1975-10-12-Fall.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

1975-10-12-Fall.Pdf TABLE OF CONTENTS From the President’s Desk ..................Page 4 Reflections ........................ Page 5 Campus News ....................... Page 7 sports .......................... page 11 Thelma Williams takes Education for Service Behind Bars .......page 12 The Go(d)spel(l) Comes to Indiana ...............page 15 An Interview with Bill Hudnut .................page 18 Personals ........................ pa%e 22 Births .......................... page 29 Marriages ........................ page 30 Deaths ......................... page 30 2 FALL 1975 Alumni News Vol 27 No. 1 Terry A. Taylor '73, Edltor 'resident 'Lloyd E. Hiatt '40, Indianapolis lice Pres:dent *Mary Kay Anthony '65, Greenwood iecrelary-Treasurer 'Koren C. KoeniQ '73. Indianapolis Bast President Michelle S. Branch '66, Indianapolis BOARD OF DIRECTORS ierm onding 1976: 'Effie B. Brawn '54, Indianapolis Richard K. Elmore '66. Indianapolis 'Clyde Fields '63, Greenwood Lloyd E. Hiatt '40, Indianapolis Glen Todd '54, Greenfield The girls shown above practicing to become nurses aids are prisoners lerm ending 1977: at the Indiana Women's Prison in Indianapolis. Alumnus Thelma Williams is William Kiesel '63, Indianapolis Mary W. Merryman '30, Indianapolis atheir teacher. For the story of how she is taking education for service behind Donna S. Mullen '70, Indianapolis prison bars turn to page 12. William Rider '47, Lombard, IL Henry Taylor '59, Indianapolis Term endmg 1978: Larry J. Barrett '67. Indianapolis Ann C. Bretz '48, Chicago, IL Merrill D. Hoban '47, Kokomo Karen C. KaeniQ '73, Indianapolis James C. Show '64. Indianapolis Term ending 1979: Carol M. Gossman '60, Greenwood Robert Hanni '50, Monticello Cheryl C. Larson '71, Indianapolis Cleo F. Moore '61, Indianapolis Maurice W. Nickels '69, Indianapolis BOARD OF TRUSTEES To 1977: Clayton Kinkade '50, Indianapolis To 1977: Geraldine McBride '57, Indianapolis To 1978: Gene Lausch '60, Indianapolis To 1979: Sherman Cravens '42, Evanstan, I1 To 1979: John J. Mullen '48, Indianapolis 'Executive Committee Jdnes L. Biunilemer bb Director of Alumni Relations Terry A. Taylor '73 4ssistant Director of Publications Photcgmphv; Indiana Central News Bureau Member, Council for Advancement and Support o Education Published in October, Januaw, March and Juh by Indiana Central UniveniW 1400 East Hanna Avenue Indianapolis, Indiana A6227 Second class pastape paid at Indianapolis. Inddona. Printed in U.S.A. I M. UNDERWOOD 3 1215 MARKWOOD AVE. INDIANAPOLIS, IND. 46227, . Reflections How ICU Builds Champs by Charles "Edwin" McCune ICU builds champs and peanut butter does it.-Ask anyone who ate in the dining room at Dailey Hall during those glorious 20's. We had no money, but we had desire. Sink or swim; man or mouse; honesty and hard work were roadways to success. We had a courageous persevering President. The faculty was cut of the same stuff; devoted, patient and pleased when we excelled. Salaries were low; quality high. Dr. Cummins, Rev. Dr. Samuel Long, Coach Johnny George, and "Madame" Dorsett were inspiring benedictions. Dr. Eaton, Professor Marshall, Drs. Weaver and Stonecipher were star players on the team. We had 375 students, five buildings-Old Main and three dormitories, plus a gym-a faculty of twenty-five, one Dean of Women, two custodians, a pet salamander and spotted dog. Textbooks were three dollars; a coke, five cents; a street car ride cost a dime; a quart of ice cream, fifteen cents at "Johnny's Place"; bread was eight cents a loaf. Many students worked in town on Saturdays-ten hours for three dollars. INDIANA CENTRAL HAD A FOOTBALL TEAM. It was a good team coached by Johnny George; he coached everything. The squad was a company of courageous men: Carl Mendenhall, Homer Roberts, Herman Speith, George Vance, Carroll Butler, Edward Pence, Paul Arbogast, "Doc" Emmert, Jim Deiwert, Everett Hoffman, Harry Good, Eddie Bright, Don Klinger, Ralph Light, Herb Montgomery, Lynn Turner, Cleon Turner, Boyd Todd, Dave Addams, Miles Leach, Othniel Catt, Leolin Long, and Freddie Armentrout. The team was wonderful. It was worth the price of admission to see Ott Albright race down the field, snag a long pass from the strong arm of Harry Good and qo streaking across the goal line for a score. Or watch halfback Eddie Bright swing around right end behind the powerhouse of Butler, Good and Settle. Another exciting player was "Han" Barnes under a full head of steam, make impossible catches of a football. In one game, the fall of 1926, Leolin Long nearly broke his leg. A play was called through right tackle. Long was playing center. Big "Doc" Emmert was at right guard. Something went awry; there was a terrible pile-up. Big Doc came crashing down on top. Long heard the ligaments in his leg snap, bones seemed to crack, and he nearly fainted. When the pile was untangled, there lay "Longie", groaning. Doc turned to help. "Did I kinda sting ya, Buddy?" Doc asked. "Sting me?" Long moaned, "You nearly broke my leg!" "Sorry, Buddy," Doc grinned. "Come on, let's play football." BASEBALL: We had a fine team. Big "Red" Fisher, Catt, and Herrin, pitchers, Bright at shortstop, and France holding down the hot corner; Pence at second; Good at first; Mendenhall, Karnes, and Greenwood in the field; Albright, catcher. Their record speaks for itself. TENNIS: Harry Good, Julio Saulo, Joe Cummins and Paul France played a fiery game. TRACK: A very successful year. When Coach George sent out the call, an army of good men reported; they won laurels in every main event. WOMEN'S AND MEN'S GLEE CLUBS: Indiana Central's Glee Clubs did the college a lot of good-did the members a lot of good. Lois Brown Dorsett was director. We referred to her proudly as "Madame" Dorsett. Members of the Womens' Glee Club were: Joe Albin, Vera Arbogast, Ruth Bran, Nesta Bonebrake, Mary Bushong, Marg. Berdel, Marcella Cornetet, Mary Dunham, Virginia Fout, Dick Gilliatt, Florence Hilligos, Vera Hoffman, Carol Cooper, Mildred Herzig, Mrs. Barker, Alta Jones, Irene Roberts, Edith Stahl, La Von Thompson, Esther Parsons, Clara Nelson, Lucille Peterson, Blanche Penrod, Thelma Petty, Thelma Woodburn, Adah Young, Aileen Case, Winifred Stahl, Gladys Michael, Lois Holimsn, Maude Wagner, Xena Martin, Effie Burkhart, Alletah Eash, Julia Good. Gertrude Hutton, Violette Miller, Bessie Osgood, Geneva Taylor, Myrtle Banks, Maxine Keller, Ruth McCoy, and Beulah Mae Shaw. (Continued on page 6) 5 More of How ICU Builds Champs Reflections (Continued from page 5) Men's Glee Club members: Knoeful Merryman, Claude Nearly tore the building down! . And the saga of the Turley, Faris Trumbull, Wesley Hiestand, Paul Chalfant, purloined ice cream from the President's party? . Shame, Homert Roberts, Don Klinger, Leolin Long, "Edwin" McCune, shame on you guys! . And the "kidnapped-murdered Karl Parsons, Harry Davidson, Harry Good, Lynn Turner, young lady faculty member? . We fellas beat the Lee Deck, Ramon Hunt, Paul France, Jasper Stadler, Howard bushes for two hours, then the sweet thing walked in at Horn, Ira Bright, Lynn Arbogast, Paul Arbogast, Eddie Dailey Hall with her escort, unperturbed. Miss Waterbury Pence, and Robert Parsons. was in a tizzy! . The lady had forgotten to sign out. The Men's Glee Club tours were something special: . "lkey" Stewart pacing the floor of a buddy's room telling People were friendly in every city; hosts seemed proud. stories about WW I. The case of the falling bedroom We fellows tried to qualify. When Madame Dorsett and curtain . at a host's home in Muncie . on a glee Paul Chalfant sang "Indian Love Call", angels hovered club trip. Long nearly lost his . his . composure. overhead. When Helen Phipps (Mrs. Howard Patton), . Klinger and "Hoffy" in an ice cream eating contest at concert violinist, played Dvorak, everybody said she should Carstedt's Store . Klinger won! . Edith Stahl being join a symphony. (Later, she became a member of a crowned Campus Queen. Beautiful! . Our "dates" great philharmonic in New York.) worrying whether we guys had twenty-cents carfare after DRAMATICS AT SPECIAL ASSEMBLIES: The season's we treated them to sundaes following a movie at the high light was the appearance of Dr. John A. Cummins as Palace. Mildred Washburn, known as "Mickey", morning speaker. There were no empty seats. President playing the role of hostess to us Freshmen . she was Good presided. Students sang a hymn or two, then beautiful, sparkling and charming. ("Mickey", wherever the grand old gentleman was introduced. He walked you are, thank you . from ALL of us.) And meeting the "We had 375 students, five buildings-Old Main and three dormitories, plus a gym-a faculty of twenty-five, one Dean of Women, two cus- todians, a pet salamander, and a spotted dog." sedately to the front of the auditorium, paused, looked at most beautiful girl in the world, Xena Martin, Rome City, the President and faculty, turned and faced his audience. Indiana, in Prof. Horace Marshall's class. Yeah, me! A hush fell over the assembly. Dr. Cummins cleared "Mac" McCune from away out west in Kansas. When I his throat and began to speak. sat beside her my heart did handsprings, my head swam, President Good: "Dr. Cummins, you'd better and my eyes turned glassy. She became my wife come up here where you can be seen." a few years later, and was the greatest . for 43 years1 Dr. Cummins paused, then continued. until her tragic death in an automobile accident President Good: "Dr. Cummins, come up here in Michigan, 1972. where you can be heard." AND NOW YOU MODERNS: . You have a great Dr. Cummins cast a wary eye at President Good. president in Dr. Sease, lovely buildings, a splendid "The subject of my speech this morning is: faculty, and a beautiful campus. You're surrounded by 'Psychology; the science of human behavior." distinguished people: Karen Louise Rogers, "Miss Indiana"; President Good sat back reluctantly.
Recommended publications
  • The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
    Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages.
    [Show full text]
  • Stained Glass Windows Stained Glass and Banners • Stained Glass Windows and Banners Bring Colour to a Church
    Stained Glass Windows Stained Glass and Banners • Stained glass windows and banners bring colour to a church. They also remind people of stories in the Bible or of important truths. • Before TVs or LCD projectors, stained glass windows could be used as visual aids. This is the risen Christ in the window of a church in the Cotswolds. What are the small black marks in the palms of his hands? Modern Stained Glass Window • This modern stained glass window is in memory of a young man. He died while mountaineering aged 19. • The mountain in the window - the Eiger - is on the last photo that he took. When looking at this window – what do you think people think about? This window may help people to think about their own lives, too. What does the bird in the sky make you think of? Can you see the Do you think that cross? this is a good Look closely at what memorial for a is behind the base of young person? it ... What do you think the cross towering over the town represents? About stained glass • Stained glass is simply coloured glass but the term stained glass is normally used in referring to pictorial windwos such as are to be found in some churches. The colours are produced by adding a metallic oxide to the glass. • The means of colouring glass was understood in the early years of the Common Era. The earliest stained glass in Europe has been found at Jarrow at the monastery where Bede lived, prayed, taught and wrote.
    [Show full text]
  • 'Twenty-Five' Churches of the Southwark Diocese
    THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE An inter-war campaign of church-building Kenneth Richardson with original illustrations by John Bray The Ecclesiological Society • 2002 ©KennethRichardson,2002.Allrightsreserved. First published 2002 The Ecclesiological Society c/o The Society of Antiquaries of London Burlington House Piccadilly London W1V 0HS www.ecclsoc.org PrintedinGreatBritainbytheAldenPress,OsneyMead,Oxford,UK ISBN 0946823154 CONTENTS Author’s Preface, vii Acknowledgements, ix Map of Southwark Diocese, x INTRODUCTION AND SURVEY, 1 GAZETTEER BELLINGHAM, St Dunstan, 15 CARSHALTON BEECHES, The Good Shepherd, 21 CASTELNAU (Barnes), Estate Church Hall, 26 CHEAM, St Alban the Martyr, 28 St Oswald, 33 COULSDON, St Francis of Assisi, 34 DOWNHAM, St Barnabas, Hall and Church, 36 St Luke, 41 EAST SHEEN, All Saints, 43 EAST WICKHAM, St Michael, 49 ELTHAM, St Barnabas, 53 St Saviour, Mission Hall, 58 and Church, 60 ELTHAM PARK, St Luke, 66 FURZEDOWN (Streatham), St Paul, 72 HACKBRIDGE & NORTH BEDDINGTON, All Saints, 74 MALDEN, St James, 79 MERTON, St James the Apostle, 84 MITCHAM, St Olave, Hall and Church, 86 MORDEN, St George 97 MOTSPUR PARK, Holy Cross, 99 NEW ELTHAM, All Saints, 100 Contents NORTH SHEEN (Kew), St Philip the Apostle & All Saints, 104 OLD MALDEN, proposed new Church, 109 PURLEY, St Swithun, 110 PUTNEY, St Margaret, 112 RIDDLESDOWN, St James, 120 ST HELIER, Church Hall, 125 Bishop Andrewes’s Church, 128 St Peter, 133 SANDERSTEAD, St Mary the Virgin, 140 SOUTH
    [Show full text]
  • St Mary's Church, Antingham
    St Nicholas’s Church, West Lexham Address : St Nicholas’s Church, West Lexham,PE32 2QN Further details : See www.achurchnearyou.com or www.norwich.anglican.org General Information This pretty church of medieval origin was in a dilapidated state before it was almost completely rebuilt and redesigned by the architect Arthur Blomfield in 1881. Nevertheless it does retain a number of its earlier features including an imposing 14th century tower, and a simple 15th century font. Apart from an evocative WWI memorial window to the memory of Frank Beck, and his Norfolk Regiment, the stained glass was all made by Heaton Butler & Bayne. All Windows apart from North Aisle Window 1 These windows were all This window was designed by the firm of Heaton Butler and Bayne who were one of the largest and most prolific of the 19th Century craftsmen, particularly noted for the brilliance of their High Victorian work produced in the 1860s. • The East Window is undated. The central light shows Christ’s crucifixion. He is flanked by the Virgin Mary and St John • The South Chancel Window 1 is undated. The main lights depict the evangelists St Luke & St John. In the tracery lights above the former are a palette referring to the tradition that Luke was a painter and what appears to be a physician’s bag referring to his profession as a doctor. Above St John is a chalice containing a serpent which alludes to the cup of sorrow foretold by Jesus • The South Chancel Window 2 was made c1905. The main lights depict the evangelists St Matthew and St Mark.
    [Show full text]
  • 2011 Wirral Conference
    2011 BSMGP CONFERENCE: THE W IRRAL brother of H J Salisbury, who is better known as a portrait painter and whose biggest window is at Wesley’s Chapel, London. Another is by Henry Gustave Hiller, who was born in Manchester and was apprenticed to a draper there before starting his own firm in Liverpool. Finally, in the NW corner is a small window by Trena Cox, the first of many on this tour (detail right). On then to Liverpool Cathedral; we began in the Lady Chapel where Peter Cormack drew attention to the decorative detail: the wood carving and altarpiece by Walter Gilbert (who cofounded the Bromsgrove Guild) and stone carvings and metalwork by E. Carter Preston, designer of the ’dead man’s penny’ (a medallion given to families of soldiers killed in WWI) and the armature for the glass. Peter also pointed out that Scott had developed his own version of ‘Gothic’: not Gothic Revival but a living interpretation of the medieval, as in the US ‘modern Gothic’ he fine start to September’s weather this year bode well for (Princeton Chapel being a reduced version of this church). Our Tan enjoyable trip cross country to the Roman city of Chester attention was also drawn to the use of ‘Minerva glass’ – the for the autumn gathering. That evening we sat down in the juxtaposition of blues and picks to create an opalescent effect – lecture to hear Wirral native Tony Benyon’s opening talk on the as well as the influence on Hogan’s style of Christopher Whall. glazing history of Liverpool Anglican cathedral, the largest and His linear painting style also proved faster to execute than much- the last ‘Gothic’ cathedral in the UK.
    [Show full text]
  • 2016 Salisbury and Hants
    Salisbury walk with Andrew Taylor, 16 July good-sized group of 11 people and three cars met in ASalisbury with a view to walk and talk about stained glass past and present. Our first stop was St Mary and St Nicholas, Wilton – a northern Italian Romanesque style church with, above the central portal, a stunning rose window in striking blues and purples with a ring of heart-shaped tiny windows around the rose window itself. On closer inspection with the help of Andrew's camera, we could see the delicate painting of angelic figures playing instruments and a fine colourful painted shield in the centre. We also saw a set of windows from the 12 –13th centuries that were probably from St Denis and the Ste Chapelle, and also German and Flemish glass (left), more info on which can be found in Pevsner. Onward by car swiftly to St George at Harnham, a very interesting church where most of the glass was designed and/ or made by Eleanor Warre (1862 –1936), whose sister Nellie also designed stained glass; it was reminiscent of the Arts & Crafts movement in the leafy patterning of the background in a richly coloured and beautifully designed chancel window. Other small painted windows, possibly by Eleanor Warre. Well worth a visit. Before lunch we went to St John's church, West Grimstead, a quiet small of the beaten track church with a roof that nearly touches the ground outside. This is where we stopped a while and listened to Andrew Taylor talking about one of his windows in this church (top right).
    [Show full text]
  • 2017 Leicestershire and Rutland Conference
    A UTUMN C ONFERENCE : L EICESTERSHIRE & R UTLAND THURSDAY The first visit of the conference was the 12C Leicester his 1913 E chancel window here in his typical style of heavy black- Cathedral, extensively restored in the 19C. The 1906 W window of lined figures with delicate-coloured shading against a background St Martin donating his cloak is by Christopher Whall, possibly of simple patterns influenced by 14 –15C glazing. A 1920s flower one of the first made by Lowndes & Drury at the Glass House; window is by Leonard Walker, who was at that time in the in the background he uses his typical tinted-glass glazing, with process of reducing the amount of painting on glass, instead just ruby glass lozenges at the top and, notably, white pressed slab for using leading to define outlines. His glass was mould-blown for the snow. The design was reused from one at Manchester. The E him by Powell & Sons, on top of which ore was scattered but not window (1920) – a WWI memorial to the Leicestershire dead – of mixed in, imparting colour variation and brilliance (top centre). Christ in Heaven surrounded by angels in glorious gold-pink, At the third stop, All Saints, Newtown Linford, we found a purple and much brilliant white is also by Christopher Whall, small window by Theodora Salusbury, a local Leicester Arts & with cartoons by daughter Veronica. On the left stands Joan of Crafts artist who had studied with Christopher Whall and Karl Arc (above left), symbolizing Britain’s wartime collaboration with Parsons, and worked in Whall’s studio – whose influence is France, with the buildings behind on fire depicting their wartime obvious here, in the use of gold-pink slab glass and bold leading.
    [Show full text]
  • Stained and Painted Glass Janette Ray Booksellers, York, England
    Stained and Painted Glass Janette Ray Booksellers, York, England Janette Ray Booksellers, 8 Bootham, York YO30 7BL UK. Tel: +44 (0)1904 623088 email [email protected] STAINED AND PAINTED GLASS: CATALOGUE 16 Introduction: This catalogue is our first specialist list on aspects of stained and painted glass. It includes material on making glass, commentaries on glass in situ, including a selection of out of print volumes from Corpus Vitrearum, monographs on individual makers and a small group of items which comprise original designs for glass. It is designed to appeal to those who have a general interest in the subject alongside those with specific interests in periods or individual artists. We would particularly draw your attention to Christopher Whall’s rare promotional booklet for his own firm which has original photographs of items he made,(no 31 ) and other trade catalogues, the massive colour illustrated portfolio Vorbildliche Glasmalereien aus dem späten Mittelalter und der Renaissancezeit which records glass in pre First World War Germany (no 99), the original heraldic designs recorded by F C Eden at Aveley Belhus. (no 187) and the substantial collection of original material from Hardman’s in Birmingham when the company was under the jurisdiction of Patrick Feeney and Donald Taunton. (no 188 ) [Cover design from the collection S268] We have not included Journals in the list but have a large stock of the major academic publication of the Society of Glass Painters and other journals and welcome any enquiries on this subject. Furthermore, there are many small pamphlets which provide valuable insights into the windows in churches all over Great Britain and beyond.
    [Show full text]
  • Journal of the Royal Victorian Institute of Architects: (July, 1930)
    JOURNAL of the ROYAL VICTORIAN INSTITUTE OF ARCHITECTS IN ALLIANCE WITH THE ROYAL INSTITUTE OF BRITISH ARCHITECTS Stained Glass and Its History ... 59 Visit to New Spencer Street Bridge ... ... 64 The Trend of Design as Shown in Modern Architecture 65 The Library ... 75 Members' Section 76 Board of Architectural Education ... 77 Town Planning Conference 79 The Display Floors ... 80 Proceedings of General Meetings of the Institute 81 Students' Section ... ... 85 Published at the office of the R.V.I.A., 53-55 COLLINS PLACE, MELBOURNE, C.1 VOLUME XXVIII., No. 3 JULY, 1930 OFFICERS AND COMMITTEES FOR 1930-31 President* ... ... ... ... T. J. Buchan First Vice-President ... ... W. A. M. Blackett Second Vice-President ... ... L. F. Irwin Hon. Secretary* ... M. W. Martin Hon. Treasurer ... H. W. Tompkins Hon. Assistant Secretary ... ... F. K. Cheetham Secretary to the Institute ... ... ... ... ... ... ... J. B. Islip *Ex Officio Member of all Committees MEMBERS OF COUNCIL A. S. Hall P. B. Hudson P. A. Oakley R. B. Hamilton W. O. McCutcheon L. R. Williams K. A. Henderson C. E. Serpell Social and Fellowship Committee Rooms Committee H. W. Bladen C. L. Ruck W. A. M. Blackett T. J. Buchan C. L. Cummings J. F. D. Scarborough R. O. Ellis A. B. Smith Miss E. E. Harvie O. A. Yuncken Board of Architectural Education R. H. Alsop R. B. Hamilton A. S. Eggleston Finance Committee L. F. Irwin G. L. Cockrell M. W. Martin T. J. Buchan H. W. Tompkins J. S. Gawler W. O. McCutcheon W. S. P. Godfrey C. E. Serpell Building Regulations Committee Federal Council Representatives E.
    [Show full text]
  • 324-328. Brussels
    1911 F.K., “Studio-Talk Brussels,” The Studio, 51, 214 (January 1911), 324-328. BRUSSELS.—After the striking victories gained at Turin in 1902, and at Milan in 1906, by the representatives of modern art in Belgium, one had hoped for similar triumphs at the Brussels Exhibition of 1910, and it is as incomprehensible as it is deplorable that this modern school of Belgian art, whose influence has been felt in all the countries of Europe, should have been unrepresented there. As M. Robe has written in “L'Art Moderne,” “Now or never was the moment to appeal to the public for a verdict upon our work. I grant that the authorities have rather looked askance at the products of our brains, and so far have not entrusted to us the elaboration of plans for public works and buildings which are destined to form permanent records of their day. But here we had a unique occasion to make a display of our talent, and even had the result been disastrous, if it is indeed true that our work is destined to have but an ephemeral existence, the evil could not have been permanent or lasting, as is the case with so many of the monuments and buildings which deface our public squares.” On the other hand, the preface to the catalogue of the German section begins as follows:— “At the moment when our Art Industry is about to give an account of itself . of its aims and capabilities, it is only seemly that, before going on to speak of the work of our own country, we should remind ourselves of what our German artists and craftsmen owe to their Belgian confreres.” The writer of the preface then proceeds to mention the names of Lemmen, Finch, Serrurier-Bovy, Horta, and goes on to explain the influence of and the exact position occupied by Henri Van de Velde, “whose name stands as a monument, so to speak, of the sympathy existing between German and Belgian genius.” Furnished Cottage Exhibited at the recent International Exhibition, Brussels, by M.
    [Show full text]
  • Child Care Homes and Centers Bureau of Community and Health Systems Provider Directory
    Michigan Department of Licensing and Regulatory Affairs, Child Care Homes and Centers Bureau of Community and Health Systems Provider Directory PROVIDER NAME ADDRESS CITY, STATE, ZIP CODE COUNTY 100 Acre Wood Daycare Center 1340 Onondaga Rd. Holt MI 48842 Ingham 123 Grow With Me 451 Helen St Brooklyn MI 49230 Jackson 1st Advantage Learning Center 26555 John R Road Madison Heights MI 48071 Oakland 2 Day's Child Learning Center 15075 Meyers Detroit MI 48227 Wayne 2 Sweets Angels Family Daycare 9701 Everts Street Detroit MI 48224 Wayne 21st Century - Milwood Magnet 2916 Konkle Kalamazoo MI 49001 Kalamazoo 21st Century/KCIS - Hillside Middle School 1941 Alamo Ave. Kalamazoo MI 49006 Kalamazoo 21st Century/KCIS - Linden Grove Middle School 4241 Arboretum Pkwy. Kalamazoo MI 49006 Kalamazoo 21st Century/KCIS - Maple Street Magnet 922 W. Maple St. Kalamazoo MI 49008 Kalamazoo 2BKids Creative Station 622 Bates St Grand Rapids MI 49503 Kent 3 C's & ABC 47080 Exeter Ct Shelby Twp MI 48315 Macomb 3 Musketeers Daycare 1388 Lancaster Ave NW Grand Rapids MI 49504 Kent 4 K Learning Center 13220 Greenfield Detroit MI 48227 Wayne 40 Acre Wood Daycare 5595 Truckey Rd Alpena MI 49707 Alpena A & J's Child Care 512 W Martin St Gladwin MI 48624 Gladwin A and W Day Care Center 6565 Greenfield Detroit MI 48228 Wayne A Brighter Beginning 16101 Schoolcraft Detroit MI 48227 Wayne A Child's World Learning Center 1828 E Michigan Ave Ypsilanti MI 48198 Washtenaw A G B U Alex & Marie Manoogian School 22001 Northwestern Southfield MI 48075 Oakland A Growing Place Inc 40700 Ten Mile Road Novi MI 48375 Oakland A Happy Place Childcare 3713 Lawndale Drive Midland MI 48642 Midland A Home Away From Home Child Care 3875 Bacon Ave Berkley MI 48072 Oakland A Joyful Noise Child Development Center LLC 2515 Ashman St.
    [Show full text]
  • Supporting 16,000 Cathedral and Church Buildings of the Church of England Contents
    CATHEDRAL & CHURCH BUILDINGS DIVISION GRANTS REPORT 2020 Supporting 16,000 cathedral and church buildings of the Church of England CONTENTS Introduction 3 Divisional Projects 4 Our Funders 6 Grants for Conservation 8 Grants for the Conservation of Bells 8 Grants for the Conservation of Churchyard Structures 10 Grants for the Conservation of Clocks 11 Grants for the Conservation of Metalwork 12 Grants for the Conservation of Monuments 13 Grants for the Conservation of Organs 14 Grants for the Conservation of Paintings 15 Grants for the Conservation of Stained Glass 16 Grants for the Conservation of Textiles 17 Grants for the Conservation of Wall Paintings 18 Grants for the Conservation of Wooden Objects 20 Grants for Conservation Reports 21 Grants for Fabric Repairs 27 Grants for Programmes of Major Works 30 Conservation Committee Membership 35 COVER Munslow, St Michael (Diocese of Hereford) 15th-century stained glass depicting St Margaret of Antioch. Image courtesy of Jim Budd Stained Glass INTRODUCTION The resilience and innovative spirit of churches and cathedrals throughout the very difficult year of 2020 has been remarkable to witness, and a privilege to support. Despite church buildings having to close, initially for all purposes and in the later stages of the pandemic for all but a very limited range of purposes, we have seen an extraordinary growth in alternative forms of worship and community engagement. Many have moved services online, in some cases attracting congregations from all across the globe. And many thousands of churches continued to provide essential community support activities. The effectiveness of this was noted by the Prime Minister, Boris Johnson, in his 2021 Easter address: “I’ve lost count of the number of Church leaders and congregations from all denominations that have stepped up to support not only one another but also to support the whole local community, people of all faiths and none.” But we also know that for many churches 2020 was an incredibly challenging year.
    [Show full text]