In -Store Play Issue Dìvìdes Canadian Retailers, Publishers

Total Page:16

File Type:pdf, Size:1020Kb

In -Store Play Issue Dìvìdes Canadian Retailers, Publishers nternatìonaT H E L A T E S T N E W S A N D V I E W S F R O M A R O U N D H E W O R L D In -Store Play Issue Dìvìdes Canadian Retailers, Publishers Performing Right Agency SOCAN Proposes To Collect Royalties On Merchants' Use Of Music BY LARRY LeBLANC music is in other commercial SOCAN. However, we hadn't any retail." TORONTO -A simmering dis- establishments and, as such, All merchandisers heard anything from them since." Reflecting the heat surround- pute between Canadian music should be licensed under the Industry sources say the issue ing the issue, two prominent pub- retailers and publishers regard- applicable tariff. In the news- utilizing music to between SOCAN and music lishers, both on the SOCAN board ing payment for the in -store play letter, SOCAN claimed that offi- retailers has intensified as the of directors, refused to be drawn of music is about to boil over. At cials of RMAC -whose 10 mem- sell goods should performing right society clamps into the controversy. Pat Camp- stake, say industry sources, is bers account for 60% of music pay this down on the in -store use of its bell, GM of Warner /Chappell payment of $2 million Canadian retail sales in Canada -had tariff' music by all Canadian retailers. Music Canada, says, "I'm uncom- ($1.3 million) annually. refused to discuss music licensing - PAUL SPURGEON - If SOCAN, they say, does not fortable stating a position on The confrontation has been on the basis that its members specifically challenge music mer- this." heating up since earlier this year, were promoting record sales by chants, it opens itself up to ap- "I can't possibly comment," when SOCAN- Canada's sole per- in -store music use and thus but they wouldn't meet with us. peals by those retailers current- says EMI Music Publishing Cana- forming right organization - should not have to pay licensing We are prepared to discuss the ly paying a tariff to the da president Michael McCarty. informed the Retail Music Assn. of fees. application of the tariff if they government- operated Canadian "This is going to be a highly Canada (RMAC) that it would seek "SOCAN intends to seek the li- want to discuss it. So far we Copyright Board, which has the charged emotional issue, and I collection of license fees from all censing of its members' music," haven't heard anything from jurisdiction to fix royalties paid don't want to play it out in public. Canadian music retailers for the says Paul Spurgeon, general them." for use of music performed in SOCAN is capable of handling public performance of music in counsel of SOCAN. He warns that However, at RMAC, president public. any discussion." their stores. It's a move that SOCAN is prepared to legally Ken Koze says, "I thought this "SOCAN has been procrasti- While a performing right divides publishers and labels -and challenge those retailers using issue had been nipped in the bud." nating on this issue as long as it license fee for the use of back- that has enraged retailers. music without a license. Koze, purchasing manager of could," says a publishing source. ground music is standard inter- In a newsletter to its members "We're planning to take them Handleman Co. of Canada, was However, "If they continued being nationally, a statutory exemption in June, SOCAN insisted that to court," he says. "Every busi- elected June 1. "This issue came selective in enforcing the tariff, exists for most music retailers in such music use has to be treated ness that uses music should pay. up nine months ago and generat- there could be substantial attacks the U.S. "There is a record store the same way as background We tried to sit down with RMAC, ed a [return] letter from us to on its right to license [music for] (Continued on page 53) BMG Adds TLC, France, Spain Get MIV Houston Tracks English Is Primary Language For French Channel This story was prepared by Em- sion results from studies undertaken by To Project leus manuel Legrand in Paris and Howell the channel to figure out the best way Llewellyn in Madrid. to service French viewers. The local BY STEVE McCLURE music market -as TOKYO -Songs by major BMG As of June 20, French viewers can with much French acts such as Whitney Houston, tune in to their own localized channel culture -is deter- Annie Lennox, and TLC have of MTV-but they'll be listening to minedly indepen- been added to the list of tracks Ten And Ten Is ... A double celebration for the Corrs, marking their 10th presenters speaking in English. dent and committed available for free download on the anniversary as a performing act and racking up total European sales of more The launch of the new channel, to French-language Web site of Project Zeus, a Sin- than 10 million units for their three albums: "Forgiven, Not Forgotten," "Talk known as MTVf-although it will not repertoire. gapore -based consortium con- On Corners," and "The Corrs Unplugged." Atlantic Records and Warner Music use that identity on- air -came as However, Brent ducting a three - Europe commemorated the double milestone by presenting each member of MTV announced plans to introduce a Hansen, president/ HANSEN month public the band with a special plaque recently at London's Air Studios. Shown, from Spain -only channel in September. CEO of MTV Net- trial in secure left, are Sharon Corr; Caroline Corr; Fran Lichtman, Atlantic Records senior The new French channes will contin- works Europe, says its research digital music VP /international; John Hughes, the Corrs' manager; Jim Corr; and Andrea Corr. ue to be presented in English, with the showed that the international aspect distribution addition of French subtitles. The deci- of MTV and the English language (Billboard, remain among its key attractions in a June 3). market where there is already a BMG Enter- wealth of French -language music SMELLIE tainment Asia U.K. Music Biz To Honor Atlantic founder Ertegun channels with a strong local content. Pacific is one Hansen admits that MTV "cannot of two record LONDON -The ninth annual British the latter including the BRIT School in the U.K. music business, such as compete with local music channels" but companies taking part in Project Record Industry Trust (BRIT trust) for Performing Arts and Technology. Chris Blackwell, Richard Branson, adds, "We'd like to Zeus. (The other is Thai label dinner will honor Atlantic Records co- Andersen Consulting is sponsoring and Robert Stigwood, have also had dig deeper into the Grammy.) The high -profile founder and Atlantic Group co- chair- the occasion. Ertegun will be the first long ties with Ertegun. French market." He tracks added to the Web site man/co-CEO Ahmet Ertegun Oct. 17 non -U.K. -based executive to receive A U.S. television series about Sun says the viewers' (click2music- zeus.com.sg /) are in London. the BRIT trust's award and only the Records is one of Ertegun's current preference for the Houston's "If I Told You That," The accolade is intended to reflect second American. (The first was for- projects, even as he continues an active non -French aspects Lennox's "Why," TLC's "No Ertegun's decades -long association mer PolyGram U.K. chairman Mau- role at the helm of Atlantic Records, of MTV came as "a Scrubs," Trademark's "Amazed," with British talent and, in particular, rice Oberstein, honored in 1993.) the company he co- founded in 1947. big surprise" to the Lou Bega's "Mambo No. 5 (A Lit- his role in the American success of Among the biggest -selling record- The soundtrack for the Sun documen- broadcaster. "[But] tle Bit Of ...)," and Gil's "Out Of such acts as the Rolling Stones, Gene- ings in Atlantic Records' history are tary is being produced by Ertegun. we asked the audi- My Bed." Other songs by major sis, Phil Collins, Bad Company, the Bee albums by Led Zeppelin, Phil Collins, The first track already completed fea- ence what they wanted, and that's what BMG artists are set to be added Gees, Yes, Led Zeppelin, and Cream. and Cream. In addition, singles by tures Paul McCartney. they answered. They wanted us to to the site's selection of down - The fund -raising event, which will Donna Lewis, Mark Morrison, and Previous recipients of the BRIT remain more international." loadable files July 1. be held at London's Grosvenor House Everything But The Girl-all British trust's award include John Barry, Sir Besides France itself, MTVf- (Continued on page 73) Hotel, is to benefit Nordoff- Robbins acts -became major U.S. hits for the George Martin, and Andrew Lloyd launched June 20- covers the French- Music Therapy and the BRIT trust, label during the '90s. Key executives Webber. (Continued on page 73) 44 www.billboard.com BILLBOARD JULY 8,2000 www.americanradiohistory.com.
Recommended publications
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • MUSIC of IRELAND Fact Sheet PRESS FINAL
    Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music
    [Show full text]
  • IRELAND New Developments, Trends and In-Depth Information on Selected Issues
    2006 NATIONAL REPORT (2005 Data) TO THE EMCDDA by the Reitox National Focal Point IRELAND New Developments, Trends and in-depth information on selected issues REITOX ACKNOWLEDGEMENTS This report is very much the result of collaborative work within and outside the Drug Misuse Research Division. We would like to thank very sincerely those people working in the drugs area who gave generously of their time to inform us about recent developments in their areas of work. It is not possible to name all these people but the agencies with which they are affiliated are acknowledged as follows: An Garda Síochána Central Treatment List Coroner Service Customs Drug Law Enforcement of the Revenue Commissioners Department of Health and Children Department of Community, Rural and Gaeltacht Affairs Department of Justice, Equality and Law Reform Department of Social and Family Affairs Department of Education and Science Garda National Drugs Unit Forensic Science Laboratory Health Service Executive Health Protection Surveillance Centre Addiction service managers, drug treatment facilities and general practitioners General Mortality Register Voluntary and community groups and academic researchers. We would specially like to thank the following: Mr Eddie Arthurs, Dr Joe Barry, Mr Mel Bay, Ms Deirdre Begley, Ms Carmel Brien, Ms Joan Byrne, Ms Caroline Comar, Mr Michael Conroy, Ms Caroline Corr, Dr Des Corrigan, Mr Niall Cullen, Ms Aoife Davey, Ms Aileen Dooley, Ms Cepta Dowling, Dr Brian Farrell, Ms Mary Johnston, Ms Kerry Lawless, Mr Joseph Keating, Dr Eamon
    [Show full text]
  • Craig Mcmurdo the World Famous the Sound Was Dance Orchestra Floorshow Just Superb...” SAGA 105.2FM 2 4 6
    Excellence in Entertainment …what a wonderful“ night… the music choice was perfect and Introduction The Craig McMurdo The World Famous the sound was Dance Orchestra Floorshow just superb...” SAGA 105.2FM 2 4 6 ..it was a pleasure “to work with you and your team and the show Other Packages was fantastic...” H.I.T. SCOTLAND 8 1 …you really made the“ wedding… thank you, thank you, thank you… Corporate Highlights you’re the greatest…” CONTENTS EMMA & STEVEN McCOLL 10 …great atmosphere… “the perfect playlist... guests were thrilled... Client List it was terrific...” WALT DISNEY THEATRICAL (UK) LTD 12 y combining the “wow factor” onstage with thorough, co-ordinated planning and management behind the scenes, he continuously achieves his goal of exceeding expectations at every performance. …a born entertainer… B “ the best show Craig McMurdo is the ultimate entertainer for private and corporate I’ve seen. ” entertainment be it music for dancing, cabaret or background with complete THE SCOTSMAN and tailored packages available to suit each and every event from a charity ball or wedding reception to a gala launch or premiere. It’s no wonder his client and venue raig McMurdo has been thrilling audiences around the globe for over list reads like a who’s who but then two decades; from humble beginnings on the Edinburgh Festival Fringe the very best demand the very best. Cto performing at private parties for such luminaries as HRH Prince Charles, actor Paul Newman and a multitude of Sir Cameron Mackintosh’s “…a night to remember… opening night parties. a joy to work with…” CAMERON MACKINTOSH LTD Originally making his name in the field of Jazz and Swing, with countless 2 INTRODUCTION television, radio, festival and theatre appearances both in the UK and world INTRODUCTION 3 wide as well as releasing six albums to date, he has, over the years, developed his voice to encompass a remarkable range of styles from Rat Pack to rock ‘n roll, pop to classic soul.
    [Show full text]
  • IRELAND New Developments, Trends and In-Depth Information on Selected Issues
    2004 NATIONAL REPORT TO THE EMCDDA by the Reitox National Focal Point IRELAND New Developments, Trends and in-depth information on selected issues REITOX Table of Contents Summary ....................................................................................................................3 Part A: New Developments and Trends...................................................................8 1. National Policies and Context .......................................................................8 2. Drug Use in the Population..........................................................................19 3. Prevention .....................................................................................................24 4. Problem Drug Use.........................................................................................30 5. Drug-Related Treatment ...............................................................................40 6. Health Correlates and Consequences ........................................................51 7. Responses to Health Correlates and Consequences................................58 8. Social Correlates and Consequences.........................................................71 9. Responses to Social Correlates and Consequences ................................81 10. Drug Markets .................................................................................................83 Part B – Selected Issues .........................................................................................94 11. Buprenorphine:
    [Show full text]
  • Fall 2018/Spring 2019 Spotlight Newsletter
    Newsletter Issue 7 - Fall 2018/Spring 2019 The Only Constant By Dr. James Bell, Dean of Faculty the lion’s share of prep work for Ellucian, breathless students hanging on my every The old cliché is that change is the but we have been (or will be) forced word, then free associating about the text’s only constant. Cliché or not, many of us to face the disorientation that comes significance, but teaching is no longer (Was live that reality. I think about some of the with change to outmoded but familiar it ever?) that. Our students often bring changes that currently impact me: new systems. As for my heel, the phrase “re- elevated expectations and diminished windows for the Fine Arts building, the anchor the tendon to the bone” probably preparation to the classroom; demands implementation of a new information says all it needs to say about discomfort. for “accountability,” some well-intentioned system for the entire campus community, A second and maybe significant and others driven by political concern, and a new (or vastly improved) Achilles theme of these recent changes is shape the university environment; and if Tendon and spur-free heel for me later inevitability. In each case, the simple we are honest, it is hard to keep up with this week. Though the installation is reality is that things have worn out or technological and cultural change. still in progress, the new windows have no longer meet the needs they were And yet those changes are here. already made a significant improvement intended to meet.
    [Show full text]
  • Farewell to a Man, and to an Era
    September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M.
    [Show full text]
  • Boston Irish March 2020
    Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty.
    [Show full text]
  • International Headquarters PO Box 1716 • Morristown, NJ 07962 Tel: 973‐605‐1991
    International Headquarters PO Box 1716 • Morristown, NJ 07962 Tel: 973‐605‐1991 www.iaci‐usa.org Welcome to the latest edition of the IACI e-news. Founded in 1962, the IACI is the leading Irish American cultural organization. The IACI is a federally recognized 501(c)(3) not-for-profit national organization devoted to promoting an intelligent appreciation of Ireland and the role and contributions of the Irish in America. Guest contributors are always welcome! Please note, the IACI is an apolitical, non-sectarian organization and requests that contributors consider that when submitting articles. The IACI reserves the right to refuse or edit submissions. The views and opinions expressed in this newsletter are solely those of the original authors and other contributors. These views and opinions do not necessarily represent those of the IACI or any/all contributors to this site. Please submit articles for consideration to [email protected]. To continue reading articles contained in this latest e-news, please scroll through the following pages. An Irish American Spring Break by Raymond D. Aumack It was a special time in Philadelphia. It was the season of graduations from Pennsylvania’s many colleges and universities. The queen of the universities is the University of Pennsylvania with her long and storied Ivy League history. June Gilliam, who had completed her Ph.D. studies a few months before, was to go through a formal graduation ceremony. Brian Garvey, her boyfriend, had arranged for a surprise party-dinner at his family’s country club for her family and close friends. He had contacted June’s parents and arranged for chauffeured limo transportation from Carlisle, for them and June’s two younger sisters.
    [Show full text]
  • Creating Change
    CREATING CHANGE CREATING CHANGE Innovations in the World of Disability “Fortunately amidst this economic gloom, Creating Change is a shining light. Creating Change presents a unique and inspiring set of stories of Ashoka Fellows across the world, whose work not only changes the lives ■ of individuals with disabilities and their families, but also how commu- Innovations in the World of nities, business and governments welcome and include people with disabilities as valued and contributing citizens. The sixteen Ashoka Fellows are all recognized leaders and social innovators in the !eld of disability. Together these pioneers are creating a new paradigm of disability that has the potential for domestic and global impact.” Eddie Bartnik, Director of Metropolitan Community Support Disability ISBN 978-83-89681-77-5 CREATING CHANGE Innovations in the World of Disability 1 2 INDIA PALESTINE IRELAND SENEGAL CANADA SPAIN GERMANY EGYPT TABLE OF CONTENTS Foreword: Bill Drayton 5 Introduction: Eddie Bartnik 6 About Ashoka’s (Dis)ability Initiative 8 Javed Abidi 11 Ola Abu Al Ghaib 17 Caroline Casey 23 Ndèye Dagué Gueye Dieye 29 Al Etmanski 35 Isabel Guirao 41 Andreas Heinecke 47 Maha Helali 53 Cosmas Okoli 59 Piotr Pawłowski 65 Beatriz Pellizzari 71 Victoria Shocrón 77 Shudarson Subedi 83 Ame Thiam 89 Estela Villareal Junco 95 Howard Weinstein 101 About Ashoka 105 About The Friends of Integration Association 105 NIGERIA POLAND ARGENTINA ARGENTINA NEPAL SENEGAL MEXICO BRAZIL Authors: Rafael Barifouse, Rama Chari, Al Etmanski, Allana Gallagher, Maha
    [Show full text]
  • The Corrs Forgiven, Not Forgotten Mp3, Flac, Wma
    The Corrs Forgiven, Not Forgotten mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Forgiven, Not Forgotten Country: Canada Released: 1995 Style: Folk Rock, Soft Rock, Pop Rock MP3 version RAR size: 1570 mb FLAC version RAR size: 1323 mb WMA version RAR size: 1735 mb Rating: 4.4 Votes: 150 Other Formats: AHX MIDI DXD MP4 AU DTS AUD Tracklist Hide Credits Erin Shore (Traditional Intro) (Instrumental) A1 Arranged By [Celtic Drums] – Bill WhelanDrums [Celtic] – Des Reynolds*, Noel EcclesRecorded By [Celtic Drums] – Andrew Boland A2 Forgiven, Not Forgotten A3 Heaven Knows A4 Along With The Girls (Instrumental) Someday A5 Written-By – D. Foster* A6 Runaway A7 The Right Time A8 The Minstrel Boy (Instrumental) Toss The Feathers (Instrumental) A9 Bass – Neil Steubenhaus*Drums – Simon Phillips B10 Love To Love You Secret Life B11 Bass – Tal Herzberg B12 Carraroe Jig (Instrumental) B13 Closer B14 Leave Me Alone B15 Erin Shore (Instrumental) Companies, etc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Produced For – Chartmaker, Inc. Recorded At – Chartmaker Studios Mixed At – Mix This! Mastered At – Gateway Mastering Duplicated By – Cinram Distributed By – Warner Music Canada Ltd Credits Arranged By – Jim Corr Arranged By [Additional] – David Foster Arranged By [Live Strings] – David Foster Co-producer – Jim Corr Drums, Bodhrán, Vocals – Caroline Corr Guitar – Jim Corr, Michael Thompson Keyboards [Additional] – David Foster Keyboards, Vocals – Jim Corr Lead Vocals, Tin Whistle – Andrea
    [Show full text]
  • HIV/AIDS and Discourses of Stigma and Denial: the Interventive Nature of Music Performance
    HIV/AIDS and Discourses of Stigma and Denial: The Interventive Nature of Music Performance Thembela Vokwana Student No: 0011018F A Research Report submitted to the Faculty of Humanities, University of the Witwatersrand, in partial fulfilment of the requirements for the degree of Master of Arts (Cultural Studies) Supervisor: Professor C E Lucia Johannesburg February 2014 Abstract Discourses and general knowledge about HIV/AIDS filter down to the general population through the authoritative language of science and medicine, but various other role players also feature in such knowledge production. These include religious bodies, governments, and the general public. Each has noticeable effects on how HIV/AIDS is known, and more specifically, how those living with HIV/AIDS are treated in society. In this research, I use (auto)biographical texts by Cameron, Levin, McGregor and Steinberg as well as everyday talk, to analyse discursive processes around HIV/AIDS in South Africa. I examine the effects of language used in representing HIV/AIDS and explore how language contributes to a creation and maintenance of negative discourses that generate stigma, shame, and denial among those infected and affected. I then look at two films, one documenting the Mandela 46664 concert held in Greenpoint, Cape Town in 2003 which is captured together with other documentary material on the DVD 46664: The Event (2004), and the other called IThemba/Hope (also 2004), a documentary showing preparations of Sinikithemba choir, Umlazi, to perform at the 10th Conference on Retroviruses and Opportunistic Infections in Boston, USA. Through an examination of the music performances and extra-musical aspects, I interrogate how they can be seen to constitute an intervention potentially contributing to a counter discourse that helps to demystify HIV/AIDS in South Africa and destigmatize the disease.
    [Show full text]