Why Did People Want the King Back in 1646
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London and Middlesex in the 1660S Introduction: the Early Modern
London and Middlesex in the 1660s Introduction: The early modern metropolis first comes into sharp visual focus in the middle of the seventeenth century, for a number of reasons. Most obviously this is the period when Wenceslas Hollar was depicting the capital and its inhabitants, with views of Covent Garden, the Royal Exchange, London women, his great panoramic view from Milbank to Greenwich, and his vignettes of palaces and country-houses in the environs. His oblique birds-eye map- view of Drury Lane and Covent Garden around 1660 offers an extraordinary level of detail of the streetscape and architectural texture of the area, from great mansions to modest cottages, while the map of the burnt city he issued shortly after the Fire of 1666 preserves a record of the medieval street-plan, dotted with churches and public buildings, as well as giving a glimpse of the unburned areas.1 Although the Fire destroyed most of the historic core of London, the need to rebuild the burnt city generated numerous surveys, plans, and written accounts of individual properties, and stimulated the production of a new and large-scale map of the city in 1676.2 Late-seventeenth-century maps of London included more of the spreading suburbs, east and west, while outer Middlesex was covered in rather less detail by county maps such as that of 1667, published by Richard Blome [Fig. 5]. In addition to the visual representations of mid-seventeenth-century London, a wider range of documentary sources for the city and its people becomes available to the historian. -
Why Did Britain Become a Republic? > New Government
Civil War > Why did Britain become a republic? > New government Why did Britain become a republic? Case study 2: New government Even today many people are not aware that Britain was ever a republic. After Charles I was put to death in 1649, a monarch no longer led the country. Instead people dreamed up ideas and made plans for a different form of government. Find out more from these documents about what happened next. Report on the An account of the Poem on the arrest of setting up of the new situation in Levellers, 1649 Commonwealth England, 1649 Portrait & symbols of Cromwell at the The setting up of Cromwell & the Battle of the Instrument Commonwealth Worcester, 1651 of Government http://www.nationalarchives.gov.uk/education/ Page 1 Civil War > Why did Britain become a republic? > New government Case study 2: New government - Source 1 A report on the arrest of some Levellers, 29 March 1649 (Catalogue ref: SP 25/62, pp.134-5) What is this source? This is a report from a committee of MPs to Parliament. It explains their actions against the leaders of the Levellers. One of the men they arrested was John Lilburne, a key figure in the Leveller movement. What’s the background to this source? Before the war of the 1640s it was difficult and dangerous to come up with new ideas and try to publish them. However, during the Civil War censorship was not strongly enforced. Many political groups emerged with new ideas at this time. One of the most radical (extreme) groups was the Levellers. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
An Ultra-Realist Analysis of the Walking Dead As Popular
CMC0010.1177/1741659017721277Crime, Media, CultureRaymen 721277research-article2017 CORE Metadata, citation and similar papers at core.ac.uk Provided by Plymouth Electronic Archive and Research Library Article Crime Media Culture 1 –19 Living in the end times through © The Author(s) 2017 Reprints and permissions: popular culture: An ultra-realist sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1741659017721277DOI: 10.1177/1741659017721277 analysis of The Walking Dead as journals.sagepub.com/home/cmc popular criminology Thomas Raymen Plymouth University, UK Abstract This article provides an ultra-realist analysis of AMC’s The Walking Dead as a form of ‘popular criminology’. It is argued here that dystopian fiction such as The Walking Dead offers an opportunity for a popular criminology to address what criminologists have described as our discipline’s aetiological crisis in theorizing harmful and violent subjectivities. The social relations, conditions and subjectivities displayed in dystopian fiction are in fact an exacerbation or extrapolation of our present norms, values and subjectivities, rather than a departure from them, and there are numerous real-world criminological parallels depicted within The Walking Dead’s postapocalyptic world. As such, the show possesses a hard kernel of Truth that is of significant utility in progressing criminological theories of violence and harmful subjectivity. The article therefore explores the ideological function of dystopian fiction as the fetishistic disavowal of the dark underbelly of liberal capitalism; and views the show as an example of the ultra-realist concepts of special liberty, the criminal undertaker and the pseudopacification process in action. In drawing on these cutting- edge criminological theories, it is argued that we can use criminological analyses of popular culture to provide incisive insights into the real-world relationship between violence and capitalism, and its proliferation of harmful subjectivities. -
Rump Ballads and Official Propaganda (1660-1663)
Ezra’s Archives | 35 A Rhetorical Convergence: Rump Ballads and Official Propaganda (1660-1663) Benjamin Cohen In October 1917, following the defeat of King Charles I in the English Civil War (1642-1649) and his execution, a series of republican regimes ruled England. In 1653 Oliver Cromwell’s Protectorate regime overthrew the Rump Parliament and governed England until his death in 1659. Cromwell’s regime proved fairly stable during its six year existence despite his ruling largely through the powerful New Model Army. However, the Protectorate’s rapid collapse after Cromwell’s death revealed its limited durability. England experienced a period of prolonged political instability between the collapse of the Protectorate and the restoration of monarchy. Fears of political and social anarchy ultimately brought about the restoration of monarchy under Charles I’s son and heir, Charles II in May 1660. The turmoil began when the Rump Parliament (previously ascendant in 1649-1653) seized power from Oliver Cromwell’s ineffectual son and successor, Richard, in spring 1659. England’s politically powerful army toppled the regime in October, before the Rump returned to power in December 1659. Ultimately, the Rump was once again deposed at the hands of General George Monck in February 1660, beginning a chain of events leading to the Restoration.1 In the following months Monck pragmatically maneuvered England toward a restoration and a political 1 The Rump Parliament refers to the Parliament whose membership was composed of those Parliamentarians that remained following the expulsion of members unwilling to vote in favor of executing Charles I and establishing a commonwealth (republic) in 1649. -
The Politics of Piracy in the British Atlantic, C. 1640-1649
The politics of piracy in the British Atlantic, c. 1640-1649 Article Published Version Blakemore, R. J. (2013) The politics of piracy in the British Atlantic, c. 1640-1649. International Journal of Maritime History, 25 (2). pp. 159-172. doi: https://doi.org/10.1177/084387141302500213 Available at http://centaur.reading.ac.uk/71905/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://journals.sagepub.com/doi/abs/10.1177/084387141302500213 To link to this article DOI: http://dx.doi.org/10.1177/084387141302500213 Publisher: International Maritime Economic History Association All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online The Politics of Piracy in the British Atlantic, c. 1640-1649 Richard J. Blakemore1 Introduction Pirates are popular. Inside academia and out, the pirate is a figure command- ing attention, fascination and quite often sympathy. Interpreted in various ways – as vicious criminals, romantic heroes, sexual revolutionaries or anarchistic opponents of capitalism – pirates possess an apparently inexhaustible appeal.2 The problem with “pirates,” of course, is that defining them is largely a ques- tion of perspective: perpetrators of maritime violence from Francis Drake to Blackbeard have been seen as both champions and murderers, and scholars have interrogated this very dimension of piracy as a historical concept. -
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar -
1 the NAVY in the ENGLISH CIVIL WAR Submitted by Michael James
1 THE NAVY IN THE ENGLISH CIVIL WAR Submitted by Michael James Lea-O’Mahoney, to the University of Exeter, as a thesis for the degree of Doctor of Philosophy in September 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 ABSTRACT This thesis is concerned chiefly with the military role of sea power during the English Civil War. Parliament’s seizure of the Royal Navy in 1642 is examined in detail, with a discussion of the factors which led to the King’s loss of the fleet and the consequences thereafter. It is concluded that Charles I was outmanoeuvred politically, whilst Parliament’s choice to command the fleet, the Earl of Warwick, far surpassed him in popularity with the common seamen. The thesis then considers the advantages which control of the Navy provided for Parliament throughout the war, determining that the fleet’s protection of London, its ability to supply besieged outposts and its logistical support to Parliamentarian land forces was instrumental in preventing a Royalist victory. Furthermore, it is concluded that Warwick’s astute leadership went some way towards offsetting Parliament’s sporadic neglect of the Navy. The thesis demonstrates, however, that Parliament failed to establish the unchallenged command of the seas around the British Isles. -
Inequality in 900 Popular Films: Gender, Race/Ethnicity, LGBT, & Disability from 2007‐2016
July 2017 INEQUALITY IN POPULAR FILMS MEDIA, DIVERSITY, & SOCIAL CHANGE INITIATIVE USC ANNENBERG MDSCInitiative Facebook.com/MDSCInitiative THE NEEDLE IS NOT MOVING ON SCREEN FOR FEMALES IN FILM Prevalence of female speaking characters across 900 films, in percentages Percentage of 900 films with 32.8 32.8 Balanced Casts 12% 29.9 30.3 31.4 31.4 28.4 29.2 28.1 Ratio of males to females 2.3 : 1 Total number of ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ speaking characters 39,788 LEADING LADIES RARELY DRIVE THE ACTION IN FILM Of the 100 top films in 2016... And of those Leads and Co Leads*... Female actors were from underrepresented racial / ethnic groups Depicted a 3 Female Lead or (identical to 2015) Co Lead 34 Female actors were at least 45 years of age or older 8 (compared to 5 in 2015) 32 films depicted a female lead or co lead in 2015. *Excludes films w/ensemble casts GENDER & FILM GENRE: FUN AND FAST ARE NOT FEMALE ACTION ANDOR ANIMATION COMEDY ADVENTURE 40.8 36 36 30.7 30.8 23.3 23.4 20 20.9 ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ % OF FEMALE SPEAKING % OF FEMALE SPEAKING % OF FEMALE SPEAKING CHARACTERS CHARACTERS CHARACTERS © DR. STACY L. SMITH GRAPHICS: PATRICIA LAPADULA PAGE THE SEXY STEREOTYPE PLAGUES SOME FEMALES IN FILM Top Films of 2016 13-20 yr old 25.9% 25.6% females are just as likely as 21-39 yr old females to be shown in sexy attire 10.7% 9.2% with some nudity, and 5.7% 3.2% MALES referenced as attractive. FEMALES SEXY ATTIRE SOME NUDITY ATTRACTIVE HOLLYWOOD IS STILL SO WHITE WHITE .% percentage of under- represented characters: 29.2% BLACK .% films have NO Black or African American speaking characters HISPANIC .% 25 OTHER % films have NO Latino speaking characters ASIAN .% 54 films have NO Asian speaking *The percentages of Black, Hispanic, Asian, and Other characters characters have not changed since 2007. -
Christmas Is Cancelled! What Were Cromwell’S Main Political and Religious Aims for the Commonwealth 1650- 1660?
The National Archives Education Service Christmas is Cancelled! What were Cromwell’s main political and religious aims for the Commonwealth 1650- 1660? Cromwell standing in State as shown in Cromwelliana Christmas is Cancelled! What were Cromwell’s main political and religious aims? Contents Background 3 Teacher’s notes 4 Curriculum Connections 5 Source List 5 Tasks 6 Source 1 7 Source 2 9 Source 3 10 Source 4 11 Source 5 12 Source 6 13 Source 7 14 Source 8 15 Source 9 16 This resource was produced using documents from the collections of The National Archives. It can be freely modified and reproduced for use in the classroom only. 2 Christmas is Cancelled! What were Cromwell’s main political and religious aims? Background On 30 January 1649 Charles I the King of England was executed. Since 1642 civil war had raged in England, Scotland and Ireland and men on opposite sides (Royalists and Parliamentarians) fought in battles and sieges that claimed the lives of many. Charles I was viewed by some to be the man responsible for the bloodshed and therefore could not be trusted on the throne any longer. A trial resulted in a guilty verdict and he was executed outside Banqueting House in Whitehall. During the wars Oliver Cromwell had risen amongst Army ranks and he led the successful New Model Army which had helped to secure Parliament’s eventual victory. Cromwell also achieved widespread political influence and was a high profile supporter of the trial and execution of the King. After the King’s execution England remained politically instable. -
Races Discrimination and Prejudice in the Purge (2013) Film
RACES DISCRIMINATION AND PREJUDICE IN THE PURGE (2013) FILM A Thesis Submitted to Faculty of Adab and Humanities in Partial Fulfillment of the Requirements for the Degree of English Language and Literature Scholar IMAM FEBRIAN 1110026000092 ENGLISH LANGUAGE AND LITERATURE DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2017 APPROVEMENT RACE DISCRIMINATION AND PREJUDICE IN THE PURGE (2013) FILM A Thesis Submitted to the Faculty of Adab and Humanities as Partial Fulfillment of the Requirements for the Strata 1 (S1) Degree IMAM FEBRIAN NIM. 1110026000092 Approved by: Pita Merdeka, M.A. NIP. 19830117 2011 01 2 009 ENGLISH LANGUAGE AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY OF SYARIF HIDAYATULLAH i LEGALIZATION : Imam Febrian NIM : 1110026000092 Title : Race Discrimination and Prejudice in The Purge (2013) Film The thesis entitled above has been defended before the Adab and Humanities Faculty’s Examination Committee on July 12th, 2017 It has already been accepted as a partial fulfillment of the requirements for the degree of strata one. Jakarta, July 12th, 2017 Examination Committee Signature Date Drs. Saefudin, M.Pd. (Chair Person) NIP. 19640710 199303 1 006 ___________ ___________ Elve Oktafiyani, M.Hum. (Secretary) NIP. 19781003 200112 2 002 ___________ ___________ Pita Merdeka, M.A. (Advisor) NIP. 19830117 2011 01 2 009 ___________ ___________ Maria Ulfa, M.A, M.Hum. (Examiner I) NIP. 19821219 201503 2 002 ___________ ___________ Elve Oktafiyani, M.Hum. (Examiner II) NIP. 19781003 200112 2 002 ___________ ___________ ii DECLARATION I hereby declare that this research is my own work and based on the best of my knowledge and belief. -
A True Account of the New Model Army
Paul Z. Simons A True Account of the New Model Army 1995 Contents The Set Up . 3 The New Model Army . 4 What They Believed . 5 What They Did . 7 Where They Went . 9 Conclusion . 10 2 Revolutions have generally required some form of military activity; and mili- tary activity, in turn, generally implies an army or something like one. Armies, however, have traditionally been the offspring of the revolution, impinging little on the revolutionary politics that animate them. History provides numerous examples of this, but perhaps the most poignant is the exception that proves the rule. Recall the extreme violence with which rebellious Kronstadt was snuffed out by Bolshevism’s Finest, the Red Guards. The lesson in the massacre of the sailors and soldiers is plain, armies that defy the “institutional revolution” can expect nothing but butchery. The above statements, however, are generalizable solely to modernity, that is to say, only to the relatively contemporary era wherein the as- sumption that armies derive their mandate from the nation-state; and the nation- state in turn derives its mandate from “the people.” Prior to the hegemony of such assumptions, however, there is a stark and glaring example of an army that to a great degree was the revolution. Specifically an army that pushed the revolution as far as it could, an army that was the forum for the political development of the revolution, an army that sincerely believed that it could realize heaven on earth. Not a revolutionary army by any means, rather an army of revolutionaries, regicides, fanatics and visionaries.