DOCSLIB.ORG

HOUSE PROGRAMME 07.05.2021 | 9:15Pm (Preview) 08–16.05.2021 | 7Pm 08, 10–16.05.2021 | 9:15Pm Site-Wide, Tai Kwun

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HOUSE PROGRAMME 07.05.2021 | 9:15Pm (Preview) 08–16.05.2021 | 7Pm 08, 10–16.05.2021 | 9:15Pm Site-Wide, Tai Kwun HOUSE PROGRAMME 07.05.2021 | 9:15pm (Preview) 08–16.05.2021 | 7pm 08, 10–16.05.2021 | 9:15pm Site-wide, Tai Kwun Curated by Supported by Hong Kong Arts Development Council fully supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council. CONTENTS PRODUCER’S NOTE PLAYWRIGHT & DIRECTOR – YAN PAT TO PLAYWRIGHT & DIRECTOR’S NOTE SYNOPSIS CREATIVE AND PRODUCTION TEAM CREATIVE AND PRODUCTION TEAM MEMBERS’ BIO TAI KWUN PRODUCTION TEAM ACKNOWLEDGEMENTS SURVEY HOUSE RULE PRODUCER’S NOTE Since its opening in 2018, Tai Kwun has presented two Theatre Seasons and Dance Seasons, creating a new platform and fertile ground for performing arts in Hong Kong. With an aim to establishing in-depth and long-term collaborative relationships with local artists, they are offered the capacity and freedom to think and explore while developing full-length works with opportunities for re-runs. We are also privileged with Tai Kwun’s unique venues and outdoor spaces, which enables us to complement the offerings in Hong Kong’s performing arts scene: producing works that are small to medium in scale, non-conventional in nature, and with emphasis on audience engagement. The experiences and feedback over the past two years proved that we are in the right direction: “participation” being a key element in curating the best arts experience possible for the audience. Entering the third year, the essence of the past Theatre Seasons and Dance Seasons will be merged into a multi- genre Performing Arts Season: SPOTLIGHT. True to the title, we will be putting the spotlight on Hong Kong, on Tai Kwun, and on local artists. While live performances had been halted for months, the artists proactively adapted to the new normal and reimagined their work in “On Stage Online”, Tai Kwun’s new initiative to encourage innovative use of the digital medium. Through this platform, they stay connected with the audience and collected valuable CONTENTS feedbacks to enrich the work-in-progress. It is now time to present the fruition to public. We look forward to you joining us this April and May, as we truly shine the spotlight on Hong Kong, to revel in the here and now of the arts with our exceptional performing arts programmes. Eddy Zee Head of Performing Arts CONTENTS PLAYWRIGHT & DIRECTOR PLAYWRIGHT & DIRECTOR Playwright and Director Yan Pat To Photo: Ted Kim Active in Hong Kong and German Theatre. Playwright, Director, Educator. Artistic Director of Reframe Theatre. Lecturer (Dramaturgy) of The Hong Kong Academy for Performing Arts. Elected Council Member and the Chairman of Literary Art of Hong Kong Arts Development Council. One of the hosts of Literature Night of RTHK TV talk show. Graduated from the University of Hong Kong, majoring in English Literature; the Chinese University of Hong Kong, MA in Sociology; Royal Holloway, University of London, MA in Playwriting (pass with distinction). His play A Concise History of future China (the first part of Posthuman Journey) is selected by 2016 Berliner Festspiele Theatertreffen Stuckemart as one of the five theatre works presented. It is the first ethnic Chinese play ever selected and premiered in Hong Kong New Vision Festival 2016. The German Premiere was produced by The Staatsschauspiel Saarbrücken in 2021. Posthuman Condition (the second part of Posthuman Journey) is premiered at Schauspiel Frankfurt in 2021. CONTENTS His other works include White blaze of the morning (a play in Cantonese) is awarded Best Play, the 8th Hong Kong Theatre Libre. Happily ever after nuclear explosion is commissioned by Munich Residenztheater and premiered in June 2018. This play is under the programme of World/Stage. He directed a Cantonese version and it was invited by Tai Kwun Theatre Season (HK), Asia Playwright Festival (South Korea) in 2019 and CINARS Biennale Official Programme (Canada) 2020. His recent works include How to present the love life of Hong Kong people to Aliens (HK premiere, Taiwan’s tour version, Pandemic version), Flow of time and Stream of consciousness (Hong Kong Fringe Club, Immersive Theatre) and Goldfish of Berlin, etc. PLAYWRIGHT & CONTENTS DIRECTOR’S NOTE PLAYWRIGHT & DIRECTOR’S NOTE Love and Conditions There was a catchphrase earlier that everyone loved to say they really love Hong Kong, then they would start talking about how good Hong Kong is. I also love Hong Kong — In fact, a part of me inside is quite withdrawn, and it is too much for me to say that I love a place (I had goosebumps writing this sentence). I also dislike several things about Hong Kong: the cost of living is too high, the living condition for creation is difficult, and it is not easy to have an atmosphere of rational discussion (discuss with reason and logic)... But I do love Hong Kong, regardless of how good or bad she is. And I don’t need to analyse the reasons. This feeling is almost pure love. It is the same when you love a person. When we choose whom to love or not to love, we are often affected by several external conditions: identity, status, age, race, gender, timing, and neglect that we just fall for that person unconditionally — though we are rarely willing to admit it. Probably, this is the starting point for my creation of A Poem in Jail. (This is an abridged version of the director’s note. The full version will be uploaded to Reframe Theatre’s Facebook page one week after the last performance.) Yan Pat To CONTENTS SYNOPSIS SYNOPSIS I’m not waiting for you. In the 1980s, two women were imprisoned in Victoria Prison, where they experienced an unexpected romance. Their growing affections for each other were interrupted as one was released while the other wrote love poems of longing on her bed board. When released from prison, she discovered that her lover had already married. She suppressed her mishmash of feelings and started a family as well. Approaching 1997, she did not want to live in a bigger prison. The decision to immigrate prompted a final rendezvous and conversation in which deep feelings were cast aside but never forgotten. Inspired by a bed board with love poems found in a women’s prison, this groundbreaking immersive production, features artists Pat To Yan (theatre), Kingsley Ng (media installation) and Chow Yiu Fai (lyric Artist), will lead the audience to tread a path that explores Tai Kwun then and now. CREATIVE AND CONTENTS PRODUCTION TEAM CREATIVE AND PRODUCTION TEAM Playwright and Director | Yan Pat To^ Performers | Cecilia Chan, Ng Fung Ming, Sze Wei, Venus Cheung, Leung Tin Chak, Leung Ho Pong Project Curator | Felix Chan Media Installation | Kingsley Ng Lyric Artist | Chow Yiu Fai Dramaturg | Jass Leung Scenographer | Yuen Hon Wai Video Designer | Adrian Yeung Lighting Designer | Vanessa Lee Sound Designer | Kan Hei Chun Costume Designer | Hanison Lau Production Manager | Agnes Lee Stage Manager | Sunny Chu Deputy Stage Manager | Kathryn Lai Assistant Stage Managers | Tsai Sai Ying Mark-up Stylist | Betty Wan Stage Assistant | Chim Man Lung, Keung King Hang Video Designer | Chan Shing Yan Video Assistant | Fung Wai Ki Administration Coordinator | Tsoi Sin Yi, Sally Hui Curated by | Reframe Theatre and Felixism Creation ^ With the kind permission of the Hong Kong Academy for Performing Arts CREATIVE AND PRODUCTION CONTENTS TEAM MEMBERS’ BIO CREATIVE AND PRODUCTION TEAM Performer Cecilia Chan Ho Lim Chu Graduated from The Hong Kong Academy for Performing Arts in 2012 (BFA(Hons), Major in Acting), Cecilia Chan received the award of Actor/Actress of the Year (2017) by International Association of Theatre Critics (HK) and Distinct Actress at the 10th Hong Kong Theatre Libre (Cecile in Quai Quest). She was also nominated for Best Actress in Leading Role (Evelyn in The Shape of Things) at the 6th Hong Kong Theatre Libre. Recent performances include: The Plague by Hong Kong Arts Festival; The Unforgettable Chapter by Hong Kong Repertory Theatre; Ballads of Expulsion, Quai Ouest (Hong Kong and France tour), The Second Year of Jianfeng, The Attic, Electronic City (Hong Kong and Beijing Re-run), The Ugly One (Hong Kong and Macau Re-run) by On & On Theatre; Goldfish of Berlin, Stream of Consciousness by Reframe Theatre; The Histories and their Lovers by Reframe Theatre X Felixism Creation. Chan was the founder of K.O.The Box. She works as a freelance actress and drama tutor. CONTENTS CREATIVE AND PRODUCTION TEAM Performer Ng Fung Ming Lai Wai Ling, Mandy Graduated with a Bachelor of Fine Arts from The Hong Kong Academy for Performing Arts, majoring in Acting, Ng Fung Ming was nominated for Best Actress at the Hong Kong Drama Awards with Shall We Die and for Best Supporting Actress with Wit and Mother Courage in China. She was awarded Best Supporting Actress (Tragedy/Drama) for Unforgettable Era in 2018. Recent productions include Waiting For The Match 2, First Date, and Dead Man’s Cell Phone. CONTENTS CREATIVE AND PRODUCTION TEAM Performer Sze Wei Ho Lim Chu (young girl) Sze Wei graduated from The Hong Kong Academy for Performing Arts (HKAPA) and received a Bachelor of Fine Arts degree in acting. When she was studying in HKAPA, she had performed in Who’s Afraid of Lord of the Flies, Lysistrata, Le Malentendu, La Ronde, Black Vast (Seoul Visit) and Semele. She received the Outstanding Actor Award with her role in Who’s Afraid of Lord of the Flies. She is currently a freelance actress. Her recent performances include See You Soon-The Call of the White Orchid, Let’s Hunt for a “Tiger” Tonight and All of Life I Shall Remember. CONTENTS CREATIVE AND PRODUCTION TEAM Performer Venus Cheung Lai Wai Ling, Mandy (young girl) Venus Cheung graduated from The Hong Kong Academy for Performing Arts (HKAPA) and received a Bachelor of Fine Arts degree in acting.
Load more

Recommended publications
  • Kingsley Ng 伍韶勁 at ‘Digital Life 2014 – Play’
    osage hong kong 4/F, hing yip street, osage Kwun Tong, Kowloon, Hong Kong t: (852) 2389 8332 e: [email protected] w: www.osagegallery.com Media Release 25 September 2014 Attention Arts and Culture Editors For immediate release KINGSLEY NG 伍韶勁 AT ‘DIGITAL LIFE 2014 – PLAY’ ROMAEUROPA FESTIVAL at La Pelanda - MACRO Testaccio Largo Orazio Giustiniani 4, Rome, Italy 9.10 – 30.11.2014 Osage Gallery is proud announce the participation of Hong Kong new media Kingsley Ng, recipient of Best Artist (Media Arts) in last year's Hong Kong Arts Development Awards, in the exhibition Digital Life 2014 – PLAY, the technological arm of Romaeuropa, one of the most prestigious cultural events in Italy and Europe, from 9 October to 30 November 2014 in Rome, Italy. For more about the Festival: http://romaeuropa.net/ In this fifth edition of the DIGITAL LIFE dedicated to music and to custom-made musical instruments, Kingsley will be showing one of his pivotal works Métier à tisser musical (Musical Loom), an interactive sound installation and a production of Le Fresnoy, Studio national des arts contemporains. The work transformed a 250 year-old antique French loom into a sound-image instrument. It was inspired by the loom in northern France where the ancient machine has played a significant role in the region’s boom and prosperity. The loom used in the installation was part of the permanent collection of the Jacquard Museum in Roubaix, France, which was acquired for production of this work with the generosity of the Museum and Mr José Honoré. 1 Métier à tisser musical (Musical Loom) 音樂紡織機 interactive sound installation | 175 x 130 x 200 cm | 2005 Production Le Fresnoy, Studio national des arts contemporains Image courtesy of the artist and Osage Gallery 2 With this Musical Loom, the player can generate mechanical soundscapes or malleable musical expressions.
    [Show full text]
  • Asia Society Hong Kong Center March 2013 Program
    Asia Society Hong Kong Center March 2013 Program Imminent Domain Designers Workshop Series Lost and Found Workshop with KENTARO HIROKI, Artist, Chairman of Communication Design Program, King Mongkut’s University of Technology Thonburi, Thailand & KINGSLEY NG, Artist and Lecturer, Academy of Visual Art, Hong Kong Baptist University Saturday, March 2, 2013 Asia Society Hong Kong Center, 9 Justice Drive, Admiralty 13:00 –16:00 Free Admission; Registration required; Online registration only “Upcycling” is often the process of converting unwanted objects and materials into new products for better environmental value. For objects that have lost their reasons to exist in the world, instead of transforming them into new by-products, can we inject new meanings into these objects as they are? Can we help them find new home? Kentaro Hiroki was born in 1976 in Osaka, Japan. He is currently an art lecturer at the School of Architecture and Design KMUTT, Bangkok, Thailand. Hiroki graduated with a BA in Fine Art from Osaka Art University and subsequently took a Foundation Course from Central Saints Martin School of Design, London Institute. He obtained his Post Graduate Diploma in Fine Art from Goldsmiths 9 Justice Drive College, University of London in 2001 and MA in Fine Art from Malmö Art Academy, Sweden in 2003. Admiralty He has had 4 solo exhibitions and participated in 13 group shows in UK, Norway, Sweden, Thailand, Hong Kong Korea, and Hong Kong. Kingsley Ng is an interdisplinary artist that sets his focus on conceptual, site-specific and community-oriented projects. To him, art is the byproduct that shows human’s existence in its time and space; it should be socially relevant, employing contemporary language and media to render the issues of our time.
    [Show full text]
  • Art As Communication: Y the Impact of Art As a Catalyst for Social Change Cm
    capa e contra capa.pdf 1 03/06/2019 10:57:34 POLYTECHNIC INSTITUTE OF LISBON . PORTUGAL C M ART AS COMMUNICATION: Y THE IMPACT OF ART AS A CATALYST FOR SOCIAL CHANGE CM MY CY CMY K Fifteenth International Conference on The Arts in Society Against the Grain: Arts and the Crisis of Democracy NUI Galway Galway, Ireland 24–26 June 2020 Call for Papers We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, colloquia, creative practice showcases, virtual posters, or virtual lightning talks. Returning Member Registration We are pleased to oer a Returning Member Registration Discount to delegates who have attended The Arts in Society Conference in the past. Returning research network members receive a discount o the full conference registration rate. ArtsInSociety.com/2020-Conference Conference Partner Fourteenth International Conference on The Arts in Society “Art as Communication: The Impact of Art as a Catalyst for Social Change” 19–21 June 2019 | Polytechnic Institute of Lisbon | Lisbon, Portugal www.artsinsociety.com www.facebook.com/ArtsInSociety @artsinsociety | #ICAIS19 Fourteenth International Conference on the Arts in Society www.artsinsociety.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please visit the CGScholar Knowledge Base (https://cgscholar.com/cg_support/en).
    [Show full text]
  • Guia Loop 2009.Pdf
    GUIA CRÈDITS ÍNDEX Direcció Festival Fira & Guest Program PROGRAMA GENERAL Emilio Álvarez Alejandra Arteta Arianne Gaazenbeek Carlos Durán Alexandra Laudo Sol García Galland ARTS SANTA MÒNICA 6 Llucià Homs Andrea Goffre ATENEU BARCELONÈS 7 Assistents Festival Producció Natalia Cervero Assistents Fira & CAIXAFORUM 8 Maite García Iker Durana Guest Program CAN XALANT 11 Ainet Canut Raffaella Corolli Media Lounge Julie Meunier CASA ASIA 13 Assistents Producció Álvaro Bartolomé Sergio Scibilia CCCB 14 Iván Gómez Pablo Lerma Programa Universitats Tècnic Festival CCD FRANCESCA BONNEMAISON 16 Mariana Hormaechea Hunab Moreno DISSENY HUB BARCELONA 17 Premsa i Comunicació Cristina Díaz OFF LOOP Disseny Gràfic / Web ESPAI CULTURAL CAJA MADRID 18 Neus Masferrer Pedro Torres designbyreference.com ESPAI LICEU 19 Assistent Premsa FUNDACIÓN FRANCISCO GODIA 20 i Comunicació HOTEL ÁMISTER 22 Anna Priscila Magriñà HOTEL LE MÉRIDIEN BARCELONA 22 Administració HOTEL PULITZER 23 Pau Ferreiro ISTITUTO EUROPEO DI DESIGN 25 LA PEDRERA DE CAIXA CATALUNYA 26 MACBA 28 MUSEU BARBIER-MUELLER 29 PAVELLÓ MIES VAN DER ROHE 30 PROGRAMA DE GALERIES DE BARCELONA 33 PROGRAMA DE GALERIES FIRA LOOP 43 INAUGURACIÓ/ EX POSICIÓ/ PROJECCIÓ/ PROGRAMA INTERNACIONAL D’UNIVERSITATS 47 INAUGURACIÓN/ EXPOSICIÓN/ PROYECCIÓN/ OPENING EXHIBITION PROJECTION MEDIA LOUNGE 55 OFF LOOP 65 CONR FE ÈNCIA/ P RESENTACIÓ/ TAULA RODONA/ CONFERENCIA / PRESENTACIÓN/ MESA REDONDA/ OFF LOOP/ RUTA 75 CONFERENCE PRESENTATION ROUND TABLE L ’equip LOOP no es fa responsable dels canvis d’horaris i del funcionament
    [Show full text]
  • Press Release Hong Kong | March 3 | 2017
    PRESS RELEASE HONG KONG | MARCH 3 | 2017 Conversations and Salon: Art Basel’s 2017 program in Hong Kong Art Basel’s 2017 Conversations and Salon series will offer a wide range of panels featuring artists, gallerists, art historians, writers, curators, museum directors and collectors from around the globe, including Cosmin Costinas, Michael Craig- Martin, Valerie C. Doran, Cao Fei, Ryan Gander, Alexie Glass-Kantor, Michael Govan, Leung Chi Wo, William Lim, Kingsley Ng, Ho Tzu Nyen, Ellen Pau, Qiao Zhibing, Abigail Reynolds, Mizuki Takahashi, Keiichi Tanaami, Philip Tinari, Xiaoyu Weng, Wong Hoy Cheong and Yang Yongliang among many others. Art Basel, whose Lead Partner is UBS, takes place at the Hong Kong Convention and Exhibition Centre from March 23 to March 25, 2017. Conversations, Art Basel’s renowned talks series, will commence on Wednesday, March 22. The first of seven conversations, ‘Cities on the Move – 20 Years on’, will commemorate the twentieth anniversary of the iconic namesake exhibition, which was one of the first major shows to investigate the impact of globalization and extreme urbanization. ‘Cities on the Move’ was first curated by Hans Ulrich Obrist and Hou Hanru and presented at Secession in Vienna before it toured to institutions in Bordeaux, New York and London among others. This conversation will feature artists Ellen Pau (b. 1961), Xu Tan (b. 1957), Wong Hoy Cheong (b. 1960) and Anthony Yung, Senior Researcher, Asia Art Archive, Hong Kong. The conversation will be moderated by Hou Hanru, Artistic Director, MAXXI, National Museum of 21st Century Arts, Rome, and Curator 2017 Bi-City Biennale of Urbanism\Architecture, Shenzhen and Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London.
    [Show full text]
  • Hong Kong Baptist University Unit of Assessment: 38 Visual Arts
    Research Assessment Exercise 2020 Impact Case Study University: Hong Kong Baptist University Unit of Assessment: 38 visual arts, design, creative media, other creative arts and creative writing Title of Case Study: Engaging New Audiences for Art beyond the Gallery and Museum Sector in Hong Kong and East Asia Summary of the impact New forms of event-based and participatory visual art research, conducted at the Centre for Research and Development in the Visual Arts (CRDVA), have led to changes in organisational behaviour and attitudes towards commissioning public art in alternative venues in 12 government departments, museums and art festivals across East Asia. Publicly cited artistic research of three investigators (Ng, Leung, Wan) has increased public engagement and developed new audiences and understanding in contemporary art in four countries (Hong Kong, Taiwan, South Korea, Japan) reaching 350,000 participants. Underpinning research Since 2014, a research team led by Professor Leung and Assistant Professors Ng and Wan has conducted research on alternative spaces for public art. Working in collaboration with local and international stakeholders, such as the Hong Kong Museum of Art (HKMA), the Hong Kong Arts Development Council (HKADC), the Leisure and Cultural Services Department (LCSD), the Art Promotion Office (APO), Art Basel, the Association of Visual Arts Taiwan, Echigo-Tsumari Art Triennial (Japan) and the Gwangju Biennale (Korea), the team has conducted historical research and developed new outputs utilising transport networks, historical sites, government facilities, shops and festivals to increase and diversify the audiences of and enable greater access to the visual arts. The research has been supported by HKD 2.4 million from government departments and Strategic Development Funds over 6 years.
    [Show full text]
  • This Is Hong Kong Participating Artists
    International Tour of Para/Site Art Space’s videoprogramme: This is Hong Kong Participating artists: Howard Cheng Chi Lai, Chow Chun Fai, S.T. Choi Sai Ho, Silas Fong, Hung Keung, Ip Yuk-Yiu, Linda Lai, Leung Chi Wo, Leung Mee Ping, MAP Office, Kingsley Ng, Adrian Wong, Kacey Wong, Woo Ling ling, Ban Zhang Curator: Alvaro Rodriguez Fominaya Para/Site Art Space is honoured to announce the international tour of This Is Hong Kong, a video exhibition that includes 15 of the best Hong Kong contemporary artists. After successfully being shown in LOOP Festival in Barcelona (Spain), the exhibition is touring to Seoul (Korea). This Is Hong Kong will be shown in LOOP Alternative Space from July 4 to August 24. "This is a great opportunity to show at an international level the vibrant art scene of Hong Kong", comments the curator Alvaro Rodriguez Fominaya. This international tour will continue in Hamburg's Subvision Festival, and Chalk Horse Art Center (Sydney, Australia) later this year. This Is Hong Kong is a videoprogramme that presents a selection of artists from Hong Kong which reflects on the idea of politics, history, architecture, postcolonial issues and daily life in this territory. Moving image has been one of the areas favored with an intense research in the creative practice of the Hong Kong art scene, and marks a stark difference with that of mainland China, reflecting on differences in cultural background and academic training. This Is Hong Kong presents a unique visual picture of what is Hong Kong now, through an analysis from video, providing a fresh snapshot of development of the territory after postcolonial devolution in 1997.
    [Show full text]
  • PRESS CLIPS KINGSLEY NG PUBLICATION La Voix Du Nord
    PRESS CLIPS KINGSLEY NG PUBLICATION La Voix du Nord TITLE Des enfants artistes au centre social Boilly DESCRIPTION Project progress review (La ville dans la baguette - Panorama 5) LANGUAGE French DATE 2004 LOCATION Tourcoing, France WEB n/a WRITER Christian Vincent PAGE 1/1 PRESS CLIPS KINGSLEY NG PUBLICATION La Voix du Nord TITLE Des oeuvres d’enfants pour emballer les baguettes DESCRIPTION Project progress review (La ville dans la baguette - Panorama 5) LANGUAGE French DATE 2004 LOCATION Tourcoing, France WEB n/a WRITER Christian Vincent PAGE 1/1 PRESS CLIPS KINGSLEY NG PUBLICATION Nord Eclair TITLE La baguette se fait <<emballer>> DESCRIPTION Project progress review (La ville dans la baguette - Panorama 5) LANGUAGE French DATE 2004 LOCATION Tourcoing, France WEB n/a WRITER Elizabeth da Costa PAGE 1/1 PRESS CLIPS KINGSLEY NG PUBLICATION Nord Eclair TITLE Quand la baguette revêt son plus bel habit DESCRIPTION Project progress review (La ville dans la baguette - Panorama 5) LANGUAGE French DATE 2004 LOCATION Tourcoing, France WEB n/a WRITER Elizabeth da Costa PAGE 1/1 PRESS CLIPS KINGSLEY NG PUBLICATION Nord Eclair TITLE L’art est aussi public DESCRIPTION Artist profil and Project review (Panorama 5) LANGUAGE French DATE July 2004 LOCATION Tourcoing, France WEB n/a WRITER Djamel Mezine PAGE 1/1 PRESS CLIPS KINGSLEY NG PUBLICATION Paroles TITLE Kingsley Ng et ses merveilleuses machines musicales DESCRIPTION Artist profile review (Musical Wheel) LANGUAGE Traditional Chinese / French DATE March 2008 LOCATION Hong Kong, China WEB http://www.alliancefrancaise.com.hk/paroles/numeros/212/04.html
    [Show full text]
  • D.A.P. General Interest Thomas Struth
    D.A.P. General Interest PREVIOUSLY ANNOUNCED Thomas Struth Edited with text by Thomas Weski, Ulrich Wilmes. Text by Jana-Maria Hartmann. Interview by Okwui Enwesor. Since the 1990s, Thomas Struth has been one of the best-known and internationally successful photographers of the German art scene. Struth studied painting under Gerhard Richter and photography under Bernd and Hilla Becher, a combination that decisively influenced his vision. This volume is a compilation of representative photographs from each series of works in Struth’s oeuvre: street photographs from the 1970s and ‘80s; empathetic portraits (particularly of families); large-format “museum photographs”; nature studies; jungle photographs (New Pictures from Paradise); and, from the latest series, images from the world of science. As this compendium of his work shows, Struth has succeeded in setting new aesthetic standards thanks to his great precision, chromatic clarity, sound sense of composition and intellectual profundity. Thomas Struth (born 1954) studied with the Bechers at the Düsseldorf Academy of Art. Struth is today a leading figure in German arts and international photography. He lives in Berlin and is represented in the US by Marian Goodman Gallery. D.A.P. 9781942884224 $85.00 TRADE Hbk, 10 x 12.5 in. / 320 pgs / 401 color. Photography: Monograph ACTIVE ARTBOOK | D.A.P. ASIA SPRING 2018 1 D.A.P. General Interest Rineke Dijkstra: The Louisiana Book Edited by Michael Juul Holm. Text by Poul Erik Tøjner, Thomas Weski, Hans den Hartog Jager. Rineke Dijkstra is a master of capturing the individual in transition. Best known for her photographs of preadolescent bathers on the beach, she has also produced iconic images of mothers shortly after giving birth, teen soldiers in Israel, bullfighters bloodied after the fight.
    [Show full text]
  • Locky Morris
    mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland 58-64 Three Colts Lane, Bethnal Green, London E2 6GP, United Kingdom +353 (0) 16717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com LEE KIT Born Hong Kong 1978 Lives and works in Taipei EDUCATION 2008 MA Fine Arts, Chinese University of Hong Kong 2003 Degree Fine Art Department, Chinese University of Hong Kong SOLO and TWO PERSON EXHIBITIONS 2021 Today is the Past of Tomorrow, Two-person exhibition with Kingsley Ng Siu-king, Oi!, Hong Kong 2020 (Screenshot), ShugoArts, Tokyo The gazing eyes won’t lie, Massimo De Carlo, Hong Kong 2019 Kunsthalle Sao Paolo, Ghent, Belgium Techno, TKG+, Taipei Resonance of a sad smile, Art Sonje Center, Seoul 2018 Banal, mother’s tankstation, Dublin Something about flowers, HOSPITALITY, Cologne ‘We used to be more sensitive.’, Hara Museum, Tokyo, Japan Oi!, Hong Kong Linger on, your lit-up shade, Casa Masaccio, Italy I didn’t know that I was dead, OCAT, Shenzhen 2017 The City, My studio/ The City, My Life, Kathmandu Triennale 2017, Kathmandu++ The more I ignore you, the closer you get, The Cube Project Space, Taipei, Taiwan Something you can’t leave behind, at Massimo de Carlo, Hong Kong 2016 He Knows Me, Massimo de Carlo, London Daily Hypothesis, TKG+, Taipei, Taiwan Skin, Jane Lombard Gallery, New York Hold your breath, dance slowly, Walker Art Centre, Minneapolis Discordant Harmony, Kuandu Museum of Fine Arts, Taipei A small sound in your head, S.M.A.K, Ghent
    [Show full text]
  • BIOS INTERVENANTS Invited Asian and French
    Visual Arts FOCUS French Encounters Art Basel Hong Kong Invited Asian and French participants participants’ biographies #1 Conversation between French artist Laurent Grasso and Donatien Grau Laurent Grasso, French artist Laurent Grasso lives and works in Paris (France) and New York (USA). Graduated from the Ecole nationale supérieure des Beaux-Arts of Paris, Laurent Grasso was laureate of the Marcel Duchamp Prize (2008) and a member of the French Academy in Rome - Villa Médicis (2004-2005). Laurent Grasso has recently participated to an exhibition at the Musée d’Orsay (“Artificialis’’, 2021), overseas, he took part to the Centre Pompidou x West Bund Museum Project (2021) and to the opening of the Jeonnam Museum of Art in Korea (2021). He also presented his work on the occasion of many personal exhibitions conceived in immersive or labyrinthine measures such as Fondation Hermès, Tokyo (“Soleil Noir“, 2015); Kunsthaus Baselland, Muttenz, Switzerland (“Disasters and Miracles”, 2013) and Contemporary Art museum of Montreal (“Uraniborg”, 2013). Laurent Grasso also took part in numerous collective exhibitions and international art contemporary biennale such as the Biennale of Sydney (Australia, 2018), EVA International (Ireland, 2018), the Kochi Biennale (India, 2014), and the Gwangju Biennale (South Korea, 2012). Alongside, Laurent Grasso was invited to make installations in the public space such as Revolving History (2018) on the bay windows of the Couvent des Jacobins in Rennes and Solar Wind (2016), permanent artwork placed on the Calcia silo’s wall in the suburbs of the 13th arrondissement of Paris. His work is the object of several important monographs : Paramuseum (Silvana Editoriale/Palais Fesch, 2016), Soleil Double (Dilecta/Perrotin, 2015), Uraniborg (Flammarion/Jeu de Paume, 2012), The Black-Body Radiation (les presses du réel, 2009).
    [Show full text]
  • LEE KIT Born Hong Kong 1978 Lives and Works in Taipei EDUCATION
    mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland 58-64 Three Colts Lane, Bethnal Green, London E2 6GP, United Kingdom +353 (0) 16717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com LEE KIT Born Hong Kong 1978 LiVes and works in Taipei EDUCATION 2008 MA Fine Arts, Chinese UniVersity of Hong Kong 2003 Degree Fine Art Department, Chinese University of Hong Kong SOLO and TWO PERSON EXHIBITIONS 2021 Today is the Past of Tomorrow, Two-person exhibition with Kingsley Ng Siu-king, Oi!, Hong Kong 2020 (Screenshot), ShugoArts, Tokyo The gazing eyes won’t lie, Massimo De Carlo, Hong Kong 2019 Kunsthalle Sao Paolo, Ghent, Belgium Techno, TKG+, Taipei Resonance of a sad smile, Art Sonje Center, Seoul 2018 Banal, mother’s tankstation, Dublin Something about flowers, HOSPITALITY, Cologne ‘We used to be more sensitive.’, Hara Museum, Tokyo, Japan Oi!, Hong Kong Linger on, your lit-up shade, Casa Masaccio, Italy I didn’t know that I was dead, OCAT, Shenzhen 2017 The City, My studio/ The City, My Life, Kathmandu Triennale 2017, Kathmandu++ The more I ignore you, the closer you get, The Cube Project Space, Taipei, Taiwan Something you can’t leave behind, at Massimo de Carlo, Hong Kong 2016 He Knows Me, Massimo de Carlo, London Daily Hypothesis, TKG+, Taipei, Taiwan Skin, Jane Lombard Gallery, New York Hold your breath, dance slowly, Walker Art Centre, Minneapolis Discordant Harmony, Kuandu Museum of Fine Arts, Taipei A small sound in your head, S.M.A.K, Ghent
    [Show full text]