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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Program Notes
02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 1 Sponsored by Prudential Investment Management Wednesday Evening, February 4, 2015, at 8:30 m a r g Judy Kuhn Sings Richard Rodgers, o r Mary Rodgers, and Adam Guettel P Todd Almond , Arranger and Musical Director e Josh Clayton , Orchestrator h Malcolm Gets , Director T Jeremy Clayton , Woodwinds Suzy Perelman , Violin Peter Sachon , Cello Michael Aarons , Guitar Alana Dawes , Bass John Hadfield , Drums This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall 02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 2 American Songbook Additional support for Lincoln Center’s American Songbook is provided by The Brown Foundation, Inc., of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Endowment support is provided by Bank of America. Public support is provided by the New York State Council on the Arts. Artist catering is provided by Zabar’s and zabars.com. MetLife is the National Sponsor of Lincoln Center. Movado is an Official Sponsor of Lincoln Center. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
67Th Annual Gala
the salvation army greater new york division’s 67th Annual Gala Honoring the actors fund The Pinnacle of Achievement Award jameel mcclain LA A The Community Service Award G AL U Special Performances by N 1 N er tony yazbeck A b H em marin mazzie T ec 67 D jason danieley Co-Hosts er 1 cemb kathie lee gifford De hoda kotb DECEMBER 1, 2014 The New York Marriott Marquis BCRE Brack Capital Real Estate USA congratulates The Salvation Army for all of their continuing good works. MULTIMEDIA SPONSOR DECEMBER 5, 2012 31 30 THE SALVATION ARMY GREATER NEW YORK DIVISION 65TH ANNUAL GALA LETTER FROM THE DIVISIONAL LEADERS LT. COLONELS GUY D. & HENRIETTA KLEMANSKI ELcomE to THE SALVation ARMY’S 67th ANNUAL CHRistmas GALA! WThe Salvation Army in Greater New York has all have used their God-given talents to a rich history of helping and bringing hope to touch the hearts of audiences everywhere. those who are in need. Thousands of people Meanwhile, The Actors Fund, this year’s across the Greater New York area stand united Pinnacle of Achievement honoree, has been in support of The Salvation Army’s mission as serving entertainers and performers in need for we go about “Doing the Most Good.” We are over 130 years. privileged to serve God by serving others and In 2015, The Salvation Army will we fight with conviction to battle against the commemorate its worldwide Sesquicentennial elements that keep people at the margins. We anniversary. We will celebrate those who have serve our neighbors, friends, and family in an given to The Salvation Army, as well as the suc- effort to help rebuild lives with compassionate cess and triumphs of those who have received. -
Rick Ludwin Collection Finding
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
HIV/AIDS and Discourses of Stigma and Denial: the Interventive Nature of Music Performance
HIV/AIDS and Discourses of Stigma and Denial: The Interventive Nature of Music Performance Thembela Vokwana Student No: 0011018F A Research Report submitted to the Faculty of Humanities, University of the Witwatersrand, in partial fulfilment of the requirements for the degree of Master of Arts (Cultural Studies) Supervisor: Professor C E Lucia Johannesburg February 2014 Abstract Discourses and general knowledge about HIV/AIDS filter down to the general population through the authoritative language of science and medicine, but various other role players also feature in such knowledge production. These include religious bodies, governments, and the general public. Each has noticeable effects on how HIV/AIDS is known, and more specifically, how those living with HIV/AIDS are treated in society. In this research, I use (auto)biographical texts by Cameron, Levin, McGregor and Steinberg as well as everyday talk, to analyse discursive processes around HIV/AIDS in South Africa. I examine the effects of language used in representing HIV/AIDS and explore how language contributes to a creation and maintenance of negative discourses that generate stigma, shame, and denial among those infected and affected. I then look at two films, one documenting the Mandela 46664 concert held in Greenpoint, Cape Town in 2003 which is captured together with other documentary material on the DVD 46664: The Event (2004), and the other called IThemba/Hope (also 2004), a documentary showing preparations of Sinikithemba choir, Umlazi, to perform at the 10th Conference on Retroviruses and Opportunistic Infections in Boston, USA. Through an examination of the music performances and extra-musical aspects, I interrogate how they can be seen to constitute an intervention potentially contributing to a counter discourse that helps to demystify HIV/AIDS in South Africa and destigmatize the disease. -
ARSC Journal
BROADWAY MUSICALS: RECENT PRESERVATIONS OF MUSICALS ON THE CONCERT STAGE AND IN THE STUDIO By James Fisher In 1985, RCA record producer Thomas Z. Shepard assembled an extraordinary cast of Broadway luminaries for two special performances of Stephen Sondheim's 1971 musical, Follies, which previously was represented in recordings by only an original cast album which eliminated, or significantly abbreviated, much of the score. Shepard's recording (RCA Red Seal, RCD2-7128) features virtually the entire score of the show, with snatches of dialogue, as recorded in concert before two enthusiastic audiences at Lincoln Center. In 1988, conductor John McGlinn's restored, complete (including a lengthy appendix of songs added to later versions of the show) studio recording (EMI, CDS 7 49108 2) of Jerome Kern's and Oscar Hammerstein's classic 1927 Broadway musical play, Show Boat, was released to widespread critical acclaim. The much recorded Show Boat had never before been captured in its entirety, and previous versions featured so many interpolations, omissions, or "updated" orchestrations that the simple beauty of Kern's score was often obscured. The success of these two otherwise unrelated recordings contributed to a revival of a nearly lost art-the studio recording of Broadway musicals with a cast and orchestra assembled not for any particular production, but for the sole purpose of preserving the score. The unexpected and extraordinary commercial success of the Follies and Show Boat recordings renewed interest in studio revivals of musicals leading to a flood of revisits to earlier works of the musical stage, while inspiring experimentation with the ways in which these recordings may present most successfully the score. -
Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research. -
Follies Collection of Anthony J
Follies Collection of Anthony J. Mazzaschi Inventory Updated February 28, 2017 Frame Description Year Company/Theatre City State Country Notes Number Display Script of 2011 Kennedy Center Washington DC USA Signed by entire cast. Box Bernadette Peters Purchased from Broadway Cares/Equity Fights AIDS via E-Bay auction. Display Conductor’s Score 1971 Original Production New York NY USA Custom Bound; gift of Box Mathilda Pincus, copyist, to Thomas Z. Shepherd, producer; inscribed with a personal note from Pincus to Shepherd 1 Program 1998 Signature Theatre Arlington VA USA 2 Flyer 1987 Shaftesbury Theatre London UK 3 Album 1971 Original Cast New York NY USA 4 Program 2007 Key West Pops Key West FL USA Also one page cast insert 5 Poster 2009 Arlington Players Arlington VA USA Printed from a PDF 5 Program 2009 Arlington Players Arlington VA USA 6 Magazine 2001 Sondheim Review Chicago IL USA Spring issue 7 Book Dust Jacket 2003 Everything Was USA By Ted Chapin, published by Possible Knopf 8 Poster 2007 Encores! New York NY USA Standard version 9 Poster 1971 Original Production New York NY USA Original. Some damage. 10 Poster 2004 California Irvine CA USA Autographed by cast Conservatory of the Arts 11 Album 1987 Original London London UK Silver version, Shaftesbury Cast cast 1 Frame Description Year Company/Theatre City State Country Notes Number 12 Album 1985 Lincoln Center New York NY USA Autographed by Sondheim, Concert Cook, and Stritch 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s Book Invitation 1987 First night party at London UK Tony’s 14 Brochure 1987 Shaftesbury Theatre London UK Framed with front and back covers visible 15 Program 1987 Shaftesbury Theatre London UK White curtain (preview) version- Marked “18-7-87” – three days before official opening. -
Popular Music and the State: the British Honours System and Its Treatment of Popular Musicians
Journal of Cultural Analysis and Social Change, 2019, 4(2), 12 ISSN: 2589-1316 Popular Music and the State: The British Honours System and its Treatment of Popular Musicians Emma-Jayne Reekie 1* 1 University of Liverpool, UNITED KINGDOM *Corresponding Author: [email protected] Citation: Reekie, E. J. (2019). Popular Music and the State: The British Honours System and its Treatment of Popular Musicians, Journal of Cultural Analysis and Social Change, 4(2), 12. https://doi.org/10.20897/jcasc/6356 Published: December 11, 2019 ABSTRACT This article examines popular musicians recognised by the British honours system within its first hundred years of operation (1917-2017). Through a statistical analysis of a unique dataset of the honoured musicians, compiled for this article, it will be asserted that to be worthy of an honour entails possessing certain non- musical attributes including economic worth and notions of a particular type of Britishness. The increasing importance of popular music to Britain’s cultural life, identity and heritage through the 20th century and early 21st century is vital for understanding why musicians are valued by the government through the conferral of awards. The volume of musicians awarded post-1997 will demonstrate a shift in the perception of popular music by the British government as the creative industries become increasingly important to the British economy and finally, further analysis will reveal that women are underrepresented in the honours system, a trend which reflects wider socio-cultural trends in the recognition of women artists. Keywords: awards, popular music, cultural economy, honours system, Britishness INTRODUCTION “The thing about honours is that you should never ask for them, and you should never really expect them, but I think you should accept them if they are given to you” (Eliscu, 2002).