctuates between sanctity and malevolence indicating fluctuation of human soul in descending to carnality and lust and ascending to divinity and perfection.