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Lolita Latina an Examination of Gothic and Lolita Style in the Mexican Environment
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Lolita Latina An Examination of Gothic and Lolita Style in the Mexican Environment A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Visual and Material Culture College of Creative Arts Massey University Wellington, New Zealand Kathryn Adèle Hardy Bernal 2019 Abstract This thesis, completed for the award of Doctor of Philosophy in Visual and Material Culture, Ph.D., examines the development of the fashion-based Mexican Gothic and Lolita movement, and its evolution from its subcultural Japanese roots. It asks, “What are the cultural conditions that encourage this movement to flourish in the Mexican environment?” In turn, “What does Mexican culture contribute to Mexican Gothic and Lolita style?” And, “What does Mexican Gothic and Lolita style say about Mexican culture, society, and beliefs?” The Gothic and Lolita movement is currently thriving in Mexico as an authentic, independent, creative, handmade fashion industry, yet to be co-opted into mainstream culture. With the do-it-yourself aspect of the movement comes its own, unique, cultural flavour. As such, it transforms and rearranges meanings of the original subcultural style in order to make new statements, which subvert the meanings, and understandings, of the Japanese Lolita identity. Analyses of Mexican Gothic and Lolita styles, in context with the Mexican environment, culture, and belief systems, as well as the operation of the Mexican Gothic and Lolita industry, are major focal points of this study. -
By JIMI BERNATH
BARDO FILMS CINEMA OF THE AFTERLIFE by JIMI BERNATH 2 TABLE OF CONTENTS Introduction “Carnival of Souls” : Familiar Nightmares …………………………………………………..………...43 Bardo Blockbusters : “American Beauty” & “The Sixth Sense” ……………….……...…..85 “Jacob’s Ladder” : Search for a Guide ……………………………………………………..………….102 “Enter the Void” : Escape Velocity …………………………………………………………..…………. 49 The Dharma of Lynch: “Mulholland Drive” & “Inland Empire” ……………….……….108 “Vera” : The Underworld ………………………………………………………………………..…...……….106 Escape from Hell : “Diamonds of the Night” …………………………………………….………. 26 “Le Quattro Volte” : Elemental Change ……………………………………………………..…………..7 “Beetlejuice” : Guide as Huckster …………………………………………………………….…………..78 “Defending Your Life” : Purgatory as Shtick …………………………………………….…………90 “Ink” : Remembering Who You Were …………………………………………………………….…….59 “The Bothersome Man” : Not Bad As Purgatories Go …………………………….………….64 “The Lovely Bones” : Avenging Angel …………………………………………………………….….55 Following Robin : “Being Human” & “What Dreams May Come” …………………...22 Following Downey : “Chances Are” & “Hearts and Souls” ………………………………..46 Death at an Early Age : “Donnie Darko” & “Wristcutters a Love Story” ………….94 “Samaritan Girl” : Saint or Sinner ……………………………………………………………………..126 “The Life Before Her Eyes” : Headline Bardo ……………………………………………….…….75 Dia de Muertos : “Macario” “The Book of Life” & “Coco” …………………………..……..9 “Waking Life” : All Our Guides …………………………………………………………………….……...68 Japanese Ghost Stories : “Pitfall” & “Kuroneko” ……………………….…………….………..29 Crossing the Big -
Algunas Indagaciones Históricas Sobre La Muerte
Algunas indagaciones históricas sobre la muerte por Sofía Boonil ...Quien lleva la muerte adentro Tiene una fuerza vital. Si el hombre busca lo inmenso, La muerte es inmensidad. Desdicha del pensamiento Que poco puede volar Y busca simples razones Para poderse explicar… (Atahualpa Yupanqui) Introducción Morir aunque es un acontecimiento natural e inherente a la vida, es un suceso que ha despertado cuestionamientos profundos y levantado todo tipo de emociones y pensares frente a su misterio. Desde los orígenes de la humanidad se han descubierto hallazgos que dan cuenta del hondo afán por comprender el fenómeno de la muerte mediante formas diversas que revelan la búsqueda de conferir un profundo sentido que abrace un significado trascendente. Las creencias invariablemente forman parte de un sistema social y jurídico que pretende establecer un orden, de esta manera, la representación de la muerte y del más allá, se encuentran siempre relacionadas con la vida y la cultura ligadas a cada época y su transformación en el tiempo. La religión y la cultura en general funge un rol relevante en la significación de la muerte, así como en la configuración de la experiencia personal ante ella, el proceso de duelo y los rituales que la circundan. Exploraré el origen de los conceptos básicos de memento mori y Tempus fugit, a grandes rasgos la cosmovisión del humano mesoamericano que estaba intrínsecamente ligada a la naturaleza, el simbolismo de Itzpapálotl, y el sincretismo con la cultura europea tras la conquista española en lo que se refiere a la tradición mexicana del Día de Muertos. Tempus fugit Tempus fugit, es una expresión latina y un tópico literario cuya traducción “El tiempo vuela” alude a la fugacidad del tiempo, a la noción de que el tiempo transcurre rápidamente, de que se escapa, vuela. -
La Muerte Y El Humor En Mexico: Joaquín Bolaños, José Guadalupe Posada, Elena Garro Y Octavio Paz
La Muerte y el Humor en Mexico: Joaquin Bolanos, Jose Guadalupe Posada, Elena Garro y Octavio Paz. Item Type text; Electronic Dissertation Authors Cruikshank, Guadalupe Annette Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 21:02:14 Link to Item http://hdl.handle.net/10150/195577 LA MUERTE Y EL HUMOR EN MEXICO: JOAQUÍN BOLAÑOS, JOSÉ GUADALUPE POSADA, ELENA GARRO Y OCTAVIO PAZ by Guadalupe Annette Cruikshank Copyright © Guadalupe Annette Cruikshank 2007 A Dissertation submitted to the Faculty of the DEPARTMENT OF SPANISH AND PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2007 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by: Guadalupe Annette Cruikshank entitled: La muerte y el humor en México: Joaquín Bolaños, José Guadalupe Posada, Elena Garro y Octavio Paz. and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: May 14, 2007 Dr. Lanin Gyurko, Director _______________________________________________________________________ Date: May 14, 2007 Dr. Malcolm Compitello _______________________________________________________________________ Date: May 14, 2007 Dr. Joan Gilabert Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
A NEW INTRODUCTION to ART HISTORY Artby Ferdinanda Florence
— THIRD EDITION ― APPROACHES TO A NEW INTRODUCTION TO ART HISTORY ArtBy Ferdinanda Florence SAN DIEGO Bassim Hamadeh, CEO and Publisher Carrie Montoya, Manager, Revisions and Author Care Kaela Martin, Project Editor Abbey Hastings, Associate Production Editor Emely Villavicencio, Senior Graphic Designer Alexa Lucido, Licensing Associate Kenneth Whitney, Interior Designer Natalie Piccotti, Director of Marketing Kassie Graves, Vice President of Editorial Jamie Giganti, Director of Academic Publishing Copyright © 2021 by Cognella, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information retrieval system without the written permission of Cognella, Inc. For inquiries regarding permissions, translations, foreign rights, audio rights, and any other forms of reproduction, please contact the Cognella Licensing Department at [email protected]. Trademark Notice: Product or corporate names may be trademarks or registered trademarks and are used only for identification and explanation without intent to infringe. Cover images: Copyright © 2011 iStockphoto LP/JoKMedia. Copyright © 2015 iStockphoto LP/michaeljung. Copyright © 2015 iStockphoto LP/michaeljung. Copyright © 2016 iStockphoto LP/baona. Interior images: IMG 1: Copyright © 2016 Depositphotos/hrisrianin. IMG 2: Copyright © 2016 Depositphotos/Anthonycz. IMG 3: Copyright © 2016 -
$10 N CPJMA Wants to Thank Everyone Ing
• Change up to 4 qts. • Install new oil filter • Lubricated FOREIGN $ chassis • Top off vital fluids 10 OFF • Complete safety inspection CAR REPAIR • Most vehicles +$3 EPA charge ANY OIL CHANGE PB Not valid with any other includes PacificONLY Beach’s offers or specials. 30 POINT INSPECTION Expires 11-30-17 pbforeign.com Foreign Car Specialists Not valid with any other offers or specials. 858-270-1142 10% OFF Expires 11-30-17 1727 Garnet Avenue - P.B. ANY SERVICE $150 OR MORE Across from Vons in Plaza Center Maximum discount is $40 MARUTA’S DAY BUSINESS On Nov. 3, participating If you like your organizations in PB yoga/indoor cycling and MB are holding workouts served up a “Day of Service” with a French twist, in memory and honor then Oxygen Studio of Maruta Gardner. in PB is for you. SEE PAGE 5 SEE PAGE 10 SAN DIEGO COMMUNITY NEWSPAPER GROUP THURSDAY, NOVEMBER 2, 2017 BEACHANDBAYPRESS.COM Church leaders, DIA DE LOS MUERTOS Citywide neighbors discuss homeless issues hepatitis A Some residents want data released free meals stopped By DAVE SCHWAB Pacific, Mission beaches have 16 reported cases The first meeting between church leaders and concerned By DAVE SCHWAB neighbors over problems sur- rounding churches feeding the Since November 2016, when a homeless in Pacific Beach was countywide hepatitis A outbreak described by both parties as was first detected, 507 people have encouraging. been infected, 20 have died, and “We were trying to tell the more than 80,000 others have churches we've got problems been vaccinated, San Diego Coun- here,” said Matt Phillips, a Pacif- ty Health Department authorities ic Beach resident who started an confirmed. -
Full Text Preview 03/12/2017 This PDF Contains the Full Text of Scion
Scion: Hero Full Text Preview 03/12/2017 This PDF contains the full text of Scion: Hero, without the two introduction stories (“Grass”, and “Eric”). Thank you very much for supporting the Kickstarter! © Onyx Path Publishing, all rights reserved Introduction What are men? Mortal gods. What are gods? Immortal men. - Heraclitus Escaping from Polyphemus’s cave. Freeing the valkyrie from her fiery prison. Serving as a loa’s steed. Slaying the ahuitzotl. Scribing the Papyrus of Ani. Darkening the river with Orochi’s blood. The Gods performed Deeds of great import and valor, which filtered into the epic folklore of humankind to inform cultures and create religions. Each tale is a memorable event; each carries within it one of the fundamental truths espoused by the cultures in question. Each tale shows the precarious relationship between Gods and mortals. You are the one who walks between mortal and immortal, between human and God. You are of both worlds. You are a Scion. At the dawn of the legends, Scions are Heroes, humans who fight harder, love better, and live more fully than their fellows. Descendants of the Gods, Heroes are technically demigods, but not yet in the truest sense. They have received the Visitation from their parents, fully awakening them to the World of myth and divinity. The book you hold in your hands is the first step into this new World. Some Heroes never go further. They touch lives and shape nations, but they age and die as mortals do. Some never want to go further, shedding their mortality in order to become something greater. -
Catalogue Photovisa 2015
THE STATE DUMA OF THE FEDERAL ASSEMBLY OF THE RUSSIAN FEDERATION OF THE SIXTH CONVOCATION CHAIRMAN OF THE STATE DUMA Okhotny Ryad, 1, 103265 Moscow to Organizers, Participants, and Guests of the VII International Festival of Photography PhotoVisa Dear Friends! I would like to welcome you to the opening of the 7th International Festival of Photog- raphy PhotoVisa in Krasnodar. Once again, the generous Kuban land hosts Russia’s most important photographic fo- rum with exhibitions from 14 countries of four continents worldwide. This year we celebrate the 70th anniversary of the Victory in the Great Patriotic War and it is remarkable that the Festival PhotoVisa chooses The Language of Memory as its theme and features exhibitions of documentary photography from the Russian State Archives which witness the people’s feat and heroism in the name of the Victory. This year is marked by another commemorative date — the 1000th death anniversary of St. Vladimir, Equal-to-the-Apostles. Kievan Rus was baptized by him and adopted Orthodox Christianity entering the family of cultures which have a favorable development vector set by the laws of Christianity. Tribute to Prince Vladimir and the ongoing charity work of the Rus- sian Orthodox Church is paid by two exhibitions prepared under the auspices of the Publish- ing Council of the Russian Orthodox Church. Such a large-scale project like the Festival PhotoVisa became possible due to the en- ergy, efforts, and potential of both organizations and individuals. They all deserve appre- ciation for their contribution to the development of national culture and strengthening of international cultural relations. -
Filmografía Socios
ACOSTA DAMIÁN 02/12/1944 - 15/05/2009 1984 Hallazgo Sangriento La Hija sin padre / le podrás negar tu nombre 1985 El Rey del Masaje 1987 La venganza de los punks 1988 El Fiscal de Hierro El violador infernal 1989 Milagro en el barrio La venganza de Ramona / El fiscal de hierro II Yo soy la ley 1990 Porros, calles sangrientas Mi venganza El rostro de la muerte 1991 El fiscal de hierro III 1992 Tienes que morir/ El silla de ruedas III/codir. AGUILAR ROLANDO 1903 03/12/1984 1936 Madres del Mundo ¡Esos hombres! / Malditos sean los hombres 1937 Noches de Gloria 1938 Los millones de Chaflán 1939 La canción del milagro 1940 Rancho alegre 1941 ¿Quién te quiere a ti? 1942 Espionaje en el Golfo 1943 Balajú 1944 Rosalinda Club Verde 1945 Caminos de Sangre 1946 Aquí está Juan Colorado 1947 Una aventura en la noche Bajo el cielo de Sonora Pito Pérez se va de bracero/codir. 1948 El cuarto mandamiento El vengador El hijo del bandido 1950 Aventuras de un nuevo rico 1954 El diablo a caballo La venganza del diablo El diablo desaparece 1955 Ay, chaparros… ¡como abundan! 1957 El tiro de gracia Enterrado vivo Duelo indio El caudillo 1958 Mi mujer necesita marido AGUIRRE SALVADOR 28/01/1965 1985 Con los pies en la tierra corto-documental 1987 México ciudad amiga (corto) 1993 Un arreglo civilizado para un divorcio (corto) 1999 De ida y vuelta 2002 De Mesmer con amor o te para dos (corto) 2004 La escondida (corto) 2004 Algún día, algún día (corto) 2008 Tres piezas de amor en un fin de semana (Amor en fin) ALCOCER CARLOS 17/10/1958 1998 La Pirámide del Pueblito -
José Guadalupe Posada a Jeho Cyklus Las Calaveras
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Sdružená uměnovědná studia Lucia Souhradová José Guadalupe Posada a jeho cyklus Las Calaveras Bakalárska diplomová práca Vedúci práce: prof. PhDr. Jaroslav Střítecký, CSc. Konzultant: Mgr. Jan Střítecký, Ph.D. 2017 Prehlasujem, že som bakalársku diplomovú prácu vypracovala samostatne s využitím uvedených prameňov a literatúry. ..….............……………………………………….. V Brne dňa 3. 5. 2017 Predhovor Mexiko, srdce dvoch Amerík, krajina známa archeologickými miestami predkolumbovskej doby, obyvateľmi indiánskeho pôvodu, dažďovými lesmi, jazerami či tropickou džungľou. Rovnako ako aj nenapodobiteľné pláže, srdečnosť obyvateľov, pikantná kuchyňa, sombrero či tequila, mýty alebo folklór, tvoria jedinečné ikony mexickej kultúry. Aký charakter a čo presne sa skrýva pod pestrofarebným obalom je však menej známe. Niekedy je nutné sa formou výskumu či samostatnej práce dostáť hlbšie do problémov jednotlivých oblastí či konkrétnych častí danej sféry a vytvoriť si tak predstavu o svete, ktorý je nám blízky. Hlavným podnetom pre analýzu objektu môjho záujmu sa stala skúsenosť s návštevou mexického ostrova. Na návšteve ostrova Cozumel ma s predmetom v ruke oslovil domorodý občan so slovami: „La calavera, por favor?“1 Šokovaná ale zvedavá po odpovediach som si z rozhovoru priniesla nie len príjemný pocit ale aj ďalšie otázky. Slobodným bádaním ma vo vzťahu k ich najznámejšiemu sviatku, Día de los Muertos, oslovila literárna tvorba veršov s veselými ilustráciami. Spracovaný výklad sa venuje mexickej identite. Hlavným cieľom práce je zadefinovať vybraný fenomén satirických kresieb, las calaveras, zasadiť ich do kontextu umenia, a skrz ich stvárnenia zobraziť podoby politických a sociálnych kritík. Zámerom práce je taktiež nahliadnuť na ich dedičstvo v závislosti od činnosti umelca José Guadalupe Posady.