Roosevelt Ends Alcohol Prohibition
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View of the New Deal at the National Level
“THE BEST FORM OF ASSISTANCE ALWAYS IS THE KIND THAT ENABLES FOLKS TO HELP THEMSELVES”: PUBLIC REACTION TO THE NEW DEAL IN HANCOCK, SENECA, AND WOOD COUNTIES OF OHIO Anthony J. Bolton A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Rebecca Mancuso, Advisor Michael Brooks © 2021 Anthony J. Bolton All Rights Reserved iii ABSTRACT Rebecca Mancuso, Advisor The Great Depression and New Deal had a profound impact on the United States. It led to the need for fundamental changes in the nation, especially regarding the federal government’s role and size. The beginning of the Great Depression marked the end of the “New Era” that the United States had experienced in the 1920s. However, one group of Americans—farmers—did not participate in this “New Era,” including those in three Northwestern Ohio counties: Hancock, Seneca, and Wood. This study analyzes through voting and media analysis how these three counties reacted to the Great Depression and the New Deal from 1929 to 1936. As the Depression continued to worsen, their suffering continued and even worsened, and with Herbert Hoover’s inability to provide relief or a path to recovery, these counties and the rest of the nation turned to Franklin Roosevelt and his promise of a “new deal” to provide that relief. Within these counties, the New Deal was initially seen as successful; however, it was soon seen as having a corrosive effect on traditional American values. Because of this, these counties rejected Roosevelt and the New Deal in 1936, while the rest of the nation overwhelmingly supported him. -
“Oh, Happy Days”: Milwaukee & the Wisconsin Dells
Moderate May 31 to June 6, 2021 11 6 Pace “Oh, Happy Days”: Milwaukee & The Wisconsin Dells Milwaukee lies along the shores of Lake Michigan at the union of three rivers – the Menomonee, the Kinnickinnic and the Milwaukee. Known for its breweries, the MLB Brewers, and a “big city of little neighborhoods”, Milwaukee’s unique neighborhoods create a one of a kind culture, where you’ll see architecture designed by Frank Lloyd Wright. The city was also made famous by the TV series “Happy Days” and “Laverne & Shirley”. Delight in a selfie with a bronze statue of the “Fonz”! Experience the natural beauty, wonder and mystery of the Wisconsin Dells during a leisurely boat cruise. Ride in a quaint horse-drawn carriage through a mile of cliff walled gorges. Visit the International Crane Foundation, a nonprofit conservation organization protecting cranes and conserving ecosystems, watersheds and flyways on which the cranes depend. Tour Highlights & Inclusions • Deluxe coach transportation with wifi, air-conditioned, washroom equipped • Two-nights’ accommodation at the Hampton Inn of Holland, MI • Two-nights’ accommodation at the Drury Plaza Hotel Milwaukee Downtown • Two-nights’ accommodation at the Hampton Inn & Suites Wisconsin Dells • Breakfast daily, one box lunch and four dinners • Guided tour of Milwaukee, and the International Crane Foundation • Lost Canyon Tour on horse drawn carriage • Tour two of Frank Lloyd Wright’s designs – SC Johnson Headquarters, and Annunciation Greek Orthodox Church • Guided tour of the Harley-Davidson Museum, Pabst -
National Prohibition and Jazz Age Literature, 1920-1933
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Jan 2005 Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933 Kathleen Morgan Drowne Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the Business and Corporate Communications Commons, and the English Language and Literature Commons Recommended Citation Drowne, Kathleen. "Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933." Columbus, Ohio, The Ohio State University Press, 2005. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page i SPIRITS OF DEFIANCE Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iii Spirits of Defiance NATIONAL PROHIBITION AND JAZZ AGE LITERATURE, 1920–1933 Kathleen Drowne The Ohio State University Press Columbus Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iv Copyright © 2005 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Drowne, Kathleen Morgan. Spirits of defiance : national prohibition and jazz age literature, 1920–1933 / Kathleen Drowne. p. cm. Includes bibliographical references and index. ISBN 0–8142–0997–1 (alk. paper)—ISBN 0–8142–5142–0 (pbk. -
9Th Grade Textbook Packet
To defeat Japanese in the military during the war, including 350,000 women. ITALY AND GERMANY In 1922, and Italian fascism, the United States mobilized all i~periilism and German former journalist Benito Mussolini ,.foe massive government spending required to wage ofits economic resources. and 40,000 of his black-shirted sup nd wrenched the economy out ofthe total war boosted industrial production a porters seized control of Italy, taking Great Depression. advantage of a paralyzed political sys Four years after the attack on Pearl Harbor, the United States and its allies tem incapable of dealing with wide in the cos!!_iest and most destructive war in history. Cit emerged victorious spread unemployment, runaway d, nations dismembered, and societies transformed. More ies were destroye inflation, mass strikes, and fears of million people were killed in the war between 1939 and 1945-per than 50 communism. By 1925, Mussolini was ofthem civilians, including millions ofJews and other ethnic haps 60 percent wielding dictatorial power;:s "Il Duce" eath camps and Soviet concentration camps. minorities in Nazi d (the Leader). He called his version -of and scale of the Second World War ended America's tra The global scope antisociali~ totalitarian nationalism ofisolationism. By 1945, the United States was the world's most power dition Jascisn1, All political parties except the and global responsibilitie~. The war ful nation, with new international interests Fascists were eliminated, and several in Europe and Asia that the Soviet Union and the United left power vacuums political opponents were murdered. fill to protect their military, economic, and political interests. -
The London Monetary and Economic Conference of 1933 and the End of the Great Depression: a “Change of Regime” Analysis
NBER WORKING PAPER SERIES THE LONDON MONETARY AND ECONOMIC CONFERENCE OF 1933 AND THE END OF THE GREAT DEPRESSION: A “CHANGE OF REGIME” ANALYSIS Sebastian Edwards Working Paper 23204 http://www.nber.org/papers/w23204 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 February 2017 I thank Michael Poyker for his assistance. I thank Michael Bordo, Josh Hausman, and George Tavlas for comments. I have benefitted from conversations with Ed Leamer. The views expressed herein are those of the author and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2017 by Sebastian Edwards. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. The London Monetary and Economic Conference of 1933 and the End of The Great Depression: A “Change of Regime” Analysis Sebastian Edwards NBER Working Paper No. 23204 February 2017 JEL No. B21,B22,B26,E3,E31,E42,F31,N22 ABSTRACT In this paper I analyze the London Monetary and Economic Conference of 1933, an almost forgotten episode in U.S. monetary history. I study how the Conference shaped dollar policy during the second half of 1933 and early 1934. I use daily data to investigate the way in which the Conference and related policies associated to the gold standard affected commodity prices, bond prices, and the stock market. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, SECOND SESSION Vol. 156 WASHINGTON, WEDNESDAY, JULY 21, 2010 No. 108 Senate The Senate met at 9:30 a.m. and was Mr. UDALL of New Mexico thereupon Let me explain as clearly as I can called to order by the Honorable TOM assumed the chair as Acting President what happened in the Senate yesterday UDALL, a Senator from the State of pro tempore. and what is continuing to happen this New Mexico. f morning. I want to explain it especially for the tens of thousands of Nevadans PRAYER RECOGNITION OF THE MAJORITY and 2.5 million Americans waiting for The Chaplain, Dr. Barry C. Black, of- LEADER the emergency unemployment assist- fered the following prayer: The ACTING PRESIDENT pro tem- ance they have been told is on the way. Let us pray. pore. The majority leader is recog- Yesterday afternoon, the Senate Eternal Spirit, give us hearts wide nized. moved, at long last, to within one open to the joy and beauty of Your cre- f step—one simple-majority vote—of ative power. Enable the Members of passing long-overdue help for the un- this body to sense the transcendent in SCHEDULE employed. This is emergency help for the beauty of the Earth and the glory Mr. REID. Mr. President, following those who have exhausted their insur- of the skies. Help them hear Your leader remarks, there will be a period ance benefits because these days it music in the symphony of the seasons, of morning business for an hour. -
Happy Days Are Here Again 4/4 1...2...1234
HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 So long, sad times, go 'long, bad times, we are rid of you at last Howdy, gay times, cloudy gray times, you are now a thing of the past Happy days are here again, the skies above are clear a-gain So let's sing a song of cheer a-gain, happy days are here a-gain Altoge-ther, shout it now, there's no one who can doubt it now So let's tell the world a-bout it now, happy days are here a-gain Your cares and troubles are gone, there'll be no more from now on, from now on Happy days are here a-gain, the skies above are clear again So let's sing a song of cheer a-gain, happy days are here a-gain So let's sing a song of cheer a-gain, happy days..... are..... here..... a-gain HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 Am G F E7 Am E7 E7+ Am So long sad times, go long bad times, we are rid of you at last Am G B7 E7 C#m7 F#7 B7 E7 Howdy, gay times, cloudy gray times, you are now a thing of the past A E7+ A E7+ A E7+ A Happy days are here again, the skies above are clear a-gain Bbdim Bm7 E7 Bm7 E7 A D A E7 So let's sing a song of cheer a-gain, happy days are here a-gain A E7+ A E7+ A E7+ A Altoge-ther, shout it now, there's no one who can doubt it now Bbdim Bm7 E7 Bm7 E7 A D A So let's tell the world a-bout it now, happy days are here a-gain C# G#7 C# B7 E B7 E7 F7 Your cares and troubles are gone, there'll be no more from now on, from now on Bb F#+ Bb F#+ Bb F#+ Bb Happy days are here a-gain, the skies above are clear again Bdim Cm7 F7 Cm7 F7 Bb Eb Bb So let's sing a song of cheer a-gain, happy days are here a-gain Bdim Cm7 F7 Cm7 F7 Bb Eb Bb F#+ Bb So let's sing a song of cheer a-gain, happy days... -
Happy Days a New Musical Book by Music & Lyrics Garry Marshall by Paul Williams
Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk Happy Days A New Musical Book by Music & Lyrics Garry Marshall by Paul Williams Based on the Paramount Pictures Television Series “Happy Days” created by Garry Marshall Arrangements and Orchestrations by John McDaniel A Samuel French Acting Edition samuelfrench.com Copyright © 2010 by CBS Studios, Inc. Happy Days Artwork Copyright © 2010 Henderson Production Co., Inc. ALL RIGHTS RESERVED CAUTION: Professionals and amateurs are hereby warned that HAPPY DAYS - A NEW MUSICAL is subject to a Licensing Fee. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copy- right Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. In its present form the play is dedicated to the reading public only. The amateur live stage performance rights to HAPPY DAYS, A NEW MUSICAL are controlled exclusively by Samuel French, Inc., and licens- ing arrangements and performance licenses must be secured well in advance of presentation. PLEASE NOTE that amateur Licensing Fees are set upon application in accordance with your producing circum- stances. -
“Happy Days Are Here Again”: the Song That Launched FDR's
“Happy Days Are Here Again”: The Song That Launched FDR’s Presidency In 1929, just prior to the Great Crash of the New York Stock Market, Milton Ager and Jack Yellen recorded, “Happy Days Are Here Again.” The song was an instant hit and would remain a popular refrain throughout the 1930s, as the theme of radio shows sponsored by Lucky Strike cigarettes. In 1932, the song became closely associated to the presidential campaign of New York Democratic Governor Franklin Delano Roosevelt in his effort to unseat incumbent President Herbert Hoover. When Roosevelt arrived in Chicago to accept his party’s nomination for president, he entered the room to the sound of “Happy Days Are Hear Again.” The song and its cheerful lyrics matched Roosevelt’s upbeat tempo and stood in stark contrast to Hoover’s demeanor. In addition, the song resonated throughout the nation as most Americans were looking to Roosevelt in hopes that his pledge of “a new deal for the American people” would usher them safely through the Great Depression into a new era of economic prosperity. “Happy Days Are Here Again” has long been associated with the Democratic party, and remains a sentimental favorite for its political leaders and supporters such as singer and actress Barbara Streisand, who has recorded her own version of the song. “Happy Days Are Here Again” is listed as #47 on the Recording Industry Association of America's list of "Songs of the Century". ---------------------------------------------------------------------------------------------------------------------- “Happy Days Are Here Again” by Jack Yellen & Milton Alger As recorded by Leo Reisman and His Orchestra, with Lou Levin, vocal (November 1929) for the 1930 MGM movie Chasing Rainbows . -
Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2009 "I can't be punished anymore": Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe Victoria Helen Swanson University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Swanson, Victoria Helen, ""I can't be punished anymore": Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe. " Master's Thesis, University of Tennessee, 2009. https://trace.tennessee.edu/utk_gradthes/96 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Victoria Helen Swanson entitled ""I can't be punished anymore": Exploring Incapacity and Carceral Formations in Samuel Beckett's Endgame, Happy Days, Play, Not I, and Catastrophe." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Allen Dunn, Major Professor We have read this thesis and recommend its acceptance: Mary E. Papke, Stanton B. Garner, Jr. Accepted for the Council: Carolyn R. -
The Effects of the 1933 Bank Holiday and the Emergency Banking Act of 1933 on the Systematic Risks of Various Industries" (2016)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2016 The ffecE ts of the 1933 Bank Holiday and the Emergency Banking Act of 1933 on the Systematic Risks of Various Industries James E. Ingram Claremont McKenna College Recommended Citation Ingram, James E., "The Effects of the 1933 Bank Holiday and the Emergency Banking Act of 1933 on the Systematic Risks of Various Industries" (2016). CMC Senior Theses. Paper 1241. http://scholarship.claremont.edu/cmc_theses/1241 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Effects of the 1933 Bank Holiday and the Emergency Banking Act of 1933 on the Systematic Risks of Various Industries submitted to Professor Eric Hughson and Dean Peter Uvin by James Ingram for Senior Thesis Fall 2015 November 30, 2015 Ingram 1 Acknowledgements I would like to first thank Professor Eric Hughson for agreeing to be my reader and working with me throughout the semester. I’ve gained an immense out of experience on the subject, and I’ve learned more about the 1933 Bank Holiday than I ever thought was possible. I constantly had new questions for you throughout the semester, and you made sure to help me whenever I needed assistance with my research. You took a lot of time out of your schedule each week to help me with my research. I really appreciate everything. I’d also like to thank Professor Marc Weidenmier for assisting me in my research. -
Hollywood Auction 74
Hollywood Auction 74 372 1-310-859-7701 “The Fonz” Triumph Trophy TR5 1065. HENRY WINKLER “ A RT H UR ‘ T H E F ONZ ’ F ONZARELLI ” SIGNATURE T RIUMP H T ROP H Y TR 5 MOTOR C Y C LE FROM H APPY D AYS . (Paramount TV 1974-84) This is the motor- cycle that helped make Arthur Fonzarelli, “The Fonz,” The icon of cool – the 1949 Triumph Trophy 500 Custom (frame number TC11198T). Originally a bit player, Fonzie/Winkler, became the breakout star of Happy Days — the long running ABC sitcom watched by some 40 million Americans at its ratings peak. The bike was originally owned by Hollywood stuntman, racer and provider of bikes to the studios Bud Ekins (it was Ekins who actually jumped the barbed-wire fence in The Great Escape, doubling for his friend Steve McQueen). This ‘49 Triumph is one of three Triumph motorcycles “The Fonz” used during the show’s 10-year run on ABC. According to Bud Ekins, all three Triumphs used on the show were 500cc Trophy models of various years – two of which went missing/stolen, or raced to the ground and sold for parts. Eventually, when the show ended, Ekins sold the third and only remaining “Fonzie” Triumph to friend and motorcycle collector Mean Marshall Ehlers where it resided since 1990. Designed to accommodate Henry Winkler’s inability to ride larger bikes, Ekins had supplied Paramount’s show producers with the beat-up Scrambler, yanking off the front fender, bolted on a set of buckhorn handle bars and spray painted the fuel tank silver.