The Magazine of St James the Greater Leicester
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REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
February 2021 Support for Leicester Cathedral Revealed
Diocese of Leicester Diocesan Synod – 13th February 2021 Support for Leicester Cathedral Revealed Resolution 1 The Synod agrees to make a grant of £500,000 from the funds of the Leicester Diocesan Board of Finance to the ‘Leicester Cathedral Revealed’ project. Amendment 1 The Synod amends Resolution 1 by substituting ‘The Synod approves the purchase at fair market value by the Leicester Diocesan Board of Finance of one of the clergy houses belonging to Leicester Cathedral.’ The pages which follow set out the case for Synod to support Resolution 1 or Amendment 1. 0. Procedural note 0.1 The DBF trustees agreed to recommend to the Diocesan Synod, but subject to Bishops Leadership Team (BLT) endorsement of the missional priority of the project, “that the Cathedral should be awarded a grant of £500k towards Leicester Cathedral Revealed (LCR). The trustees further agreed that, in the event that it were not possible to award a grant, then the option of buying one of the Cathedral clergy houses and leasing it back should be pursued.” 0.2 Following consideration of this recommendation, there was a clear consensus amongst the members of BLT to endorse the recommendation of the DBF trustees. Accordingly, Synod is presented with Resolution 1, which encapsulates the preference of both the DBF Trustees and the members of BLT. However, Amendment 1 will be moved to enable Synod, should it not feel able to make a grant, to consider the alternative of supporting LCR by purchasing and leasing back one of the Cathedral clergy houses, thereby releasing its cash value for the Cathedral to put towards the costs of LCR. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
Stained Glass Windows Stained Glass and Banners • Stained Glass Windows and Banners Bring Colour to a Church
Stained Glass Windows Stained Glass and Banners • Stained glass windows and banners bring colour to a church. They also remind people of stories in the Bible or of important truths. • Before TVs or LCD projectors, stained glass windows could be used as visual aids. This is the risen Christ in the window of a church in the Cotswolds. What are the small black marks in the palms of his hands? Modern Stained Glass Window • This modern stained glass window is in memory of a young man. He died while mountaineering aged 19. • The mountain in the window - the Eiger - is on the last photo that he took. When looking at this window – what do you think people think about? This window may help people to think about their own lives, too. What does the bird in the sky make you think of? Can you see the Do you think that cross? this is a good Look closely at what memorial for a is behind the base of young person? it ... What do you think the cross towering over the town represents? About stained glass • Stained glass is simply coloured glass but the term stained glass is normally used in referring to pictorial windwos such as are to be found in some churches. The colours are produced by adding a metallic oxide to the glass. • The means of colouring glass was understood in the early years of the Common Era. The earliest stained glass in Europe has been found at Jarrow at the monastery where Bede lived, prayed, taught and wrote. -
Allchurches Trust Beneficiaries 2020
ALLCHURCHES TRUST LIMITED Beneficiaries of grants awarded in 2020 1 During the year, the charity awarded grants for the following national projects: 2020 £000 Grants for national projects: 4Front Theatre, Worcester, Worcestershire 2 A Rocha UK, Southall, London 15 Archbishops' Council of the Church of England, London 2 Archbishops' Council, London 105 Betel UK, Birmingham 120 Cambridge Theological Federation, Cambridge, Cambridgeshire 2 Catholic Marriage Care Ltd, Nottingham, Nottinghamshire 16 Christian Education t/a RE Today Services, Birmingham, West Midlands 280 Church Pastoral Aid Society (CPAS), Coventry, West Midlands 7 Counties (formerly Counties Evangelistic Work), Westbury, Wiltshire 3 Cross Rhythms, Stoke-on-Trent, Staffordshire 3 Fischy Music, Edinburgh 4 Fusion, Loughborough, Leicestershire 83 Gregory Centre for Church Multiplication, London 350 Home for Good, London 1 HOPE Together, Rugby, Warwickshire 17 Innervation Trust Limited, Hanley Swan, Worcestershire 10 Keswick Ministries, Keswick, Cumbria 9 Kintsugi Hope, Boreham, Essex 10 Linking Lives UK, Earley, Berkshire 10 Methodist Homes, Derby, Derbyshire 4 Northamptonshire Association of Youth Clubs (NAYC), Northampton, Northamptonshire 6 Plunkett Foundation, Woodstock, Oxfordshire 203 Pregnancy Centres Network, Winchester, Hampshire 7 Relational Hub, Littlehampton, West Sussex 120 Restored, Teddington, Middlesex 8 Safe Families for Children, Nottingham, Nottinghamshire 280 Safe Families, Newcastle-upon-Tyne, Tyne and Wear 8 Sandford St Martin (Church of England) Trust, -
'Twenty-Five' Churches of the Southwark Diocese
THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE An inter-war campaign of church-building Kenneth Richardson with original illustrations by John Bray The Ecclesiological Society • 2002 ©KennethRichardson,2002.Allrightsreserved. First published 2002 The Ecclesiological Society c/o The Society of Antiquaries of London Burlington House Piccadilly London W1V 0HS www.ecclsoc.org PrintedinGreatBritainbytheAldenPress,OsneyMead,Oxford,UK ISBN 0946823154 CONTENTS Author’s Preface, vii Acknowledgements, ix Map of Southwark Diocese, x INTRODUCTION AND SURVEY, 1 GAZETTEER BELLINGHAM, St Dunstan, 15 CARSHALTON BEECHES, The Good Shepherd, 21 CASTELNAU (Barnes), Estate Church Hall, 26 CHEAM, St Alban the Martyr, 28 St Oswald, 33 COULSDON, St Francis of Assisi, 34 DOWNHAM, St Barnabas, Hall and Church, 36 St Luke, 41 EAST SHEEN, All Saints, 43 EAST WICKHAM, St Michael, 49 ELTHAM, St Barnabas, 53 St Saviour, Mission Hall, 58 and Church, 60 ELTHAM PARK, St Luke, 66 FURZEDOWN (Streatham), St Paul, 72 HACKBRIDGE & NORTH BEDDINGTON, All Saints, 74 MALDEN, St James, 79 MERTON, St James the Apostle, 84 MITCHAM, St Olave, Hall and Church, 86 MORDEN, St George 97 MOTSPUR PARK, Holy Cross, 99 NEW ELTHAM, All Saints, 100 Contents NORTH SHEEN (Kew), St Philip the Apostle & All Saints, 104 OLD MALDEN, proposed new Church, 109 PURLEY, St Swithun, 110 PUTNEY, St Margaret, 112 RIDDLESDOWN, St James, 120 ST HELIER, Church Hall, 125 Bishop Andrewes’s Church, 128 St Peter, 133 SANDERSTEAD, St Mary the Virgin, 140 SOUTH -
King Richard III in Leicester & Leicestershire
King Richard III in Leicester & Leicestershire Day 1 CITY OF LEICESTER St Martin's Centre, Peacock Lane, Leicester Welcome to Leicester with tea, coffee, refreshments and welcome talk Originally built in 1877, St Martin’s Centre is a stunning Grade II listed former Grammar School with an elegant mix of period features with contemporary styling, a beautifully restored hall and several smaller meeting rooms and is the ideal welcome to the city. The centre is situated in the heart of Leicester’s Old Town next to the Cathedral, Guildhall and the King Richard III Visitor Centre. Leicester Cathedral, Guided Walk: King Richard III - The Leicester Connection This walk is organised by an accredited Blue Badge Guide and will cover the historic areas of the city relating to King Richard III’s final days in the city. The walk will last approximately 1hr 45mins. King Richard III Visitor Centre – Richard III: Dynasty, Death and Discovery The Visitor Centre includes a stunning display of artefacts and material found in the search for King Richard III and a medieval storyline followed by the science behind the discovery of the King. The centre is also home to a gift shop, café and a seating area within the graveside memorial garden. Lunch Leicester Cathedral Built on the site of a Roman temple and dedicated to St Martin of Tours, Leicester Cathedral has been embedded in the life of the local community since medieval times. There has been a major memorial to King Richard III in the Chancel of the Cathedral since 1980. This has been the focus for remembrance, particularly on the anniversary of the Battle of Bosworth. -
RESTORATIONS of ST. MARTIN's CHURCH, LEICESTER By
RESTORATIONS OF ST. MARTIN'S CHURCH, LEICESTER by ROGER KEENE I It is a far cry from the Sketchbook of Villard de Honnecourt,2 that record of a thirteenth-century maitre d'oeuvre, the "Gothic Vitruvius", to the drawings of Raphael Brandon, the nineteenth-century professional architect; from the original shout of Gothic joy to the distant echo six hundred years later. Arnd yet ,both mern were dedicated to the same art. Raphael Brandon, in fact, had his earliest training in France, and studied the same buildings which Villard recorded with such great gusto at the time of their construction. Many of Braindon's contemporaries did likewise, and these .men - the much and over-maligned "restorers", "copyists" and "despoilers of our architectural herita~" - were equally enthusiasts, who between them sketched, measured and wrote about their love with a personal dedication, a fanaticism, which it would be hard to match today, and might well have put Villard de Honnecourt to shame. Putting on one side for a moment the complex religious and social forces which helped to mould the Gothic Revival, these men may be considered in the first instance as enthusiasts in their profession of architecture. Our Mr. Brandon was one of these. He served St. Martin's church in Leicester for thirty-one years - from 1846, when he was a young man of 29, until his sad death in 1877, at the age of 60. He is the man who shaped St. Martin's into the church we see today. He was aided and encouraged by another principal participant who was not so much a person as a family. -
International Sabbath 20 April 2013
International Sabbath 20 April 2013 of Seventh-day Adventists Song Service 9:20 a.m. Program A Conversation with Karin McLarty 9:30 a.m. Ruth Christensen, Program Presenter Next Week The One Project in Chicago Larry Roth Sabbath School Classes 10:00-10:50 a.m. The sanctuary opens at 10:50. Prior to this time, rehearsing musicians appreciate privacy during their preparation for the worship service and thank you for this courtesy. Sabbath School Classes Green Lake Church is noted for its diversity. We welcome you wherever you are in your search for truth. Some classes work within a traditional Seventh-day Adventist framework, while others take a nontraditional approach. Choose the one that best fits your needs today. Quarterly — Babu Rao Chedalawada, Myrtle Mitchell, Donna Van Fossen Auditorium, Front South Follows the lessons in the Sabbath School Quarterly: Major Lessons from Minor Prophets. Walk Through the Bible — Matt Rickaby, Simon Tung Top Level Open Space The Psalms. Discussion — Simona Vuletic Room 303 (Library) Encourages the open expression of ideas and experiences outside the scope of the traditional Sabbath School class. Current Issues and Quarterly — M. Haun, B. Lundstrom, E. Mazila, K. Zafiro Kitchen An interactive discussion based on biblical principles, generally following topics provided by the Sabbath School Quarterly. Women’s Class — Patti Gibson Parent Room (Next to Balcony) Studying the book The Blessing of Adversity by Barry C. Black. Future books to be determined by class consensus. Young Adults — Brenda Kapush Auditorium, Back South Children’s Divisions The Junior Choir meets at 9:30 in Room 203. -
Old St. Luke's Church
Old St. Luke’s Church, Burial Ground and Garden 330 Old Washington Pike Scott Township, Pennsylvania 15106 Gettysburg—150 years NOVEMBER 2013—Vol. XXXII - NO. 2 The Pittsburgh Historical Orchestra Thanksgiving Evensong The Pittsburgh Historical Musical Society was Sunday, November 24 founded in 2010 to recreate the music of Pittsburgh at 4 p.m. in the 18th and 19th centuries. With Scripture, Memorial Prayer, The Orchestra seeks to affirm that music is part of The Pittsburgh Historical our culture and is best understood in it’s original Music Society Orchestra, context by performing on original instruments, in historical dress, and in historical venues. and our 1823 Pipe Organ We again welcome the Orchestra to Old St. Luke’s Church, as they and this historic church together seek to present an engaging interpretation of his- tory, within Christian worship, which help to sustain the recognition of our shared heritage. Your gen- erous freewill offering will be appreciated. The Role of Two Churches Offering requested In 1692, the village of Eastchester, New York was set- tled and a Presbyterian Meeting House was built. In Street parking is limited to one 1702, the Colony of New York passed an Act to estab- side only in the neighborhood lish the Church of England and the wooden Meeting House became an Anglican congregation, and named St. Paul’s Church. In 1761 a stone building was begun, Christmas Lessons and but it was not completed until 1788. Carols Service In 1773 John P Zenger, editor of the Weekly Journal, was arrested for his accurate reporting of an election Sunday, December 15 held on Eastchester’s village green. -
St Mary's Church, Antingham
St Nicholas’s Church, West Lexham Address : St Nicholas’s Church, West Lexham,PE32 2QN Further details : See www.achurchnearyou.com or www.norwich.anglican.org General Information This pretty church of medieval origin was in a dilapidated state before it was almost completely rebuilt and redesigned by the architect Arthur Blomfield in 1881. Nevertheless it does retain a number of its earlier features including an imposing 14th century tower, and a simple 15th century font. Apart from an evocative WWI memorial window to the memory of Frank Beck, and his Norfolk Regiment, the stained glass was all made by Heaton Butler & Bayne. All Windows apart from North Aisle Window 1 These windows were all This window was designed by the firm of Heaton Butler and Bayne who were one of the largest and most prolific of the 19th Century craftsmen, particularly noted for the brilliance of their High Victorian work produced in the 1860s. • The East Window is undated. The central light shows Christ’s crucifixion. He is flanked by the Virgin Mary and St John • The South Chancel Window 1 is undated. The main lights depict the evangelists St Luke & St John. In the tracery lights above the former are a palette referring to the tradition that Luke was a painter and what appears to be a physician’s bag referring to his profession as a doctor. Above St John is a chalice containing a serpent which alludes to the cup of sorrow foretold by Jesus • The South Chancel Window 2 was made c1905. The main lights depict the evangelists St Matthew and St Mark. -
2011 Wirral Conference
2011 BSMGP CONFERENCE: THE W IRRAL brother of H J Salisbury, who is better known as a portrait painter and whose biggest window is at Wesley’s Chapel, London. Another is by Henry Gustave Hiller, who was born in Manchester and was apprenticed to a draper there before starting his own firm in Liverpool. Finally, in the NW corner is a small window by Trena Cox, the first of many on this tour (detail right). On then to Liverpool Cathedral; we began in the Lady Chapel where Peter Cormack drew attention to the decorative detail: the wood carving and altarpiece by Walter Gilbert (who cofounded the Bromsgrove Guild) and stone carvings and metalwork by E. Carter Preston, designer of the ’dead man’s penny’ (a medallion given to families of soldiers killed in WWI) and the armature for the glass. Peter also pointed out that Scott had developed his own version of ‘Gothic’: not Gothic Revival but a living interpretation of the medieval, as in the US ‘modern Gothic’ he fine start to September’s weather this year bode well for (Princeton Chapel being a reduced version of this church). Our Tan enjoyable trip cross country to the Roman city of Chester attention was also drawn to the use of ‘Minerva glass’ – the for the autumn gathering. That evening we sat down in the juxtaposition of blues and picks to create an opalescent effect – lecture to hear Wirral native Tony Benyon’s opening talk on the as well as the influence on Hogan’s style of Christopher Whall. glazing history of Liverpool Anglican cathedral, the largest and His linear painting style also proved faster to execute than much- the last ‘Gothic’ cathedral in the UK.