Decision Is Manifestly Unreasonable, Or Exercised on Untenable Grounds, Or for Untenable Reasons.” (Internal Quotation Marks and Citation Omitted))
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
IP Newsflash
Having trouble reading this email? View it in your browser 06.27.14 DISTRICT COURT CASES George Clinton to Pay His Lawyers in Song In a 9th Circuit opinion, the panel upheld a district court opinion which assigned four of Clinton’s sound recording copyrights to a receiver to satisfy judgments rendered against him by his former lawyers. George Clinton, the renowned musician, bandleader, and producer, hired Hendricks & Lewis (H&L) to represent him in various infringement disputes from March 2005 – August 2008. The work performed on Clinton’s behalf constituted over $3 Million in fees; Clinton refused to pay over $1.72 Million. H&L pursued the enforcement of its pastdue fees in arbitration and then later moved to compel the arbitration award in the District Court of Washington. The underlying appeal surrounds the court’s enforcement of the arbitration award and assignment of master recordings of Clinton’s performances with the group Funkadelic to receivership ("Masters"). The Masters songs at issue are “Hardcore Jollies,” “One Nation Under a Groove,” “Uncle Jam Wants You,” and “The Electric Spanking of War Babies”—all with registered copyrights. The copyrights were originally obtained by Warner Bros. and subsequently transferred to Clinton. Clinton alleges that the assignment of the Masters to receivership was improper and in violation of Copyright Act § 201 (e) which serves as protection to authors for involuntary transfer of their copyrights. The panel reasoned that Clinton was not an “author” of the Masters within the meaning of the act since all four Masters were created under agreements with Warner Bros. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372
COPY I Larry H. Clough (State Bar No. 86104) Attorney for Plaintiff, George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA GEORGE CLINTON, Plaintiff, VS. COMPLAINT FOR: NENE MONTES. an individual and d/b/a TERCER MUNDO, INC., a suspended Cal. I. DECLARATORY JUDGMENT (28 U.S.C. 62201) corp, CHARLY ACQUISITIONS, LTD, a 11. COPWGHTINFRINGEMENT Nevis private company, 17 U.S.C. 501 LICENSEMUSIC.COM, ApS, a Denmark f 11. uNAAofUzED USE OF PRE- 1972 SOUND RECORDINGS private company, ARMEN BOLADIAN, an @l Code [ 980h individual, WESTBOUND RECORDS, RESCI SIO (Cal Code 9 1689) INC., a Mich. corp, ACE RECORDS, LTD, V. FRAUD Common Law VI. INJURIb USFALSEH A OD a United Kingdom private company, Common Law UNION SQUARE MUSIC, LTD, a United b11. TRADE& Kingdom private company, SNAPPER COUNTERFEIT 15 U.S.C. 9 1 114) VIII. TRADEMdRK MUSIC, LTD, a United Kingdom private INFRINGEMENT (15 U.S.C. 61 114 company, ATOM MUSIC, LTD, an Ireland IX.UNFAIR COMPETITION" private company, ARTISTRY MUSIC, 15 U.S.C. 1125 a k FALSE !I ESI dl?ATIONOF LTD, a United Kingdom private company, ORIGIN (15 U.S.C. 1125(a SYNC2PICTURE, LLC, a Mich. limited XI. UNFAIR TRAD b PRA 24 ICES Cal Code 17200 liability company, X5 MUSIC GROUP, a LI. MIS&PRO& ATION OF Sweden private company, LIKENESS (Cal Code 93344) Defendants. XIII. MISAPPROPRIATION OF LIKENESS Common Law) XIV. ACCOLN TING XV. CONSTRUCTIVE TRUST Jury Trial Demanded Plaintiff, George Clinton, ("Plaintiff' or "Clinton") by and through undersigned counsel, alleges upon personal knowledge, information, and belief, as follows: Nature of Action 1. -
Hendricks & Lewis V. George Clinton, No. C12
Hendricks & Lewis v. George Clinton, No. C12-0841RSL., 2012 WL 5947638 (W.D. Wash. Nov. 27, 2012) The Western District of Washington recently ordered George Clinton (of George Clinton and the Parliament Funkadelic!) to transfer his copyrights in certain songs to court appointed receiver. The receiver must then take whatever steps are necessary to satisfy judgments owed by Mr. Clinton to the law firm, Hendricks & Lewis for unpaid legal work. Mr. Clinton tried to argue that an obscure provision of the Copyright Act, written during the Cold War, protected him from the forced transfer of his copyrights. The provision was written to protect authors from their works being usurped by communist governments, but the language is not limited to just communists. Rather, it suggests that no governmental entity can take or force the transfer of an author’s copyright interests. Mr. Clinton, therefore, was arguing that a forced transfer of his copyrights by the court would violate the provision. The court agreed with Mr. Clinton that a court cannot force the transfer an author’s copyright interest, but also held that the provision only applies where (1) the author is an individual, as opposed to a business entity, and (2) the copyright has not been previously transferred. Here, the songs at issue were originally recorded by George Clinton, but it was as part of a work-for- hire agreement with Warner Music. As a result, the court found that the original author was Warner Music, which is a corporate entity and not protected by the provision. Moreover, even if Clinton were the original author, he only currently owned the copyright interests pursuant to a settlement agreement between him and Warner. -
F-Unlatioif:LJ More Than the Politics of the Music and His Own Energy, Because He Has That
Flyboy in the Buttermilk to ho un Ce shit off of. Jimi was the same way. But the Beatles had the right opportunity and that vibe that comes through all of us to make us write that shit. That shit just comes through your ass, and if you can take advantage of it, you're doing pretty BtllfotlJ tb !Zone o~ tb good. And the Beatles were able to take advantage of it, four at one time. Each of them had a different drummer, and they was on the one. Michael right now has that chance. I hope he knows 2~o 'f-unlatioif:LJ more than the politics of the music and his own energy, because he has that. But, see, his manager is somebody from the moth· A true god must be an organizer and a destroyer. erfucking record company, and that ain't no accident. -Tiwmas Pynclwn Unless you want to get on your knees, throw down. That's about charisma control, man. -George Clinton You know what I'm saying, that's all it is. And it's good, because it's given him access to 30 million records. I'm not saying that's wrong, but he should be aware that that is what it's about and c eorge Clinton's Computer Games is a work of ge that he ain't got to be grateful to the m~rfucker, He should._ nius and a piece of shit. A masterpiece of mind still be the one to direct his own image. _At a ~g1 Jl(?i.nt~u . -
«Ss¡® I E Y , MISTER, GUESS W H a T ?” I Feel a Small Hand Pulling My Coat Sleeve § and Look Down to See a Young Black Kid About Seven Staring up at Me
«ss¡® I E Y , MISTER, GUESS w h a t ?” I feel a small hand pulling my coat sleeve § and look down to see a young black kid about seven staring up at me. It’s October 28, 1976, and I’m in the New Orleans Civic Auditorium, a hall packed with riggers, gaffers, soundmen and musicians. An incredible event B Y TOM V I C K E R S Parliament-Funkadelic, Is about to unfold. “Mister, you The band kicked into the deadly groove of “Dr. Funkenstein.” circa 1974: Calvin know what’s going to happen here As George strutted down the stairway, the audience was groov Simon, Bernie Worrell, tomorrow night? The Mothership ing so hard that the whole arena was shaking. Joints were lit, Grady Thomas, is going to land right on that stage, and the sweet smell of reefer filled the hall as the crowd "Boogie" Mosson, and Dr. Funkenstein himself is screamed, clapped and celebrated as if it had just witnessed the "Fuzzy" Haskins, going to be here,” he continues, Second Coming. It was a moment that I will remember as long George Clinton,"Tiki" unaware that Dr. Funkenstein as I live, and anyone who saw the Mothership land back in the Fulwood, Garry Shider, himself, George Clinton, is stand day had their lives permanently changed. Michael Hampton, ing less than six feet away. The kid And those geepies, like the New Orleans kid, made George guitarist Ron continues rapping to me as the sil one of the most sampled producers in hip-hop. Rappers from Bykowski, Ray Davis ver Mothership is hoisted to a Dr. -
The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands. -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise. -
Clinton Objections
Before the COPYRIGHT ROYALTY BOARD Washington, D.C. ) In the Matter of ) ) Distribution of DART Sound Recordings Fund ) Docket No. 14-CRB-0006 DART SR (2013) Featured Recording Artists and Copyright ) Owners Subfund Royalties for 2013 ) ) COMMENTS OF GEORGE CLINTON By notice posted in the Federal Register dated September 30, 2014, the Copyright Royalty Board (“CRB”) solicited comment on the August 19, 2014 notice of settlement and request for partial distribution of royalties in the 2013 DART Sound Recordings Fund Featured Recording Artists and Copyright Owners Subfunds filed by the Alliance of Artists and Recording Companies (“AARC”). 79 Fed. Reg. 60185. George Clinton (“Clinton”) submitted informal objections on August 25, 2014, id. at 60186, and hereby submits through his undersigned counsel his formal comments objecting to the proposed settlement and distribution. INTRODUCTION George Clinton is the Godfather of Funk and a national treasure. A recording artist since 1959, Clinton is one of the most important musicians of the twentieth and twenty-first centuries. In Parliament and Funkadelic, musical groups he formed and led, he scored more than forty hit singles in the 1970s, including four R&B number ones: Parliament’s “Flash Light” and “Aqua Boogie (A Psychoalphadiscobetabioaquadoloop),” and Funkadelic’s million-selling “One Nation Under A Groove” and “(Not Just) Knee Deep.” Clinton, along with fifteen other members of Parliament and Funkadelic, was inducted into the Rock and Roll Hall of Fame in 1997. In 2011, the Smithsonian Institution acquired the Mothership, the flying saucer from which Clinton’s groups once embarked to begin concert performances, to anchor the National Museum of African American History’s inaugural exhibition.1 In 2012, Berklee College of Music awarded Clinton an honorary doctorate. -
BB-1995-07-22.Pdf
$5.50 (U.S.), $6.50 (CAN.), £4.50 (U.K.) IN MUSIC NEWS *BXNCCVR ******** 3 -DIGIT 908 MCA Primes tGEE4EM740M099074$ 002 0663 000 BI MAR 2396 1 03 MONTY GREENLY Fans For 3740 ELM AVE APT A LONG BEACH, CA 90807 -3402 Buffett's `Barometer Soup' SEE PAGE 10 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT JULY 22, 1995 ADVERTISEMENTS TICKETMASTER RIVALS SEEK NEW BIZ Sony's `Spirit BY ERIC BOEHLERT competition. That's because a handful More than 20 years ago, while sitting of challengers covering a patchwork of in the stands at an Arizona State Uni- Of '73' Rocks NEW YORK -Ever since it pur- regions are bidding and occasionally versity football game, computer pro- chased assets from once -mighty com- winning contracts to provide the same grammer Dorothy McLaughlin joined petitor Ticketron in 1991, critics have types of services that Ticketmaster of- her sister and brother-in -law, Margie For Pro -Choice charged that Ticketmaster faces no ri- fers: box -office support, phone rooms, and Bill Bliss, in a brain teaser: Why val and has cornered itself a lucrative a network of satellite outlets, and pro- couldn't tickets be sold electronically BY CHRIS MORRIS market. motional dollars. from various remote outlets, allowing congratulates The accusation, with which the Jus- Despite Ticketmaster selling 55 mil- all customers the same seat selection? LOS ANGELES -Sony 550 Music will mate activist zeal with a sense of nostalgic fun on Aug. 8, when it Carl P. Mayfield, Tele- charge Systemsó SONY Loscalzo & PROTIX. Dil1an1's lion tickets last year and its regional the staffs of competitors moving just a fraction of tice Department's recent investigation that number, the seemingly mis- At the time, companies bicycled did not concur, stems not only from the matched duels continue to unfold. -
Speak Your Mind Flac Torrent Download U.E.P.M.F.M.F.M.F.E
speak your mind flac torrent download U.E.P.M.F.M.F.M.F.E. Funkadelic! George Clinton's second great invention. This is a collection of Funkadelic's twelve original albums from 1970 to 1981, the album Connections & Disconnections which did not include Clinton, a live album, two reissues of old material and six compilations. If there are any errors or if I missed anything, let me know in the comments. Peace! File info: Format: mp3, CBR, 320 kbps. Size: 2.98 GB, 224 mp3-files, 49 jpg-files. Track lists: Original albums: 1970 - Funkadelic 01. Mommy, What's A Funkadelic 02. I Bet You 03. Music For My Mother 04. I Got A Thing, You Got A Thing, Everybody's Got A Thing 05. Good Old Music 06. Qualify & Satisfy 07. What Is Soul. 1970 - Free Your Mind And Your Ass Will Follow 01. Free Your Mind And Your Ass Will Follow 02. Friday Night, August 14th 03. Funky Dollar Bill 04. I Wanna Know If It's Good To You 05. Some More 06. Eulogy And Light. 1971 - Maggot Brain 01. Maggot Brain 02. Can You Get To That 03. Hit It And Quit It 05. You And Your Folks, Me And My Folks 06. Super Stupid 07. Back In Our Minds 08. Wars Of Armegeddon. 1972 - America Eats Its Young 01. You Hit The Nail On The Head 02. If You Don't Like The Effects, Don't Produce The Cause 03. Everybody Is Going To Make It This Time 04. A Joyful Process 05. -
The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie .