New Mexico Musician Vol 27 No 3 (Spring 1980)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
MEDIA GUIDE 2019 Triple-A Affiliate of the Seattle Mariners
MEDIA GUIDE 2019 Triple-A Affiliate of the Seattle Mariners TACOMA RAINIERS BASEBALL tacomarainiers.com CHENEY STADIUM /TacomaRainiers 2502 S. Tyler Street Tacoma, WA 98405 @RainiersLand Phone: 253.752.7707 tacomarainiers Fax: 253.752.7135 2019 TACOMA RAINIERS MEDIA GUIDE TABLE OF CONTENTS Front Office/Contact Info .......................................................................................................................................... 5 Cheney Stadium .....................................................................................................................................................6-9 Coaching Staff ....................................................................................................................................................10-14 2019 Tacoma Rainiers Players ...........................................................................................................................15-76 2018 Season Review ........................................................................................................................................77-106 League Leaders and Final Standings .........................................................................................................78-79 Team Batting/Pitching/Fielding Summary ..................................................................................................80-81 Monthly Batting/Pitching Totals ..................................................................................................................82-85 Situational -
Teaching-Guides; United Womens
DOCUMENT RESUME / ED.227 011, SO 014 467 AUTHOR Bagnall, Carlene; And Others ' - TITLE New Woman, New World: The AmericanExperience. INSTITUTION Michigan Univ., Ann Arbor. Womens Studies Program. SPONS AGENCY National Endowment for the Humanitieg (NFAH), Washington, D.C. ,PUB DATE 77 0. GRANT" EH2-5643-76-772 NOTE 128p. PUB TYPE Guides Classroom Use -/Guides (For Teachers) (052) p EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS American Indians; Androgyny; Artists; Assertiveness; Blacks; *Family (Sociological Unit); *Females; Feminism; *Health; Higher Education; Immigrants; Interdisciplinary Approach; *Labor Fotce; *Social .tf . Changer *Socialization; Teaching-Guides; United States History; Units of Study; Womens Athletics; Womens Studies ABSTRACT 'A college-level women's studies course on the experience of American women is presented in threeunits onsthe emerging American woman, woman and others, and ,thetranscendent self. Unit 1 focuses on biological and psychologicalexplanations of being female; the socialization process; Black,Native American, and immigra41 women; schooling and its function as IE.-gender-1'01e modifier; and the effect of conflicting forces inone's life. Unit 2 discusses the patriarchal family; the familyin American history; matriarchies, communes, and extended families; women alone andfemale friendshipsrwomen and work in America; and caring forwomen's ,bodies, gouls, and minds. Topics in the finalunit include the status of women, women asLagents of social change,and women AS artists. AthleXics, centering, assertiveness training,and,consciousness raising are also discussed. Materials fromliterature and the social sciences form the focus for each unit,wilich contains an introduction, study questions, and an annotatedlist of required and suggested reading. The appendix includesguidelines for oral history intervi'ews and research paiers. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1937-09-30 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1937). All Xavier Student Newspapers. 1634. https://www.exhibit.xavier.edu/student_newspaper/1634 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. 11 XAVIER UNIVERSITY NEWS A Student Newspaper With· All Department Coverage VOLUME XXIII. CINCINNATI, OHIO, THURSDAY,· SEPTEMBER 30, 1937 N0.2 Major .Harper Comments Mag·azine "Wings Over Europe'' Ori International Policies Publication Planned For Presentation In I ni·t-ial Mes sage Dat·e Set By Masqzfe S·ociety Realism ls Needed First Friday 'Alumni Topics' To Ap· Future Of Dramatic Club In Modern Scene ls Celebrated pear Oct. 15, Co-edit· Xavier Band Will Produce ors Announce; New Recent , Play FROSH ENTHUSIASM By Hig·h Mass Moderator To Write. Is Uncertain NOTED CLUB REORGANIZES , Co-editors W. Paul Barrett Various Difficulties Can FOR PRODUCTION Spirit 0£ Last Year's. General. Communion For and Charles S. Blase. of "Alum Be -Ameliorated, Says Cadets Is Lauded. C~tholic Students Coin· ni Topics," quarterly magazine of the Xavier University Alumni Father Usher. Louis Feldhaus Named h1ned With Mass Of Association, havie announced that the first issue To Direct Browne And Major Arthur Harper, Profes Holy Ghost. -
Egrove April 22, 2013
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 6-13-2013 April 22, 2013 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "April 22, 2013" (2013). Daily Mississippian. 521. https://egrove.olemiss.edu/thedmonline/521 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. JOSH CLARK TOON: FEATURE PHOTOS: DIAMOND REBS SWEEP Check us out online at COLONEL REB P. 2 RELAY FOR LIFE P. 7 VOLS OVER WEEKEND P. 12 theDMonline.com THE DAILY M ONDAY , A PRIL 22, 2013 | V OL . 1 0 1 , N O . 1 2 8 MISSISSIPPIAN T HE S T UDEN T N EW S PAPER OF T HE U NIVER S I T Y OF M I ss I ss IPPI | S ERVING O LE M I ss AND O XFORD S INCE 1 9 1 1 UM LAW PROFESSORS BRADLEY, Medicinal Garden formally WEEMS TO RETIRE IN MAY dedicated to its developer BY LOGAN KIRKLAND poses,” Oglesby said. “His [email protected] timeless efforts and dedi- cation to the garden and Ole Miss will formally School of Pharmacy were dedicate its new Maynard rewarded.” W. Quimby Medicinal The new facility is built Plant Garden on Wednes- on five acres of land and day. includes an administrative The portion of the School and laboratory building, of Pharmacy’s natural prod- a herbarium, a seed bank ucts research center named and a taxonomy lab where for Quimby has relocated plants can be identified. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title “First of All You Need a Good Foundation:” The Ford Foundation’s Program for Symphony Orchestras Permalink https://escholarship.org/uc/item/1dx9s2r3 Author Negley, Benjamin Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ “First of All You Need a Good Foundation:” The Ford Foundation’s Program for Symphony Orchestras A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Benjamin Negley June 2019 The dissertation of Benjamin Negley is approved: __________________________________ Professor Amy C. Beal, chair __________________________________ Professor Leta Miller __________________________________ Professor Anatole Leikin __________________________________ Professor Robert Flanagan __________________________________ Lori G. Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Benjamin Negley 2019 TABLE OF CONTENTS LIST OF TABLES AND FIGURES ......................................................................... iv ABSTRACT ............................................................................................................ vii INTRODUCTION ..................................................................................................... 1 CHAPTER 1. HOW ORCHESTRAS ARE FUNDED IN THE UNITED STATES. .. 5 CHAPTER 2. THE FORD FOUNDATION AND THE PROGRAM IN THE -
THE NEW MEXICO MUSICIAN IMEA OFFICERS Official Publication of the Tsident L
New Mexico Musician Volume 33 | Number 2 Article 1 12-1985 New Mexico Musician Vol 33 No 2 Follow this and additional works at: https://digitalrepository.unm.edu/nm_musician Part of the Music Education Commons Recommended Citation . "New Mexico Musician Vol 33 No 2." New Mexico Musician 33, 2 (1985). https://digitalrepository.unm.edu/nm_musician/vol33/ iss2/1 This Full Issue is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Musician by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. "-l. L CIAL PUBUCATION NEW MEXICO MUSIC EDUCATORS ASSOCIATION Winter 1985 Number 2 IT HAS THE HEART OF A DX SYNTHESIZER. AND THE MIND OF A COMPUTER. The firstcomputer with true musical CXSM is a musician,friendly computer as talent is here - the CXSM fromYamaha. well as a musical sounding one. It has the same FM digital tone generator as Come in today and check out the the DX synthesizers. With this breakthrough amazing possibilities of the Yamaha CXSM in sound harnessed to the power of a com, music computer foryourself. puter, you can begin to expandyour musical horizons beyond human limitations. And in very little time, too. Becausethe Yamaha GYAMAHA DRUM& GUITAR 2617 RHODE ISLAND, N.E. (505)298- 5519 ALBUQUERQUE, N.M. 87110 THE NEW MEXICO MUSICIAN IMEA OFFICERS Official Publication of the tSIDENT L. Pemberton New Mexico Music Educators Association Bortot #8 p 87301 e 722-9513 Office 863-3821 Volume XXXIII Number 2 Winter 1985 E·PRESIDENT, BAND R. -
Jersey Jazz 3410
Volume 34 • Issue 10 JerseyJazz November 2006 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. JazzFeast: Where the Square is Hip By Tony Mottola Jersey Jazz Editor PRINCETON — Places don’t get much hipper than Palmer Square in downtown Great food and top Princeton, at least not when JazzFeast holds forth there as it did for the 15th time on jazz acts make Saturday, September 16. More than 20 area restaurants set up shop around the a fresh-air picturesque green serving up delicious food. Meanwhile four top jazz acts served feast for up five hours of tasty music on the nearby outdoor stage. body and JazzFeast regularly attracts a crowd of 5,000 soul. plus music lovers from the tri-state area and this year’s picture perfect weather brought out an especially large, enthusiastic crowd. The music, programmed and emceed by the NJJS’s own Jack Stine, swung from the first downbeat to the last coda. First up were Alan Dale and The New Legacy Band, who marked their 14th consecutive appearance at the event. This is one swinging outfit and they know their way around the Ellington, Basie and Cole Porter songbooks, to mention just a few. The Dale group was fronted for much of its performance by vocalist Bryan Clark. Clark’s look is 21st Century hip and he brings a contemporary sensibility to material associated with the likes of Nat King Cole, Ray Charles, Frank Sinatra and other classic vocalists. He makes the music new and alive with his easygoing and swinging style. -
Undigitized Photo Index
People States-Towns-Countries General Subjects Railroad Companies Denver People Abeyta Family Abbott, Emma Abbott, Hellen Abbott, Stephen S. Abernathy, Ralph (Rev.) Abreu, Charles Acheson, Dean Gooderham Acker, Henry L. Adair, Alexander Adami, Charles and Family Adams, Alva (Gov.) Adams, Alva Blanchard (Sen.) Adams, Alva Blanchard (Mrs. Elizabeth Matty) Adams, Alva Blanchard Jr. Adams, Andy Adams, Charles Adams, Charles Partridge Adams, Frederick Atherton and Family Adams, George H. Adams, James Capen (―Grizzly‖) Adams, James H. and Family Adams, John T. Adams, Johnnie Adams, Jose Pierre Adams, Louise T. Adams, Mary Adams, Matt Adams, Robert Perry Adams, Mrs. Roy (―Brownie‖) Adams, W. H. Adams, William Herbert and Family Addington, March and Family Adelman, Andrew Adler, Harry Adriance, Jacob (Rev. Dr.) and Family Ady, George Affolter, Frederick Agnew, Spiro T. Aichelman, Frank and Family Aicher, Cornelius and Family Aiken, John W. Aitken, Leonard L. Akeroyd, Richard G. Jr. Alberghetti, Carla Albert, John David (―Uncle Johnnie‖) Albi, Charles and Family Albi, Rudolph (Dr.) Alda, Frances Aldrich, Asa H. Alexander, D. M. Alexander, Sam (Manitoba Sam) Alexis, Alexandrovitch (Grand Duke of Russia) Alford, Nathaniel C. Alio, Giusseppi Allam, James M. Allegretto, Michael Allen, Alonzo Allen, Austin (Dr.) Allen, B. F. (Lt.) Allen, Charles B. Allen, Charles L. Allen, David Allen, George W. Allen, George W. Jr. Allen, Gracie Allen, Henry (Guide in Middle Park-Not the Henry Allen of Early Denver) Allen, John Thomas Sr. Allen, Jules Verne Allen, Orrin (Brick) Allen, Rex Allen, Viola Allen William T. Jr. (Col.) Allison, Clay Allott, Gordon L. Allott, Gordon L. (Mrs. Welda Hall) Almirall, Leon V. -
Antonia Louisa Brico Was Born in Rotterdam, Holland in 1902. Little Is Known About Her Birth Parents, Johannes and Antonia (Shaaken) Brico, Who Died When She Was Two
Antonia Louisa Brico was born in Rotterdam, Holland in 1902. Little is known about her birth parents, Johannes and Antonia (Shaaken) Brico, who died when she was two. Mr. and Mrs. John Wolthuis (mother’s first name unknown) became her foster parents. In 1907, she emigrated with them to Oakland, California attending school as Wilhelmina Wolthuis, the name they had given her. The Wolthuis home was not a happy environment. Antonia later said: “I’d dream about having an automobile accident in front of someone’s house just so they’d pick me up and be affectionate.” She began piano lessons at age 10 after a doctor suggested this remedy to overcome her nail biting. Soon she was performing at local churches and club meetings. Her original ambition to become a concert pianist changed when she attended a park concert conducted by Paul Steindorff. Rather than limit herself to one instrument, she decided to become a conductor. She later said: “The orchestra to me is the greatest instrument. It is to the musician what the palette is to a painter.” After her high school graduation in 1919, Mr. and Mrs. Wolthuis revealed for the first time that they were not her birth parents. Antonia immediately moved out and had no further contact with them. Antonia enrolled at the University of California at Berkeley. As luck would have it, Paul Steindorff, who had inspired her conducting ambitions, was director of music and, more importantly, director of the San Francisco Opera. Antonia became his assistant. When she received a B.A. with honors in music in 1923, people advised her to teach; a position awaited her, and conducting was no job for a woman. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more. -
SURF MUSIC by Geoffrey Himes
SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys.