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Rereading Philip K. Dick
REFLECTIONS Robert Silverberg REREADING PHILIP K. DICK They were ugly little things. I mean the tner. Dick was only twenty-seven when first editions of Philip K. Dick’s first nov- Solar Lottery came out, a youthful begin- els—squat, scrunchy, cheaply printed ner who had appeared in the science fic- 1950s paperbacks, artifacts of a primitive tion magazines just three years before era in science fiction publishing. Ace with a double handful of ingenious short Books was the name of the publishing stories. I had already begun to sell some company—they are still in business, stories myself in 1955, so in terms of ca- though vastly transformed—and Ace reer launch we were virtually contempo- writers then were paid one thousand dol- raries, but I was only twenty, a college ju- lars per novel, which even then was the nior, and that seven-year gap in our ages bottom rate for paperback books, al- made me regard Dick as vastly older, though in modern purchasing power it’s vastly wiser, vastly more skillful in the a good deal more than most new SF writ- art of storytelling. I was an earnest be- ers can command today. ginner; he was already a pro. Still, there were harbingers of things to He was good, all right. But I don’t come in those early Dick books. The very think either of us realized, back there in first sentence of the very first one tells us 1955, that he was destined to make an that in the most literal way: “There had imperishable mark on American popular been harbingers.” That’s Solar Lottery, culture. -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Simulacra of Social Desire: Reflection on Collecting and the “Lost Toy Archive”
SIMON ORPANA siMulacrA oF soCiAl desire: reFleCtion on ColleCtinG And the “lost toy ArChive” In 2009, I started to construct an archive that records traces of the toys I collected and played with as a child. While most of these toys have been lost in various garage sales, moves and purges, I started to search out photographic records of my collections, and used these to evoke reflection regarding the role that toys have played in shaping my memories, identity and modes of relating to the world. Rather than simply amassing images, I started to make drawings of them in a sketchbook. This process was aided by my mother’s unearthing of a family photo album, spanning from the late seventies to the early eighties, which contained the originals of many of the images included in my archive. The act of re-drawing these images into my sketchbook expanded the microsecond of time captured in the photograph into a longer meditation through which details in the photos summoned memories and affect. This exercise challenged the abstract, spectacularized place the toys held in my adult imagination and placed the artifacts back into a context of 211 family, friends and personal history, offering a remedy to the “archive fever” SIMULACRA OF SOCIAL DESIRE that overtook me in early adulthood, when recollecting the physical toys I owned as a child became an obsessive preoccupation. The process by which the mass-produced toys of my youth were translated from mere simulacra into a meaningful personal narrative by employing the same logic of simulation is the general theme this paper explores. -
Book Reviews from the Sf Press
BOOK REVIEWS FROM THE SF PRESS Solar Lottery Anthony Boucher: Fantasy & Science Fiction August 1955, p. 94 Philip K. Dick’s SOLAR LOTTERY (Ace, 35 cents) is kept from a Grade A rating only by a tendency, in both its nicely contrasted plots, to dwindle away at the end. This first novel by one of the most interesting new magazine writers (one of F&SF’s discoveries, I may add proudly) creates a strange and highly convincing and self-consistent future society, peculiarly governed by Games Theory and the principle of randomness; against this background, built up with the detail of a Heinlein and the satire of a Kornbluth, it relates a taunt melodrama of political conflict and a stirring space-quest to rediscover a lost tenth planet. P. Schuyler Miller: Astounding Science Fiction November 1955, p. 151 Here’s another demonstration that you get a whale of a lot for your money from Ace. “Solar Lottery” is in the van Vogt tradition, taking a man with a mission, involving him hopelessly in a society built on a novel concept of science or philosophy, and allowing all sorts of unseen forces to prowl and putter behind the scenes. This time the gimmick is not non-Aristotelian semantics but von Neumann’s Theory of Games, which the author has built up as the mainspring of a Twenty-third Century planetary lottery whose one winner, the Quizmaster, is dictator of mankind until an assassin cuts him down or the “bottle” – never quite explained – twitches someone else in his place. Outside the Game, those who have special skills useful to the manufacturing combines may sell themselves into absolute serfdom, while those who have only manual skills are “unclassified” and hopeless. -
Panel About Philip K. Dick
Science Fiction Book Club Interview with Andrew M. Butler and David Hyde July 2018 Andrew M. Butler is a British academic who teaches film, media and cultural studies at Canterbury Christ Church University. His thesis paper for his PhD was titled “Ontology and ethics in the writings of Philip K. Dick.” He has also published “The Pocket essential Philip K. Dick”. He is a former editor of Vector, the Critical Journal of the British Science Fiction Association and was membership secretary of the Science Fiction Foundation. He is a former Arthur C. Clarke Award judge and is now a member of the Serendip Foundation which administers the award. David Hyde, a.k.a. Lord Running Clam, joined the Philip K. Dick Society in 1985 and contributed to its newsletter. When the PKDS was discontinued, he created For Dickheads Only in 1993, a zine that was active until 1997. Since then, his activities include many contributions to and editorial work for the fanzine PKD OTAKU. His book, PINK BEAM: A Philip K. Dick Companion, is a detailed publication history of PKD's novels and short stories. In 2010, David organized the 21st century's first Philip K. Dick Festival in Black Hawk, Colorado. Recently, in partnership with Henri Wintz at Wide Books, he has published two full-color bibliographies of the novels and short stories of Philip K. Dick. In early 2019 Wide Books will publish the French bibliography. On the 35th anniversary of Phil’s passing in 2017 David held a memorial celebration for PKD fans in Ft. Morgan, Colorado, the final resting place of Phil and his twin sister Jane. -
The Simulacra // Philip K. Dick
The Simulacra // Philip K. Dick 0547601301, 9780547601304 // 224 pages // Philip K. Dick // The Simulacra // 2011 // Houghton Mifflin Harcourt, 2011 // On a ravaged Earth, fate and circumstances bring together a disparate group of characters, including a fascist with dreams of a coup, a composer who plays his instrument with his mind, a First Lady who calls all the shots, and the world’s last practicing therapist. And they all must contend with an underclass that is beginning to ask a few too many questions, aided by a man called Loony Luke and his very persuasive pet alien. In classic Philip K. Dick fashion, The Simulacra combines time travel, psychotherapy, telekinesis, androids, and Neanderthal-like mutants to create a rousing, mind-bending story where there are conspiracies within conspiracies and nothing is ever what it seems. file download dyguw.pdf Philip K. Dick // May 14, 2010 // ISBN:9780575098312 // 208 pages // A prophetic and unsettling chronicle detailing the rise and fall of a post-nuclear massiah, by the author of BLADE RUNNER and MINORITY REPORT Floyd Jones is sullen, ungainly // Fiction // The World Jones Made The pdf download The Simulacra pdf download Voices From the Street // Nov 13, 2007 // Philip K. Dick // Fiction // 304 pages // Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life; a nice house, a pretty wife, a decent // ISBN:9781429920605 The Simulacra pdf 208 pages // Vintage PKD // Dec 18, 2007 // Philip K. Dick // A master of science fiction, a voice of the changing counterculture, and a genuine visionary, Philip K. -
PKD Otaku # 12 - February 2004 1 a Question of Chronology: 1955 – 1958 Frame
"SCOTT MEREDITH TO PKD" September 30 [1968] Dear Phil, Thanks very much for our letter. Doubleday can't yet release the full $4500 because the money hasn't come in yet from NAL. We have asked them to advance some -- up to $1500 -- and we're confident this will be coming in very soon. In the meantime, I'm happy to send you a check for the $1500, less commission, as our advance on the Doubleday money. Here, then, is $1350. Doubleday, of course, is very anxious to see the new book you've mentioned to us and to Larry, and if you could send in a completed half, say in two weeks or so, they'll be able to issue an immediate contract. And, of course, they're very anxious about DEUS IRAE, mostly because they'd like to contract for THE NAME OF THE GAME IS DEATH as soon as possible, but cannot until they have something more on DEUS IRAE. This is necessary because GAME in only in outline form, whereas the new one is completed in rough draft. Now I'd like to pass on some very encouraging news from Norman Spinrad -- we know you've been talking to him about this -- that the editor at Essex House is very interested in seeing some of your old unpublished novels. They are of course moving out of the sex lines and the editor is an old S-F fan. They would pay from $1000 to $1500 for any they might want to do. By all means, send in these old ones and we'll be happy to push for you in his area. -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction. -
Dick's First Novel
On SF by Thomas M. Disch http://www.press.umich.edu/titleDetailDesc.do?id=124446 The University of Michigan Press, 2005 Dick’s First Novel There are, by now, many science ‹ctions, but for myself (for any reader) there is only one science ‹ction—the kind I like. When I want to ‹nd out if someone else’s idea of sf corresponds signi‹cantly with mine (and whether, therefore, we’re liable to enjoy talking about the stuff), I have a simple rule-of-thumb: to wit—do they know—and admire—the work of Philip K. Dick? An active dislike, as against mere ignorance, would suggest either of two possibilities to me. If it is expressed by an otherwise voracious con- sumer of the genre, one who doesn’t balk at the prose of Zelazny, van Vogt, or Robert Moore Williams, I am inclined to think him essentially un-serious, a “fan” who is into sf entirely for escapist reasons. If, on the other hand, he is provably a person of enlightenment and good taste and he nevertheless doesn’t like Dick, then I know that my kind of sf (the kind I like) will always remain inaccessible. For those readers who require sf always to aspire to the condition of art Philip Dick is just too nakedly a hack, capable of whole chapters of turgid prose and of bloopers so grandiose you may wonder, momentarily, whether they’re not just his lit- tle way of winking at his fellow-laborers in the pulps. Even his most well- realized characters have their moments of wood, while in his bad novels (which are few), there are no characters, only names capable of dialogue. -
Scanners Darkly: Drugs, Media and Schizophrenia in Philip K. Dick's
Scanners Darkly: Drugs, Media and Schizophrenia in Philip K. Dick’s Oeuvre Philip K. Dick’s stories provide a thorough description of how technological instruments and media equipment stimulate and manipulate dreams, memories, and emotions of the human brain. As Anthony Enns outlines, the texts portray a wide range of mechanical and media equipment, creating diverse forms of the “posthuman.” The robot-protagonist in “The Electric Ant” (1969) and the “simulacra” in We Can Build You (1972) are controlled by punched tape memory constructions. The schizoid and autistic characters and their supposedly successful treatment evoke filmic metaphors in Martian Time-Slip (1964). A Scanner Darkly (1977) also utilizes filmic imagery – the psychedelic coma is described as “an endless horror feature film in his head for the remainder of his life” (86) – but the mentally disturbed mind imitates a “closed loop of tape” (66) , becoming similar to a faulty computer that is unable to process new data, “[r]epeating his last instruction” (265). In Valis (1981) and Radio Free Albemuth (1985), the protagonist’s mind joins an “intergalactic communications network,” a “long-abandoned telephone” service (113). My essay analyzes these mechanical images by utilizing media theories of Friedrich A. Kittler, Marshall McLuhan and Christian Metz, thinkers who find the (Lacanian) subject and the stages of media history strictly interrelated. N. Katherine Hayles’ interpretation of the Dickian “schizoid android” suggests that the images of cyborgs and those of mental disorder are intertwined. I deploy, therefore, psychological theories of autism, schizophrenia and brain mapping, drawing on psychologists whom Dick was (possibly) familiar with (Wilder Penfield, James Olds, Eugene Minkowski, Leo Kanner, and so on). -
Scratch Pad 1
Scratch Pad 1 Contents 12 THE NON-SCIENCE FICTION NOVELS OF PHILIP K. DICK (1928–82) by Bruce Gillespie The Non-Science Fiction Novels of Philip K. Dick (1928–82) A talk written by Bruce Gillespie for the October 1990 meeting of the Nova Mob. First published in *brg* No. 1, October 1990, for ANZAPA (Australia and New Zealand Amateur Publishing Assocation) I counted as non-sf novels. A Scanner Darkly is the most obvious example. Set slightly in the future of the year in which Dick was writing it, and containing only one sf device, it tells in a What are the non-sf novels of Philip Dick? As happens often almost documentary way the story of the young drug addicts when discussing Dick’s life and career, it is not easy to give who shared Phil’s house during the late 1960s and early a simple answer. 1970s. The books that I want to concentrate on during this talk In the Bibliography I also mention four novels as ‘closely comprise a series of novels that Philip Dick wrote during the related to the 1950s non-sf novels’. These novels, which are 1950s with the aim of launching a career into the main- Time out of Joint, The Man in the High Castle, Martian Time-Slip stream of American literature. For this reason, they might and We Can Build You, begin with highly realistic settings and truly be called ‘mainstream’ novels, much as I dislike the characters that might just as well have been lifted from any term. None of these novels was published during the 1950s one of the 1950s non-sf novels. -
Technology – Activities Monday
Technology – Activities Monday English Philip K. Dick was a science fiction writer who imagined near-futures shaped by technology. Indulge your imagination by writing blurbs for what you envisage some of the following stories to be about: • The Preserving Machine • Solar Lottery • The Unteleported Man • Do Androids Dream of Electric Sheep? • We Can Remember It for You Wholesale • The Electric Ant Try to write at least three of your own, then compare them to the real plot synopses you can find online. Extend yourself further by reading a short story by Dick (available for free online) and making a list of the genre conventions within it. Maths Isambard Kingdom Brunel is considered one of the most important engineers in history. Research some of his many engineering feats and choose one to write about in more detail. Include any mathematical facts you can find and any appropriate constructions. You could even build your own scaled model of one of your favourite designs. Science Investigate the different factors that affect how quickly a text message can be sent from one phone to another. Does being upstairs or downstairs make a difference? Indoors or outdoors? You could try putting the phones in different containers or change how close together the phones are. Try it at home with family or plan an investigation with a friend to carry out remotely. Technology – Activities Tuesday English Write a profile of Sir Tim Berners-Lee, the man who is widely regarded as the inventor of the Internet. Maths Early computers worked on a binary system, in which numbers are represented using only two symbols: 0 and 1.