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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Brushless Servo Motors Bsm132 Thrust Load Capacities
— Brushless Servo Motors Installation and Operating Manual July 2020 — MN1240_July 2020 Any trademarks used in this manual are the property of their respective owners. Note: Baldor Electric Company, became ABB Motors and Mechanical, Inc. on March 1, 2018. Nameplates, Declaration of Conformity and other collateral material may contain the company name of Baldor Electric Company and the brand names of Baldor-Dodge and Baldor-Reliance as well as the company name of ABB until such time as all materials have been updated to reflect our new corporate identity of ABB. Table of Contents Section 1 General Information . 1-1 Overview . 1-1 Safety Notice . 1-1 Section 2 Installation . 2-1 Overview . 2-1 Location . 2-1 Alignment . 2-1 Receiving . 2-2 Storage . 2-2 Unpacking . 2-2 Handling . 2-2 Repairs . .. 2-2 Prevent Electrical Noise . 2-2 Shaft Loads . 2-3 Life Determination . 2-5 Speed and Torque . .. 2-7 Holding Brake . 2-7 Electrical Connections . 2-8 Motor Lead Termination . 2-9 Strain Relief (Mounted at Terminal Box) . 2-9 Feedback Termination . 2-9 Feedback Devices . 2-13 Brushless Servo Motor Identification . 2-15 MN1240 i ii MN1240 Section 1 General Information Overview This manual contains general procedures that apply to ABB Motor products. Be sure to read and understand the Safety Notice statements in this manual. For your protection, do not install, operate or attempt to perform maintenance procedures until you understand the Warning and Caution statements. A Warning statement indicates a possible unsafe condition that can cause harm to personnel. A Caution statement indicates a condition that can cause damage to equipment. -
Mose Davis Public Relations Information
Mose Davis Public Relations Information “My name is Mose…and you can call me Mose” – Mose Davis That quote from Mose Davis can be heard on Hamilton Bohannon’s hit record “Let’s Start the Dance”. The tune is a smoking-hot club classic. And the quote cuts through the clutter and camouflage of funk wannabes, to reveal a pure fact – Mose is Mose. Before Stevie Wonder, before Bernie Worrell, there was Mose Davis pushing the frontiers of funk with his use of the organ as the source of the bass line, during the late 1960’s. And if imitation is the highest form of flattery, then Mose Davis has been flattered by the best. And some of the biggest names in hip-hop have sampled a sip of Mose’s musical brew, including Snoop, Mary J. Blige and Queen Latifah. Classically trained at the Detroit Conservatory of Music, Mose Davis is an exceptional jazz artist and prominent fixture on the Atlanta music scene. Davis identifies jazz greats, Jimmy Smith and Ahmad Jamal among his musical influences. Davis performs with top acts across the country and internationally. Mose Davis has performed with Candi Staton, The Isley Brothers, Marlena Shaw, David Ruffin, Ray Parker, Jr., The Counts, Funkadelics and Carl Anderson. His festival appearances include The Atlanta Jazz Festival (with the Atlanta Symphony Orchestra), The Macon Jazz Festival and the internationally renowned Spoleto Festival. And now comes the new CD, “Sunshine”. “It’s a mix of jazz – the rough and the smooth – blended with some Latin and rock influences,” Davis says. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
IRELAND New Developments, Trends and In-Depth Information on Selected Issues
2006 NATIONAL REPORT (2005 Data) TO THE EMCDDA by the Reitox National Focal Point IRELAND New Developments, Trends and in-depth information on selected issues REITOX ACKNOWLEDGEMENTS This report is very much the result of collaborative work within and outside the Drug Misuse Research Division. We would like to thank very sincerely those people working in the drugs area who gave generously of their time to inform us about recent developments in their areas of work. It is not possible to name all these people but the agencies with which they are affiliated are acknowledged as follows: An Garda Síochána Central Treatment List Coroner Service Customs Drug Law Enforcement of the Revenue Commissioners Department of Health and Children Department of Community, Rural and Gaeltacht Affairs Department of Justice, Equality and Law Reform Department of Social and Family Affairs Department of Education and Science Garda National Drugs Unit Forensic Science Laboratory Health Service Executive Health Protection Surveillance Centre Addiction service managers, drug treatment facilities and general practitioners General Mortality Register Voluntary and community groups and academic researchers. We would specially like to thank the following: Mr Eddie Arthurs, Dr Joe Barry, Mr Mel Bay, Ms Deirdre Begley, Ms Carmel Brien, Ms Joan Byrne, Ms Caroline Comar, Mr Michael Conroy, Ms Caroline Corr, Dr Des Corrigan, Mr Niall Cullen, Ms Aoife Davey, Ms Aileen Dooley, Ms Cepta Dowling, Dr Brian Farrell, Ms Mary Johnston, Ms Kerry Lawless, Mr Joseph Keating, Dr Eamon -
Birchip-Watchem Reflects on All of Us Have Reasons for Wanting Safer Roads
DONALD BIRCHIP Phone: 5497 1222 Phone: 5492 2735 Fax: 5497 1407 The Buloke Times Fax: 5492 2863 Email: Email: [email protected] birchipblc@ [email protected] Est. 1875 bigpond.com Published Tuesdays and Fridays PRICE (inc. G.S.T.) $2 PP331336/0000 1 Friday, August 6, 2021 For the Shire of Buloke, and the districts of Birchip, Charlton, Donald, St. Arnaud, Watchem and Wycheproof Postponed Round to Go Ahead: Who Will Win Respect Cups? The annual Respect Cup Round between Wycheproof-Narraport and Charlton will be played this weekend. Promoting respectful rela- receive a commemorative drivers of family violence. tionships and non-violence, medallion following their Data from the Crime the Respect Round is an ini- matches. Statistics Agency shows that tiative of the Wycheproof The Demons’ “A” grade violence against women is an Community Resource Cen- netballers will fight to hold on ongoing issue in the Buloke tre’s “A Mount of Prevention” to the cup for another year as Shire, with total family vio- project. they go up against a strong lence incidents in the year The cup round, which has Navies side, while Charlton’s ending 2020 increasing by been postponed since June senior hockey players hope to 49% on the previous year. due to the COVID-19 lock- secure the cup again in 2021. Furthermore, there were down, will not include an Presentation 157 offences recorded by evening program, due to The Respect Round local police of breaching fam- Covid-19 restrictions, nor will evening program was to in- ily violence orders, 19 of it include the seniors footy, clude a presentation by Cul- those criminal incidents. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372
COPY I Larry H. Clough (State Bar No. 86104) Attorney for Plaintiff, George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA GEORGE CLINTON, Plaintiff, VS. COMPLAINT FOR: NENE MONTES. an individual and d/b/a TERCER MUNDO, INC., a suspended Cal. I. DECLARATORY JUDGMENT (28 U.S.C. 62201) corp, CHARLY ACQUISITIONS, LTD, a 11. COPWGHTINFRINGEMENT Nevis private company, 17 U.S.C. 501 LICENSEMUSIC.COM, ApS, a Denmark f 11. uNAAofUzED USE OF PRE- 1972 SOUND RECORDINGS private company, ARMEN BOLADIAN, an @l Code [ 980h individual, WESTBOUND RECORDS, RESCI SIO (Cal Code 9 1689) INC., a Mich. corp, ACE RECORDS, LTD, V. FRAUD Common Law VI. INJURIb USFALSEH A OD a United Kingdom private company, Common Law UNION SQUARE MUSIC, LTD, a United b11. TRADE& Kingdom private company, SNAPPER COUNTERFEIT 15 U.S.C. 9 1 114) VIII. TRADEMdRK MUSIC, LTD, a United Kingdom private INFRINGEMENT (15 U.S.C. 61 114 company, ATOM MUSIC, LTD, an Ireland IX.UNFAIR COMPETITION" private company, ARTISTRY MUSIC, 15 U.S.C. 1125 a k FALSE !I ESI dl?ATIONOF LTD, a United Kingdom private company, ORIGIN (15 U.S.C. 1125(a SYNC2PICTURE, LLC, a Mich. limited XI. UNFAIR TRAD b PRA 24 ICES Cal Code 17200 liability company, X5 MUSIC GROUP, a LI. MIS&PRO& ATION OF Sweden private company, LIKENESS (Cal Code 93344) Defendants. XIII. MISAPPROPRIATION OF LIKENESS Common Law) XIV. ACCOLN TING XV. CONSTRUCTIVE TRUST Jury Trial Demanded Plaintiff, George Clinton, ("Plaintiff' or "Clinton") by and through undersigned counsel, alleges upon personal knowledge, information, and belief, as follows: Nature of Action 1. -
IRELAND New Developments, Trends and In-Depth Information on Selected Issues
2004 NATIONAL REPORT TO THE EMCDDA by the Reitox National Focal Point IRELAND New Developments, Trends and in-depth information on selected issues REITOX Table of Contents Summary ....................................................................................................................3 Part A: New Developments and Trends...................................................................8 1. National Policies and Context .......................................................................8 2. Drug Use in the Population..........................................................................19 3. Prevention .....................................................................................................24 4. Problem Drug Use.........................................................................................30 5. Drug-Related Treatment ...............................................................................40 6. Health Correlates and Consequences ........................................................51 7. Responses to Health Correlates and Consequences................................58 8. Social Correlates and Consequences.........................................................71 9. Responses to Social Correlates and Consequences ................................81 10. Drug Markets .................................................................................................83 Part B – Selected Issues .........................................................................................94 11. Buprenorphine: -
Power and Resistance in Biomedical and Midwifery Models of Birth
“BECAUSE IT IS MY BODY, AND I OWN IT, AND I AM IN CHARGE”: POWER AND RESISTANCE IN BIOMEDICAL AND MIDWIFERY MODELS OF BIRTH By KATHRYN WORMAN ROSS Bachelor of Science in Sociology and Psychology Jacksonville State University Jacksonville, Alabama 2004 Master of Arts in Sociology Middle Tennessee State University Murfreesboro, Tennessee 2007 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2013 “BECAUSE IT IS MY BODY, AND I OWN IT, AND I AM IN CHARGE”: POWER AND RESISTANCE IN BIOMEDICAL AND MIDWIFERY MODELS OF BIRTH Dissertation Approved: Dr. Stephen M. Perkins Dissertation Adviser Dr. Tamara L. Mix Dissertation Adviser Dr. J. David Knottnerus Dr. Virginia A. Worley ii Name: KATHRYN WORMAN ROSS Date of Degree: MAY, 2013 Title of Study: “BECAUSE IT IS MY BODY, AND I OWN IT, AND I AM IN CHARGE”: POWER AND RESISTANCE IN BIOMEDICAL AND MIDWIFERY MODELS OF BIRTH Major Field: SOCIOLOGY Abstract: I utilize participant observation, autoethnography and in-depth interviews with women who have given birth at home and homebirth midwives in Oklahoma to understand perceptions and responses to society’s hegemonic birth system, its power, ideology, and practices. Employing Foucauldian, Foucauldian feminist, and Social Constructivist frameworks, I illuminate issues of reality construction, knowledge, and power related to the homebirth experience. Participants expressed distinctions between biomedical and midwifery models. They described complex processes whereby women’s bodies are transformed into docile bodies through disciplinary technologies, including control of ideology and panopticonic domination of time, space, and movements of the body.