ULE Effimiflgee Index Tews 1,2,3,14,15 Opinion 4, 5
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I Wanna Be Me”
Introduction The Sex Pistols’ “I Wanna Be Me” It gave us an identity. —Tom Petty on Beatlemania Wherever the relevance of speech is at stake, matters become political by definition, for speech is what makes man a political being. —Hannah Arendt, The Human Condition here fortune tellers sometimes read tea leaves as omens of things to come, there are now professionals who scrutinize songs, films, advertisements, and other artifacts of popular culture for what they reveal about the politics and the feel W of daily life at the time of their production. Instead of being consumed, they are historical artifacts to be studied and “read.” Or at least that is a common approach within cultural studies. But dated pop artifacts have another, living function. Throughout much of 1973 and early 1974, several working- class teens from west London’s Shepherd’s Bush district struggled to become a rock band. Like tens of thousands of such groups over the years, they learned to play together by copying older songs that they all liked. For guitarist Steve Jones and drummer Paul Cook, that meant the short, sharp rock songs of London bands like the Small Faces, the Kinks, and the Who. Most of the songs had been hits seven to ten 1 2 Introduction years earlier. They also learned some more current material, much of it associated with the band that succeeded the Small Faces, the brash “lad’s” rock of Rod Stewart’s version of the Faces. Ironically, the Rod Stewart songs they struggled to learn weren’t Rod Stewart songs at all. -
SUBCULTURE: the MEANING of STYLE with Laughter in the Record-Office of the Station, and the Police ‘Smelling of Garlic, Sweat and Oil, But
DICK HEBDIGE SUBCULTURE THE MEANING OF STYLE LONDON AND NEW YORK INTRODUCTION: SUBCULTURE AND STYLE I managed to get about twenty photographs, and with bits of chewed bread I pasted them on the back of the cardboard sheet of regulations that hangs on the wall. Some are pinned up with bits of brass wire which the foreman brings me and on which I have to string coloured glass beads. Using the same beads with which the prisoners next door make funeral wreaths, I have made star-shaped frames for the most purely criminal. In the evening, as you open your window to the street, I turn the back of the regulation sheet towards me. Smiles and sneers, alike inexorable, enter me by all the holes I offer. They watch over my little routines. (Genet, 1966a) N the opening pages of The Thief’s Journal, Jean Genet describes how a tube of vaseline, found in his Ipossession, is confiscated by the Spanish police during a raid. This ‘dirty, wretched object’, proclaiming his homosexuality to the world, becomes for Genet a kind of guarantee - ‘the sign of a secret grace which was soon to save me from contempt’. The discovery of the vaseline is greeted 2 SUBCULTURE: THE MEANING OF STYLE with laughter in the record-office of the station, and the police ‘smelling of garlic, sweat and oil, but . strong in their moral assurance’ subject Genet to a tirade of hostile innuendo. The author joins in the laughter too (‘though painfully’) but later, in his cell, ‘the image of the tube of vaseline never left me’. -
© Sex Pistols Sessions Spreadsheet © 2013 God Save the Sex Pistols Studio Sessions Spreadsheet
©www.sex-pistols.net Sex Pistols Sessions Spreadsheet ©www.sex-pistols.net 2013 God Save The Sex Pistols Studio Sessions Spreadsheet. Exclusive ©www.sex-pistols.net 2013 Date Version Super Deluxe SEXBOX1 This Is Crap No Future Spunk Swindle v3 Other CDs Track Time * Track Time * Track Time * Track Time * Track Time * Track Time * Track Time Detail * Chris Spedding Session – Majestic Studios, May 1976 Problems 15/05/1977 1–18 03:41 13 03:36 No Feelings 15/05/1977 1–20 02:42 14 02:42 Pretty Vacant 15/05/1977 1–19 02:44 15 02:45 Dave Goodman Session 1 – Denmark Street & Riverside Studios, July 1976 Pretty Vacant 13–30/07/76 2–01 03:53 1 1 03:29 14 03:30 Lazy Sod 13–30/07/76 1 02:08 2 02:07 1 02:09 Satellite 13–30/07/76 2 04:10 3 04:10 2 04:12 No Feeling 13–30/07/76 Single 2B 2–01 02:46 1–14 02:47 3 02:51 4 02:51 3 02:54 I Wanna Be Me 13–30/07/76 Single 1B –––– –––– 1–13 03:06 4 03:10 5 03:11 4 03:16 3 03:03 Anarchy CD Submission 13–30/07/76 2–02 04:08 5 04:17 6 04:16 5 04:17 Anarchy In The UK 13–30/07/76 21 03:58 7 03:59 13 03:59 Dave Goodman Session 2 – Lansdowne & Wessex Studios, October 1976 Anarchy In The UK 10–12/10/76 6 04:07 8 04:09 6 04:10 Anarchy In The UK 10–12/10/76 Mike Thorne Remix 2–03 04:05 2 04:04 Anarchy CD Substitute 10–12/10/76 2–04 03:10 10 03:06 2 No Lip 10–12/10/76 2–05 03:15 11 03:27 2 Stepping Stone 10–12/10/76 2–06 03:00 12 03:05 2 Johnny B Goode 10–12/10/76 2–07 01:44 3 02:34 2 Road Runner 10–12/10/76 2–08 04:10 4 03:39 2 Watcha Gonna Do About It 10–12/10/76 2–09 01:57 7 01:53 2 4 01:53 Vacant CD2 2 No Fun 10–12/10/76 -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
The Life and Politics of David Widgery David Renton
The Life and Politics of David Widgery David Renton David Widgery (1947-1992) was a unique figure on the British left. Better than any one else, his life expressed the radical diversity of the 1968 revolts. While many socialists could claim to have played a more decisive part in any one area of struggle - trade union, gender or sexual politics, radical journalism or anti- racism - none shared his breadth of activism. Widgery had a remarkable abili- ty to "be there," contributing to the early debates of the student, gay and femi- nist movements, writing for the first new counter-cultural, socialist and rank- and-file publications. The peaks of his activity correspond to the peaks of the movement. Just eighteen years old, Widgery was a leading part of the group that established Britain's best-known counter-cultural magazine Oz. Ten years later, he helped to found Rock Against Racism, parent to the Anti-Nazi League, and responsible for some of the largest events the left has organised in Britain. RAR was the left's last great flourish, before Margaret Thatcher became Prime Minister, and the movement entered a long period of decline, from which even now it is only beginning to awake. David Widgery was a political writer. Some of the breadth of his work can be seen in the range of the papers for which he wrote. His own anthology of his work, compiled in 1989 includes articles published in City Limits, Gay Left, INK, International Socialism, London Review of Books, Nation Review, New Internationalist, New Socialist, New Society, New Statesman, Oz, Radical America, Rank and File Teacher,Socialist Worker, Socialist Review, Street Life, Temporary Hoarding, Time Out and The Wire.' Any more complete list would also have to include his student journalism and regular columns in the British Medical Journal and the Guardian in the 1980s. -
Examensarbete Mall
5LI01E Examensarbete i litteraturvetenskap, master, 30 högskolepoäng Master’s thesis in comparative literature, 30 credits Oi! Oi! Oi? - en kulturkritisk studie av identitetsframställningen i Oi!-punken Författare: Björn Bradling Handledare: Piia Posti Examinator: Peter Forsgren Termin: HT15 Ämne: Litteraturvetenskap Nivå: Avancerad Kurskod: 5LI01E Abstract This master’s thesis suggests that Oi! - lyrically – gives voice to a youth community whose identity lies in everyday working class life. The identity in question is based upon class, gender, sexuality, nationality, and community awareness. As these are intertwined, the thesis shows a more complex genre than that of Matthew Worley’s “Oi! Oi! Oi!: Class, Locality, and British punk”. On the other hand, using the above categories - derived from the studies of Kathryn Woodward – allows this essay to detect a genre identity made from a distinct “the Same” and “the Other” – us and them, as described by Stuart Hall. The latter consists of members of the middle and upper classes along with all kinds of intellectuals. “The Same” is based upon a common belonging to the working class and its local communities, but also on nationhood. On the contrary, the male gender in general and the male sexuality in particular adds to the idea of Oi!´s “the Same”. In contrast to the idea of “the Same”, Stephen Greenblatt’s idea of dissonance works to explain cracks in the façade of Oi! as explained in the spatiotemporal discourse. Moreover, Oi!’s “the Same” is quite alike the subaltern of Antonio Gramsci. This concept suggests that the members of the proletariat are too unaware to be ideologically enlightened and therefore their culture expresses the way of working class life as it is, complete with eventual moral flaws. -
Sex Pistols Quiz: Questions and Answers
kupidonia.com Sex Pistols Quiz: questions and answers Sex Pistols Quiz: questions and answers - 1 / 4 kupidonia.com 1. When was "Sex Pistols" formed? 1975 1977 1979 2. Which band did "Sex Pistols" evolve from? "Acme" "Strand" "Saw" 3. Who was not an original member of "Sex Pistols"? Johnny Rotten Sid Vicious Steve Jones 4. Which song did Andy Allan feature on? "Silly Thing (single version)" "Belsen Was a Gas" "The Great Rock 5. When did the Sex Pistols publicly signed with A&M Records? 1977 1978 Sex Pistols Quiz: questions and answers - 2 / 4 kupidonia.com 1981 6. When was "Holidays in the Sun" released? 1983 1981 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Strand" "Rich Kids" "Club Punk " 8. Who did Sid Vicious meet in 1977 and the band thought she was bad for him? Vivienne Westwood Nancy Spungen Jamie Reid 9. When did the Sex Pistols release "God Save the Queen"? 1976 1977 1982 Sex Pistols Quiz: questions and answers - 3 / 4 kupidonia.com Sex Pistols Quiz: questions and answers Right answers 1. When was "Sex Pistols" formed? 1975 2. Which band did "Sex Pistols" evolve from? "Strand" 3. Who was not an original member of "Sex Pistols"? Sid Vicious 4. Which song did Andy Allan feature on? "Silly Thing (single version)" 5. When did the Sex Pistols publicly signed with A&M Records? 1977 6. When was "Holidays in the Sun" released? 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Rich Kids" 8. -
Queer Youth and the Importance of Punk Rock
QUEERING PUNK: QUEER YOUTH AND THE IMPORTANCE OF PUNK ROCK DENISE SCOTT A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90087-1 Our file Notre reference ISBN: 978-0-494-90087-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Interiority and Counter-Interiority in 19th and 20th Century U.S. Literature and Culture Permalink https://escholarship.org/uc/item/1mj6j1f1 Author Hall, Graham Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Interiority and Counter-Interiority in 19th and 20th Century U.S. Literature and Culture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Graham Hall June 2021 Dissertation Committee: Dr. Susan Zieger, Chairperson Dr. Steven Axelrod Dr. Emma Stapely Copyright by Graham Hall 2021 The Dissertation of Graham Hall is approved: Committee Chairperson University of California, Riverside Acknowledgments I’d like to express my immense gratitude for my committee chair, Susan Zieger, who has been an invaluable source of guidance and support throughout this project. I am grateful that she was willing to humor my flights of thought – while also typically offering me a tether to the ground, as it were – and trust me enough to encourage this somewhat unconventional project. Over the course of the last few years Emma Stapely has also been a crucial example for me as a scholar and teacher. Thank you for showing me how to approach my subject with kindness and openness, and providing valuable and driving insights and questions. I’d like to thank Steven Axelrod for his continuous kind support, and John Kim for indulging in and fostering theoretical musings. I’d like to also thank Sherryl Vint and Rob Latham for their support with the first stages of this project and their mentorship in my early time at UCR. -
At War's End: Allied Forces at Bergen-Belsen Mark
AT WAR'S END: ALLIED FORCES AT BERGEN-BELSEN * MARK CELINSCAK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO APRIL 2012 © Mark Celinscak, 2012 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90347-6 Our file Notre reference ISBN: 978-0-494-90347-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
The Sex Pistols and the London Mob
The Sex Pistols and the London Mob Michael Ewen Kitson Doctor of Philosophy University of Western Sydney, 2008 From my point of view it’s got nothing to do with music. And you could build up a whole thesis just on that thing. Marcus Lipton MP Johnny Rotten? Sid Vicious? Aren’t they characters from a Dickens novel? Kenny Rogers, country music singer1 1 Barry Cain, 77 Sulphate Strip, Ovolo, Cornwall 2007: p.101. Thank you to my brother Max for your hospitality in London and generous assistance (financial and intellectual); to my father Michael for unstinting encouragement and for our regular Tuesday meets; to my mother Jill for your support and excellent editorial advice; thank you to Sally Joy for her many gifts; to Dr Linda Hawryluk for your friendship; to David Brazil, Tyswan Slater, daughter, Kahlila, and Briana McLean who all welcomed me into your extraordinary lives and kept me from loneliness in the mountains’ Blue. Finally, thank you to Gary Scott and Eva Kahans, Michael Francis and especially you, Joe – who never failed to remind me that a PhD was a very boring subject for discussion with a five-year old. For the punks I’ve known: Cressida, Josh, Ken, Sean and Matt, John and Shane, and A.J. I wish to warmly acknowledge the invaluable assistance of Dr Jane Goodall, whose wit and humour combined with infinite patience, transformed my ideas and tested my theories, while Dr Glen McGillivray’s eye for the whole, combined with his detailed editorial advice, saw this thesis become the thing it is. -
SEX PISTOLS - Never Mind the Bollocks Here’S the Sex Pistols
SEX PISTOLS - Never Mind The Bollocks Here’s The Sex Pistols Scritto da addetto stampa Domenica 16 Settembre 2012 19:35 - Ultimo aggiornamento Giovedì 20 Settembre 2012 09:42 Tempo di celebrazioni per i Sex Pistols, il leggendario album d’esordio Never Mind The Bollocks Here’s The Sex Pistols viene ristampato 35 anni dopo l’uscita: un cofanetto Super DeLuxe (disponibile anche in versione doppio CD DeLuxe e in vinile doppio), che contiene 4 dischi, tre CD con l’album originale rimasterizzato (CD 1), le rarità e le b-sides (CD 2) e 2 concerti dal vivo (CD 3), un DVD curato da Julien Temple con immagini dal 1977, un book di 100 pagine, il 45 giri God Save The Queen, poster e memorabilia. Cofanetto in vendita da Disco Club a partire da martedì 25 settembre 2012 al prezzo di 114,90 € NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS Super Deluxe Box Set CD1 - Never Mind The Bollocks* Here's The Sex Pistols Holidays In The Sun Bodies No Feelings Liar God Save The Queen Problems Seventeen Anarchy In The UK Submission Pretty Vacant New York EMI CD2 - 1977 Studio Rarities & B-Sides The single b-sides remastered. No Feeling Did You No Wrong No Fun Satellite Dave Goodman Jan 1977 ** demos recorded at Gooseberry Studios 5. New York 6. EMI 7. Liar 8. Pretty Vacant 9. Problems 10. GSTQ Chris Thomas Demo's ***& Outtakes 11. Did You Know Wrong (March 3rd 1977) 12. 17 (April 21st 1977) 1 / 4 SEX PISTOLS - Never Mind The Bollocks Here’s The Sex Pistols Scritto da addetto stampa Domenica 16 Settembre 2012 19:35 - Ultimo aggiornamento Giovedì 20 Settembre 2012 09:42 13.