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1^/ Cosette, Sif DENIS, WEST& Johwstohi
K , 1 A ^^jVi,{i|k»!u,r}<jii|,i''LMi,ui^if.^fl)''.ii.''., ,' I'' ,^ Li#i'"*r JE4N f AtJEAN. I »v 7 To ba published to |ia<r* Payttj^l^&cli ?a*t » OoMyloto Hov«l, »• '' as ifidlows: 1^/ COSETtE, Sif DENIS, WEST& JOHWSTOHi. -'f 4-41 ••''^^•&: 1= fkS^ .mm}^^> "if^v. alii' i.-r, LES MISERABLES. (THE WRETCHED ) % lokl. BY VICTOR Huao. A NEW TRANSLATION, REVISED. IN FIVE PARTS: I. FANTINE. iri.-,KARIU8. II. COSETTJE. IV. ST. DENIS. V- JEAN YALJEAN. PART V RICHMOND: WEST & JOHNSTON 1864. CONTENTS BOOK FIRST. WAR BETWEEN FOUR. WALLS : PAQB. I.—What can be done in the abyss but to talk... 9 II.—Five less, one more 12 III.-—Marius haggard, Javert laconic... 15 IV.—The situation grows serious .Y 16 V.—The Gunners produce a serious impression.. 19 VI.—Use of that old Poacher Skill, and that Infallible Shot, which in fluenced the Conviction of 1796 21 VII.—Dawn 22 VIII.—The Shot which misses nothing and kills Nobody ^4 IX.—Disorder a Partisan of Order 24 X.—Gleams which pass , ! 27 Xl.^-In which will be found the name«of Enjolras's Mistress 28 XII.—Gavroche outside , 29 XIII.—Mortuus Pater Filium Moriturum Expectat 3J XIV.—The Vulture becomes Prey 38 XV.—Jean Valjean takes his. Revenge 35 XVI.—The Dead are right and the Living are not wrong 37 XVIL—Foot to Foot 41 XVIII,—Orestes fasting and Pylades drunk 43 XIX.—Prisoner 45 BOOK SECOND. TES INTESTINE OF LEVIATHAN : I,—The Earth impoverished by the Sea 47 II.—Future Progress , 50, BOOK THIRD. -
Highlights of a Fascinating City
PARIS HIGHLIGHTS OF A FASCINATING C ITY “Paris is always that monstrous marvel, that amazing assem- blage of activities, of schemes, of thoughts; the city of a hundred thousand tales, the head of the universe.” Balzac’s description is as apt today as it was when he penned it. The city has featured in many songs, it is the atmospheric setting for countless films and novels and the focal point of the French chanson, and for many it will always be the “city of love”. And often it’s love at first sight. Whether you’re sipping a café crème or a glass of wine in a street café in the lively Quartier Latin, taking in the breathtaking pano- ramic view across the city from Sacré-Coeur, enjoying a romantic boat trip on the Seine, taking a relaxed stroll through the Jardin du Luxembourg or appreciating great works of art in the muse- ums – few will be able to resist the charm of the French capital. THE PARIS BOOK invites you on a fascinating journey around the city, revealing its many different facets in superb colour photo- graphs and informative texts. Fold-out panoramic photographs present spectacular views of this metropolis, a major stronghold of culture, intellect and savoir-vivre that has always attracted many artists and scholars, adventurers and those with a zest for life. Page after page, readers will discover new views of the high- lights of the city, which Hemingway called “a moveable feast”. UK£ 20 / US$ 29,95 / € 24,95 ISBN 978-3-95504-264-6 THE PARIS BOOK THE PARIS BOOK 2 THE PARIS BOOK 3 THE PARIS BOOK 4 THE PARIS BOOK 5 THE PARIS BOOK 6 THE PARIS BOOK 7 THE PARIS BOOK 8 THE PARIS BOOK 9 ABOUT THIS BOOK Paris: the City of Light and Love. -
A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2014 The ubiC st's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schwartz, Geoffrey David, "The ubC ist's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912" (2014). Theses and Dissertations. 584. https://dc.uwm.edu/etd/584 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE CUBIST’S VIEW OF MONTMARTRE: A STYISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912. by Geoffrey David Schwartz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee December 2014 ABSTRACT THE CUBIST’S VIEW OF MONTMARTE: A STYLISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912 by Geoffrey David Schwartz The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Kenneth Bendiner This thesis examines the stylistic and contextual significance of five Cubist cityscape pictures by Juan Gris from 1911 to 1912. These drawn and painted cityscapes depict specific views near Gris’ Bateau-Lavoir residence in Place Ravignan. Place Ravignan was a small square located off of rue Ravignan that became a central gathering space for local artists and laborers living in neighboring tenements. -
French Department Faculty 33 - 35 French Department Awards 36 - 38 French House Fellows Program 39
Couverture: La Conciergerie et le Pont au Change, Paris TABLE OF CONTENTS Page Course Descriptions 2 - 26 French 350 27 French 360/370 28 - 29 Linguistics and Related Course Descriptions 30 French Advanced Placement Policies & Language Requirements 31 Requirements for the Major 31 The French Cultural Studies Major 31 Maison Française/French House 32 Wellesley-in-Aix 32 French Department Faculty 33 - 35 French Department Awards 36 - 38 French House Fellows Program 39 French Department extensions: Sarah Allahverdi (781) 283-2403 Hélène Bilis x2413 Venita Datta x2414 Sylvaine Egron-Sparrow x2415 Marie-Cecile Ganne-Schiermeier x2412 Scott Gunther x2444 Andrea Levitt x2410 Barry Lydgate, Chair x2404/x2439 Catherine Masson x2417 Codruta Morari x2479 Vicki Mistacco x2406 James Petterson x2423 Anjali Prabhu x2495 Marie-Paule Tranvouez x2975 French House assistantes x2413 Faculty on leave during 2012-2013: Scott Gunther (Spring) Andrea Levitt (Spring) Catherine Masson Vicki Mistacco (Fall) James Petterson (Spring) Please visit us at: http://web.wellesley.edu/web/Acad/French http://www.wellesley.edu/OIS/Aix/index.html http://www.facebook.com/pages/Wellesley-College-French- Department/112088402145775 1 FRENCH 101-102 (Fall & Spring) Beginning French I and II Systematic training in all the language skills, with special emphasis on communication, self- expression and cultural insight. A multimedia course based on the video series French in Action. Classes are supplemented by regular assignments in a variety of video, audio, print and Web-based materials to give students practice using authentic French accurately and expressively. Three class periods a week. Each semester earns 1.0 unit of credit; however, both semesters must be completed satisfactorily to receive credit for either course. -
Théâtre Du Châtelet Maintient Depuis 150 Ans Une Tradition D’Excellence Dans Toutes Les Disciplines : Féeries, Opéras, Drames, Ballets, …
Photomontage non contractuel L E THÉÂTRE DU C HÂTELET – 1 3 8 2 M ² P RÉEMPTEZ LA PLUS GRANDE TOILE « MONUMENT HISTORIQUE » DE P ARIS L E THÉÂTRE DU C HÂTELET • Monument emblématique parisien, le théâtre du Châtelet maintient depuis 150 ans une tradition d’excellence dans toutes les disciplines : féeries, opéras, drames, ballets, … • Rendez-vous incontournable du 1er arrondissement de Paris, la place du Châtelet et son théâtre feront rayonner votre marque auprès des jeunes technophiles et hyper- consommateurs. • Situé au cœur du Paris culturel et touristique, ce nouveau dispositif propose trois surfaces d’expression offrant de multiples possibilités créatives. Photomontage non contractuel FORUM DES HALLES MUSÉE DU LOUVRE 37 000 000 VISITEURS PAR AN 7 300 000 VISITEURS PAR AN PONT NEUF A UDIENCE THÉÂTRE DU CHÂTELET LA TOUR SAINT JACQUES M ASSIVE PONT NEUF déplacements mensuels des parisiens(1) sur les axes adjacents. LA CONCIERGERIE THÉÂTRE 5 140 000 dont 2,2 millions de piétons et vélos. 355 000 VISITEURS PAR AN DE LA VILLE CHÂTELET Visibilité multiaxiale permettant une exposition longue et répétée et favorisant SAINTE CHAPELLE la mémorisation du message. 910 000 VISITEURS PAR AN PONT AU CHANGE Emplacement « barre route » pour les automobilistes circulant sur : • le quai de la Mégisserie • l’avenue Victoria • le Pont au Change • le boulevard du Palais PONT NOTRE DAME MARCHÉ AUX FLEURS passagers/mois sur les 625 000 bateaux-mouches(2) CITÉ passagers entrants mensuels à la station de métro Châtelet, l’une des plus fréquentées de 1 100 000 -
Infrastructure and Everyday Life in Paris, 1870-1914
The Fragility of Modernity: Infrastructure and Everyday Life in Paris, 1870-1914 by Peter S. Soppelsa A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2009 Doctoral Committee: Associate Professor Joshua H. Cole, Co-Chair Associate Professor Gabrielle Hecht, Co-Chair Professor Richard Abel Professor Geoffrey H. Eley Associate Professor Dario Gaggio Copyright 2009 Peter S. Soppelsa For Jen, who saw me through the whole project. ii Contents Dedication ii List of Figures iv Introduction: Modernity, Infrastructure and Everyday Life 1 Chapter 1: Paris, Modernity and Haussmann 35 Part One: Circulation, The Flow of Traffic 99 Chapter 2: The Dream Life of the Métropolitain, 1872-1895 107 Chapter 3: Paris Under Construction, 1895-1914 182 Part Two: Hygiene, The Flow of Light, Air, Water and Waste 253 Chapter 4: Opening the City: Housing, Hygiene and Urban Density 265 Chapter 5: Flows of Water and Waste 340 Conclusion: The Fragility of Modernity 409 Bibliography 423 iii List of Figures Figure 1: Morice's Marianne on the Place de la République 74 Figure 2: The departmental commission's 1872 Métro plan 120 Figure 3: A standard CGO horse-powered tram 122 Figure 4: CGO Mékarski system compressed air tram, circa 1900 125 Figure 5: Francq's locomotive sans foyer 127 Figure 6: Albert Robida, L'Embellissement de Paris par le métropolitain (1886) 149 Figure 7: Jules Garnier’s Haussmannized Viaduct, 1884 153 Figure 8: From Louis Heuzé's 1878 Pamphlet 154 Figure 9: From Louis Heuzé's 1878 Pamphlet 154 Figure 10: Le Chatelier's 1889 Métro Plan 156 Figure 11: 1890 Métro plan from Eiffel and the North Railway Company 163 Figure 12: J.B. -
La Seine a Travers Paris
LA SEINE A TRAVERS PARIS. www.multicollection.fr Paris ville lumiere, s’est construite autour de la seine. Un indulgent soleil, une grisaille rose, Juste une touche d’or, de l’espace et des fleurs, Des figures de marbre et, pour apothéose, Ton sourire de femme ou se mêlent des pleurs: C’est toi, Paris. Faut t’il ajouter autre chose? Il suffit de ce mot pour que battent les c œurs, Comme à ce roulement de tambour qui propose La Liberté parmi d’enivrantes clameurs Ton secret, c’est d’offrir ta grâce nuancée, Toujours jeune malgré deux mille ans d’apogée, Puisque ton grand amour humain n’est jamais las. Oh! Suivre tes vieux quais ou coule ton histoire, Savourer à la fois tes peines et ta gloire, Et redire ton nom comme un amant, tout bas! Abel Doysié www.multicollection.fr www.multicollection.fr La Seine EPine dorsale Parisienne. C’est sur le plateau de Langres, à 471 mètres d’altitude que la Seine prend sa source. Deuxième fleuve par sa longueur la Seine parcourt 776 km jusqu’à son estuaire le Havre et Honfleur. Paris est liée à la Seine comme nous le rappelle sa devise «Fluctuat Nec Mergitur». Elle tra- verse Paris sur 13 kilomètres et son débit y est de 273M3/s en moyenne. On trouve à Paris un pont en moyenne tous les 350 mètres. Plusieurs de ces ponts sont maintenant classés monu- ments historique et une grande partie des quais de la Seine sont inscrits à l’inventaire des sites mondiaux de l’Unesco (entre la tour Eiffel et l’île Saint-Louis.). -
LES MISERABLES Written by William Nicholson Alain Boublil, Claude
LES MISERABLES Written by William Nicholson Alain Boublil, Claude- Michel Schönberg and Herbert Kretzmer Adapted from the Stage Musical "Les Misérables" Based on the novel by Victor Hugo May 20, 2012 BLACK SCREEN SUPERIMPOSE CAPTION: The year is 1815. The French revolution is a distant memory. Napoleon has been defeated. France is ruled by a King again. A1 EXT. TOULON PORT - DAY A1 RISE UP out of the iron-grey surface of the ocean, seething in the wind, towards the shore. Winter rain slices the air. Ahead, the port of Toulon, home of the French navy. A forest of tall masted warships. The great ships heave at anchor, the wind whipping their rigging. Through the sea spray we see the great ribs of warships under construction, and warships being refitted. SUPERIMPOSE CAPTION: Toulon Home port of the French navy 1 EXT. TOULON DOCK - DAY 1 Storm-lashed sea and driving rain. A great wave rises up and hammers down. As it recedes we see the figures of men heaving on great ropes, the sea water streaming down over their faces. The harsh storm light catches glints of metal: these men are CONVICTS, chained by manacles, heads shaved, wearing red shirts with prison numbers crudely stitched onto them. Now we see that the ropes run up to a ship that is being hauled ashore - a storm-damaged man-of-war, its masts broken, rising and falling on the surge. As yet another great wave rolls over the convicts, we follow the straining ropes down into the base of the slipway, and find the convict JEAN VALJEAN, up to his waist in water, chained by two sets of manacles, as the rain and spray and wind scream round him. -
The History of Sewers
The History of Sewers P – P in Paris 1 I’m driving down the road . 2 I’m driving down the road . 3 And I notice a treatment plant . 4 And I think . what treatment plant is that? 5 Raise your hand if this sounds familiar?? 6 The History of Sewers P – P in Paris 7 { The Orkney Islands (Scotland) are the ltilocation of excavations shhiowing early drainage systems. 8 StldScotland - 3200 BC { First lavatory-like plumbing systems were fitted into recesses in the walls of homes - with drained outlets. { Certain liquid wastes drained to areas either under or outside of bu ildings /homes. 9 The E arl y Y ears { Drains were constructed of sun-baked bricks or cut stone. { Babylonia was documented by many as the origin of the earliest known place to mold clay into pipe (via potter' s wheel) { People in larger homes squatted over an opening in the floor, their waste going into a cesspool below 10 { Until Roman times, Minoan plumbing and drainage were the most developed in what was then the Western World z Many of the drains from 2000 BC are still in service today on Crete { In Egypt, certain more well-to-do homes had "toilets" - the toilets used beds of sand to catch/contain the wastes z Servants cleaned the sand regularly 11 300 BC - 500 AD Greece { Pippoadadboes of lead and bronze were u udbysed by the Greeks to distribute water. { Greece had a system of aqueducts, but for the most part, few above-ground structural arches were incorporated; a lot of tunnels through hills, siphons under valley/rivers, etc. -
La Conciergerie, Une Enclave Patrimoniale Au Coeur Du Palais De
DOSSIER THÉMATIQUE 1 L’EDIFICATION DU PALAIS ROYAL PAR LES ROIS CAPETIENS Le palais royal est construit par les rois capétiens progressivement, dans un contexte de réorganisation du royaume et de réaffirmation du pouvoir monarchique. Conciergerie et Sainte-Chapelle sont les seules traces visibles de cette période, mais en fait, comme le souligne l’architecte Christophe Bottineau, les structures architecturales médiévales sont toujours là. LE SITE DU PALAIS ROYAL ET LES PREMIERES CONSTRUCTIONS L’historien Yann Potin rappelle que l’idée d’une continuité du palais de la Cité est discutable. Les plus anciens vestiges, découverts au XIXe siècle, datent en effet du XIIe siècle. La localisation d’un oppidum dans la partie occidentale de l’île, sur le site du palais, est aujourd’hui remise en cause par les archéologues, qui posent l’hypothèse d’une fondation gallo-romaine ex nihilo, à quelques kilomètres de la ville proto historique. Les rares chantiers Le palais royal de Paris, 4e lancette, de fouilles, menés principalement lors des travaux des années 1842- baie XV, Histoire des Reliques. 1898, montrent seulement la présence de demeures privées jusqu’aux IIIe et IVe siècles. La construction d’un palatium, abritant le Tribunal du prétoire et un hébergement occupé temporairement par les empereurs en campagne, est contemporaine de celles de deux ponts et des fortifications (dont un tronçon a été identifié sous la cour du Mai), édifiée lors du repli dans l’île au Bas Empire. Dans les siècles qui suivent, le palais paraît abandonné : les Mérovingiens y séjournaient peut-être, mais les sources mentionnent plutôt une résidence à Cluny ; les Carolingiens s’installent outre-Rhin, laissant probablement l’usage des lieux aux comtes. -
France in Ruins: Paintings by Hubert Robert C.1786-1788
FRANCE IN RUINS: PAINTINGS BY HUBERT ROBERT C.1786 – 1788 by LAUREN LOUISE DUDLEY A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Art History, Film and Visual Culture School of Languages, Culture, Art History and Music The University of Birmingham November 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major commission for King Louis XVI, the Monuments de France series (1787), which depicts antique ruins in the south of France. The series is compared to Robert’s images of urban demolition projects in eighteenth-century Paris, which are discussed in relation to contemporary discourses relating to architecture, politics, history, hygiene, morality and social changes. The focus paintings of contemporary Paris include L’intérieur de l’Eglise des SS. Innocents, dans le commencement de sa destruction (c.1786-87), La démolition des maisons du Pont Notre-Dame (c.1786) and La démolition des maisons du Pont-au-Change (c.1788). -
France in Ruins: Paintings by Hubert Robert C.1786-1788
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository FRANCE IN RUINS: PAINTINGS BY HUBERT ROBERT C.1786 – 1788 by LAUREN LOUISE DUDLEY A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Art History, Film and Visual Culture School of Languages, Culture, Art History and Music The University of Birmingham November 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major commission for King Louis XVI, the Monuments de France series (1787), which depicts antique ruins in the south of France. The series is compared to Robert’s images of urban demolition projects in eighteenth-century Paris, which are discussed in relation to contemporary discourses relating to architecture, politics, history, hygiene, morality and social changes. The focus paintings of contemporary Paris include L’intérieur de l’Eglise des SS.