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Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Highways and Transportation Department Page 1 List Produced Under Section 36 of the Highways Act
Highways and Transportation Department Page 1 List produced under section 36 of the Highways Act. DISTRICT NAME: EPPING Information Correct at : 01-APR-2018 PARISH NAME: ABBESS BEAUCHAMP AND BERNERS RODING ROAD NAME LOCATION STATUS ABBESS ROAD CLASS III ANCHOR LANE UNCLASSIFIED BERNERS RODING ROAD UNCLASSIFIED BERWICK LANE ABBESS BEAUCHAMP UNCLASSIFIED BIRDS GREEN CLASS III DUKES LANE UNCLASSIFIED DUNMOW ROAD ABBESS BEAUCHAMP B ROAD FRAYES CHASE PRIVATE ROAD GREEN HILL ROAD CLASS III HURDLE LANE UNCLASSIFIED PARKERS FARM LANE UNCLASSIFIED SCHOOL LANE CLASS III SCHOOL LANE UNCLASSIFIED SNOWS FARM LANE UNCLASSIFIED WAPLES MILL FARM ROAD ABBESS BEAUCHAMP CLASS III WAPLES MILL ROAD ABBESS BEAUCHAMP CLASS III WOODEND LANE UNCLASSIFIED TOTAL 17 Highways and Transportation Department Page 2 List produced under section 36 of the Highways Act. DISTRICT NAME: EPPING Information Correct at : 01-APR-2018 PARISH NAME: BOBBINGWORTH ROAD NAME LOCATION STATUS ASHLYNS LANE UNCLASSIFIED BLAKE HALL ROAD CLASS III BOBBINGWORTH MILL BOBBINGWORTH UNCLASSIFIED BRIDGE ROAD CLASS III EPPING ROAD A ROAD GAINSTHORPE ROAD UNCLASSIFIED HOBBANS FARM ROAD BOBBINGWORTH UNCLASSIFIED LOWER BOBBINGWORTH GREEN UNCLASSIFIED MORETON BRIDGE CLASS III MORETON ROAD CLASS III MORETON ROAD UNCLASSIFIED NEWHOUSE LANE UNCLASSIFIED PEDLARS END UNCLASSIFIED PENSON'S LANE UNCLASSIFIED STONY LANE UNCLASSIFIED TOTAL 15 Highways and Transportation Department Page 3 List produced under section 36 of the Highways Act. DISTRICT NAME: EPPING Information Correct at : 01-APR-2018 PARISH NAME: -
CHRISTMAS BUFFET £10 Per Person
Page 28 Leaden Reading COME AND MEET UP WITH YOUR NEIGHBOURS AT THE VILLAGE HALL FOR A Volume 1, Issue No. 35 September 2018 Brownies receive letters from CHRISTMAS the Princes Before the summer break the Brownies made a horseshoe col- lage to send to Prince Harry and Meghan Markle to celebrate BUFFET their marriage. Towards the end of term, they received a letter of thanks from the couple (see below) which they will frame and put up in the village hall for all to see alongside one of the thank you cards ALL WELCOME they individually received from the Duke and Duchess of Cam- bridge after they sent congratulation cards on the birth of Inside this Issue Prince Louis. Who’s who? 2 BAR WILL BE OPEN AND THERE WILL BE Village Hall /Music Quiz 3 MUSIC AND GAMES Village Hall/ Lottery 4 Christmas Presents for Children from Father Christmas Bowls Club 5 Cream Teas 6 Tribute to Brian Lodge 7 SUNDAY 9TH Church & Stansted Airport 8 Recycling, Fire Stat. Open Day 9 Fyfield Scouts / Citizens Advice DECEMBER FROM 2PM 10 /11 Citizens Advice 12 RWC 13 £10 per person Dog Bins/Mobile Library 14 Mutts in Distress 15 Rodings Villages 16 (£5 under 14) Rodings Brownies/Dog Show 17 Buness’s 18 Parish Council 19/23 BOOK YOUR TABLE NOW! Kemi Badenoch MP/Cloghams 24 CALL IVY 01279 876568 Roding’s Fire Service 25 What is coming up in the Village this Autumn? Summer in Leaden Roding 26/27 Leaden Roding Xmas Buffett 28 Plenty of Bowls nights. -
Essex County Council (The Commons Registration Authority) Index of Register for Deposits Made Under S31(6) Highways Act 1980
Essex County Council (The Commons Registration Authority) Index of Register for Deposits made under s31(6) Highways Act 1980 and s15A(1) Commons Act 2006 For all enquiries about the contents of the Register please contact the: Public Rights of Way and Highway Records Manager email address: [email protected] Telephone No. 0345 603 7631 Highway Highway Commons Declaration Link to Unique Ref OS GRID Statement Statement Deeds Reg No. DISTRICT PARISH LAND DESCRIPTION POST CODES DEPOSITOR/LANDOWNER DEPOSIT DATE Expiry Date SUBMITTED REMARKS No. REFERENCES Deposit Date Deposit Date DEPOSIT (PART B) (PART D) (PART C) >Land to the west side of Canfield Road, Takeley, Bishops Christopher James Harold Philpot of Stortford TL566209, C/PW To be CM22 6QA, CM22 Boyton Hall Farmhouse, Boyton CA16 Form & 1252 Uttlesford Takeley >Land on the west side of Canfield Road, Takeley, Bishops TL564205, 11/11/2020 11/11/2020 allocated. 6TG, CM22 6ST Cross, Chelmsford, Essex, CM1 4LN Plan Stortford TL567205 on behalf of Takeley Farming LLP >Land on east side of Station Road, Takeley, Bishops Stortford >Land at Newland Fann, Roxwell, Chelmsford >Boyton Hall Fa1m, Roxwell, CM1 4LN >Mashbury Church, Mashbury TL647127, >Part ofChignal Hall and Brittons Farm, Chignal St James, TL642122, Chelmsford TL640115, >Part of Boyton Hall Faim and Newland Hall Fann, Roxwell TL638110, >Leys House, Boyton Cross, Roxwell, Chelmsford, CM I 4LP TL633100, Christopher James Harold Philpot of >4 Hill Farm Cottages, Bishops Stortford Road, Roxwell, CMI 4LJ TL626098, Roxwell, Boyton Hall Farmhouse, Boyton C/PW To be >10 to 12 (inclusive) Boyton Hall Lane, Roxwell, CM1 4LW TL647107, CM1 4LN, CM1 4LP, CA16 Form & 1251 Chelmsford Mashbury, Cross, Chelmsford, Essex, CM14 11/11/2020 11/11/2020 allocated. -
Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
E1.1 Overview of Assessment of Traveller Sites
Epping Forest District Council Epping Forest District Local Plan Report on Site Selection E1.1 Overview of Assessment of Traveller Sites | Issue | September 2016 Appendix E1.1 Site proceeds at this stage Overview of Assessment of Traveller Sites Site does not proeed at this stage This stage is not applicable for this site Settlement (Sites Site Ref Address Parish proceeding to Stage 4 Promoted Use Stage 1 Stage 2 Stage 3 Stage 4 Stage 5 Stage 6 Justification only) Abbess Beauchamp AB 581 Adjoining Woodyhyde, Cockerills Cottage and Fairlands Traveller Site is too close to existing residential property. and Berners Roding Abbess Beauchamp AB 582 Adjoining Anchor House Traveller Site is too close to existing residential property. and Berners Roding Abbess Beauchamp Site is too close to existing residential properties and lacks AB 583 Between The Rodings and Brick Kiln, Anchor Lane Traveller and Berners Roding defined boundary. Abbess Beauchamp AB 584 Adjoining The Rodings, Anchor Lane Traveller Site is too close to existing residential property. and Berners Roding Abbess Beauchamp AB 585 Adjoining Brick Kiln, Anchor Lane Traveller Site is too close to existing residential property. and Berners Roding Abbess Beauchamp AB 586 Adjoining Brick Cottage, Anchor Lane Traveller Site is too close to existing residential property. and Berners Roding Abbess Beauchamp AB 587 West of Berwick House Traveller Site is too close to existing residential property. and Berners Roding Adjoining Berwick House and another residential Abbess Beauchamp AB 588 Traveller Site is too close to existing residential property. property and Berners Roding Adjoining Berwick House and another residential Abbess Beauchamp AB 589 Traveller Site is too close to existing residential property. -
Ancient with Modern Course Handbook Urban Design: Ancient with Modern Urban Design: Ancient with Modern
Urban Design: Ancient with Modern Course Handbook Urban Design: Ancient with Modern Urban Design: Ancient with Modern Teaching Institution: Chelsea College of Arts Credits: 3 Class Hours: 5 hours/week for 10 weeks Tutor: George Rome Innes Course Outline Assessment This module will take place outside college, in the city. You Final project (100%) will see great buildings, important interiors and unique treasures. Each session’s visit will be recorded in your diary, Project as photographs,sketches and notes. Consider how the Critical Commentary buildings we see were constructed with the technology of their time, consider the use of materials. Look at the Choose two buildings where new uses have been processes used in making furniture and smaller artefacts. implemented or new additions built within the past twenty years. Think of who used the buildings, who uses them now and why? Choose one you consider to be successful design and one you consider to be unsuccessful. How do you feel modern and ancient work together in each case? They should be buildings that you yourself have seen, but the choice of buildings and the opinions are entirely Aims yours. This course will provide you with: Where appropriate look at planning, circulation, lighting and ambience. • To introduce the students to the History of Western Art, Architecture and Design Concentrate on details, junctions where one material meets another. Look at the suitability of materials. • To engender a critical understanding of how old and new design can work together This is to be presented on A4 sheets (one sided) as a visual commentary with annotated illustrations. -
Northern Estate Programme Norman Shaw North Standalone
Northern Estate Programme Norman Shaw North Standalone - Archaeological Statement March 2021 00NSN-2131-MLA-XX-XX-T-XX-RG-10344 Status: S2 Revision: C01 Version Date Name Reviewed By Description of Sign-off Changes C01 29/03/2021 Ashley Blair Rupert For Planning Rosalind Morris Featherby & Rosalind Morris -1- Norman Shaw North Standalone Archaeological Statement ContentsContents ................................................................................................................................... 2 Figure List ................................................................................................................................................ 3 1 Introduction .................................................................................................................................... 4 2 Methodology and sources consulted .............................................................................................. 8 3 Site location, topography and geology ......................................................................................... 10 4 Archaeological and historical background .................................................................................... 14 5 Statement of significance.............................................................................................................. 23 6 Impact of proposals ...................................................................................................................... 26 7 Conclusion and recommendations .............................................................................................. -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
Wren St Paul's Cathedral CO Edit
Sir Christopher Wren (1632-1723) St. Paul’s Cathedral (1673-1711) Architect: Sir Christopher Wren (1632-1723) Nationality: British Work: St. Paul’s Cathedral Date: 1673–1711. First church founded on this site in 604, medieval church re-built after Great Fire of London, 1666. Style: Classical English Baroque Size: Nave 158 x 37m, dome 85m high Materials: Portland stone, brick inner dome and cone, iron chains, timber framed outer dome, lead roof, glass windows, marble floors, wooden screens Construction: Arcuated: classical semi-circular arches; loadbearing walls and piers; ‘gothic’ pointed inner cone, flying buttresses Location: Ludgate Hill highest point of City of London Patron: Church of England Scope of work: Identities specified architect pre-1850 ART HISTORICAL TERMS AND CONCEPTS Function • Dedicated to St Paul, ancient Catholic foundation, now Anglican church under Bishop of London holding religious services with liturgical processions requiring nave, high altar and choirs • Rebuilt as a Protestant or Post-Reformation church, greater emphasis on access to the high altar and hearing the sermon • For Wren the prime requirement was an ‘auditory’ church with an uncluttered interior where all the congregation could see and hear. • Richness of materials and carving communicate the wealth of the city and the nation as well as demonstrating piety • Dome and towers identify presence, location and importance in the area and community. !1 • Inspires awe by the scale of dome soaring to heaven, and heavenly light from windows • Due to large scale of nave used for major national commemorations with large congregations such as state funerals and royal weddings • Contains monuments to significant individuals Watch: https://henitalks.com/talks/sandy-nairne-st-pauls-cathedral/ 6.45 minutes https://www.stpauls.co.uk/visits/visits Introduction for visitors 2.10 mins https://smarthistory.org/stpauls/ 9.06 minutes Dome View from under dome back down nave. -
Registered in the Week up To: Friday, 31 August, 2018 Epping Fo Rest District Council
Weekly List of Planning & Tree www.eppingforestdc.gov.uk Applications, Notifications District Council rest and Appeals Registered in the week up to: Friday, 31 August, 2018 Epping Fo Any representations on applications should be made in writing, by Monday, 24 September, 2018 Comment online at www.eppingforestdc.gov.uk/iPlan or by post to: The Director of Planning and Economic Development, Epping Forest District Council, Civic Offices, 323 High Street, Epping, Essex CM16 4BZ Any enquiries should be made to the Application Processing Team T: 01992 564436 E: [email protected] Epping Forest District Council www.eppingforestdc.gov.uk R12 Report for applications/cases between 27/08/2018 and 31/08/2018 Planning & Tree Applications You can comment on these applications, please ensure your response reaches us by the date shown on the cover of this document Buckhurst Hill Planning File No: 011992 Application No: EPF/2114/18 Applicant Name: Mr Sutton Officer: David Baker Location: 89 Princes Road Buckhurst Hill IG9 5DZ Proposal: Proposed two storey rear extension. If you are viewing this report in an electronic format, click on the link below to view related documents including plans http://planpub.eppingforestdc.gov.uk/NIM.websearch/ExternalEntryPoint.aspx?SEARCH_TYPE=1&DOC_CLASS_CODE=PL&FOLDER1_REF=612893 Planning File No: 019635 Application No: EPF/2236/18 Applicant Name: Mr David Parris Officer: Muhammad Rahman Location: 3 The Rise Roding View Buckhurst Hill Essex IG9 6AG Proposal: Construction of a ground floor rear extension to form dining room off existing kitchen. If you are viewing this report in an electronic format, click on the link below to view related documents including plans http://planpub.eppingforestdc.gov.uk/NIM.websearch/ExternalEntryPoint.aspx?SEARCH_TYPE=1&DOC_CLASS_CODE=PL&FOLDER1_REF=613495 Planning File No: 009608 Application No: EPF/2238/18 Applicant Name: Mr & Mrs Parminder Chana Officer: Muhammad Rahman Location: 32 Chestnut Close Buckhurst Hill IG9 6EL Proposal: Proposed hip to gable loft conversion with rear dormer. -
Exploring Skylines Images
DesignLab: Exploring Skylines through the V&A+RIBA Architecture collections Images To accompany activities at school or college 1 A TributeA toSir Christopher Wren, Charles Cockerel l© RIBA Library Drawings Collection 2 Charles Robert Cockerell A Tribute to Sir Christopher Wren c. 1838 Drawing, watercolour and pencil RIBA Library Drawings Collection This important drawing of an imaginary skyline by Charles Robert Cockerell (1788 – 1863) brings together all the major buildings that in the early 19th century were believed to be by Sir Christopher Wren (1632-1723) into one vast urban landscape. It was exhibited at the Royal Academy in 1838. Cockerell was one of the finest British architectural draughtsmen of his time and a leading figure in Victorian architecture. He was president of the Royal Institute of British Architects in 1860. Cockerell had an intimate knowledge of Wren's buildings - he was for many years Surveyor to the Fabric of St Paul's Cathedral - and he borrowed and used in his own designs architectural features from the Wren buildings he studied. This composition accurately depicts over 55 buildings; including 33 London churches, palaces, colleges, hospitals and monuments (including the Monument to the Fire of London) which were built following the Great Fire of London, as well as some buildings from outside London including Chichester Cathedral, Winchester Palace and All Souls Oxford. Most of Wren’s work was constructed in silvery-grey Portland stone, but the combination of red brick and stone dressings shown in many buildings here became the hallmark of late 17 th century English Baroque architecture. The result was that many buildings not by Wren were attributed to him.