The Cases of Philip K. Dick and Shinji Kajio
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Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Simulacra of Social Desire: Reflection on Collecting and the “Lost Toy Archive”
SIMON ORPANA siMulacrA oF soCiAl desire: reFleCtion on ColleCtinG And the “lost toy ArChive” In 2009, I started to construct an archive that records traces of the toys I collected and played with as a child. While most of these toys have been lost in various garage sales, moves and purges, I started to search out photographic records of my collections, and used these to evoke reflection regarding the role that toys have played in shaping my memories, identity and modes of relating to the world. Rather than simply amassing images, I started to make drawings of them in a sketchbook. This process was aided by my mother’s unearthing of a family photo album, spanning from the late seventies to the early eighties, which contained the originals of many of the images included in my archive. The act of re-drawing these images into my sketchbook expanded the microsecond of time captured in the photograph into a longer meditation through which details in the photos summoned memories and affect. This exercise challenged the abstract, spectacularized place the toys held in my adult imagination and placed the artifacts back into a context of 211 family, friends and personal history, offering a remedy to the “archive fever” SIMULACRA OF SOCIAL DESIRE that overtook me in early adulthood, when recollecting the physical toys I owned as a child became an obsessive preoccupation. The process by which the mass-produced toys of my youth were translated from mere simulacra into a meaningful personal narrative by employing the same logic of simulation is the general theme this paper explores. -
God and the Void
Neocosmicism: God and the Void Ellen Greenham Bachelor of Arts in General Studies Graduate Diploma in Humanities with Honours (English) Master of Arts (English) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2013 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution ............................................................ Abstract Through the use of selected works by Philip K. Dick, Robert Heinlein, Frank Herbert and H.P. Lovecraft, this thesis explores the question of what it means to be human in the universe when occidental cosmologies no longer align with the universe they seek to describe. Within its view of the universe, H.P. Lovecraft’s philosophy of cosmicism offers the human creature an answer to this question, but in doing so also limits that creature to an isolated life ending in madness or death within an indifferently cold universe. While this thesis seeks to demonstrate the validity of cosmicism as a lens through which to critically interrogate science fiction texts; it more importantly endeavours to address cosmicism’s inherent limitations as a philosophy of the human creature’s place in the universe. This is done by developing neocosmicism as an outgrowth of cosmicism that offers an alternate experience of the universe and a revitalisation of the human creature’s relationship with the universe. By recognising the significant shift in the human creature’s understanding of the universe – from a Cartesian view to a Quantum view within a broader post-modern context – neocosmicism is developed as an interrogative philosophy that provides a framework for opening up a critical space in which to explore alternatives to modernity’s questions rather than offering mere reactions or polarising oppositions. -
The Simulacra // Philip K. Dick
The Simulacra // Philip K. Dick 0547601301, 9780547601304 // 224 pages // Philip K. Dick // The Simulacra // 2011 // Houghton Mifflin Harcourt, 2011 // On a ravaged Earth, fate and circumstances bring together a disparate group of characters, including a fascist with dreams of a coup, a composer who plays his instrument with his mind, a First Lady who calls all the shots, and the world’s last practicing therapist. And they all must contend with an underclass that is beginning to ask a few too many questions, aided by a man called Loony Luke and his very persuasive pet alien. In classic Philip K. Dick fashion, The Simulacra combines time travel, psychotherapy, telekinesis, androids, and Neanderthal-like mutants to create a rousing, mind-bending story where there are conspiracies within conspiracies and nothing is ever what it seems. file download dyguw.pdf Philip K. Dick // May 14, 2010 // ISBN:9780575098312 // 208 pages // A prophetic and unsettling chronicle detailing the rise and fall of a post-nuclear massiah, by the author of BLADE RUNNER and MINORITY REPORT Floyd Jones is sullen, ungainly // Fiction // The World Jones Made The pdf download The Simulacra pdf download Voices From the Street // Nov 13, 2007 // Philip K. Dick // Fiction // 304 pages // Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life; a nice house, a pretty wife, a decent // ISBN:9781429920605 The Simulacra pdf 208 pages // Vintage PKD // Dec 18, 2007 // Philip K. Dick // A master of science fiction, a voice of the changing counterculture, and a genuine visionary, Philip K. -
Indice: 0. Philip K. Dick. Biografía. La Esquizofrenia De Dick. Antonio Rodríguez Babiloni 1
Indice: 0. Philip K. Dick. Biografía. La esquizofrenia de Dick. Antonio Rodríguez Babiloni 1. El cuento final de todos los cuentos. Philip K. Dick. 2. El impostor. Philip K. Dick. 3. 20 años sin Phil. Ivan de la Torre. 4. La mente alien. Philip K. Dick. 5. Philip K. Dick: ¿Aún sueñan los hombres con ovejas de carne y hueso? Jorge Oscar Rossi. 6. Podemos recordarlo todo por usted. Philip K. Dick. 7. Philip K. Dick en el cine 8. Bibliografía general de Philip K. Dick PHILIP K. DICK. BIOGRAFÍA. LA ESQUIZOFRENIA DE DICK. Antonio Rodríguez Babiloni Biografía: Philip. K. Dick (1928-1982) Nació prematuramente, junto a su hermana gemela Jane, el 2 de marzo 1928, en Chicago. Jane murió trágicamente pocas semanas después. La influencia de la muerte de Jane fue una parte dominante de la vida y obra de Philp K. Dick. El biógrafo Lawrence Sutin escribe; ...El trauma de la muerte de Jane quedó como el suceso central de la vida psíquica de Phil Dos años más tarde los padres de Dick, Dorothy Grant y Joseph Edgar Dick se mudaron a Berkeley. A esas alturas el matrimonio estaba prácticamente roto y el divorcio llegó en 1932, Dick se quedó con su madre, con la que se trasladó a Washington. En 1940 volvieron a Berkeley. Fue durante este período cuando Dick comenzó a leer y escribir ciencia ficción. En su adolescencia, publicó regularmente historias cortas en el Club de Autores Jovenes, una columna el Berkeley Gazette. Devoraba todas las revistas de ciencia-ficción que llegaban a sus manos y muy pronto empezó a ser influido por autores como Heinlein y Van Vogt. -
Scanners Darkly: Drugs, Media and Schizophrenia in Philip K. Dick's
Scanners Darkly: Drugs, Media and Schizophrenia in Philip K. Dick’s Oeuvre Philip K. Dick’s stories provide a thorough description of how technological instruments and media equipment stimulate and manipulate dreams, memories, and emotions of the human brain. As Anthony Enns outlines, the texts portray a wide range of mechanical and media equipment, creating diverse forms of the “posthuman.” The robot-protagonist in “The Electric Ant” (1969) and the “simulacra” in We Can Build You (1972) are controlled by punched tape memory constructions. The schizoid and autistic characters and their supposedly successful treatment evoke filmic metaphors in Martian Time-Slip (1964). A Scanner Darkly (1977) also utilizes filmic imagery – the psychedelic coma is described as “an endless horror feature film in his head for the remainder of his life” (86) – but the mentally disturbed mind imitates a “closed loop of tape” (66) , becoming similar to a faulty computer that is unable to process new data, “[r]epeating his last instruction” (265). In Valis (1981) and Radio Free Albemuth (1985), the protagonist’s mind joins an “intergalactic communications network,” a “long-abandoned telephone” service (113). My essay analyzes these mechanical images by utilizing media theories of Friedrich A. Kittler, Marshall McLuhan and Christian Metz, thinkers who find the (Lacanian) subject and the stages of media history strictly interrelated. N. Katherine Hayles’ interpretation of the Dickian “schizoid android” suggests that the images of cyborgs and those of mental disorder are intertwined. I deploy, therefore, psychological theories of autism, schizophrenia and brain mapping, drawing on psychologists whom Dick was (possibly) familiar with (Wilder Penfield, James Olds, Eugene Minkowski, Leo Kanner, and so on). -
The Nature and Function of Images in the Science Fiction Works of Philip K
九州大学学術情報リポジトリ Kyushu University Institutional Repository The Nature and Function of Images in the Science Fiction Works of Philip K. Dick ブアリブ, アラン https://doi.org/10.15017/1500468 出版情報:九州大学, 2014, 博士(比較社会文化), 課程博士 バージョン: 権利関係:全文ファイル公表済 The Nature and Function of Images in the Science Fiction Works of Philip K. Dick (フィリップ・K・ディックの SF 作品におけるイメージの性質と機能) Graduate School of Social and Cultural Studies Kyushu University Allan BOUARIB September, 2014 1 Table of Contents Abstract ···································································································· 4 Introduction ································································································ 7 Epistemology and Ontology ···································································· 8 Structure of the Thesis ········································································· 10 Notes ····························································································· 12 Chapter One: Images as Magical Objects ···························································· 14 I. Introduction ················································································ 15 II. Similarity Magic ·········································································· 19 III. Contagious Magic ········································································ 21 IV. Nominal Realism ········································································· 23 V. The Apotheosis of Palmer Eldritch: Simulation and Simulacrum of the -
Nanotechnology in the Age of Posthuman Engineering: Science Fiction As Science
Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science Colin Milburn Harvard University Now nanotechnology had made nearly anything possible, and so the cultural role in deciding what should be done with it had become far more important than imagining what could be done with it. —Neal Stephenson, The Diamond Age (1995) Long live the new flesh. —David Cronenberg’s Videodrome (1983) The Technoscapes and Dreamscapes of Nanotechnology K. Eric Drexler, pioneer and popularizer of the emerging science of nanotechnology, has summarized the ultimate goal of his field as “thorough and inexpensive control of the structure of matter.”1 Nano- technology is the practical manipulation of atoms; it is engineering conducted on the molecular scale. Many scientists involved in this ambitious program envision building nanoscopic machines, often called “assemblers” or “nanobots,” that will be used to construct ob- jects on an atom-by-atom basis. Modeled largely after biological “ma- chines” like enzymes, ribosomes, and mitochondria—even the cell — these nanomachines will have specific purposes such as binding two chemical elements together or taking certain compounds apart, and will also be designed to replicate themselves so that the speed and scale of molecular manufacturing may be increased. Several different 1. K. Eric Drexler, “Preface,” in K. Eric Drexler, Chris Peterson, and Gayle Pergamit, Un- bounding the Future: The Nanotechnology Revolution (New York: Morrow, 1991), p. 10. Configurations, 2002, 10:261–295 © 2003 by The Johns Hopkins University Press and the Society for Literature and Science. 261 262 Configurations types of assemblers, or assemblers with multiple functions, will act together to engineer complex objects precise and reproducible down to every atomic variable. -
Simulacra in Science Fiction
Ars Aeterna – Volume 6/ number 2/ 2014 DOI: 10.2478/aa‐2014‐0011 Simulacra in Science Fiction Filip Lipecký Filip Lipecký completed his studies in Teaching English Language and Literature at The Faculty of Education of Constantine the Philosopher University in Nitra. His fields of interest include, among others, science fiction literature and existential philosophy. He likes to spend his free time in the mountains, with a good book in his backpack. Abstract The paper examines the concept of simulacra, focusing on their employment in contemporary science fiction. It provides examples from literature as well as from popular cinematography, in order to present the topic in a more familiar context. These examples include Wachowski’s The Matrix, Gibson’s Neuromancer and Fassbinder’s Welt am Draht reflected in the light of ideas of theorists such as Baudrillard and Deleuze. The purpose of this paper is to provide the basic notion of the concept in connection with the science fiction genre, while also offerring a wide range of subject-related material. Defining the Term Simulacra are viewed as a tool for negotiating authenticity in a condition of ambiguity. The realization of the inauthentic leads us towards true values. The wide spectrum of the purpose of their use in science fiction ranges from criticism of mass-produced items of consumer culture, up to the main existential questions concerning the nature of knowledge of reality. However, the aparent concept is complicated by simulacra’s own sort of validity and right to existence. There are many descriptions of the simulacrum in terms of content and in terms of extent. -
Media Simulation and Manipulation in Two Novels of Philip K. Dick from the 1960S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Damian Podleśny provided by Jagiellonian Univeristy Repository Jagiellonian University, Kraków Media Simulation and Manipulation in Two Novels of Philip K. Dick from the 1960s Elisabeth Kraus (Kraus and Auer 2000: 1) suggests that for some time now we have been cautioned to “put our traditional (Enlightenment) notions of the truth or reality into quotation marks, since our experience of the real is always mediated through an empire of signs, as Roland Barthes put it.” The ever evolving, ever more sophisticated information technologies have offered new powerful means of manipulating data - and in consequence of hacking, warping or even inventing new reality. What becomes increasingly important is the awareness of the manipula tion of reality and understanding how and to what extent the mass media have invaded or even colonised our minds, in what way they influence our uncon scious, by distorting “not only our fantasies, dreams and desires, but our very concept of reality" (Kraus and Auer 2000: 1). After initial optimism about the role of the media in society in the 1960s1, the persisting attempts of mass media to totally manipulate society are ever-increasingly noticeable. The French soci ologist Jean Baudrillard (after Kraus and Auer 2000: 1) claims that the modem visual technologies have created a new culture of images, signs, and codes, which is “impenetrable to old forms of resistance.” Baudrillard points to mass media as one of the most important invaders of our reality, and whatever atti tude one may have toward Baudrillard’s thought, which is often ambiguous and unsystematic, it does provide us with an intriguing critique of contemporary, image saturated age. -
Politics, Religion, and Philosophy in the Fiction of Philip K. Dick
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2005 How Much Does Chaos Scare You?: Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] How Much Does Chaos Scare You? Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow Shakespeare’s Sister, Inc. Brooklyn, NY & lulu.com 2005 © Aaron Barlow, Creative Commons Attribution-NonCommercial-ShareAlike Foreword n 1989, while I was serving in Peace Corps in West Africa, II received a letter from an American academic publisher asking if I were interested in submitting for publication the doctoral dissertation I had completed the year before at the University of Iowa. “Why would I want to do that?” I asked. One disserta- tion on Philip K. Dick had already appeared as a book (by Kim Stanley Robinson) and Dick, though I loved his work, just wasn’t that well known or respected (not then). Plus, I was liv- ing in a mud hut and teaching people to use oxen for plowing: how would I ever be able to do the work that would be needed to turn my study from dissertation to book? When I defended the dissertation, I had imagined myself finished with studies of Philip K. -
Read Book the Ganymede Takeover Pdf Free Download
THE GANYMEDE TAKEOVER PDF, EPUB, EBOOK Philip K. Dick,Ray Nelson | 224 pages | 13 Mar 2014 | Orion Publishing Co | 9780575133129 | English | London, United Kingdom The Ganymede Takeover PDF Book View all 5 comments. Dick , Roger Zelazny. The job may be constructing a grace reservoir, or improving the wire to Heaven. The good guys seemed to have whatever they needed to fix things.. Computer Fell Out of Its Tree. Smith: Um, yeah, that sums it up, pretty much. Humpty Dumpty In Oakland. Dick was born in Chicago and grew up in Berkeley. Lots of basic services seem to be run by low level AI the hotel rooms and taxis, for instance , but it's really more Jetson-like than anything. Reese Verrick the Quizmaster is deposed. The Penultimate Truth. I probably don't really want to read this but after seeing the cover and the fact it has man-eating plants, valkyries, and giant vampires yes, you read right, GIANT vampires, and then seeing Manny and notgettingenough's reviews, if I come across it for cheap, I just might have to pick it up. Momentarily thought something interesting would be done, next scene she's in bed with someone, and then is turned into a submissive quiet person. Oblivion therapy. The moral is totally unexpected, as a reaction to incidents such as the Kent State University shootings. Subscribe to this thread:. That may leave some readers unsatisfied, but I just find it true to life. The novel was written in , and at that time the US was in the midst of a backlash against the nascent civil rights movement, and the emergence of Black Power.