PDF Download in Xanadu Ebook
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
November 2, 2019 Julien's Auctions: Property From
JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN Four-Time Grammy Award-Winning Pop Diva and Hollywood Superstar’s Iconic “Grease” Leather Jacket and Pants, “Physical” and “Xanadu” Wardrobe Pieces, Gowns, Awards and More to Rock the Auction Stage Portion of the Auction Proceeds to Benefit the Olivia Newton-John Cancer Wellness & Research Centre https://www.onjcancercentre.org NOVEMBER 2, 2019 Los Angeles, California – (June 18, 2019) – Julien’s Auctions, the world-record breaking auction house, honors one of the most celebrated and beloved pop culture icons of all time with their PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN (OBE, AC, HONORARY DOCTORATE OF LETTERS (LA TROBE UNIVERSITY)) auction event live at The Standard Oil Building in Beverly Hills and online at juliensauctions.com. Over 500 of the most iconic film and television worn costumes, ensembles, gowns, personal items and accessories owned and used by the four-time Grammy award-winning singer/Hollywood film star and one of the best-selling musical artists of all time who has sold 100 million records worldwide, will take the auction stage headlining Julien’s Auctions’ ICONS & IDOLS two-day music extravaganza taking place Friday, November 1st and Saturday, November 2nd, 2019. PAGE 1 Julien’s Auctions | 8630 Hayden Place, Culver City, California 90232 | Phone: 310-836-1818 | Fax: 310-836-1818 © 2003-2019 Julien’s Auctions JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN PRESS RELEASE The Cambridge, England born and Melbourne, Australia raised singer and actress began her music career at the age of 14, when she formed an all-girl group, Sol Four, with her friends. -
Samuel Taylor Coleridge and the Genesis of the OED
University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature. -
Audition Packet for Xanadu JR and Much Ado About Nothing
Audition Packet for Xanadu JR and Much Ado About Nothing XANADU JR Director: Robert Lee Robert is the Artistic Director of The Underground Theatre. Originally from Louisiana, Robert has worked in many spots around the country as a Theatre artist. He is beyond ecstatic to be working on the hilarious Xanadu, it's been on his bucket list for years. His Duluth directing credits include Hedwig and The Angry Inch, Clown Bar, Cabaret, 1984, Death of a Salesman (The Underground), Peter Pan, It Runs in the Family (The Playhouse), Cat in the Hat, Willy Wonka, James and the Giant Peach, Fantastic Mr. Fox, and Some Sneaky Sheep (The Playhouse Family Theatre), Rx (Renegade Theater Company). He also regularly appears on the Renegade stage as an improviser. MUCH ADO ABOUT NOTHING Director: Christina Stroup Christina Stroup was hired to perform in The Full Monty this past summer and she fell so in love with Duluth, she moved here from Houston, TX! Recently she appeared on the NorShor stage in Don’t Dress For Dinner and Rags to Ritzes. Christina has been a professional actress for over 10 years and is a proud Actor’s Equity member. She’s worked regionally all over the U.S. Christina graduated with a BFA in musical theater and opera from Sam Houston State University. In the past few years, Christina started directing and found a new passion for theater. She’s directed many variety shows and musicals. A personal favorite is Once On This Island Jr. Christina performed in A Midsummer Night’s Dream at the Lone Star Festival in London. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Coleridge and 'Real Life' Tragedy
From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 29 (NS) Summer 2007 © 2007 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm Coleridge and ‘Real Life’ Tragedy Chris Murray ____________________________________________________________________________________________ OLERIDGE, literary critic, voracious reader and chief theorist of the CRomantic Imagination, is not obvious for analysis as an author who writes from real life, and among his most familiar statements are those that discourage the reader such from attention. His own contributions to the Lyrical Ballads Coleridge recalls as being primarily ‘directed to persons and characters supernatural’, and in ‘Dejection: An Ode’, he regrets the extent of his dedication to dehumanising, ‘abstruse research’ (‘Dejection’, l. 89).1 However, Coleridge’s poetic voice is not exclusively indebted to literature. In his preface to ‘The Three Graves’, which Coleridge took over from Wordsworth in 1797 but did not complete, he indicates the poem’s origins: ‘The outlines of the Tale are positive Facts, and of no very distant date’. A letter to Thomas Poole of 1809 indicates Coleridge’s continued interest in catastrophes befalling actual people: ‘Do, do let me have that divine narrative of Robert Walford.’2 Coleridge’s letter alludes to an incident related to him by Poole in 1797. In 1789 John Walford, a charcoal burner, murdered his wife, but became a sympathetic figure despite his crime. Walford’s wife was faulted in accounts of her death as the saboteur of Walford’s engagement to Anne Rice of Adscombe, whose fidelity to Walford to the time of his execution added to the pathos of the episode.3 Due to increasing incidents of murder in Somersetshire, the unconventional decision was made to hang Walford in public and to display his corpse; his exemplary death cast him as a sacrificial victim and therefore a tragic figure. -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
THE SKILLS of XANADU by Theodore Sturgeon ______Copyright © 1956 by Galaxy Publishing Corp
file:///G|/Program%20Files/eMule/Incoming/Theodore%20Sturgeon%20-%20The%20Skills%20of%20Xanadu.txt THE SKILLS OF XANADU by Theodore Sturgeon ______________________________________________________________ Copyright © 1956 by Galaxy Publishing Corp. eBook scanned & proofed by Binwiped 11-25-02 [v1.0] AND THE SUN went nova and humanity fragmented and fled; and such is the self-knowledge of humankind that it knew it must guard its past as it guarded its being, or it would cease to be human; and such was its pride in itself that it made of its traditions a ritual and a standard. The great dream was that wherever humanity settled, fragment by fragment by fragment, however it lived, it would continue rather than begin again, so that all through the universe and the years, humans would be humans, speaking as humans, thinking as humans, aspiring and progressing as humans; and whenever human met human, no matter how different, how distant, he would come in peace, meet his own kind, speak his own tongue. Humans, however, being humans-- Bril emerged near the pink star, disliking its light, and found the fourth planet. It hung waiting for him like an exotic fruit. (And was it ripe, and could he ripen it? And what if it were poison?) He left his machine in orbit and descended in a bubble. A young savage watched him come and waited by a waterfall. "Earth was my mother," said Bril from the bubble. It was the formal greeting of all humankind, spoken in the Old Tongue. "And my father," said the savage, in an atrocious accent. -
KC Stage Magazine
$5 MARCH 2012 magazine $5 MAY 2012 WWW.KCSTAGE.COM STEVE THOMPSON Gilchrist t t t t t t t t t t t t YOUR ad could go right here. t t See back panel for details! t waNT to TRY SOMETHING t NEW?! t belly dance classes! ·Belton ·Brookside ·Midtown KC ·Lee’s Summit Performances in KC + beyond. Available for Girls’ Night In, Bachelorette Parties, Wedding Receptions & MORE! NEXT MONTH’S [troupeduende.com] SPOTLIGHT: MARCUS MULL Blog Notes www.kcstage.com/blog Artist Inc Receives National MAC’s Budget Increased Foundation Grant The Missouri House budget committee Artist INC, a collaborative partnership voted to add $600,000 to the Missouri Arts of the Charlotte Street Foundation, the Council’s budget. Since the governor has Arts Council of Metropolitan Kansas recommended an additional $600,000, City, and the UMKC Innovation Center, it brings the recommended amount received a $30,000 grant from the Emily to $1.2 million. The committee also Hall Tremaine Foundation, a Connecticut- recommended an increase of $100,000 based national arts funder, to support to Missouri Humanities Council, Public business training seminars for local artists. Broadcasting, Historic Preservation, and The Artist INC grant is the first Tremaine the Library Networking Fund. For more Foundation award given to a Kansas advocacy news, check with the Missouri Citizens for the Arts at www.mo4arts.org. City program or organization. For more Cover photo by Bob Compton information, visit www.artistinckc.com. New Administrative Top Billing Kansas City Young Audiences Appointments -
Pdf, 328.81 KB
00:00:00 Oliver Wang Host Hi everyone. Before we get started today, just wanted to let you know that for the next month’s worth of episodes, we have a special guest co-host sitting in for Morgan Rhodes, who is busy with some incredible music supervision projects. Both Morgan and I couldn’t be more pleased to have arts and culture writer and critic, Ernest Hardy, sitting in for Morgan. And if you recall, Ernest joined us back in 2017 for a wonderful conversation about Sade’s Love Deluxe; which you can find in your feed, in case you want to refamiliarize yourself with Ernest’s brilliance or you just want to listen to a great episode. 00:00:35 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:41 Oliver Host Hello, I’m Oliver Wang. 00:00:43 Ernest Host And I’m Ernest Hardy, sitting in for Morgan Rhodes. You’re listening Hardy to Heat Rocks. 00:00:47 Oliver Host Every episode we invite a guest to join us to talk about a heat rock. You know, an album that’s hot, hot, hot. And today, we will be taking a trip to Rydell High School to revisit the iconic soundtrack to the 1978 smash movie-musical, Grease. 00:01:02 Music Music “You’re The One That I Want” off the album Grease: The Original Soundtrack. Chill 1950s rock with a steady beat, guitar, and occasional piano. DANNY ZUKO: I got chills, they're multiplying And I'm losing control 'Cause the power you're supplying It's electrifying! [Music fades out as Oliver speaks] 00:01:20 Oliver Host I was in first grade the year that Grease came out in theaters, and I think one of the only memories I have about the entirety of first grade was when our teacher decided to put on the Grease soundtrack onto the class phonograph and play us “Grease Lightnin’”. -
Link to Coleridge Poems
1 Poems for S. T. Coleridge Edward Sanders 1. Coleridge won a medal his 1st year in college (Cambridge 1792) for a “Sapphic Ode on the Slave Trade” 2. Pantisocracy Sam Coleridge and Bob Southey conceived of Pantisocracy in 1794 just five years after the beautiful tearing down of the Bastille twelve couples would found an intentional community on the Susquehanna River which flows from upstate New York ambling for hundreds of miles down thru Pennsylvania & emptying into the Chesapeake Bay The plan was to work maybe 2-3 hours a day with sharing of chores Each couple had to come up with 125 pounds So Southey & Coleridge strove to earn their shares through writing C. wrote to Southey 9-1-94 2 that Joseph Priestly might join the Pantisocrats in America The scientist-philosopher had set up a “Constitution Society” to advocate reform of Parliament inaugurated on Bastille Day 1791 Then “urged on by local Tories” a mob attacked & burned Priestly’s books, manuscripts laboratory & home so that he ultimately fled to the USA. 3. Worry-Scurry for Expenses In Coleridge from his earliest days worry-scurry for expenses relying on say a play about Robespierre writ w/ Southey in ’94 (around the time Robe’ was guillotined) to pay for their share of Pantisocracy on the Susquehanna & thereafter always reliant on Angels & the G. of S. Generosity of Supporters & brilliance of mouth all the way thru the hoary hundreds 3 4. Coleridge & Southey brothers-in-law —the Fricker sisters, Edith & Sarah Coleridge & Sarah Fricker married 10-4-95 son Hartley born September 19, 1996 short-lived Berkeley in May 1998 Derwent Coleridge on September 14, 1800 & Sara on Dec 23, ’02 5. -
Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism. -
A Short Analysis of Coleridge's 'Kubla Khan
A Short Analysis of Coleridge’s ‘Kubla Khan ‘Kubla Khan’ is perhaps the most famous unfinished poem in all of English literature. But why the poem remained unfinished, and how Samuel Taylor Coleridge came to write it in the first place, are issues plagued by misconception and misunderstanding. How should we analyse this classic poem by one of the pioneers of English Romanticism? In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round; And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher’s flail: And mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean; And ’mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves.