F-Unlatioif:LJ More Than the Politics of the Music and His Own Energy, Because He Has That
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
IP Newsflash
Having trouble reading this email? View it in your browser 06.27.14 DISTRICT COURT CASES George Clinton to Pay His Lawyers in Song In a 9th Circuit opinion, the panel upheld a district court opinion which assigned four of Clinton’s sound recording copyrights to a receiver to satisfy judgments rendered against him by his former lawyers. George Clinton, the renowned musician, bandleader, and producer, hired Hendricks & Lewis (H&L) to represent him in various infringement disputes from March 2005 – August 2008. The work performed on Clinton’s behalf constituted over $3 Million in fees; Clinton refused to pay over $1.72 Million. H&L pursued the enforcement of its pastdue fees in arbitration and then later moved to compel the arbitration award in the District Court of Washington. The underlying appeal surrounds the court’s enforcement of the arbitration award and assignment of master recordings of Clinton’s performances with the group Funkadelic to receivership ("Masters"). The Masters songs at issue are “Hardcore Jollies,” “One Nation Under a Groove,” “Uncle Jam Wants You,” and “The Electric Spanking of War Babies”—all with registered copyrights. The copyrights were originally obtained by Warner Bros. and subsequently transferred to Clinton. Clinton alleges that the assignment of the Masters to receivership was improper and in violation of Copyright Act § 201 (e) which serves as protection to authors for involuntary transfer of their copyrights. The panel reasoned that Clinton was not an “author” of the Masters within the meaning of the act since all four Masters were created under agreements with Warner Bros. -
Decision Is Manifestly Unreasonable, Or Exercised on Untenable Grounds, Or for Untenable Reasons.” (Internal Quotation Marks and Citation Omitted))
FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT HENDRICKS & LEWIS PLLC, a No. 13-35010 Washington professional limited liability company, D.C. No. Plaintiff-Appellee, 2:12-cv-00841- RSL v. GEORGE CLINTON, an individual, ORDER AND Defendant-Appellant. AMENDED OPINION Appeal from the United States District Court for the Western District of Washington Robert S. Lasnik, District Judge, Presiding Argued and Submitted February 4, 2014—Seattle, Washington Filed June 23, 2014 Amended August 26, 2014 Before: Raymond C. Fisher, Ronald M. Gould, and Morgan Christen, Circuit Judges. Order; Opinion by Judge Christen 2 HENDRICKS & LEWIS PLLC V. CLINTON SUMMARY* Copyright The panel filed an order amending its previous opinion, and in the amended opinion the panel affirmed the district court’s order appointing a receiver and authorizing the sale of master sound recording copyrights in an action between musician George Clinton and his former law firm Hendricks & Lewis. Hendricks & Lewis obtained judgments against Clinton for past-due attorneys’ fees, and moved for an order authorizing the sale of master recordings made by Clinton to satisfy the judgments. The panel held that under Washington law Clinton’s copyrights in the masters were subject to execution to satisfy judgments made against him. The panel also held that § 201(e) of the federal Copyright Act did not protect Clinton from the involuntary transfer of his copyrighted works. The panel further held that under Washington law the district court did not abuse its discretion by appointing a receiver to manage or sell ownership of the copyrights. The panel held that Clinton may raise claims of fraud on the court and judicial estoppel for the first time on appeal, but concluded that both claims were meritless. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372
COPY I Larry H. Clough (State Bar No. 86104) Attorney for Plaintiff, George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA GEORGE CLINTON, Plaintiff, VS. COMPLAINT FOR: NENE MONTES. an individual and d/b/a TERCER MUNDO, INC., a suspended Cal. I. DECLARATORY JUDGMENT (28 U.S.C. 62201) corp, CHARLY ACQUISITIONS, LTD, a 11. COPWGHTINFRINGEMENT Nevis private company, 17 U.S.C. 501 LICENSEMUSIC.COM, ApS, a Denmark f 11. uNAAofUzED USE OF PRE- 1972 SOUND RECORDINGS private company, ARMEN BOLADIAN, an @l Code [ 980h individual, WESTBOUND RECORDS, RESCI SIO (Cal Code 9 1689) INC., a Mich. corp, ACE RECORDS, LTD, V. FRAUD Common Law VI. INJURIb USFALSEH A OD a United Kingdom private company, Common Law UNION SQUARE MUSIC, LTD, a United b11. TRADE& Kingdom private company, SNAPPER COUNTERFEIT 15 U.S.C. 9 1 114) VIII. TRADEMdRK MUSIC, LTD, a United Kingdom private INFRINGEMENT (15 U.S.C. 61 114 company, ATOM MUSIC, LTD, an Ireland IX.UNFAIR COMPETITION" private company, ARTISTRY MUSIC, 15 U.S.C. 1125 a k FALSE !I ESI dl?ATIONOF LTD, a United Kingdom private company, ORIGIN (15 U.S.C. 1125(a SYNC2PICTURE, LLC, a Mich. limited XI. UNFAIR TRAD b PRA 24 ICES Cal Code 17200 liability company, X5 MUSIC GROUP, a LI. MIS&PRO& ATION OF Sweden private company, LIKENESS (Cal Code 93344) Defendants. XIII. MISAPPROPRIATION OF LIKENESS Common Law) XIV. ACCOLN TING XV. CONSTRUCTIVE TRUST Jury Trial Demanded Plaintiff, George Clinton, ("Plaintiff' or "Clinton") by and through undersigned counsel, alleges upon personal knowledge, information, and belief, as follows: Nature of Action 1. -
Hendricks & Lewis V. George Clinton, No. C12
Hendricks & Lewis v. George Clinton, No. C12-0841RSL., 2012 WL 5947638 (W.D. Wash. Nov. 27, 2012) The Western District of Washington recently ordered George Clinton (of George Clinton and the Parliament Funkadelic!) to transfer his copyrights in certain songs to court appointed receiver. The receiver must then take whatever steps are necessary to satisfy judgments owed by Mr. Clinton to the law firm, Hendricks & Lewis for unpaid legal work. Mr. Clinton tried to argue that an obscure provision of the Copyright Act, written during the Cold War, protected him from the forced transfer of his copyrights. The provision was written to protect authors from their works being usurped by communist governments, but the language is not limited to just communists. Rather, it suggests that no governmental entity can take or force the transfer of an author’s copyright interests. Mr. Clinton, therefore, was arguing that a forced transfer of his copyrights by the court would violate the provision. The court agreed with Mr. Clinton that a court cannot force the transfer an author’s copyright interest, but also held that the provision only applies where (1) the author is an individual, as opposed to a business entity, and (2) the copyright has not been previously transferred. Here, the songs at issue were originally recorded by George Clinton, but it was as part of a work-for- hire agreement with Warner Music. As a result, the court found that the original author was Warner Music, which is a corporate entity and not protected by the provision. Moreover, even if Clinton were the original author, he only currently owned the copyright interests pursuant to a settlement agreement between him and Warner. -
Parliament Gold Mp3, Flac, Wma
Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc. -
Sean Khan – ‘Slow Burner’
1. Mixed Grill - A Brand New Wayo 2. Kris Okotie - Show Me Your Backside 3. Murphy Williams - Get On Up 4. Joe Moks - Boys and Girls 5. Amas - Slow Down 6. Oby Onyioha - I Want To Feel Your Love 7. Dizzy K. Falola - Excuse Me Baby 8. Chris Mba - Funky Situation 9. Bayo Damazio - Listen to the Music 10. Martha Ulaeto - Music Alone 11. Segun Robert - Big Race 12. Amel Addmore - Jane 13. Honey Machine - Pleasure 14. The Stormmers - Love or Money 15. Emma Baloka - Letís Love Each Other With this release, Comb & Razor Sound launches its exploration of the colorful world of popular music from Nigeria, starting with the post-disco era of the late 1970s and early 80s. The years between 1979 and 1983 were Nigeria’s Second Republic, when democracy finally returned after twenty-three years of uninterrupted military dictatorship. They were also the crest of Nigeria’s oil boom, when surging oil prices made the petroleum-producing country a land of plenty, prosperity and profligacy. The influx of petrodollars meant an expansion in industry and the music industry in particu- lar. Record companies upgraded their technology and cranked out a staggering volume of output to an audience hungry for music to celebrate the country’s prospective rise as global power of the future. While it was a boom time for a wide variety of popular music styles, the predominant commercial sound was a post-afrobeat, slickly modern dance groove that retrofitted the relentless four-on-the- floor bass beat of disco to a more laidback, upbeat-and-downbeat soul shuffle, mixing in jazz-funk, synthesizer pop and afro feeling. -
Knowlton School Year in Review
KNOWLTON SCHOOL 2019–2020 YEAR IN REVIEW I KNOWLTON SCHOOL From the Director 1 In photos: Banvard Gallery 2 New Landscape Architecture Leadership 11 In photos: Student Work 12 Planning (For) The Future 15 5 Knowlton’s New Direction 17 Making Plastic Waste Matter 25 The Legacy of Alum Jerome Haferd Wins Michael Cadwell Accessibility Competition 27 In photos: Knowlton Community 28 Landscape Architecture Programs 19 Receive Official STEM Designation 33 Building Levels—Miami 37 In photos: Distinguished Visitors 38 Communities Alumni Kris Lucius Reconnects with the Knowlton School Planning Doctoral Student Wins First Prize for Research 43 Play on Display 47 31 Out of Town 49 Curbing Sediment In photos: How We Learn 50 Protecting Waterways from Harmful Toxins Knowlton Programs Among Top-Ranked 55 Gui Competition 2019 58 41 Responding To COVID-19 61 Drawing Fields 67 Creating Cities Innovation Education In CRPLAN 2110 Alumni Achievement 68 © THE OHIO STATE UNIVERSITY, 2020 Faculty Research 72 53 KNOWLTON SCHOOL 275 WEST WOODRUFF AVENUE Faculty Achievement 74 Privy 2 COLUMBUS OH 43210-1138 USA 614 292 1012 Faculty Publications 76 Human Waste as Renewable Resource FROM THE Director TO ALUMNI AND FRIENDS As I reflect on my time as Director, I am Certainly, the last months have been challenging reminded of last year’s commencement address. for everyone. The combined effects of the In his remarks, Fareed Zakaria argued that the coronavirus and racial injustice — financial, American egalitarian promise is best fulfilled at social, medical, and cultural — have left their public universities like Ohio State, that educate imprint everywhere, not the least on the the broad population upon which a democracy school. -
«Ss¡® I E Y , MISTER, GUESS W H a T ?” I Feel a Small Hand Pulling My Coat Sleeve § and Look Down to See a Young Black Kid About Seven Staring up at Me
«ss¡® I E Y , MISTER, GUESS w h a t ?” I feel a small hand pulling my coat sleeve § and look down to see a young black kid about seven staring up at me. It’s October 28, 1976, and I’m in the New Orleans Civic Auditorium, a hall packed with riggers, gaffers, soundmen and musicians. An incredible event B Y TOM V I C K E R S Parliament-Funkadelic, Is about to unfold. “Mister, you The band kicked into the deadly groove of “Dr. Funkenstein.” circa 1974: Calvin know what’s going to happen here As George strutted down the stairway, the audience was groov Simon, Bernie Worrell, tomorrow night? The Mothership ing so hard that the whole arena was shaking. Joints were lit, Grady Thomas, is going to land right on that stage, and the sweet smell of reefer filled the hall as the crowd "Boogie" Mosson, and Dr. Funkenstein himself is screamed, clapped and celebrated as if it had just witnessed the "Fuzzy" Haskins, going to be here,” he continues, Second Coming. It was a moment that I will remember as long George Clinton,"Tiki" unaware that Dr. Funkenstein as I live, and anyone who saw the Mothership land back in the Fulwood, Garry Shider, himself, George Clinton, is stand day had their lives permanently changed. Michael Hampton, ing less than six feet away. The kid And those geepies, like the New Orleans kid, made George guitarist Ron continues rapping to me as the sil one of the most sampled producers in hip-hop. Rappers from Bykowski, Ray Davis ver Mothership is hoisted to a Dr. -
Funkentelechy in the Panhandle
Funkentelechy in the Panhandle Hey kids. Only 5 months since the last post. Mea culpa. I been busy with many things, not the least of them being a novel that is currently at around 50,000 words and may in fact be an unprecedented work of confounding genius. Or maybe a load of shite. YMMV Also, too, I got to spend a long afternoon with the one true Dr. Funkenstein, George Clinton, for a feature article in Flamingo Magazine‘s Arts and Culture issue.<fn>On newsstands now!</fn> Don’t believe me? Ha! I got evidence. Funk Feast (Photo: Mark Wallheiser) That steak was big as your face. As you might imagine, several hours in the Mothership orbit is pretty heady business. The man can tell stories. I submitted my first draft, full of piss and vinegar and with dreams of Pulitzer dancing in my head. Three days later, an email arrived from the Editor to the effect that my article was “wildly creative” and “very conceptual.” This is the editorial equivalent of “Bless your heart.” So I rewrote. And in the end, I think the final product turned out great, especially after the editor asked for more detail about George’s kind of fiercely incredible wife, Carlon. All’s well &c. Tonight, I was part of a Flamingo Magazine panel at our most excellent local bookstore, Midtown Reader. I was asked to read something. So I went back and re-read my first draft and found some things I still really like about it. So for my reading, I read the parts that were “wildly creative” and so forth. -
The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands. -
Black History November 15, 2019 (Pdf) Download
Friday, November 8, 2019 SCOOP USA M EDIA Celebrating 59 Years of Community News by Adelaide AbSdur-Rcahmoan opUSA Black Historsiynger, waCs borno in Jarmainca, Queeensr NY. by Adelaide Abdur-Rahman 1964 [email protected] Harry Joseph Lennix, actor (The Five Heartbeats), [email protected] was born in Chicago, IL. SCORPIO - October 23 - November 21 1964 Dwight Eugene Gooden, Major League Baseball player, was born in Tampa, FL. SCORPIO – The Intense One 1967 Craig Marcus Watkins, first African American dis - Very energetic. Intelligent. Can be jealous and/or pos- trict attorney in Texas, was born in Dallas, TX. sessive. Hardworking. Great kisser. Can become ob- 1967 Lisa (Michelle) Bonet (Lilakoi Moon), actor (The sessive or secretive. Holds grudges. Attractive. Cosby Show), was born in San Francisco, CA. Determined. Loves being in long relationships. Talkative. Roman- 1969 Chenoa Maxwell, actor (Hav Plenty) and photog - tic. Can be self-centered at times. Passionate and emotional. rapher (Introspection: India), was born in New Rochelle, The Topaz is the stone for the month of November NY. In the 19th century topaz was discovered in Russia. It was 1969 Bryan Abrams, singer with Color Me Badd, was so coveted that only the Czar, his family and the persons born in Oklahoma City, OK. he gave it to could possess it. Rubbing or gently heating 1972 Olanda Anderson, Light Heavyweight boxer on the topaz electrifies it, causing it to attract small particles like 2000 Olympic Team, was born in Sumter, SC. bits of hair or paper. It was believed that if you wore topaz 1976 Egypt Sherrod, HGTV host (Property Virgins), was on your left arm or hung it around your neck it could break born in Philadelphia, PA.