DOCSLIB.ORG

HRADIO User Scenarios

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HRADIO User Scenarios Grant Agreement No.: 761813 Call: H2020-ICT-2016-2017 Topic: ICT-19-2017 Type of action: IA D2.1: HRADIO User Scenarios Editor: Simone Hollederer (RBB) This Deliverable documents the creation of user scenarios to define the development of HRADIO applications. The outcome delivers input into task T2.3 which is responsible for assessing the scenarios. Using a methodology tested and agreed on by the consortium at the kick-off meeting, user scenarios were developed to reflect potential use of hybrid radio in a wide variety of situations. Partners developed 47 potential user scenarios, including 10 technical scenarios, and used 18 supporting personas. The work took place in the context of partner workshops and individual working sessions. This Deliverable describes the methodology used, documents the personas employed and provides a detailed description of each of the 47 scenarios developed. HRADIO.eu D2.1: HRADIO User Scenarios Basic Information Work package 2 Due date 30/11/2017 Submission date 21/12/2017 Deliverable lead RBB Version 1.0 Simone Hollederer (RBB) Martin Gordon (RBB) Remo Vogel (RBB) Annette Wilson (RBB) Alexandre Erk (IRT) Chris Caudill (Konsole) Max Knop (Konsole) Authors André Ebert (LMU) Markus Friedrich (LMU) Leo Andrews (Radioplayer) Michael Hill (Radioplayer) Floris Daelemans (VRT) François Daoust (W3C) Dominique Hazael-Massieux (W3C) Iris Jennes (imec) Wendy Van den Broeck (imec) Reviewers Leo Andrews (Radioplayer) Simon Delaere (imec) Page 2 of 67 D2.1: HRADIO User Scenarios Document Revision History Version Date Description of change List of contributor(s) V0.1 until Integration of first various 22/11/2017 contributions V0.2 22/11/2017 Final draft Simone Hollederer (RBB) V0.3 until Integration of further input various 27/11/2017 from partners V0.4 28/11/2017 Integration of all Simone Hollederer, Martin recommended Gordon, Remo Vogel (RBB) adaptations and improvements V0.5 29/11/2017 Peer Review Wendy Van den Broeck (imec); Leo Andrews (Radioplayer) V0.6 08/12/2017 Integration of all Simone Hollederer, Martin recommended Gordon, Annette Wilson adaptations and (RBB) improvements and input from partners V0.7 15/12/2017 Pre-final version Simone Hollederer (RBB) V1.0 21/12/2017 Final version after Simon Delaere, Iris Jennes coordinator review, (imec), Floris Daelemans clustering of use cases, (VRT), Annette Wilson (RBB) various small additional inputs Page 3 of 67 D2.1: HRADIO User Scenarios Disclaimer This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 731677. This document reflects only the authors’ views and the Commission is not responsible for any use that may be made of the information it contains. Project co-funded by the European Commission in the H2020 Programme Nature of the deliverable: R Dissemination Level PU Public, fully open, e.g. web Classified, information as referred to in Commission Decision CL 2001/844/EC CO Confidential to HRADIO project and Commission Services Page 4 of 67 D2.1: HRADIO User Scenarios TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................................................ 10 2. CONCEPT AND COMMON METHODOLOGY ................................................................... 11 2.1. Concept ............................................................................................................................................................................ 11 2.2. Methodology ................................................................................................................................................................. 13 2.2.1. Personas ............................................................................................................................................................................ 13 2.2.2. 6-Step Storyboard .................................................................................................................................................. 14 2.2.3. Dot voting ......................................................................................................................................................................... 15 2.2.4. Pain and gain ................................................................................................................................................................ 15 2.2.5. Scenarios ........................................................................................................................................................................... 15 2.3. Persona description .............................................................................................................................................. 16 3. HRADIO USER SCENARIOS .................................................................................................... 26 3.1. Scenario generation ............................................................................................................................................. 26 3.1.1. RBB ........................................................................................................................................................................................... 26 3.1.2. VRT ........................................................................................................................................................................................... 28 3.1.3. Konsole Labs ................................................................................................................................................................. 28 3.1.4. Radioplayer .................................................................................................................................................................... 29 3.1.5. IRT ............................................................................................................................................................................................. 29 3.1.6. LMU .......................................................................................................................................................................................... 29 3.1.7. W3C ........................................................................................................................................................................................ 29 3.2. End user scenarios ................................................................................................................................................. 30 3.2.1. Timeshifting ................................................................................................................................................................... 30 3.2.2. Timeshifting + cross-device .......................................................................................................................... 32 3.2.3. Timeshifting + personalisation ................................................................................................................... 35 3.2.4. Personalisation of content ............................................................................................................................ 40 3.2.5. Personalisation of context .............................................................................................................................. 44 3.2.6. Personalisation + interactivity .................................................................................................................... 50 3.2.7. Interactivity .................................................................................................................................................................... 52 3.2.8. Voice control ................................................................................................................................................................ 58 3.2.9. Audio- and reception quality ...................................................................................................................... 59 Page 5 of 67 D2.1: HRADIO User Scenarios 3.2.10. Visualisation .................................................................................................................................................................. 61 4. CONCLUSION ............................................................................................................................. 66 5. REFERENCES ............................................................................................................................... 67 Page 6 of 67 D2.1: HRADIO User Scenarios LIST OF FIGURES FIGURE 1: VISUALIZATION OF THE 6-STEP STORYBOARD .................................................................. 14 FIGURE 2: EXAMPLE FOR DOT VOTING 1 .................................................................................................... 15 FIGURE 3: EXAMPLE FOR DOT VOTING 2 ................................................................................................... 15 FIGURE 4: PROCESS FOR DEVELOPING THE USER SCENARIOS ........................................................ 15 FIGURE 5: WORKING IN GROUPS ................................................................................................................. 27 FIGURE 6: PRESENTATION OF ONE GROUP RESULT .............................................................................. 27 FIGURE 7: EXAMPLE FOR DOT VOTING 3 ..................................................................................................
Load more

Recommended publications
  • E-Tree Making Ready We Are Inclined to Think of Advent As a Time for ‘Making Ready’ and ‘Preparing the Way’ for the Birth of Christ Into the World
    e-Tree Making Ready We are inclined to think of Advent as a time for ‘making ready’ and ‘preparing the way’ for the birth of Christ into the world. It might come as a surprise to know that the way in which we observe Christmas with mangers “and the works” has only evolved from the late twelfth century / early thirteenth century onwards. The “main event” was Easter. The observance of Christ’s passion (his suffering and the cross), Holy Saturday and the resurrection on Sunday was the primary season of the Christian year. It seems to have been the time when baptisms took place and was accompanied An online magazine for the congregations within the Parramatta Mission, Uniting Church in Australia. by a renewal of baptismal vows. Number 1: February 2016. ___________________________________________________ Welcome to the first edition of e-Tree. Our desire is to keep you aware of what is happening in the life of our congregations and the wider church. e-Tree will be published four times per year. Lent is the season which begins on Ash Wednesday and comes to a How did e-tree get its name? close with Holy Satruday. Its purpose is to preparethe follower of The image of a 'tree' was recently adopted by Christ for the core confessions of our Parramatta Mission as an emblem of its core faith: the death and resurrection of values - and of the diverse, fertile and inclusive Christ and what that signifies for us. It nature of its Christ-centred work. The 'branches' has been practised as a time of of that tree - including its three congregations: repentance, fasting and almsgiving.
    [Show full text]
  • Value of Youtube to the Music Industry - Paper III - Promotion
    Value of YouTube to the music industry - Paper III - Promotion June 2017 RBB Economics 1 1 Introduction The music industry has undergone significant change over the past few years, with declining volumes of music sold through an ownership model (such as downloads) and rapid growth in usage models (such as streaming).1 While many services provide value to the recorded ​ music industry, in the 12 months to December 2016 one video streaming platform, YouTube, paid out over USD 1 billion to the music industry from advertising alone.2 YouTube claims that not only does it return money directly to creators, but also that it has a promotional effect on music.3 However, some commentators argue that YouTube has a negative impact on the music industry: paying insufficiently for content and cannibalising other services. RBB Economics has undertaken several empirical analyses in order to evaluate YouTube’s potential promotional or cannibalisation effects on the music industry in Europe. We analyse the results from 1,500 person user surveys carried out in each of four European countries, as well as data on YouTube views and streams on audio platforms of over 8,000 tracks across these countries over a three year period.4 In our first note we considered the evidence of cannibalisation by YouTube of other legitimate music services. ● Looking at survey evidence we found that significant cannibalisation is unlikely: users of music on YouTube are primarily lighter users, and if music videos were no longer shown on YouTube, 85% of users’ time would be lost or shifted to lower or similar value channels, and even to file sharing or piracy.
    [Show full text]
  • Universidade Federal Do Ceará Instituto De Cultura E Arte Curso De Design-Moda
    UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DE DESIGN-MODA RAFAELA PRADO DO AMARAL KPOP: PADRÃO DE BELEZA, MÍDIA E SUAS IMPLICAÇÕES NO COTIDIANO DOS GRUPOS FEMININOS NA COREIA DO SUL FORTALEZA 2019 RAFAELA PRADO DO AMARAL KPOP: PADRÃO DE BELEZA, MÍDIA E SUAS IMPLICAÇÕES NO COTIDIANO DOS GRUPOS FEMININOS NA COREIA DO SUL Monografia para o trabalho de conclusão de curso, em Design-Moda da Universidade Federal do Ceará, como requisito para obtenção do título de graduado. Orientadora: Profª. Drª. Francisca Raimunda Nogueira Mendes FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante aos dados fornecidos pelo(a) autor(a) A517k Amaral, Rafaela Prado do. Kpop: padrão de beleza, mídia e suas implicações no cotidiano dos grupos femininos na Coreia do Sul / Rafaela Prado do Amaral. – 2019. 61 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Dra. Francisca Raimunda Nogueira Mendes . 1. Kpop. 2. Corpo. 3. Mídia. 4. Padrão de beleza. I. Título. CDD 391 RAFAELA PRADO DO AMARAL KPOP: PADRÃO DE BELEZA, MÍDIA E SUAS IMPLICAÇÕES NO COTIDIANO DOS GRUPOS FEMININOS NA COREIA DO SUL Monografia para o trabalho de conclusão de curso, em Design-Moda da Universidade Federal do Ceará, como requisito para obtenção do título de graduado. Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Profª. Drª. Francisca Raimunda Nogueira Mendes (Orientadora) Universidade Federal do Ceará (UFC) _________________________________________ Profª. Drª. Cyntia Tavares Marques de Queiroz Universidade Federal do Ceará (UFC) _________________________________________ Profª.
    [Show full text]
  • Classical Music Broadcasting in Germany
    CLASSICAL MUSIC BROADCASTING IN GERMANY Alice Keath Australia Germany Association Educational Development Fellowship Report 2007 TABLE OF CONTENTS …………………….3 About the project ……………………4 Part I: Goethe Institut Language Course Part 2: Classical Music Broadcasting in Germany ……………………5 Introduction 2.1 Overview and Structure …………………….7 Cultural Broadcasters ……………………11 Funding Technology ……………………12 2.3 History ……………………13 2.4 Current Trends and Issues At Issue: The Cultural Argument ……………………15 2.5 The Future 2.6 Visits and Internship ……………………17 RBB Kulturradio, Berlin ……………………19 Klassikradio, Hamburg ……………………20 European Broadcasting Union ……………………21 Deutsche Welle Radio, Bonn Outcomes ……………………22 About the Author Acknowledgments 2 ABOUT THE PROJECT The AGA Fellowship is a jointly sponsored annual fellowship which offers the opportunity to intensely study German language and culture for an eight-week period, and then to pursue a chosen subject area for one month. For me, this represented an excellent opportunity. In 1998 I had undertaken an exchange for six months to a high school in Hannover, Germany. Following my exchange, I studied German at University and returned to visit twice, but hadn’t had the chance to come back for an extended period of time. In the meantime I was studying classical music, and starting to work in community and public radio in Australia. The 2008 AGA Fellowship presented me with the chance to consolidate my German skills, to increase my knowledge of the international broadcasting industry, and to establish new contacts and production skills which could be shared with Australian broadcasters. For the first two months of the Fellowship, I attended language and cultural courses at the Goethe Institut in Berlin.
    [Show full text]
  • TV-PROGRAMME Senderliste Senderliste
    TV-PROGRAMME Senderliste Senderliste Kanal nummer Kanal nummer UNTERHALTUNG TV S TV M TV L UNTERHALTUNG TV S TV M TV L HD SD HD SD Magenta On Demand SD SD SD 100 arte HD HD HD 227 130 ORF 1 HD HD HD HD 201 101 Nitro* SD SD SD 215 131 ORF 2 (entsprechend Bundesland) HD HD HD 202 102 Pro7 Maxx SD SD SD 132 ATV HD HD HD 203 103 SAT 1 Gold SD SD SD 133 PULS 4 SD HD HD 204 104 ORF 2 Steiermark HD HD HD 279 134 W24 HD HD HD 217 105 ORF 2 Kärnten HD HD HD 275 135 Sixx Austria SD SD SD 106 ORF 2 Niederösterreich HD HD HD 276 136 ServusTV HD HD HD 205 107 ORF 2 Oberösterreich HD HD HD 277 137 Okto SD SD SD 108 ORF 2 Burgenland HD HD HD 274 138 Magenta PULS24 HD HD HD 200 109 ORF 2 Salzburg HD HD HD 278 139 Das Erste HD HD HD 210 110 ORF 2 Vorarlberg HD HD HD 281 140 ZDF HD HD HD 211 111 ORF 2 Tirol HD HD HD 280 141 ORF III HD HD HD 206 112 ORF 2 Europe SD SD SD 142 ProSieben SD HD HD 207 113 Tirol TV HD HD HD 237 151 RTL* SD SD SD 212 114 KT 1 SD SD SD 153 SAT.1 SD HD HD 208 115 Ländle TV SD SD SD 154 RTL II* SD SD SD 213 116 Schau TV HD HD HD 224 155 kabel eins SD HD HD 209 117 PULS24 HD HD HD 223 159 VOX * SD SD SD 214 118 RTL Plus AT SD SD SD 169 ATV 2 SD HD HD 219 119 DMAX Austria SD SD 175 TLC SD HD HD 222 174 Comedy Central SD HD HD 220 176 3sat HD HD HD 228 120 HEIMATKANAL SD 192 BR HD HD HD 229 121 Melodie TV SD SD SD 344 MDR HD HD HD 234 122 SWR HD HD HD 235 123 ONE HD HD HD 232 538 NDR HD HD HD 238 124 ARD alpha HD HD HD 245 540 WDR HD HD HD 233 125 ZDF neo HD HD HD 226 542 hessen fernsehen HD HD HD 240 126 R9 HD HD HD 218 RBB Fernsehen HD HD HD 241 127 ARCADIA WORLD HD HD 244 kabeleins doku AT SD SD SD 129 SR HD HD HD 246 * HD nur mit RTL HD Paket HD (High Definition): hochauflösendes Fernsehen * HD nur mit RTL HD Paket HD (High Definition): hochauflösendes Fernsehen 14 : Mit Replay Sendungen der letzten 7 Tage ansehen.
    [Show full text]
  • User Guide: MPC Software
    User Guide English Manual Version 2.8 Table of Contents Introduction ............................................................ 7 Tutorial ................................................................... 13 MPC vs. MPC Beats .......................................... 7 Creating a Drum Kit ......................................... 13 System Requirements & Product Support ...... 7 Creating a Drum Sequence ............................. 14 About This User Guide ...................................... 8 Renaming & Saving .......................................... 15 Important Notes ................................................. 8 Editing Note Events .......................................... 17 Setup ................................................................... 9 Making Basic Sound Edits ............................... 19 1. Connection .................................................. 9 Creating a Bass Track ..................................... 20 2. Installation ................................................... 9 Recording an Audio Track ............................... 23 3. Getting Started .......................................... 10 Creating a Song ................................................ 24 MPC Software.................................................... 10 MPC Beats Software .......................................... 11 Exporting the Song ........................................... 25 Basic Concepts .................................................... 12 Other Features Explained ...............................
    [Show full text]
  • Table of Contents
    Table of Contents Internet Terms & Conditions.........………………….................2 Your Internet Account Information………………….................3 Internet Service Areas ...………….…………………................4 Internet Plans ……………....................................................5-9 Basic Setup Information........................................................10 Data Usage and Staying On Track ..................................11-16 Usage Viewer – DSL Internet …….…………………….17-18 DSL Connection Diagram…...……………………………..19-24 RBB Wireless (Wi-Fi) Equipment Installation……………25-30 Wireless Wi-Fi Village Access Point Location.………………31 Usage Viewer – RBB Wi-Fi Internet…………..…..………..32 Usage Viewer – Supervision..…….………….……………...33 Frequently Asked Questions............................................34-35 Troubleshooting DSL Internet Connection ..…………....36-38 Basic Internet Troubleshooting……...………………..…..39-58 Useful Web Sites ....................................................................59 Local Phone Service .............................................................60 V 10-2018 1 Internet Terms & Conditions Our Commitment to an Open Internet: As a provider of internet services in rural Alaska, UUI has always been committed to an open internet that gives our customers the freedom to be in charge of their online experience. An open internet means that we do not block, prevent or otherwise impair our customers’ freedom to direct their own online activity. This is a commitment that we stand by unequivocally. And that will not change. While UUI Internet
    [Show full text]
  • Kpop Album Checklist My Bank Account Says Nope but My Boredness Told Me to Make It Babes Xoxo
    KPOP ALBUM CHECKLIST MY BANK ACCOUNT SAYS NOPE BUT MY BOREDNESS TOLD ME TO MAKE IT BABES XOXO 2NE1 - First mini album 2NE1- Second mini album 2NE1 - To anyone 2NE1 - Crush 2NE1 - Nolza (Japan) 2NE1 - Collection (Japan) 2NE1 - Crush (Japan) 3YE - Do my thang (Promo) 3YE - Out of my mind (Promo) 3YE - Queen (Promo) 4MINUTE - 4 Minutes left 4MINUTE - For muzik 4MINUTE - Hit your heart 4MINUTE - Heart to heart= 4MINUTE - Volume up 4MINUTE - Name is 4minute 4MINUTE - 4minute world 4MINUTE - Crazy 4MINUTE - Act 7 4MINUTE - Diamond (Japan) 4MINUTE - Best of 4minute (Japan) 4TEN - Jack of all trades 4TEN- Why (Promo) 9MUSES - Sweet rendevouz 9MUSES - Wild 9MUSES - Drama 9MUSES - Lost (OOP) 9MUSES- Muses diary part 2 : Identity 9MUSES - Muses diary part 3 : Love city 9MUSES - 9muses S/S edition 9MUSES - Lets have a party 9MUSES - Dolls 9MUSES - Muses diary (Promo) AFTERSCHOOL - Virgin AFTERSCHOOL - New schoolgirl (OOP) AFTERSCHOOL - Because of you AFTERSCHOOL - Bang (OOP) AFTERSCHOOL - Red/Blue (OOP) AFTERSCHOOL - Flashback (OOP) AFTERSCHOOL - First love AFTERSCHOOL - Playgirlz (Japan) AFTERSCHOOL - Dress to kill (Japan) AFTERSCHOOL - Best (Japan) AILEE - Vivid AILEE - Butterfly AILEE - Invitation AILEE- Doll house AILEE - Magazine AILEE - A new empire AILEE - Heaven (Japan) AILEE - U&I (Japan) ALEXA - Do or die (Japan) ANS - Boom Boom (Promo) ANS - Say my name (Promo) AOA - Angels knock AOA - Short hair (OOP) AOA - Like a cat AOA - Heart attack AOA - Good luck AOA - Bingle bangle AOA - New moon AOA - Angels story AOA - Wanna be AOA - Moya AOA
    [Show full text]
  • Download Whole Journal
    and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles Asociacion Internacional de Archivos Sonoros y Audiovisuales iasa journal - · iasa journal Journal of the International Association of Sound and Audiovisual Archives IASA • Journal de l'Association Internationale d'Archives Sonores et Audiovisuelles IASA • Zeitschrift der Internationalen Vereinigung der Schall- und audiovisuellen Archive IASA • El Journal de Asociaci6n Internacional de Archivos Sonoros y Audiovisuales 1 . Editor: IIse Assmann, The South African Broadcasting Corporation (SABC) Media Libraries, PO Box 931 , 2006 Auckland Park, South Africa. Fax +27 (0 I I) 71 4441 9-eMail [email protected]~ Language Editor: Dorothy van Tonder, SABC The IASA Journal is published twice a year and is sent to all the members of IASA.Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are € 40 for individual members and € 158 for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of € 70. Le IASA Journal est publie deux fois I'an et distribue a tous les membres de l'association.Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles se montent actuellement a € 40 pour les membres individuels et € 158 pour les membres institutionnels. Les anciens numeros (a partir de 1971 ) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I 'Association peuvent s'abonner au IASA Journal pour I'annee en cours au coat de € 70.
    [Show full text]
  • Red Velvet Butterflies Free Download Red Velvet - Butterflies MP3
    red velvet butterflies free download Red Velvet - Butterflies MP3. Download lagu Red Velvet - Butterflies MP3 dapat kamu download secara gratis di ilKPOP.net. Details lagu Red Velvet - Butterflies bisa kamu lihat di tabel, untuk link download Red Velvet - Butterflies berada dibawah. Title Butterflies Artist Red Velvet Album RBB - The 5th Mini Album Genre Other Year 2018 Duration 3:29 File Format mp3 Mime Type audio/mpeg Bitrate 129 kbps Size 3.32 MB Views 26,604x Uploaded on November, 30 2018 (19:51) Bila kamu mengunduh lagu Red Velvet - Butterflies MP3 usahakan hanya untuk review saja, jika memang kamu suka dengan lagu Red Velvet - Butterflies belilah kaset asli yang resmi atau CD official dari album RBB - The 5th Mini Album, kamu juga bisa mendownload secara legal di Official iTunes Red Velvet, untuk mendukung Red Velvet - Butterflies di semua charts dan tangga lagu Indonesia. Red Velvet Members Profile. Red Velvet (레드벨벳) is a girl group that consists of 5 members: Irene, Wendy, Seulgi, Joy and Yeri . Red Velvet debuted on August 1, 2014, under S.M. Entertainment. Red Velvet Fandom Name: ReVeluv Red Velvet Official Fan Color: Pastel Coral. Red Velvet Members Profile: Irene Stage Name: Irene (아이린) Birth Name: Bae Ju Hyun (배주현) Position: Leader, Main Rapper, Lead Dancer, Sub Vocalist, Visual, Center Birthday: March 29, 1991 Zodiac Sign: Aries Height: 160 cm (5’3″) (Official) / 158 cm (5’2″) (Approx. real height)* Weight: 44 kg (99 lbs) Blood Type: A MBTI Type: ENTJ Sub-Unit: IRENE & SEULGI Instagram: @renebaebae. Irene facts: – Birth Place: Daegu, South Korea. – Family: Parents, younger sibling.
    [Show full text]
  • Trung Tâm Điều Trị Suy Giãn Tĩnh Mạch
    Thuong Mai Week-End CUOÁI TUAÀN 1878 February 22, 2020 10515 Harwin Dr., Suite 100-120, Houston, TX 77036 (goùc Harwin Dr. @ Corporate Dr.) Tel: 713-777-4900 * 713-777-8438 * 713-777-VIET * 713-777-2012 * Fax.: 713-777-4848 Website: thevietnampost.com * E-mail: [email protected] Chuùng toâi chuyeân ñaûm traùch TRUNG TÂM ĐIỀU TRỊ SUY GIÃN TĨNH MẠCH moïi dòch vuï BAÛO HIEÅM: XE HÔI - NHAØ CÖÛA - NHAÂN THOÏ TRIEÄU CHÖÙNG & CAÙCH ÑIEÀU TRÒ GIAÕN TÓNH MAÏCH Ñieàu Trò Suy Giaõn Tónh Maïch THÖÔNG MAÏI - IRA - MUTUAL FUNDS CAÙC GIÃN TĨNH MẠCH SƯNG PHÙ DA SẠM MÀU LỞ LOÉT Ñieàu Trò Thoaùt Vò TRIEÄU SHAWN XUAÂN NGUYEÃN, LUTCF CHÖÙNG Phaãu Thuaät Tuùi Maät 10039 Bissonnet, Suite 226 GIAÕN Houston, TX 77036 (713)988-0752 TÓNH Phaãu Thuaät Daï Daøy, Tröïc Traøng HARRY DAO MAÏCH Phaãu Thuaät Tuyeán Giaùp INSURANCE Nếu bạn có cảm giác chân nóng, ngứa, nổi gân xanh, dễ mệt mỏi, BAÛO HIEÅM TOÁT, GIAÙ CAÛ NHEÏ NHAØNG áp lực, co thắt, thay đổi màu da, sưng, khô, loét, v.v ... ÑIEÀU TRÒ BAÈNG PHÖÔNG PHAÙP NOÄI SOI OÅ BUÏNG Đừng chờ đợi, hãy đến gặp chúng tôi ngay! XE - NHAØ - THÖÔNG MAÏI Laøm giaûm ñau vaø ruùt ngaén thôøi gian hoài phuïc NHAÂN THOÏ - SÖÙC KHOÛE NHÖÕNG LÔÏI ÍCH CUÛA ÑIEÀU TRÒ SUY GIAÕN TÓNH MAÏCH Laøm seïo ít hôn sau phaãu thuaät INCOME TAX, GIAÁY TÔØ XE, GIAÛI TICKET, DI TRUÙ, HOÄ CHIEÁU Gaây meâ cuïc boä ngay taïi vaên phoøng ÑOÄC THAÂN COÂNG HAØM Ñi laïi ngay sau khi ñieàu trò ÑIEÀU TRÒ SUY GIAÕN TÓNH MAÏCH HAÀU HEÁT BILL OF SALE Khoâng ñeå laïi seïo hay söng phuø ÑEÀU ÑÖÔÏC CAÙC COÂNG TY BAÛO HIEÅM HOÃ TRÔÏ 281-933-8300 8300 W.
    [Show full text]
  • Continuing the Spirit of Copyright Stella Brown Northwestern University School of Law
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northwestern University Illinois, School of Law: Scholarly Commons Northwestern Journal of Technology and Intellectual Property Volume 12 | Issue 2 Article 6 Spring 2014 It Takes a Village to Make a Difference: Continuing the Spirit of Copyright Stella Brown Northwestern University School of Law Recommended Citation Stella Brown, It Takes a Village to Make a Difference: Continuing the Spirit of Copyright, 12 Nw. J. Tech. & Intell. Prop. 129 (2014). https://scholarlycommons.law.northwestern.edu/njtip/vol12/iss2/6 This Comment is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Technology and Intellectual Property by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. NORTHWESTERN JOURNAL OF TECHNOLOGY AND INTELLECTUAL PROPERTY It Takes a Village to Make a Difference: Continuing the Spirit of Copyright Stella Brown April 2014 VOL. 12, NO. 2 © 2014 by Northwestern University School of Law Northwestern Journal of Technology and Intellectual Property Copyright 2014 by Northwestern University School of Law Volume 12, Number 2 (April 2014) Northwestern Journal of Technology and Intellectual Property It Takes a Village to Make a Difference: Continuing the Spirit of Copyright By Stella Brown* The year is 2003, and Betty Lu Brown, a now-famous blues singer and songwriter, sits in deep thought reminiscing about her successful and long-standing music career. She continues to hear her music played over the radio and through the car windows of her now-mature fans, even though she has not released an album for over a decade.
    [Show full text]