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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
NEW RELEASE Cds 24/5/19
NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk.. -
Das Line-Up 2010 Ist Komplett
Medienmitteilung Orpund, 22. Juni 2010 ROYAL ARENA FESTIVAL ORPUND (BIEL) 20. – 21. AUGUST 2010 DAS LINE-UP 2010 IST KOMPLETT Nebst den bereits bekannten Acts um US-Superstar Ludacris vervollständigen die nimmermüden Evidence & Alchemist (USA) und die britischen Experimental-Rapper Foreign Beggars das diesjährige Line-Up des Royal Arena Festivals in Orpund bei Biel. Zahlreiche Schweizer Gruppen, die Arena Graffiti Gallery und das Royal B-Boy Battle sorgen für das Sahnehäubchen. LUDACRIS ist DAS Highlight des diesjährigen Jubiläum-Festivals! Rapper, Schauspieler und Entertainer; kaum einer ist so vielseitig und erfolgreich wie Ludacris. Mit dem Aufstieg des Dirty South-Raps erkannte Chris Bridges aka Ludacris seine Chance und setzte sich an die Spitze dieser Bewegung. Der Vorzeige-Entertainer wird am Royal Arena Festival sein neues Album „Battle of Sexes“ vorstellen und ist ein würdiger Abschluss des Festivals 2010. Auch die Auftritte von REFLECTION ETERNAL (Talib Kweli & Hi-Tek), die ihr neues Album „Revolutions per Minute“ im Gepäck haben und SIDO (mit Liveband) gehören zu den meisterwarteten Höhepunkten. Hits wie „Strangers (Paranoid)“, „Midnight Hour“, „Mein Block“, „Schlechtes Vorbild“, „Strassenjunge“ oder „Der Himmel soll warten“ werden das Römerareal zum Erzittern bringen. Dem Auftritt der BOOT CAMP CLIK wird schon heftig entgegen gefiebert. Kein Wunder gehören die Jungs aus Brooklyn trotz Underground-Status doch zu den beliebtesten Live- Acts der Schweiz. Boot Camp wurde 1992 in Brooklyn gegründet und transportiert seither ehrlichen Eastcoast-Rap in die ganze Welt. MASTA ACE & EDO G, CHALI 2NA & BREAKESTRA, PROP DYLAN, EVIDENCE & ALCHEMIST, FREEWAY & JAKE ONE, FOREIGN BEGGARS, SNOWGOONS FEAT. SABAC RED und LORD LHUS vervollständigen das brillant besetzte internationale Line-Up, wobei es auch einiges Neues zu entdecken gibt! Natürlich ist auch die Schweizer Rap-Szene vertreten: GREIS, SAMURAI, RED GEE & KALMOO (TNN), IVORY MC, LA DIXION, ZEDE, MXX, 9MM, DACHS, LO & LEDUC. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
The Hilltop 11-22-1991
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-22-1991 The iH lltop 11-22-1991 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-22-1991" (1991). The Hilltop: 1990-2000. 39. http://dh.howard.edu/hilltop_902000/39 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. - Graduate school enhances research~ MORE FUNDS: Ayearaftera commission recommended that Howard become more research oriented, the Graduate School of Arts and Sciences has started a program to raise funds for more ed to bring in more money. students to conduct research. A3 By Depelsha R. Thomas ADUATE LOFAR Green is director of the Collaborative Core Unit Hilltop Staff Writer • in Labor, Race, and the Political Economy. DAVIS' DAY: Actor Ossie Davis He said, '''!'he~ groups are heading .attempts at will be on campus In acch{'dance with President Jenifer 's Howard Enrollment: 1,073 (based on 1990-91 figures) Howard Un1vers1ty to foster research systemati Monday as part of a 2000 pl')', the Graduate School of Arts and cally." lecture series spon Sciences 1s creating new initiatives to recruit top Number of programs: 30 Sadler said making the transition to a research sored by WHMM notch students and to make Howard a more institution is critical for the graduate school. -
How Nonviolent Warrior Feels on Firing Line in Rural Dixie
CHICAGO SUN-TIMES, Mon., May 20, 1963 STUDENTS7 ROLE IN RACIAL STRUGGLE How Nonviolent Warrior Feels On Firing Line In Rural Dixie Here is the second of two articles by strain of white hatred, threats, beatings, and the lawyer and the field hand and the Robert S. Bird of the New York Herald arrest, jail and even shootings? servant girls are all going to jail together. Tribune. His survey of Negroes' views Carver Neblett is 19 and a sophomore at Becomes Community Project on white America, described as "brilliant" Southern Illinois University, who has been "Then it is that we have become part of the by Walter Lippmann last week, has re on leave for more than a year. He was born community ourselves, and everybody is knit ceived widespread attention. into a sharecropper's family in rural Tennes together and the whole Negro group is ready see. The family moved north six years ago, to do anything—anything—to get their goal." By Robert S. Bird to Carbondale, 111., but he was not able to rid Carver was not able to express very well the Special from the New York Herald Tribune himself of the resentments he felt in growing quality of the peril which envelops such a up as a segregated Negro in the South. Snick-invaded rural Negro community like a I met Carver Neblett in about the same way When he was in his last year of high school chill miasma. But older and more mature you reach in and pull a number out of the hat. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
HACKING Cyber Activist CORY DOCTOROW’S HEAD
foursquare’s JON CROWLEY | LARP-apalooza | quarter-eating BOXES O’ FUN the guidebook to modern geek culture exclusive interview HACKING cyber activist CORY DOCTOROW’S HEAD WOMEN WORTH 25 YOUR WONDER inside the secret world of CHINESE GAMBLING how to fight a CYBORGS and LEGO MASTERS BEAR September 2010 VIOLENT US $5.95 | Canada $7.95 GAMING PUZZLES and COMIX POWER of POO SEPT 2010 • PREMIERE ISSUE • handshakemag.com 64 71 78 85 64 71 78 85 CORY DOCTOROW WONDER WOMEN PAI GOW STICK JOCKEYS The co-editor of BoingBoing Jane McGonigal aims to save The casino game attracts a Somewhere between historical takes on commercial Goliaths the world with gaming. Jill following among superstitious reenactment and live action role- with blogs, embraces fatherhood, Thompson captivates comic cults Chinese gamblers but playing, the men and women of and remembers Alice in with Wonder Woman. Summer overwhelms newcomers. Ragnarok turn a Pennsylvania Wonderland. Glau attends casting calls for sci- Singaporean sports gambler Ali campground into an epic fi shows. These 25 gals rule with Kasim went to Foxwoods Casino battlefield. keyboards, comics, and brains. to take on the veterans. WOMAN: YO MOSTRO HANDSHAKE SEPT 2010 3 93 52 44 xx 100 58 36 ANORAK DEPARTMENTS ETC. essay level up beaker duct tape / page 100 .Com-patibility / page 31 Supreme Censorship / page 41 Saved by Shit / page 52 Ponzi Scheme Why finding love online is Violent video games head to Dependence on foreign oil, Bernie made off like a bandit. more common – and more the Supreme Court in October. global warming, and agricultural Now you can too. -
2019 Catalog
2019 CATALOG Point Blank Music School 1215 Bates Avenue Los Angeles, CA 90029 (323) 282-7660 www.pointblanklosangeles.com This Catalog is effective from January 1 through December 31, 2019. Revised: November 20, 2019 Page 1 of 68 TABLE OF CONTENTS MISSION 4 OBJECTIVES 4 GENERAL INFORMATION 5 HISTORY AND OWNERSHIP 5 FACILITIES, EQUIPMENT, AND STUDIOS 5 HOURS 6 CLASS SCHEDULE 6 ACADEMIC CALENDAR 2019 6 ACADEMIC CALENDAR 2020 6 HOLIDAYS 7 APPROVALS 7 ADMISSIONS POLICIES AND PROCEDURES 8 POLICY 8 PROCEDURE 8 PROOF OF GRADUATION 8 ABILITY-TO-BENEFIT 8 NON-DISCRIMINATION 10 INTERNATIONAL STUDENTS AND ENGLISH LANGUAGE SERVICES 10 TRANSFER OF CREDIT 10 NOTICE CONCERNING TRANSFERABILITY OF CREDITS AND CREDENTIALS EARNED AT OUR INSTITUTION 10 ARTICULATION AGREEMENTS 10 PROGRAMS (RESIDENTIAL) 11 Music Production & Sound Design Master Diploma 13 Music Production & Sound Design Advanced Diploma 14 Music Production & Sound Design Diploma 15 Music Production Certificate 16 DJ/Producer Certificate 17 DJ/Producer Award 18 Complete DJ Award 19 Music Production & Composition Award 20 Sound Design & Mixing Award 21 Mixing & Mastering Award 22 Singing Award 23 Essential DJ Skills 24 Music Production 25 Music Composition 26 Sound Design 27 Art of Mixing 28 Audio Mastering 29 Creative Production & Remix 30 Music Business 31 Native Instruments Maschine 32 Singing 33 Advanced Singing 34 Weekend DJ 35 Ableton Production Weekend 36 Ableton Performance Weekend 37 Maschine Weekend 38 COURSE DESCRIPTIONS (RESIDENTIAL) 39 PROGRAMS (ONLINE) 42 Audio Mastering (Online) -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten. -
Andrew WK Lets Absurdism Flow at Largo | Pop & Hiss
Live review: Andrew W.K. lets absurdism flow at Largo | Pop ... http://latimesblogs.latimes.com/music_blog/2009/10/live-revie... Like 72K Subscribe/Manage Account Place Ad LAT Store Jobs Cars Real Estate Rentals Classifieds Custom Publishing ENTERTAINMENT LOCAL U.S. WORLD BUSINESS SPORTS ENTERTAINMENT HEALTH LIVING TRAVEL OPINION DEALS Weekly Ad MOVIES TELEVISION MUSIC CELEBRITY ARTS & CULTURE COMPANY TOWN CALENDAR THE ENVELOPE FINDLOCAL IN THE NEWS: JUSTIN BIEBER 'CELEBRITY APPRENTICE' DAVID SCHWIMMER 'GAME OF THRONES' PRINCESS BEATRICE Search Pop & Hiss L.A. Times on Facebook Like 72K THE L.A. TIMES MUSIC BLOG Supreme Court orders California to release tens of thousands of prison inmates « Previous Post | Pop & Hiss Home | Next Post » 16,402 people shared this. In Joplin, there was no time to Live review: Andrew W.K. lets absurdism flow at Largo prepare 459 people shared this. October 9, 2009 | 3:28 pm (0) (2) Comments (0) Senate votes to extend Patriot Act 313 people shared this. advertisement Stay connected: About the Bloggers The musician lets his avant-garde tendencies soar with the Calder Quartet. Chris Barton Andrew W.K. had just finished a piano-and-string-quartet version of his pop-metal hit "Party Hard" August Brown on Thursday night when a young man from the audience bum-rushed the stage at Largo at the Gerrick Kennedy Coronet. There he stood, seemingly waiting for another of W.K.'s jubilant rockers like "Party Til You Randy Lewis Puke" or "It's Time to Party." Todd Martens Ann Powers Instead, W.K. (whose given last name is Wilkes-Krier) and the renowned chamber group the Calder Randall Roberts Quartet opted to play two versions of John Cage's entirely silent composition "4:33." Margaret Wappler It made for a bit of a transcendently awkward moment for the enthusiastic fan, who rifled in his pockets and looked genuinely confused at this turn of events.