BIOS INTERVENANTS Invited Asian and French

Total Page:16

File Type:pdf, Size:1020Kb

BIOS INTERVENANTS Invited Asian and French Visual Arts FOCUS French Encounters Art Basel Hong Kong Invited Asian and French participants participants’ biographies #1 Conversation between French artist Laurent Grasso and Donatien Grau Laurent Grasso, French artist Laurent Grasso lives and works in Paris (France) and New York (USA). Graduated from the Ecole nationale supérieure des Beaux-Arts of Paris, Laurent Grasso was laureate of the Marcel Duchamp Prize (2008) and a member of the French Academy in Rome - Villa Médicis (2004-2005). Laurent Grasso has recently participated to an exhibition at the Musée d’Orsay (“Artificialis’’, 2021), overseas, he took part to the Centre Pompidou x West Bund Museum Project (2021) and to the opening of the Jeonnam Museum of Art in Korea (2021). He also presented his work on the occasion of many personal exhibitions conceived in immersive or labyrinthine measures such as Fondation Hermès, Tokyo (“Soleil Noir“, 2015); Kunsthaus Baselland, Muttenz, Switzerland (“Disasters and Miracles”, 2013) and Contemporary Art museum of Montreal (“Uraniborg”, 2013). Laurent Grasso also took part in numerous collective exhibitions and international art contemporary biennale such as the Biennale of Sydney (Australia, 2018), EVA International (Ireland, 2018), the Kochi Biennale (India, 2014), and the Gwangju Biennale (South Korea, 2012). Alongside, Laurent Grasso was invited to make installations in the public space such as Revolving History (2018) on the bay windows of the Couvent des Jacobins in Rennes and Solar Wind (2016), permanent artwork placed on the Calcia silo’s wall in the suburbs of the 13th arrondissement of Paris. His work is the object of several important monographs : Paramuseum (Silvana Editoriale/Palais Fesch, 2016), Soleil Double (Dilecta/Perrotin, 2015), Uraniborg (Flammarion/Jeu de Paume, 2012), The Black-Body Radiation (les presses du réel, 2009). He is represented by Perrotin (Paris) and Sean Kelly gallery (New York). Donatien Grau, artistic counselor at Museé d’Orsay Donatien Grau currently serves as head of contemporary programs at the musée d’Orsay, Paris. He holds doctoral degrees in French and comparative literature from the Sorbonne, in philological and historical sciences from the École des Hautes Études, Paris, and a DPhil from Oxford University. He served as advisor to Azzedine Alaïa for the couturier’s not-for-profit exhibition space, the Galerie (2014-2017) and curated the inaugural exhibition of the reopening of the Getty Villa, Malibu, Plato in L. A. (2018). He is an editor-at-large of Purple Fashion Magazine and of The Brooklyn Rail. He has published widely on the arts and culture of the Roman Empire, on 19th and 20th literary and art history, as well as on contemporary art and culture. Recent publications include: The Transitory Museum, with Emanuele Coccia (Polity, 2018); Ways of Re-Thinking Literature, with Tom Bishop (Routledge, 2018); After the Crisis, Contemporary States of Photography, with Christoph Wiesner (diaphanes, 2019); © Paolo Roversi Taking Time, with Azzedine Alaïa (Rizzoli, 2020); Living Museums (Hatje Cantz, 2020); Under Discussion. The Encyclopedic Museum (Getty, 2021). He also holds the position of chairman of the Association Pierre Guyotat. #2 Conversation between Aidan Li, Angel Leung and Théodora Barat Angel Leung, Programs Manager at Videotage Angel Leung is a multidisciplinary art curator, programmer, and writer. Currently the Programmes Manager of Videotage, she has organised a variety of programs: "Artificial Landscape" at SOGO Hong Kong (2019), Both Sides Now V & VI (2019, 2020) with videoclub, and "Bit Street Hong Kong" at New Art Fest (2020). She curated "Sensory/Motor" at Night of Ideas (2020) and co-curated “Digital Birth - Zooming in on NFT” at Art Basel Hong Kong (2021). Leung initiated the Hong Kong-France collaborative residency program “Micromégas" in 2021 and 2022. She also worked at Broadway Cinematheque in Hong Kong and organised film festivals, including the Hong Kong Asian Film Festival (2017) and Agnes Varda Retrospective of Le French May (2018). Leung finished her Master’s degree in Screen Art at Université de Strasbourg in 2016 and received her Bachelor’s degree in Creative Media at the City University of Hong Kong in 2009. She is also a researcher and writer on moving images. She co-edited the book David Lynch (Kubrick, 2017) and writes at Stand News (HK) and Agora Digital (UK). Theodora Barat, French artist Théodora Barat studied at the Beaux Arts de Nantes before joining the Fresnoy - Studio National des Arts Contemporains. She is currently developing a research and creation thesis within the RADIAN doctoral programme. She has been awarded the Audi Talents Prize (2016), the FACE / Étant Donnés grant, the AIC (2020) and the Institute for Photography's research and creation support programme (2021). Her work combines sculpture, film, installation, video and photography. It has been presented at K11 - Musea (Hong Kong), Cneai, Emily Harvey Foundation and Elizabeth Foundation for the Arts (New York), Nuit Blanche, Friche de la Belle de Mai, Mains d'Œuvres, Glassbox, CAC Vilnius (Lithuania), as well as in video programming at the Palais de Tokyo and in numerous international festivals. #3 Conversation between Sylvie Boulanger, Rebecca Lamarche-Vadel et Kingsley Ng Sylvie Boulanger, Director of the CNEAI= (National Center for Image Art Publishing) Sylvie Boulanger is an exhibition curator, researcher and editor. She directs the CNEAI (Centre National Edition Art Image). She is in charge of the FMRA, MULTIPLE and YONA FRIEDMAN collections, and currently developing the residency programmes for the Bouroullec Floating House. She co-founded the M.A.D (MULTIPLE ART DAYS www.multipleartdays.com) exhibition. She is the former deputy director of the French Ministry of Culture exhibition department and founder of the Art Public Contemporain production agency. She has edited over 100 publications and curated over 150 solo and group exhibitions of emerging and international artists including Alighiero Boetti, Daniel Buren, Hans-Peter Feldmann, Yona Friedman, Jef Geys, Wade Guyton, Cameron Jamie, Alison Knowles, François Morellet, Matt Mullican, Yoshitomo Nara, Seth Price, Allen Ruppersberg, Claude Rutault, Tatiana Trouvé, Kyochi Tsuzuki, etc. She publishes and lectures on media art and artistic practices related to transmission, environment, and social issues in general. In this regard, she is involved in research groups and committees such as the ARTEC Consortium, the UFR A.P.E University Paris8 Council, the LabEx ICCA Paris13, the E.D.I.T.H ESADHaR Laboratory and the journal Multitudes. She was trained in aesthetic philosophy, political science and literature: I.E.P/Science-Po Paris, Master of Research in Philosophy-Aesthetics Paris I, Lettres Modernes Paris 4. Rebecca Lamarche-Vadel, Director Lafayette Anticipations Foundation, Paris Rebecca Lamarche-Vadel is director of Lafayette Anticipations, the Galeries Lafayette Foundation. In 2020 she was the general curator of the Riga Biennial, "and suddenly it all blossoms", and director of the feature film based on the exhibition. From 2011 to 2019, she was curator at the Palais de Tokyo where she curated, among others, the cartes blanches to Tomas Saraceno, ON AIR (2018-2019) and to Tino Seghal (2016). She has also curated the exhibitions of Marguerite Humeau, FOXP2 (2016), Ed Atkins, Bastards (2014), Helen Marten, Evian Disease (2013), or David Douard, Mo'swallow (2014), as well as the group exhibition Le bord des mondes (2015). She regularly Rebecca Lamarche-Vadel collaborates with international institutions, with the projects 72 ©Chloé Magdelaine Lafayette Anticipations hours of truce: exploring immediate signs (2013) and Bright intervals (2014) at MoMA PS1 (New-York), FOXP2 (2016) at Nottingham Contemporary, Landscape (2014) with the Stedelijk Museum (Amsterdam) or Des présents inachevés within the Biennale de Lyon (with Oliver Beer, Julian Charrière, Jeremy Shaw and Benoît Pype, 2013). In 2017, she was co-curator of the exhibition Voyage d'Hiver at the Château de Versailles. She regularly publishes in French and international journals and catalogues, and participates in numerous seminars and juries in France and abroad (FIAC, French Pavilion at the Venice Biennale etc). She has a degree in Art History, History and Political Science from the University of Paris I - La Sorbonne. Kingsley Ng, artist based in Hong Kong. Kingsley Ng is an interdisciplinary artist and designer with a focus on conceptual and site-specific projects. He believes that art helps us to mediate our environment, whether as a viewer or participator. Past projects include Twenty-Five Minutes Older, a commission by Art Basel last year which takes the audience on a moving tram, and After the Deluge, presented earlier this year in an underground storm-water tank the size of 40 Olympic-sized swimming pools. His works have been featured in notable exhibitions and international venues. Examples include the Museum of Contemporary Arts in Rome Italy, Contemporary Art Centre of South Australia, Guangzhou Triennial in China, Land Art Biennial in Mongolia, Echigo Tsumari Art Triennial in Japan, IRCAM – Centre Pompidou in France, Lille Europe Pavilion in © Photo courtesy of Shanghai Expo, InterAccess Electronic Media Arts Centre in Canada, ArtAsiaPacific the Hong Kong Museum of Art, and Art Basel Hong Kong. Kingsley has received postgraduate training at Le Fresnoy – National Studio of Contemporary Arts in France and with an MSc Sustainable Design degree from the University of Edinburgh
Recommended publications
  • Galerie Art & Essai Université Rennes 2
    UN ART DE LECTEURS. Barbara Bloom, David Bunn, Claude Closky, Meg Cranston, Nico Dockx, Rainer Ganahl, Rodney Graham, Raymond Hains, Sol LeWitt, Gilles Mahé, Jonathan Monk, Simon Morris, Hermann Pitz, Richard Prince, Allen Ruppersberg, Joe Scanlan, Klaus Scherübel, Buzz Spector, Teleferique.org, William Wegman… Galerie Art & Essai Université Rennes 2 Cette plaquette a été publiée à l’occasion de l’exposition Un art de lecteurs du 16 mars au 15 avril 2005 à la galerie Art & Essai de l’Université Rennes 2. Elle a été financée par l’UFR Arts, Lettres, Communication de l’Université Rennes 2 dans le cadre des projets API. L’exposition Un art de lecteurs a été présentée par 50/50. Elle a bénéficié du concours du British Council et du Conseil des arts et des lettres du Québec. La galerie Art & Essai remercie tout spécialement Yann Sérandour, commissaire de l’exposition et auteur de la publication. Nous remercions particulièrement toutes les personnes qui ont contribué à la réalisation de cette exposition : les artistes ayant produit ou prêté des œuvres : Nico Dockx, Jonathan Monk, Simon Morris, Klaus Scherübel ; les prêteurs privés ou publics : Marc et Josée Gensollen, Yves Gevaert, Jacques Kasbi, Yann Sérandour, la Galerie Nelson (Paris), la Galerie Micheline Szwajcer (Anvers), le Frac Bretagne, le Frac Champagne-Ardenne, le Frac Haute-Normandie, le Frac Limousin, le Frac Nord-Pas de Calais ; toutes les personnes qui, à des titres divers, ont apporté leur aimable concours durant la préparation de cette exposition : Andrea Beeman (Wegman Studio, New York), Christine Burgin (Galerie Christine Burgin, New York), Christian Debroize (Librairie Le Chercheur d’art, Rennes), Julie-Christine Fortier, Jean Génin (Imprimerie des Hauts-de- Vilaine), Matthieu Jauniau, Grégoire Maisonneuve (Galerie Maisonneuve, Paris), Gabrielle Maubrie (Galerie Gabrielle Maubrie, Paris), Christophe Pichon, Jérôme Saint-Loubert Bié, Sara Schnittjer Tucker (Dia Art Center, New York), Sébastien Vonier.
    [Show full text]
  • Kingsley Ng 伍韶勁 at ‘Digital Life 2014 – Play’
    osage hong kong 4/F, hing yip street, osage Kwun Tong, Kowloon, Hong Kong t: (852) 2389 8332 e: [email protected] w: www.osagegallery.com Media Release 25 September 2014 Attention Arts and Culture Editors For immediate release KINGSLEY NG 伍韶勁 AT ‘DIGITAL LIFE 2014 – PLAY’ ROMAEUROPA FESTIVAL at La Pelanda - MACRO Testaccio Largo Orazio Giustiniani 4, Rome, Italy 9.10 – 30.11.2014 Osage Gallery is proud announce the participation of Hong Kong new media Kingsley Ng, recipient of Best Artist (Media Arts) in last year's Hong Kong Arts Development Awards, in the exhibition Digital Life 2014 – PLAY, the technological arm of Romaeuropa, one of the most prestigious cultural events in Italy and Europe, from 9 October to 30 November 2014 in Rome, Italy. For more about the Festival: http://romaeuropa.net/ In this fifth edition of the DIGITAL LIFE dedicated to music and to custom-made musical instruments, Kingsley will be showing one of his pivotal works Métier à tisser musical (Musical Loom), an interactive sound installation and a production of Le Fresnoy, Studio national des arts contemporains. The work transformed a 250 year-old antique French loom into a sound-image instrument. It was inspired by the loom in northern France where the ancient machine has played a significant role in the region’s boom and prosperity. The loom used in the installation was part of the permanent collection of the Jacquard Museum in Roubaix, France, which was acquired for production of this work with the generosity of the Museum and Mr José Honoré. 1 Métier à tisser musical (Musical Loom) 音樂紡織機 interactive sound installation | 175 x 130 x 200 cm | 2005 Production Le Fresnoy, Studio national des arts contemporains Image courtesy of the artist and Osage Gallery 2 With this Musical Loom, the player can generate mechanical soundscapes or malleable musical expressions.
    [Show full text]
  • Claude Closky Nouvelles Peintures 10 Mars – 14 Avril 2007 Vernissage Le Samedi 10 Mars 2007, 18H - 21H
    Claude Closky Nouvelles peintures 10 mars – 14 avril 2007 Vernissage le samedi 10 mars 2007, 18h - 21h “Claude Closky a réalisé trois séries de tableaux, en 2003, 2005 et 2007. Les images n’y disent pas immédiatement leur nom. La peinture oui, qui s’étale dans une planéité élémentaire. Rappelons qu’après s’être un temps assez court exclusivement employé à cette pratique, Closky a débuté en 1989 la démarche que nous connaissons aujourd’hui, en réalisant des dessins et des livres qui font état de relations particulières avec les mots et les choses. Les dessins passent avec aisance d’une littéralité élémentaire lorsqu’il représente des signes (le 2 de 25, 1991 ou Un numéro de téléphone et une plaque d’immatriculation qui se ressemblent, 1991) à une mimésis lapidaire et loufoque (Un œuf très rond, 1994). Dans ses livres, il range des mots selon des principes formels (De A à Z, 1992) ou collectionne des platitudes en forme d’histoire (Osez, 1994, Prédictions, 1996, Mon Catalogue, 1999). Très exactement, il s’intéresse à la surface des choses et aux choses de la surface, dont le langage. On pourrait avancer que ce travail — qui ne repose ni sur une technique, ni sur un format ou un support, mais sur une économie générale de la mise à plat et donc une culture de la surface — offre un prolongement métonymique à sa première activité de peintre. On aimerait avoir ainsi fait le tour de la question. (…) Lire, ou regarder, ne nous donne pas toujours accès à des messages, mais nous convoque à de nouvelles capacités d’articulation du visible, à d’infimes mouvements d’écart et de rapprochement des significations.
    [Show full text]
  • Claude Closky
    CLAUDE CLOSKY Born 1963 Lives and works in Paris, France Solo exhibitions 2019 Claude Closky, Direct messages, Salle principale, Paris, France 2018 Un enfant de 5 ans un ferait autant !, une exposition atelier de Claude Closky, Galerie des enfants, Centre Pompidou, Paris, France Renouveau, Florence Loewy, Paris, France 2017 10 cm en dessous, Sept Clous à Marseille chez Patrick Raynaud, Marseille, France ILUO, exposition dans le cadre des 40 ans du Centre Pompidou, Centre des livres d’Artistes, Saint Yrieix la Perche, France 2016 Ex.pdf, Galerie Art & Essai, Rennes, France Objets Sacs Gens 2, curated by Patrick Lebret,Le Portique, Le Havre, France Vampires et fantômes, Galerie Laurent Godin, Paris, France 2015 Multiplication par trois, Florence Loewy, Paris, France Fiac hors les murs, La Maison de la Radio, Paris Prints For 06 And 90 Yuans, Bazaar Compatible Program, Shanghai, China Mauvaises nouvelles, carte Blanche à Claude Closky, Silencio, Paris Les drapeaux, Une proposition de Pablo Cavero, Maison des arts, Malakoff, France 2014 10, 20, 30 & 40%, Meadows Suite Galleries, Summerhall, Edinburgh, Scotland Projection de Dot Drip (2011), Galerie Laurent Godin (vitrine), Paris, France 2013 Jackpot, curated by Caroline Boucher, Esbama, Montpellier, France Diplopie, Galerie Laurent Godin, Paris, France Dönüp Durmak (Going around the circles), Şekerbank Açikerkran Yeni Medya Sanatlari Istanbul, Turkey 2012 Barking ans Meoing, AC Institute, New York, USA Animations, Le Quartier, Quimper, France 2011 ZNASDNAR, Mitterrand+Sanz, Zürich, Switzerland
    [Show full text]
  • Exhibition Checklist
    PAPA RAGAZZE! BUCUREȘTI! LILIANA BASARAB • ALEJANDRA HERNÁNDEZ• STACY LEIGH • MOSIE ROMNEY • ED RUSCHA • JENNIFER WEST a cura di Olivia Neutron Bomb Nicodim • Bucharest July 22, 2020 – August 21, 2021 Mosie Romney, Body, Spirit 2021 DAUGHTERS OF THE OLD WORLD ORDER, HEAR US! In 1978, Ed Ruscha predicted a future with exclusively female racecar drivers. He was right. PAPA RAGAZZE is an operation of the EMPATHETIC COUNSEL, a paramilitary wing of the future MATRIARCHAL UTOPIA where men have been made obsolete and exterminated. 1700 s santa fe avenue, #160 [email protected] los angeles, california 90021 www.nicodimgallery.com In the 1970s through the early 2010s, noted “groupie” Cynthia Plaster Caster captured plaster moulds of the erect penises of famous and not-so-famous musicians. She crafted semiperfect reproductions of the manhoods of Jimi Hendrix, Jello Biafra, Frank Zappa’s bodyguard, and countless other alpha- archetypes. This was not out of subservience to the Patriarchy, but rather the first step in a decades- long process that will eliminate the necessity of any sort of manhood whatsoever. The second step starts now. This exhibition is a blueprint from your MOTHERS IN THE FUTURE for the elimination of men. We are PAPA RAGAZZE, and WE NEED YOU to enable a FUTURE WITHOUT TOXIC MEMBERS. 1700 s santa fe avenue, #160 [email protected] los angeles, california 90021 www.nicodimgallery.com Liliana Basarab Boots on the ground, 2021 Alejandra Hernández glazed ceramic, snail shells The Empress, 2021 3 pieces: each approximately
    [Show full text]
  • Artistesnommésprixmarcelduchamp2013 ANGLAIS
    Paris, 8th February 2013 Press release Contemporary art - France MARCEL DUCHAMP PRIZE Artists nominated for the 2013 Prize Farah ATASSI, Latifa ECHAKHCH Claire FONTAINE, Raphaël ZARKA Created in 2000 by the ADIAF in the aim of promoting the French artistic scene, each year the Marcel Duchamp Prize honours a French artist or an artist residing in France working in the field of the plastic and visual arts. The ambition of this collectors’ prize, organized in partnership with the Centre Pompidou, is to bring together the most innovative artists of their generation and contribute to raising their profile on the international scene. On the 7 th of February at ARTCURIAL, Gilles Fuchs, President of the ADIAF, Association for the International Diffusion of French Art, announced the names of the four artists selected for the 2013 Marcel Duchamp Prize. A first exhibition of the nominated artists will be held this summer at the Musée des Beaux-arts in the town of Libourne which will be hosting the 13 th edition of the Marcel Duchamp Prize, then in October at the FIAC. Chosen by an international jury, the award winner will be announced on Saturday, the 26th of October 2013. He or she will be invited by the Centre Pompidou for a solo show in the 315 space during the autumn of 2014. The ADIAF will present him or her with a financial endowment of 35 000 Euros and will participate in the production of the work. Nominated artists International jury Farah ATASSI , born in 1981 in Brussels Bernhard Mendes BÜRGI (Switzerland), Director of Lives and works
    [Show full text]
  • Asia Society Hong Kong Center March 2013 Program
    Asia Society Hong Kong Center March 2013 Program Imminent Domain Designers Workshop Series Lost and Found Workshop with KENTARO HIROKI, Artist, Chairman of Communication Design Program, King Mongkut’s University of Technology Thonburi, Thailand & KINGSLEY NG, Artist and Lecturer, Academy of Visual Art, Hong Kong Baptist University Saturday, March 2, 2013 Asia Society Hong Kong Center, 9 Justice Drive, Admiralty 13:00 –16:00 Free Admission; Registration required; Online registration only “Upcycling” is often the process of converting unwanted objects and materials into new products for better environmental value. For objects that have lost their reasons to exist in the world, instead of transforming them into new by-products, can we inject new meanings into these objects as they are? Can we help them find new home? Kentaro Hiroki was born in 1976 in Osaka, Japan. He is currently an art lecturer at the School of Architecture and Design KMUTT, Bangkok, Thailand. Hiroki graduated with a BA in Fine Art from Osaka Art University and subsequently took a Foundation Course from Central Saints Martin School of Design, London Institute. He obtained his Post Graduate Diploma in Fine Art from Goldsmiths 9 Justice Drive College, University of London in 2001 and MA in Fine Art from Malmö Art Academy, Sweden in 2003. Admiralty He has had 4 solo exhibitions and participated in 13 group shows in UK, Norway, Sweden, Thailand, Hong Kong Korea, and Hong Kong. Kingsley Ng is an interdisplinary artist that sets his focus on conceptual, site-specific and community-oriented projects. To him, art is the byproduct that shows human’s existence in its time and space; it should be socially relevant, employing contemporary language and media to render the issues of our time.
    [Show full text]
  • Lives and Works in Amsterdam and Marseille
    Laurence Aëgerter 1972, Marseille, (FR) Lives and works in Amsterdam and Marseille Education Drs. Art History, Faculté des Lettres, Aix-en-Provence and VU (Vrije Universiteit) Amsterdam (cum laude). Drs. Fine Art, Gerrit Rietveld Academy, Amsterdam. Solo Exhibitions (selection) 2014 Cathédrales, Art Affairs Gallery Amsterdam. 2013 The Modernists and More, Hermitage Museum Amsterdam. 2012 Révélations, Galerie de la Ferronnerie, Paris. 2011 Hermitage, The Modernists, Art Affairs Gallery, 2x2 projects Gallery in collaboration with C&H art space, Amsterdam. Laurence Aëgerter, Photographies et Tapisseries, Galerie Maud Barral, Nice (FR). Staged Realities, Johan Deumens Gallery, Leipzig (DE). 2010 Le Louvre, MAMAC (Museum for modern and contemporary art), Nice (FR). Seek & Hide, Museum van Loon, Amsterdam. Tristes Tropiques: Illustrations hors texte, in collaboration with Ronald van Tienhoven, Kunsthuis SYB, Beetsterzwaag (NL). 2009 Appropriations, Institut Néerlandais, Paris. Opening Soon / Opening Now, Residency RED A.I.R. Amsterdam. An Alphabetical Index of Some of the Stories, Residency CBK Zuidoost, Amsterdam. A.E.G.E.R.T.E.R., 2x2 projects Gallery, Amsterdam. Group Exhibitions (selection) 2014 Tristes Tropiques: Illustrations hors texte, LagosPhoto Festival (NG). Dutch Photobook, curator Erik Kessels, TIFF Festival, Wroclaw (PL), with a.o. Batia Suter and Hans Eijkelboom. Undercover, Museum of Contemporary Art Erarta, St. Petersburg (RU), with a.o. Jaap Scheeren and Andrea Stultiens. Remake, Musée Royal de Mariemont, Morlanwelz (BE), with a.o Jeremie Bennequin, Christian Boltanski and Eva Evrard. Où commence le futur ?, MAMAC Galerie des Ponchettes, Nice (FR), with a.o. Emmanuel Régent, Cédric Teisseire and Gregroy Forstner. Vevey, Ville d'Images, curator Peter Scholl, Het Apparaat, posters throughout the city, Vevey (CH).
    [Show full text]
  • Art As Communication: Y the Impact of Art As a Catalyst for Social Change Cm
    capa e contra capa.pdf 1 03/06/2019 10:57:34 POLYTECHNIC INSTITUTE OF LISBON . PORTUGAL C M ART AS COMMUNICATION: Y THE IMPACT OF ART AS A CATALYST FOR SOCIAL CHANGE CM MY CY CMY K Fifteenth International Conference on The Arts in Society Against the Grain: Arts and the Crisis of Democracy NUI Galway Galway, Ireland 24–26 June 2020 Call for Papers We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, colloquia, creative practice showcases, virtual posters, or virtual lightning talks. Returning Member Registration We are pleased to oer a Returning Member Registration Discount to delegates who have attended The Arts in Society Conference in the past. Returning research network members receive a discount o the full conference registration rate. ArtsInSociety.com/2020-Conference Conference Partner Fourteenth International Conference on The Arts in Society “Art as Communication: The Impact of Art as a Catalyst for Social Change” 19–21 June 2019 | Polytechnic Institute of Lisbon | Lisbon, Portugal www.artsinsociety.com www.facebook.com/ArtsInSociety @artsinsociety | #ICAIS19 Fourteenth International Conference on the Arts in Society www.artsinsociety.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please visit the CGScholar Knowledge Base (https://cgscholar.com/cg_support/en).
    [Show full text]
  • 2 Duchamp Closky Angl
    Communication Department PRESS PACK PRIX MARCELDUCHAMP 2005 CLAUDE CLOSKY: «MANÈGE» 17 MAY - 31 JULY 2006 PRIX MARCEL DUCHAMP 2005 CLAUDE CLOSKY : «MANÈGE» 17 MAY - 31 JULY 2006 ESPACE 315, LEVEL 1 Direction de la communication CONTENTS 75191 Paris Cedex 04 director Roya Nasser 1. PRESENTATION OF THE ARTIST’S PROJECT page 3 press offficer Dorothée Mireux 2. PLAN OF THE EXHIBITION page 6 telephone 00 33 (0)1 44 78 46 60 fax 3. CATALOGUES page 7 00 33 (0)1 44 78 13 02 e-mail [email protected] 4. BIOGRAPHY page 9 Adiaf www.adiaf.com 5. VISUALS AVAILABLE FOR PRESS USE page 10 press officer Caroline Crabbe telephone 6. THE MARCEL DUCHAMP PRIZE page 11 00 33 (0) 6 10 19 36 31 e-mail [email protected] curator Jean-Pierre Bordaz, Musée national d’art moderne, service des collections contemporaines page 3 Claude Closky is laureate of the fifth edition of the Marcel Duchamp Prize in the wake of Thomas Hirschhorn, Dominique Gonzalez-Foerster, Mathieu Mercier and Carole Benzaken. The Centre Pompidou has commissioned him to create a new work, which will be on show between 17 May and 31 July in the Espace 315. Claude Closky was awarded the prize by the jury for “showing great artistic maturity in his implementation of this universal language”. Very present on the Parisian scene where he is represented by the Galerie Laurent Godin, he has participated in more than 200 international exhibitions and his work is exhibited in Germany, Switzerland, Italy, the States and Japan. The artist is not unknown at the Centre Pompidou as it is he who designed the entrance ticket as well as the wallpaper in the offices.
    [Show full text]
  • Sean Landers Cv 2021 0223
    SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St.
    [Show full text]
  • Guia Loop 2009.Pdf
    GUIA CRÈDITS ÍNDEX Direcció Festival Fira & Guest Program PROGRAMA GENERAL Emilio Álvarez Alejandra Arteta Arianne Gaazenbeek Carlos Durán Alexandra Laudo Sol García Galland ARTS SANTA MÒNICA 6 Llucià Homs Andrea Goffre ATENEU BARCELONÈS 7 Assistents Festival Producció Natalia Cervero Assistents Fira & CAIXAFORUM 8 Maite García Iker Durana Guest Program CAN XALANT 11 Ainet Canut Raffaella Corolli Media Lounge Julie Meunier CASA ASIA 13 Assistents Producció Álvaro Bartolomé Sergio Scibilia CCCB 14 Iván Gómez Pablo Lerma Programa Universitats Tècnic Festival CCD FRANCESCA BONNEMAISON 16 Mariana Hormaechea Hunab Moreno DISSENY HUB BARCELONA 17 Premsa i Comunicació Cristina Díaz OFF LOOP Disseny Gràfic / Web ESPAI CULTURAL CAJA MADRID 18 Neus Masferrer Pedro Torres designbyreference.com ESPAI LICEU 19 Assistent Premsa FUNDACIÓN FRANCISCO GODIA 20 i Comunicació HOTEL ÁMISTER 22 Anna Priscila Magriñà HOTEL LE MÉRIDIEN BARCELONA 22 Administració HOTEL PULITZER 23 Pau Ferreiro ISTITUTO EUROPEO DI DESIGN 25 LA PEDRERA DE CAIXA CATALUNYA 26 MACBA 28 MUSEU BARBIER-MUELLER 29 PAVELLÓ MIES VAN DER ROHE 30 PROGRAMA DE GALERIES DE BARCELONA 33 PROGRAMA DE GALERIES FIRA LOOP 43 INAUGURACIÓ/ EX POSICIÓ/ PROJECCIÓ/ PROGRAMA INTERNACIONAL D’UNIVERSITATS 47 INAUGURACIÓN/ EXPOSICIÓN/ PROYECCIÓN/ OPENING EXHIBITION PROJECTION MEDIA LOUNGE 55 OFF LOOP 65 CONR FE ÈNCIA/ P RESENTACIÓ/ TAULA RODONA/ CONFERENCIA / PRESENTACIÓN/ MESA REDONDA/ OFF LOOP/ RUTA 75 CONFERENCE PRESENTATION ROUND TABLE L ’equip LOOP no es fa responsable dels canvis d’horaris i del funcionament
    [Show full text]