Record-Mirror-1978-0
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Austin, Texas
IMPACT OF THE MUSIC ENTERTAINMENT INDUSTRY ON AUSTIN, TEXAS APPROVED : Copyright 1983 Phyllis Krantzman This thesis is dedicated to all those musicians who make Austin a very special place for all of the rest of us. Impact of the Music Entertainment Industry on Austin, Texas BY Phyllis Krantzman, B. A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN COMMUNITY AND REGIONAL PLANNING THE UNIVERSITY OF TEXAS AT AUSTIN August, 1983 Acknowledgements Many thanks to Terry Kahn for his patience and genuine support of an unconventional topic for a traditional thesis. Thank you to Dowell Meyers for some excellent suggestions, interesting conversations, and his sincere enthusiasm for the "music scene." Thanks to Rosemin and Genie, in the Graduate Office, of the School of Architecture, for their calm support and the taking and conveying of messages. Many thanks to all my professors through the years who have taught me even when Iresisted learning. And Iespecially and fondly thank all of my respondents. Without your responses, this document would never have been completed. July 11, 1983 V Table of Contents Chapter ppage I Introduction .' 1 References 8 II The Musicians 9 2.1 Introduction 9 2.2 Methodology 9 2.3 Descriptive Demographics 11 2.3.1 Age 11 2.3.2 Education 11 2.3.3 Family Life 11 2.3.4 Occupational Information 13 2.3.5 Migratory Information 15 2.3.6 Perception of Self and Band .... 15 2.4 Socio-Economic Information 17 2.4.1 Significance of the Music Industry 17 2.4.2 Benefits 17 2.4.3 Musical Instruments 19 2.4.4 Sessions Played in the Last Twelve Months 20 2.4.5 Comments from the Musicians ... -
I Wanna Be Me”
Introduction The Sex Pistols’ “I Wanna Be Me” It gave us an identity. —Tom Petty on Beatlemania Wherever the relevance of speech is at stake, matters become political by definition, for speech is what makes man a political being. —Hannah Arendt, The Human Condition here fortune tellers sometimes read tea leaves as omens of things to come, there are now professionals who scrutinize songs, films, advertisements, and other artifacts of popular culture for what they reveal about the politics and the feel W of daily life at the time of their production. Instead of being consumed, they are historical artifacts to be studied and “read.” Or at least that is a common approach within cultural studies. But dated pop artifacts have another, living function. Throughout much of 1973 and early 1974, several working- class teens from west London’s Shepherd’s Bush district struggled to become a rock band. Like tens of thousands of such groups over the years, they learned to play together by copying older songs that they all liked. For guitarist Steve Jones and drummer Paul Cook, that meant the short, sharp rock songs of London bands like the Small Faces, the Kinks, and the Who. Most of the songs had been hits seven to ten 1 2 Introduction years earlier. They also learned some more current material, much of it associated with the band that succeeded the Small Faces, the brash “lad’s” rock of Rod Stewart’s version of the Faces. Ironically, the Rod Stewart songs they struggled to learn weren’t Rod Stewart songs at all. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Advertising and Public Relations Law
Advertising and Public Relations Law Addressing a critical need, Advertising and Public Relations Law explores the issues and ideas that affect the regulation of advertising and public relations speech. Coverage includes the categorization of different kinds of speech afforded varying levels of First Amendment protection; court-created tests for laws and reg- ulations of speech; and non-content-based restrictions on speech and expression. Features of this edition include: • A discussion in each chapter of new-media implications • Extended excerpts from major court decisions • Appendices providing — a chart of the judicial system — a summary of the judicial process — an overview of alternative dispute resolution mechanisms — the professional codes for media industry and business associations, including the American Association of Advertising Agencies, the Public Relations Society of America and the Society of Professional Journalists • Online resources for instructors. The volume is developed for upper-level undergraduate and graduate students in media, advertising and public relations law or regulation courses. It also serves as an essential reference for advertising and public relations practitioners. Roy L. Moore is professor of journalism and dean of the College of Mass Communication at Middle Tennessee State University. He holds a Ph.D. in mass communication from the University of Wisconsin and a juris doctorate from the Georgia State University College of Law. Carmen Maye is a South Carolina-based lawyer and an instructor in the School of Journalism and Mass Communications at the University of South Carolina, where she teaches courses in media law and advertising. Her undergraduate degree is from the University of North Carolina at Chapel Hill. -
SUBCULTURE: the MEANING of STYLE with Laughter in the Record-Office of the Station, and the Police ‘Smelling of Garlic, Sweat and Oil, But
DICK HEBDIGE SUBCULTURE THE MEANING OF STYLE LONDON AND NEW YORK INTRODUCTION: SUBCULTURE AND STYLE I managed to get about twenty photographs, and with bits of chewed bread I pasted them on the back of the cardboard sheet of regulations that hangs on the wall. Some are pinned up with bits of brass wire which the foreman brings me and on which I have to string coloured glass beads. Using the same beads with which the prisoners next door make funeral wreaths, I have made star-shaped frames for the most purely criminal. In the evening, as you open your window to the street, I turn the back of the regulation sheet towards me. Smiles and sneers, alike inexorable, enter me by all the holes I offer. They watch over my little routines. (Genet, 1966a) N the opening pages of The Thief’s Journal, Jean Genet describes how a tube of vaseline, found in his Ipossession, is confiscated by the Spanish police during a raid. This ‘dirty, wretched object’, proclaiming his homosexuality to the world, becomes for Genet a kind of guarantee - ‘the sign of a secret grace which was soon to save me from contempt’. The discovery of the vaseline is greeted 2 SUBCULTURE: THE MEANING OF STYLE with laughter in the record-office of the station, and the police ‘smelling of garlic, sweat and oil, but . strong in their moral assurance’ subject Genet to a tirade of hostile innuendo. The author joins in the laughter too (‘though painfully’) but later, in his cell, ‘the image of the tube of vaseline never left me’. -
© Sex Pistols Sessions Spreadsheet © 2013 God Save the Sex Pistols Studio Sessions Spreadsheet
©www.sex-pistols.net Sex Pistols Sessions Spreadsheet ©www.sex-pistols.net 2013 God Save The Sex Pistols Studio Sessions Spreadsheet. Exclusive ©www.sex-pistols.net 2013 Date Version Super Deluxe SEXBOX1 This Is Crap No Future Spunk Swindle v3 Other CDs Track Time * Track Time * Track Time * Track Time * Track Time * Track Time * Track Time Detail * Chris Spedding Session – Majestic Studios, May 1976 Problems 15/05/1977 1–18 03:41 13 03:36 No Feelings 15/05/1977 1–20 02:42 14 02:42 Pretty Vacant 15/05/1977 1–19 02:44 15 02:45 Dave Goodman Session 1 – Denmark Street & Riverside Studios, July 1976 Pretty Vacant 13–30/07/76 2–01 03:53 1 1 03:29 14 03:30 Lazy Sod 13–30/07/76 1 02:08 2 02:07 1 02:09 Satellite 13–30/07/76 2 04:10 3 04:10 2 04:12 No Feeling 13–30/07/76 Single 2B 2–01 02:46 1–14 02:47 3 02:51 4 02:51 3 02:54 I Wanna Be Me 13–30/07/76 Single 1B –––– –––– 1–13 03:06 4 03:10 5 03:11 4 03:16 3 03:03 Anarchy CD Submission 13–30/07/76 2–02 04:08 5 04:17 6 04:16 5 04:17 Anarchy In The UK 13–30/07/76 21 03:58 7 03:59 13 03:59 Dave Goodman Session 2 – Lansdowne & Wessex Studios, October 1976 Anarchy In The UK 10–12/10/76 6 04:07 8 04:09 6 04:10 Anarchy In The UK 10–12/10/76 Mike Thorne Remix 2–03 04:05 2 04:04 Anarchy CD Substitute 10–12/10/76 2–04 03:10 10 03:06 2 No Lip 10–12/10/76 2–05 03:15 11 03:27 2 Stepping Stone 10–12/10/76 2–06 03:00 12 03:05 2 Johnny B Goode 10–12/10/76 2–07 01:44 3 02:34 2 Road Runner 10–12/10/76 2–08 04:10 4 03:39 2 Watcha Gonna Do About It 10–12/10/76 2–09 01:57 7 01:53 2 4 01:53 Vacant CD2 2 No Fun 10–12/10/76 -
16,99€ 14,99€ 1) 16,99€ 14,99€ 1) 16,99€ 13,99€ 1) 16,99€ 13,99€ 1) 17,99€ 16,99€ 17,49€ 16,99€ 2) 1
IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 322 RINSCHEWEG 26 (CD/LP/10"&12"/7"/MAGs) 48159 MUENSTER (06.11.2011 - 23.11.2011) GERMANY TEL. 0251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 CD CD CD CD CD CD 16,99€ 14,99€ 1) 16,99€ 14,99€ 1) 16,99€ 13,99€ 1) 16,99€ 13,99€ 1) 17,99€ 16,99€ CD CD CD CD CD CD 17,49€ 16,99€ 2) 18,99€ 18,99€ 17,99€ 17,49€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL 23.12.2011! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 11/2011 #2 SEITE 2 *** CDs *** EVERTON BLENDER................... HIGHER HEIGHTS REVOLUTION..... ISLAND SPLASH E (USA) (11/11). 17.99EUR BOOM DONOVAN GREEN................ STUDENT OF THE GHETTO (+2 BON) LIGHT OF LIGHTS (GBR) (--/11). 16.99EUR MIKE BROOKS....(back in stock!)... RUM DRINKER (+5 BONUS)........ I-SOUND........ (FRA) (79/04). 14.99EUR BURAKA SOM SISTEMA (feat. AFRIKAN BOY/KAYSHA/SARA TAVARES & TERRY LYNN/BLAYA & ROSES GABOR/BLAYA/SEREOTYP/ BABABA/MIXHELL/BAMBA ESTEREO).... KOMBA (+ 1 BONUS)............. ENCHUFADA...... (GER) (11/11). 17.99EUR COSMIC 4'S........................ AIRSIGNAGE.................... GEMELO......... (GER) (96/96).. 9.99EUR CREATION REBEL (feat. RANKING SUPERSTAR/JAH WOOSH/PRINCE FAR I).............. STARSHIP AFRICA (+ 4 BONUS)... ON.U SOUND..... (GBR) (80/11). 16.99EUR DUB GENERATION (feat. -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
IRIE RECORDS New Release Catalogue 12-09 #1
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNG: EINZELHANDEL NEUHEITEN-KATALOG NR. 279 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVD/MAGs) 48159 MÜNSTER KONTO NR. 35 60 55, (VOM 21.11.2009 BIS 08.12.2009) GERMANY BLZ 400 501 50 TEL. 0251-45106 SPARKASSE MÜNSTERLAND OST SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD 2CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 12/2009 #1 SEITE 2 *** CDs *** LLOYD BROWN (feat. SWEETIE IRIE & CHUKKI STARR/MR. WILLIAMZ & JUXEI D/DON RICARDO)............. FOR YOUR CONSIDERATION........ COUSINS........ (GBR) (09/09). 16.99EUR DUBPHONIC (feat. LISET ALEA/ DANIELLA D'AMROSSO/CEU/MAU)...... RELIGHT....................... HAMMERBASS..... (FRA) (09/09). 17.99EUR FATMAN, UNITY SOUND & DEMON ROCKERS (feat. CHARJAN & JACK RUEBEN; FLINTY, BADMAN & NITTY GRITTY).......................... 1987 (SOUNDSYSTEM RECORDING).. BLANK/SOUNDSYST (GBR) (87/09).. 9.99EUR HALF PINT/MICHAEL PALMER ( back in ) JOINT FAVOURITES.............. GREENSLEEVES... (GBR) (86/95).. 9.99EUR PETER HUNNIGALE................... REGGAE VILLE (14 NEW TRACKS).. MUSICAL THERAPY (GBR) (09/09). 17.99EUR SOLOMON JABBY ( back in stock! ).... ROOTICAL REVELATIONS.......... LION OF ZION EN (USA) (01/01). 13.99EUR KIDDUS I ( 21 rare late 70's & Early 80's tracks incl. 3x12" mixes )........................... ROCKING REBEL VOLS.1 & 2 (2CD) MVD AUDIO...... (USA) (--/09). 21.99EUR 2CD KING ATTOURNEY (feat. -
Rod Taylor Au Plein-Les-Watts Festival
Rod Taylor au Plein-les-Watts Festival Rod Taylor est un légendaire chanteur rasta jamaïcain, dont le classique « His Imperial Majesty » figure en bonne et due forme dans le Top 100 des plus belles chansons reggae de tous les temps ! Rod Taylor a vécu la période glorieuse du « roots & culture » des 70′s. Enregistrant pour Ossie Hibbert, Bertram Brown, Mikey Dread, Linval Thompson, Channel One, Henry Junjo Lawes, Prince Far I, Prince Hammer, Nigger Kojak ou plus récemment pour Mixman, Jah Warrior ou encore Roy Cousins, Rod Taylor est un nom majeur du reggae jamaïcain. Les amateurs d’authentique « Roots & Culture » reprendront à l’unisson les classiques « Brixton Trial & Crosses », « Bad Man Comes And Goes », « Words Of Parables », « Ethiopian Kings » ou encore « Behold Him ». Pour son retour en Europe et la sortie de ce nouvel album produit par les « Positive Roots Band » sobrement intitulé « ORIGINAL ROOTS », Rocky T (autre surnom de Rod Taylor) est backé par le POSITIVE ROOTS BAND de Toulouse qui, aux côtés du Homegrown Band, reste l’un des meilleurs backing-bands roots français actuels. Positive Roots Band qui nous présente leur excellent chanteur de l’île St Martin : Bob Wasa. Bref, vous l’aurez compris, dans ce projet cd de 14 titres, une rencontre explosive entre une légende rasta from Yard et un french combo qui restera certainement gravée dans les mémoires. Basé à Toulouse et créé fin 1999, le POSITIVE ROOTS BAND accompagné de leur chanteur BOB WASA (St Martin), se révèle sur scène avec plus de 650 concerts (!) en 12 ans à travers la France, les Antilles et l‘Europe. -
1 2 | Lonestarmusic Lonestarmusic | 3
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T.