Sin Título-1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Globalrelations.Ourcuba.Com Cleveland Ballet in Havana
GlobalRelations.OurCuba.com 1-815-842-2475 Cleveland Ballet in Havana In Cuba from Thursday February 27th to Monday March 2, 2020 Day 1 – Thursday :: Arrive Cuba, Iconic Hotel, welcome dinner and evening to explore Depart to Havana via your own arranged flights. You should plan arriving Havana by mid-afternoon. It may take you some time to clear Cuban Immigration, get your bag and go through Customs. You will be met in the arrival hall, after clearing Customs, by our Cuban representative holding a ‘Cuba Explorer’ sign to take you to your hotel. They will have your name and will be monitoring your flight arrival in case there is a delay. Your first tour activity will be the welcome dinner and your guide will finalize details with you on arrival to your hotel. On departure from Cuba you will be asked to be at the airport 3 hours in advance. Havana’s International Airport arrival hall does have bathrooms. They may not have seats or tissue. This is normal in Cuba, so you may wish to bring packets of tissues. It is suggested to use the restroom on your flight before landing. On arrival at Havana’s José Martí International Airport proceed through Immigration. Your carry-on will once again be scanned. Give your ‘Health’ form to the nurses in white uniforms after you go through Immigration & screening. The important question they may ask is if you have been exposed to Ebola. Collect your bags and go through Customs giving them your blue customs form. You will be welcomed at the airport exterior lobby after you exit Cuban Customs. -
Beyond Salsa Bass the Cuban Timba Revolution
BEYOND SALSA BASS THE CUBAN TIMBA REVOLUTION VOLUME 1 • FOR BEGINNERS FROM CHANGÜÍ TO SON MONTUNO KEVIN MOORE audio and video companion products: www.beyondsalsa.info cover photo: Jiovanni Cofiño’s bass – 2013 – photo by Tom Ehrlich REVISION 1.0 ©2013 BY KEVIN MOORE SANTA CRUZ, CA ALL RIGHTS RESERVED No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without written permission of the author. ISBN‐10: 1482729369 ISBN‐13/EAN‐13: 978‐148279368 H www.beyondsalsa.info H H www.timba.com/users/7H H [email protected] 2 Table of Contents Introduction to the Beyond Salsa Bass Series...................................................................................... 11 Corresponding Bass Tumbaos for Beyond Salsa Piano .................................................................... 12 Introduction to Volume 1..................................................................................................................... 13 What is a bass tumbao? ................................................................................................................... 13 Sidebar: Tumbao Length .................................................................................................................... 1 Difficulty Levels ................................................................................................................................ 14 Fingering.......................................................................................................................................... -
Slum Clearance in Havana in an Age of Revolution, 1930-65
SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched. -
Free Resources for Today's Spanish Classroom
Free Resources for Today’s Spanish Classroom ¡Bienvenidos! Welcome to your Our World, Your Way! Savvas World Languages monthly resource. This month’s theme is Celebrando días festivos. ¡Anímate! Try us out today! Go to: savvasrealize.com Click on Try a Free Demo and get started with our exciting Spanish program, Auténtico, for Levels A, B, 1, 2 or 3. Actividades de redacción, para discusión o para proyectos en clase. Actividad 1 - La quinceañera Usando estos enlaces, lee, mira, y escucha y luego contesta las preguntas que vienen a continuación: ORIGEN DE LA CELEBRACIÓN DE LOS 15 AÑOS Quinceañera {Historia de una Quinceañera} Jaely Avila (ZETA100 / 888-408-9798) Una bella canción para una Quinceañera. 10 datos para entender la importancia de una fiesta de XV años (como la de Rubí) • ¿Cómo celebras los cumpleaños en tu cultura? ¿Cómo se parecen, cómo se diferencian? Usa este diagrama de Venn para ayudarte a contestar. En mi cultura En la otra cultura Celebration • ¿Por qué es importante celebrar los eventos de la vida? • La importancia de la familia y las tradiciones, ¿Por qué son importantes las tradiciones? • Nosotros celebramos las siguientes tradiciones/fiestas en mi casa__________ • Mi tradición/fiesta favorita es _________ • ¿Qué lo hace una ocasión tan especial para ti? Actividad 2 - Reyes Magos y celebraciones especiales Usando estos enlaces, lee, mira, y escucha y luego contesta las preguntas que vienen a continuación: La Tradición de los Reyes Magos Cabalgata de Reyes de Madrid 2016 Así fue la llegada de los Reyes Magos a México -
The Art & Architecture of Cuba
VIRGINIA MUSEUM OF FINE ARTS When you make a new reservation on this program, your payments will be fully refundable until 60 days prior to departure. The Art & Architecture of Cuba: In Support of the Cuban People February 13–20, 2021 HIGHLIGHTS ENGAGE with Cuba’s leading creators in exclusive gatherings, with intimate discussions at the homes and studios of artists, a private rehearsal at a famous dance company, and a phenomenal evening of art and music at Havana’s Fábrica de Arte Cubano DELIGHT in a private, curator-led tour at the National Museum of Fine Arts of Havana, with its impressive collection of Cuban artworks and international masterpieces from Caravaggio, Goya, Rubens, and other legendary artists CELEBRATE and mingle with fellow travelers at exclusive receptions, including a cocktail reception with a sumptuous dinner in the company of the President of The Ludwig Foundation of Cuba and an after-tours tour and reception at the dazzling Ceramics Museum MEET the thought leaders who are shaping Cuban society, including the former Deputy Minister for Foreign Affairs, who will share profound insights on Cuban politics DISCOVER the splendidly renovated Gran Teatro de La Habana Alicia Alonso, the ornately designed, Neo-Baroque- style home to the Cuban National Ballet Company, on a private tour ENJOY behind-the-scenes tours and meetings with workers at privately owned companies, including a local workshop for Havana’s classic vehicles and a factory producing Cuban cigars VENTURE to the picturesque Cuban countryside for When you make a new reservation on this program, a behind-the-scenes tour of a beautiful tobacco plantation your payments will be fully refundable until 60 days prior to departure. -
RED HOT + CUBA FRI, NOV 30, 2012 BAM Howard Gilman Opera House
RED HOT + CUBA FRI, NOV 30, 2012 BAM Howard Gilman Opera House Music Direction by Andres Levin and CuCu Diamantes Produced by BAM Co-Produced with Paul Heck/ The Red Hot Organization & Andres Levin/Music Has No Enemies Study Guide Written by Nicole Kempskie Red Hot + Cuba BAM PETER JAY SHARP BUILDING 30 LAFAYETTE AVE. BROOKLYN, NY 11217 Photo courtesy of the artist Table Of Contents Dear Educator Your Visit to BAM Welcome to the study guide for the live The BAM program includes: this study Page 3 The Music music performance of Red Hot + Cuba guide, a CD with music from the artists, that you and your students will be at- a pre-performance workshop in your Page 4 The Artists tending as part of BAM Education’s Live classroom led by a BAM teaching Page 6 The History Performance Series. Red Hot + Cuba is artist, and the performance on Friday, Page 8 Curriculum Connections an all-star tribute to the music of Cuba, November 30, 2012. birthplace of some of the world’s most infectious sounds—from son to rumba and mambo to timba. Showcasing Cuba’s How to Use this Guide diverse musical heritage as well as its modern incarnations, this performance This guide aims to provide useful informa- features an exceptional group of emerging tion to help you prepare your students for artists and established legends such as: their experience at BAM. It provides an Alexander Abreu, CuCu Diamantes, Kelvis overview of Cuban music history, cultural Ochoa, David Torrens, and Carlos Varela. influences, and styles. Included are activi- ties that can be used in your classroom BAM is proud to be collaborating with and a CD of music by the artists that you the Red Hot Organization (RHO)—an are encouraged to play for your class. -
Instituto De Geografía Tropical Ministerio De Ciencia, Tecnología Y Medio Ambiente
Instituto de Geografía Tropical Ministerio de Ciencia, Tecnología y Medio Ambiente ESTUDIO SOCIOECONÓMICO DEL PARQUE METROPOLITANO DE LA HABANA Propuestas y Alternativas para un Desarrollo Sostenible Autores MSc. Dora Bridón Ramos MSc. Ana María Piedra Castro MSc. Ángela María Arniella Pérez Lic. Silvia Torres Montano MSc. Luis Ulises Muñoz Sanabria MSc. Carmen Sara Nápoles Santos MSc. Karel Mena Ulacia MSc. Heykel Hernández Hernández MSc. Carmen Julia Sánchez de La Torre Lic. Norma Pérez Oramas Téc. Caridad Torrado Domínguez Lic. Yailé Pérez Hernández Lic. Rina E. Caballero del Risco (Colaboradora) La Habana Año 2011 1 ÍNDICE I. INTRODUCCIÓN. I.1. Objetivo General. I.2. Objetivos Específicos. I.3. Resultado. I.4. Tareas. I.5. Descripción del área de estudio. II. ENFOQUE TEÓRICO-METODOLÓGICO DE LA INVESTIGACIÓN. II.1. Instituciones que colaboraron con la temática de estudio. II.2. Métodos empleados en el estudio. II.3. Otras herramientas y técnicas empleadas. III. CARACTERIZACIÓN DE LOS ASPECTOS SOCIALES. III.1 Población. III.1.1. Antecedentes históricos en la asimilación del PMH. III.1.2. Distribución territorial de la población. III.1.3 Estructura según sexo y edad III.1.4. Índice de masculinidad III.1.5. Razón de dependencia III.2 Estado de la salud. III.2.1. Principales Problemáticas higiénico-sanitarias. III.2.2. Enfermedades trasmisibles. III.3. Servicios sociales. III.3.1. Infraestructura de los servicios socioeconómicos III.3.2. Vivienda III.3.3. Red Eléctrica. III.3.4. Acueducto y Alcantarillado. III.3.5. Vialidad. III.4. Estructura Patrimonial 2 ÍNDICE (Cont.) IV. CARACTERIZACIÓN DE LOS ASPECTOS ECONÓMICOS. IV.1. -
View PDF Document
Society of Composers Inc. National Student Conference 2001 Presented by The Indiana School of Music welcomes you to the 2001 Society of Composers Inc. National Student Conference Dear Composers and Friends: I am pleased to attend the Third Annual National Student Conference of the Society of Composers, Inc. This event, ably hosted by Jason Bahr with generous support from Don Freund, will give you that rare opportunity to meet and hear each other's works performed by some of the most talented performers in this country. Take advantage of this timethese are your future colleagues, for you can never predict when you will meet them again. This is the weekend we will choose the three winners of the SCI/ASCAP Student Composition Commission Competition, to be announced at the banquet on Saturday evening. You will hear three new compositions by the winners of the 2000 competition: Lansing D. McLoskey's new choral work on Saturday at 4:00 p.m.; Karim Al-Zand's Wind Ensemble work to be performed Thursday night at 8:00 p.m.; and Ching-chu Hu's chamber ensemble work on the Friday night concert. SCI is grateful to Fran Richard and ASCAP for their support with this ongoing commissioning project. Last month I was asked by the editor of the on-line journal at the American Music Center in New York to discuss the dominant musical style of today and to predict what the dominant musical style might be of tomorrow. If only I could predict future trends! And yet, today's music depends upon whom you ask. -
Between Rock and a Hard Place
Rockin' Las Americas The Global Politics of Rock in Latin/o America EDITED BY DEBORAH PACINI HERNANDEZ, HECTOR FERNANDEZ L'HOESTE, AND ERIC ZOLOV University of Pittsburgh Press Published by the University of Pittsburgh Press, Pittsburgh, Pa., 15260 Copyright © 2004, University 01 Pittsburgh Press All rights reserved Manufactured in the United States of America Printed on acid-free paper 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Rockin' las Americas : the global politics of rock in Laing() America / edited by Deborah Pacini Hernandez, Hector Fernandez L'Hoeste, and Eric %ohm p. cut. — (Illuminations) Includes bibliographical references and index. ISBN 0-8229-4226-7 (cloth : alk. paper) — ISBN 0-8229-5841-4 (pbk. : aik. paper) 1. Rock music—Political aspects—Latin America. 2. Rock tousle— Social aspects—Latin America 1. Pacini Hernandez, Deborah. It. Fernandez Ulloeste, Hector I)., 1962— III. Zolne, Eric. IV. Illuminations (Pittsburgh, Pa.) M1.39I 7.1,27/263 2004 2003027604 Between Rock and a Hard Place Negotiating Rock in Revolutionary Cuba, 1960-1980 DEBORAH PACINI HERNANDEZ AND REEBEE GAROFALO In the mid-1960s, singer/songwriter Silvio Rodriguez was fired from his job at the Cuban Radio and Television Institute for mentioning the Beatles as one of his musical influences on the air. Some thirty-five years later, on De- cember 8, 2000, the anniversary of John Lennon's death, a statue of John Lennon was dedicated in a park located in the once-fashionable Vedado sec- tion of Havana. Present at the ceremony were not only Abel Prieto, Cuba's long-haired Minister of Culture, but Fidel Castro himself, who helped Rodriguez unveil the statue. -
Passacaglia PRINT
On Shifting Grounds: Meandering, Modulating, and Möbius Passacaglias David Feurzeig Passacaglias challenge a prevailing assumption underlying traditional tonal analysis: that tonal motion proceeds along a unidirectional “arrow of time.” The term “continuous variation,” which describes characteristic passacaglia technique in contrast to sectional “Theme and Variations” movements, suggests as much: the musical impetus continues forward even as the underlying progression circles back to its starting point. A passacaglia describes a kind of loop. 1 But the loop of a traditional passacaglia is a rather flattened one, ovoid rather than circular. For most of the pattern, the tonal motion proceeds in one direction—from tonic to dominant—then quickly drops back to the tonic, like a skier going gradually up and rapidly down a slope. The looping may be smoother in tonic-requiring passacaglia themes (those which end on the dominant) than in tonic- providing themes, as the dominant harmony propels the music across the “seam” between successive statements of the harmonic pattern. But in both types, a clear dominant-tonic cadence tends to work against a sense of seamless circularity. This is not the case for some more recent passacaglias. A modern compositional type, which to my knowledge has not been discussed before as such, is the modulatory passacaglia.2 Modulating passacaglia themes subvert tonal closure via progressions which employ elements of traditional tonality but veer away from the putative tonal center. Passacaglias built on these themes may take on a more truly circular form, with no obvious start or endpoint. This structural ambiguity is foreshadowed in some Baroque ground-bass compositions. -
A Conversation with Mark Morris
Spring2011 Ballet Review From the Spring 2011 issue of Ballet Review A Conversation with Mark Morris On the cover: Mark Morris’ Festival Dance. 4 Paris – Peter Sparling 6 Boston – Jeffrey Gantz 8 Stupgart – Gary Smith 10 San Francisco – Leigh Witchel 13 Paris – Peter Sparling 15 Sarasota, FL – Joseph Houseal 17 Paris – Peter Sparling 19 Toronto – Gary Smith 20 Paris – Leigh Witchel 40 Joel Lobenthal 24 A Conversation with Cynthia Gregory Joseph Houseal 40 Lady Aoi in New York Elizabeth Souritz 48 Balanchine in Russia 61 Daniel Gesmer Ballet Review 39.1 56 A Conversation with Spring 2011 Bruce Sansom Editor and Designer: Marvin Hoshino Sandra Genter 61 Next Wave 2010 Managing Editor: Roberta Hellman Michael Porter Senior Editor: Don Daniels 68 Swan Lake II Associate Editor: Joel Lobenthal Darrell Wilkins 48 70 Cherkaoui and Waltz Associate Editor: Larry Kaplan Joseph Houseal Copy Editor: 76 A Conversation with Barbara Palfy Mark Morris Photographers: Tom Brazil Costas 87 London Reporter – Clement Crisp 94 Music on Disc – George Dorris Associates: Peter Anastos 100 Check It Out Robert Greskovic George Jackson Elizabeth Kendall 70 Paul Parish Nancy Reynolds James Supon David Vaughan Edward Willinger Sarah C. Woodcock CoverphotobyTomBrazil: MarkMorris’FestivalDance. Mark Morris’ Festival Dance. (Photos: Tom Brazil) 76 ballet review A Conversation with – Plato and Satie – was a very white piece. Morris: I’m postracial. Mark Morris BR: I like white. I’m not against white. Morris:Famouslyornotfamously,Satiesaid that he wanted that piece of music to be as Joseph Houseal “white as classical antiquity,”not knowing, of course, that the Parthenon was painted or- BR: My first question is . -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,