Psychology of Aesthetics, Creativity, and the Arts
Psychology of Aesthetics, Creativity, and the Arts Foresight, Insight, Oversight, and Hindsight in Scientific Discovery: How Sighted Were Galileo's Telescopic Sightings? Dean Keith Simonton Online First Publication, January 30, 2012. doi: 10.1037/a0027058 CITATION Simonton, D. K. (2012, January 30). Foresight, Insight, Oversight, and Hindsight in Scientific Discovery: How Sighted Were Galileo's Telescopic Sightings?. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. doi: 10.1037/a0027058 Psychology of Aesthetics, Creativity, and the Arts © 2012 American Psychological Association 2012, Vol. ●●, No. ●, 000–000 1931-3896/12/$12.00 DOI: 10.1037/a0027058 Foresight, Insight, Oversight, and Hindsight in Scientific Discovery: How Sighted Were Galileo’s Telescopic Sightings? Dean Keith Simonton University of California, Davis Galileo Galilei’s celebrated contributions to astronomy are used as case studies in the psychology of scientific discovery. Particular attention was devoted to the involvement of foresight, insight, oversight, and hindsight. These four mental acts concern, in divergent ways, the relative degree of “sightedness” in Galileo’s discovery process and accordingly have implications for evaluating the blind-variation and selective-retention (BVSR) theory of creativity and discovery. Scrutiny of the biographical and historical details indicates that Galileo’s mental processes were far less sighted than often depicted in retrospective accounts. Hindsight biases clearly tend to underline his insights and foresights while ignoring his very frequent and substantial oversights. Of special importance was how Galileo was able to create a domain-specific expertise where no such expertise previously existed—in part by exploiting his extensive knowledge and skill in the visual arts. Galileo’s success as an astronomer was founded partly and “blindly” on his artistic avocations.
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