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Talking Book Topics March-April 2015
Talking Book Topics March–April 2015 Volume 81, Number 2 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to individuals who are blind or have a physically disability and who participate in the Library of Congress reading program. It lists digital audiobooks and magazines available through a network of cooperating libraries and covers news of developments and activities in network library services. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, access the NLS International Union Catalog online at loc.gov/nls or contact your local cooperating library. Talking Book Topics is available online in HTML at www.loc.gov/nls/tbt and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) service at http://nlsbard.loc.gov/. Library of Congress, Washington 2015 Catalog Card Number 60-46157 ISSN 0039-9183 Where to write Order talking books through your local cooperating library. If you wish to make changes in your current subscription, please also contact your local cooperating library. Patrons who are American citizens living abroad may request delivery to foreign addresses by contacting the overseas librarian by phone at (202) 707-5100 or e-mail at [email protected]. Only send correspondence about editorial matters to: Publications and Media Page 1 of 86 Section, National Library Service for the Blind and Physically Handicapped, Library of Congress, Washington DC, 20542-0002. -
A Short Analysis of Coleridge's 'Kubla Khan
A Short Analysis of Coleridge’s ‘Kubla Khan ‘Kubla Khan’ is perhaps the most famous unfinished poem in all of English literature. But why the poem remained unfinished, and how Samuel Taylor Coleridge came to write it in the first place, are issues plagued by misconception and misunderstanding. How should we analyse this classic poem by one of the pioneers of English Romanticism? In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round; And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher’s flail: And mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean; And ’mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. -
Spring 2021 Catalog REVISED(Fin)
FRONTLIST Lurkers 2–3 Summer Fun 4-5 The Revolution According to Raymundo Mata 6 Annie and the Wolves 7 Tante Eva 8 Malefactor 9 Mort(e) $9.99 Edition 9 I n Oklahoma! 10 The Perfect World of Miwako Sumida 10 Getting It in the Head 11 Crowe’s Requiem 11 2 From author and fi lmmaker Sandi Tan, director of the acclaimed documentary Shirkers, comes a novel about a neighborhood of immigrants, seekers, lovers, and lurkers. The residents of Santa Claus Lane do their best to stay out of each other’s way, but desire, fury and mischief too often propel these suburban neighbors to collide. Precocious Korean American sisters Mira and Rosemary fi nd their world rocked by a suicide, and they must fi ght to keep their home; a charismatic and creepy drama teacher grooms his students; a sardonic gay horror novelist fi nds that aging is more terrifying than any monster; and a white hippie mom and her adopted Vietnamese daughter realize that their anger binds them rather than pushes them apart. Lurkers is an homage to the rangy beauty of Los Angeles and the surprising power that we have to change the lives of those around us. SANDI TAN was born in Singapore. She directed the Netfl ix fi lm Shirkers, which won a Directing Award at the Sundance Film Festival, was named Best Documentary by the Los Angeles Film Critics Association, and was shortlisted for the Oscar for Best Documentary. The Black Isle was her debut novel. She’s lived in Los Angeles for 20 years but everyone still thinks she lives in New York. -
Library Notes Vol 10 No 1 Regular Save.Qxd
NOTES VOLUME 10, NUMBER 1, JANUARY 2003 S PECIAL P RESENTATION DONALD SPOTO BIOGRAPHY,ART AND CRAFT: A LECTURE/WORKSHOP SERIES PART I:THE CRAFT OF BIOGRAPHY:TECHNIQUE,METHODS AND MATERIALS TUESDAY,MARCH 18, 6:00 P.M., MEMBERS’ROOM PART II:THE ART OF BIOGRAPHY:TAKING LIVES SERIOUSLY WEDNESDAY,MARCH 19, 6:00 P.M., MEMBERS’ROOM Donald Spoto, who earned his Ph.D. in theology from Fordham University,is the author of 19 books, including highly praised biographies of Alfred Hitchcock,Tennessee Jerry Bauer Williams, Laurence Olivier, Marlene Dietrich, Marilyn Monroe, and Ingrid Bergman. His most recent books are best-selling biographies of Jesus of Nazareth and Francis of Assisi. His work has been translated into more than 25 languages, and reviewers praise his “impressive research skills,”“exhaustive thoroughness,”and “rich language, silken storytelling and tough scholarship.” “Inevitably,writing biography alters the perceptions of the writer - just as reading biography should alter the perceptions of the reader,”Spoto says.“The accurate and artful recreation of a life must, at its best, take us not only into the depths of the subject but also into those depths common to all life....Never a judge, the biographer must, however, assess the connecting threads of meaning in a subject’s life, and in so doing the biographer is unavoidably led to a consideration of the inner consistencies (or lack of them) in one’s own life.The best biographies enable the reader, as well, to experience this sort of thing.That these have been among the benefits of the biographer’s work has been a great blessing in my life. -
Kubla Khan” and Later Texts: Inspiration, Agency, and Interruption
Connotations Vol. 16.1-3 (2006/2007) The Person from Porlock in “Kubla Khan” and Later Texts: Inspiration, Agency, and Interruption LAURA M. WHITE Of late, literary criticism has focused on the socio-cultural agency of artistic production, writing in the material elided by the classical tradition of the Muse on the one hand and the Romantic figure of the autonomous genius on the other. We no longer read inspiration by the light of the Muse’s presence, or by the wan light cast by the candle in Chatterton’s garret; “inspiration” as a concept has come to seem an illusion that covers up the full story of the processes by which art comes into being, in which artists respond to large currents within their culture. Thus, older ideas about inspiration have been overshad- owed by a focus on artistic production as a complex series of negotia- tions between an artist and his or her culture, a turn much at odds with twenty-four centuries of thought about inspiration in the Western tradition. The gap between current explanations and those of the past reveal a central problem in aesthetics—how is art really created? Coleridge’s 1816 “Kubla Khan,” with its accompanying narrative about how the poem came into being and how its writing was prematurely stopped by a knock on the door, offers a figure that represents the cessation of inspiration: the person from Porlock. The person from Porlock stands for the interruption of inspiration, and this figure’s popularity in many subsequent narratives by authors writing in the late nineteenth and twentieth centuries shows that the issue of inspiration and its agency continues to vex our collective imagination. -
St Coleridge
The premier poet-critic of modern English tradition, he was a founder of the Romantic Movement in England and is known as the poet of the imagination. Poems like The Rime of the Ancient Mariner and Kubla Khan have inspired writers and musicians of the past and the present. SECTION SUMMARY 2 S.T. COLERIDGE • 1772: he was born in the remote Devon village of Ottery St. Mary, the tenth and youngest child of a school-master and vicar. Feelings of anomie, unworthiness, and incapacity started inside his family and persisted throughout a life of often compulsive dependency on others. • 1781: he was sent to Christ’s Hospital after the death of his father and in the London grammar school he would pass his adolescence training in Hebrew, Latin, and Greek, at which he excelled, and in English composition. 4 S.T. COLERIDGE • 1791: he matriculated at Jesus College, Cambridge, and there he composed a mass of occasional poetry. He was strongly influenced by the ideals of the French Revolution and showed from the beginning a convergence between politics and poetry. • 1794: after the disillusionment caused by the Reign of Terror, he planned a utopian commune-like society, called Pantisocracy, in Pennsylvania, founded on shared labor and shared rewards, so he left Cambridge, without taking a degree, but the scheme eventually collapsed. 5 S.T. COLERIDGE 1795: he married Sara Fricker and had three children. In the same period he developed a close friendship with the poet William Wordsworth, with whom he collaborated in the 1797-1799 period to write Lyrical Ballads. -
The Cambridge Companion to Coleridge
The Cambridge Companion to Coleridge Samuel Taylor Coleridge is one of the most influential, as well as one of the most enigmatic, of all Romantic figures. The possessor of a precocious talent, he dazzled contemporaries with his poetry, journalism, philosophy and oratory without ever quite living up to his early promise, or overcoming problems of dependency and drug addiction. The Cambridge Companion to Coleridge does full justice to the many facets of Coleridge’s life, thought and writing. Specially commissioned essays focus on his major poems, including ‘The Rime of the Ancient Mariner’ and ‘Christabel’, his Notebooks, and his major work of non-fiction, the Biographia Literaria. Attention is given to his role as talker, journalist, critic and philosopher; to his politics, his religion, and his reputation in his own times and afterwards. A chronology and guides to further reading complete the volume, making this an indispensable guide to Coleridge and his work. lucy newlyn is Fellow and Tutor in English at St Edmund Hall, Oxford. She is an authority on Coleridge and Wordsworth, and has published exten- sively on English Romanticism. Her publications include Coleridge, Words- worth and the Language of Allusion (1986), ‘Paradise Lost’ and the Romantic Reader (1993), and Reading, Writing and Romanticism: The Anxiety of Reception (2000), all with Oxford University Press. Cambridge Companions Online © Cambridge University Press, 2006 Cambridge Companions Online © Cambridge University Press, 2006 CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the Classic edited by P. E. Easterling Russian Novel The Cambridge Companion to Old English edited by Malcolm V. -
PDF Download in Xanadu Ebook
IN XANADU PDF, EPUB, EBOOK William Dalrymple | 314 pages | 18 Sep 2012 | Vintage Books | 9780307948885 | English | New York, United States In Xanadu PDF Book Rashid Khalidi. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! Eager to be a success, Dalrymple's attempts to make people laugh comprise of mining the Englishman's guidebook to stereotyping the rest of the world. But oh! He does not even spare his female travel companions. These three, 'The Ancient Mariner,' 'Christabel,' and 'Kubla Khan,' produced an aura which defies definition, but which might be properly be called one of 'natural magic. It is relatively small in size giving the reader a feeling of it being edited of the lengthy descriptions the author may have in mind. However, Coleridge describes Khan in a peaceful light and as a man of genius. DK Eyewitness. Answer to a Child's Question Do you ask what the birds say? There are no discussion topics on this book yet. I recall the casual racism of the mid 80s far too well and some of his observations about racial groups just feel icky viewed from a perspective - for example, the men of Iran are casually dismissed as 'effeminate' which I'm pretty sure guarantees that WD won't be invited back any time soon and he seems utterly unsympathetic to the Uighers, today a highly persecuted ethnic group within China. See More By This Poet. A Fragment". Start here:. Dec 18, Kartik rated it liked it. The Friendship. Kitty Burns Florey. Arthur Wilson ed. -
Foreign Rights Guide London International Book Fair 2020
Foreign Rights Guide London International Book Fair 2020 www.thegernertco.com [email protected] fiction Doubleday – April 28, 2020 Welcome back to Camino Island, where anything can happen —even a murder in CAMINO WINDS the midst of a hurricane, which might prove to be the perfect crime . John Grisham Just as Bruce Cable’s Bay Books is preparing for the return of bestselling author Mercer Mann, Hurricane Leo veers from its predicted course and heads straight for the island. Florida’s governor orders a mandatory evacuation, and most residents board up their houses and flee to the mainland, but Bruce decides to stay and ride out the storm. The hurricane is devastating: homes and condos are leveled, hotels and storefronts ruined, streets flooded, and a dozen people lose their lives. One of the apparent victims is Nelson Kerr, a friend of Bruce’s and an author of thrillers. But the nature of Nelson’s injuries suggests that the storm wasn’t the cause of his death: He has suffered several suspicious blows to the head. Who would want Nelson dead? The local police are overwhelmed in the aftermath of the storm and ill equipped to handle the case. Bruce begins to wonder if the shady characters in Nelson’s novels might be more real than fictional. And somewhere on Nelson’s computer is the manuscript of his new novel. Could the key to the case be right there—in black and white? As Bruce starts to investigate, what he discovers between the lines is more shocking than any of Nelson’s plot twists—and far more dangerous. -
Coleridge and Kubla Khan Leaflet
KK leaflet A3:Layout 1 6/12/11 14:49 Page 1 Coleridge Memorial Project The person from Porlock - and what happened to the M5 rest of Kubla Khan. Cullompton 28 A373 30 When Coleridge finally published Kubla Khan he prefaced A the poem with this story about its origins: Honiton ‘The following fragment is here published at the request of a poet Ottery St Mary of great and deserved celebrity,and as far as the Author’s own opinions are concerned, rather as a psychological curiosity,than on the ground of any supposed poetic merits. In the summer of the year 1797, the Author, then in ill health, had A375 retired to a lonely farm-house between Porlock and Linton, on the A30 B3174 7 Exmoor confines of Somerset and Devonshire. In consequence of a 29 B317 slight indisposition, an anodyne had been prescribed, from the effects of which he fell asleep in his chair at the moment that he 30 was reading the following sentence, or words of the same substance, Exeter Sidmouth in “Purchas’s Pilgrimage:" “Here the Khan Kubla commanded a M5 A3052 palace to be built, and a stately garden thereunto.And thus ten miles of fertile ground were inclosed with a wall.”The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid Information for visitors confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in Tourist Information Centre which all the images rose up before him as things, with a parallel 10a, Broad Street, EX11 1BZ Tel.01404 813964 production of the correspondent expressions, without any sensation email [email protected] web:www.otterytourism.org.uk or consciousness of effort. -
Kubla Khan Study Guide
Kubla Khan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary: The Poem “Kubla Khan,” one of the most famous and most analyzed English poems, is a fifty-four-line lyric in three verse paragraphs. In the opening paragraph, the title character decrees that a “stately pleasure-dome” be built in Xanadu. Although numerous commentators have striven to find sources for the place names used here by Samuel Taylor Coleridge, there is no critical consensus about the origins or meanings of these names. The real-life Kubla Khan, a thirteenth century Mongolian general and statesman who conquered and unified China, lived in an elaborate residence known as K’ai-p’ing, or Shang-tu, in southeastern Mongolia. Coleridge’s Kubla has his palace constructed where Alph, “the sacred river,” begins its journey to the sea. The construction of the palace on “twice five miles of fertile ground” is described. It is surrounded by walls and towers within which are ancient forests and ornate gardens “bright with sinuous rills.” Xanadu is described more romantically in the second stanza. It becomes “A savage place! as holy and enchanted/ As e’er beneath a waning moon was haunted/ By woman wailing for her demon-lover!” It is inhabited not by Kubla’s family and followers, but by images from Coleridge’s imagination. -
Unquiet Things
8QTXLHW7KLQJV &ROLQ-DJHU 3XEOLVKHGE\8QLYHUVLW\RI3HQQV\OYDQLD3UHVV &ROLQ-DJHU 8QTXLHW7KLQJV6HFXODULVPLQWKH5RPDQWLF$JH 3KLODGHOSKLD8QLYHUVLW\RI3HQQV\OYDQLD3UHVV 3URMHFW086( :HE)HEKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780812290400 Access provided by University of California @ Berkeley (15 Oct 2015 18:52 GMT) chapter 4 Coleridge at Sea: ‘‘Kubla Khan’’ and the Invention of Religion I found myself all afloat. —Samuel Taylor Coleridge, Biographia Literaria, Chapter 10 (1817) In the Preface attached to ‘‘Kubla Khan’’ when it was finally published in 1816, Samuel Taylor Coleridge wrote that he took an ‘‘anodyne’’ and then fell asleep in his chair as he was reading some lines from a seventeenth- century travel book called Purchas His Pilgrimage. He reported that he ‘‘con- tinued for about three hours in a profound sleep, at least of the external senses, during which time he had the most vivid confidence, that he could not have composed less than from two to three hundred lines; . without any sensation or consciousness of effort.’’1 When he woke up, he ‘‘instantly and eagerly’’ started writing down the lines given him in his dream. Before long, though, a ‘‘person on business from Porlock’’ interrupted him, and when he returned to his desk all that remained was a ‘‘vague and dim recollec- tion of the general purpose of the vision’’ together with a few scattered images. The likely fabrication of this entire episode notwithstanding, ‘‘Kubla Khan’’ has long stood as the archetypal example of the visionary imagination interrupted by the business of mundane life. The goal of this chapter is to reconstruct the import and meaning of this event, in particular its appeal to Purchas as the context of its visionary dreaming.